I started shooting at sixteen. About 8 years ago, I had contact with photography in contemporary art, also with visual narratives, photo books etc. That set me free and gave me a new meaning to the photograph. Currently as theoretical horizons, I observe phenomenology and anthropology. My interests gravitate between (a) human relationships [being as a verb, noun and collective]; (b) the timeless narratives; (c) the perceptive catharsis in the expansion of consciousness; (d) the potentiality of the paradoxes, the troublesome and the uncertainty.