I am a neuroscientist and an avid art photographer. In recent years I found myself directing most of my attention and energy to still life photography of biological specimens, highly inspired by my long-lasting confrontation with biological tissues in my clinical research.
It takes a while for a young clinician or a researcher to accommodate to the laboratory or hospital scenes. Even after extensive training, some cannot adjust to the visuals. I feel my photographic activity carries me to these sometimes emotionally disturbing regions too.
My photographic activity deals with the aesthetics of the scene, improvising various contexts; the tools and paraphernalia shown are not just the typical ones used in the operating place.
My "Life Science” project situates biological tissue into relatively pleasant, sometimes artificial scenarios, contemplating issues of materialism, erotica and mortality, corresponding with the complicated and intriguing category of “Animal Reminder” in the visual arts.
I feel my work also challenges various ideas about violence. We tend to describe violent humankind behavior as an animal-like beastly revolting one, associated with violent animal behavior. However, I believe in many aspects we are inferior to the moral conduct of the animal world, while being superior in our “creative violent behavior”.
All specimens in the photographs are derived from Natural History collections.
— Eran Gilat
Polish artist Tadeusz Kantor claimed that if an item is not capable of fulfilling its main function in reality—then it regains its message (and meaning) in the world of art. These inventive assemblage photographs give fresh form to the old idea of "ready-mades."
Photographerre-traces the steps of his mother's life travels from China to Hong Kong to England. This family history is told through a deft mixture of old family photos, oral history, and new photos of the places that were significant in her past, but shown as they are today.
prepares Bento lunches for herself and her husband every day, and she photographs them, since they really are visual works of art, too.
By photographing carefully constructed models, which break the rules of perspective, these images aim to disrupt photography's ingrained conventions of representation and reality.