Master of Contemporary Photography, Eftí, Madrid. As a multidisciplinary artist, Curro Rodríguez's work always treads the boundaries between photography, video art, installation, performance, and music, creating an amalgam that gives shape and meaning to a personal and distinctive expression. The relationship between man and land, body and territory, the instinctive and the atavistic, makes Curro Rodríguez's work closely linked to his roots. Flamenco is the voice he uses in a transversal way in his work to unify all these concepts, creating a unique universe and his own costumbrista imagery to provide answers to questions such as uprooting or pain.
He has participated in international video art exhibitions: IVAHM, Madrid, WOW Venice. Taking part in exhibitions as Begira Photo, Pa-ta-ta Photography, Antiparos Photo Festival, Cyclo Madrid or Ser-Aqui, in Cádiz. His work was published being part of books, “On Nature”, by NONFICTION Paris, Handbali Magazine, Noice Mag or EXC! Magazine.
His discourse shows and debates the relationship/disjunction between the current being and the natural space, the instinctive search for origins, and the vernacular. "Walking the dividing line between what is acquired and what is found, between what is thought and what is dreamed, a duality that is always found in the intermediate zones, where nothing happens until it happens, always slowly and almost invisibly. To envelop oneself with the coverage of the ancestral in an innate way is nothing more than allowing that brutalist, and at the same time uncomfortable, aspect to surface, in contrast to the conditioned and molded path. The scream, the lip of the mistreated rock, the drift towards where the pain leads, and the scent perceived when it dissipates." These are the branches that support what he does and what he seeks.
