I am a neuroscientist and an avid art photographer. In recent years I found myself directing most of my attention and energy to still life photography of biological specimens, highly inspired by my long-lasting confrontation with biological tissues in my clinical research.
It takes a while for a young clinician or a researcher to accommodate to the laboratory or hospital scenes. Even after extensive training, some cannot adjust to the visuals. I feel my photographic activity carries me to these sometimes emotionally disturbing regions too.
My photographic activity deals with the aesthetics of the scene, improvising various contexts; the tools and paraphernalia shown are not just the typical ones used in the operating place.
My "Life Science” project situates biological tissue into relatively pleasant, sometimes artificial scenarios, contemplating issues of materialism, erotica and mortality, corresponding with the complicated and intriguing category of “Animal Reminder” in the visual arts.
I feel my work also challenges various ideas about violence. We tend to describe violent humankind behavior as an animal-like beastly revolting one, associated with violent animal behavior. However, I believe in many aspects we are inferior to the moral conduct of the animal world, while being superior in our “creative violent behavior”.
All specimens in the photographs are derived from Natural History collections.
— Eran Gilat
Using paint, ink, thread and a photocopier, these deceptively simple interventions offer deeper thoughts on the ways that we can (or can't) change the world around us.
The work of young Dutch photographerfocuses on restoring physicality to our overly rational minds, bringing us back in touch with our body and the sensual world around us.
Wrapped in string and held together with pins, abandoned specimens of taxidermy birds embody the irony in killing to achieve a hollow immortality. Although initially disturbing, these images pay fitting tribute to their subjects in a dignified, almost reverential manner.