Lack of everything that’s important. I try to think of the “road.” I can’t. I’m utterly exhausted. I’m only really going because of the weather. The prospect of wind, snow, and my flashes on the beach kept me awake. And also I’m scared of a few days of thinking only about Her, and here I’ll have the Baltic. My Baltic. Instead.
“Swell” is a story of a break-up and of unaccepted loneliness. About going back to the same places and memories that we can’t forget. At first it was supposed to be a documentary project about the Baltic Sea. So a plan was drawn up, the form was thought through, and the places to be visited were marked on the map.
The photographs came about during trips together. The last joint photo was taken a little later—and a portrait on a negative ruined by the lab technician. The project no longer mattered, and the outings to the sea were now only an escape from daily life.
Over a dozen color “postcards” have survived from the first trips. They are the beginning of this story. There is no end yet. We’re about half-way.
A powerful new photobook about individuals in Russia and Ukraine who have crossed the line, seeking total solitude, excluding themselves completely from society.
has documented the dazzling "transformer-style" traveling stage trucks used by all kinds of performers throughout Taiwan. The elaborate stages on wheels are giant, gaudy, glowing structures that travel virtually non-stop across the country — unfolding in a matter of minutes to reveal their magical settings, only to pack up and leave again minutes after a performance has finished.
A beautiful new photobook of rich, intimate black-and-white photographs by two of Scandinavia's leading photographers.
Returning to where you grew up is always tricky: these dreamy images blend distant memories with feelings of nostalgia to produce a longing, loving portrait of home.