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Rencontres d'Arles
2006: "Companions
and Fellow Travelers" selections by Raymond Depardon
As one sub-theme of this year's festival of photography,
guest-curator Raymond Depardon chose to highlight the work of many of
his friends, photographers and artists of yesterday and today, people
who have helped him and with whom ongoing exchange has brought mutual
enrichment. Photographing the world, they commuincate in a range of genres
covering reportage, celebrities, fashion and contemporary art.
Depardon had this to say in his opening remarks:
"When François Hébel invited me to be guest curator
at the 2006 Rencontres d'Arles, I
immediately thought of my photographic "fellow travellers":
of putting their work on show
as a reminder of their personalities, and of the itineraries of several
generations of
photographers, all of them now recognised even if some are no longer with
us. Their
homes are in New York, London and Paris, and even when our paths are different,
we
share the same passion: "photographing the world" as best we
can and passing the
message on. This is why we are all attached in our own way to getting
photographers
together in agencies as a means to freedom in disseminating our pictures.
"Most of all, though, there was that French thing: not waiting around,
not wanting to rely on an editor, but rather getting involved, not being
put off, intervening, dropping the notion of the pseudo-neutrality of
photojournalism – and even putting our point of view in writing,
asserting the existence of a human being behind each photograph. Vulnerable,
prideful, solitary, concerned, courageous and even, sometimes, naive –
in the way that made top American pictures editors Carole Kismaric and
John Durniak say we were "so French". We wanted control over
our captions, and why not the layout while we were at it, and we wanted
to publish our own books because our friends were dying off and people
were trying to make us believe that was the way things were. Gilles Caron,
Michel Laurent and Olivier Rebbot and plenty of others with whom I'd photographed
war, suffering and revolt. They were thirty when they died – murdered
or cut down by not-so-stray bullets – and left daughters, wives
and sisters behind. So not everyone will be present, but at least there
will be a tribute to that founding school, and those who have left us
will not be forgotten."
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