Dani Tranchesi works between the limits of what belongs to her and what belongs to the ‘other’, between what can be considered common and what we call unusual.
In 2022 she held the exhibition Mirabilandia, curated by Diogenes Moura where he explores the playful and unique universe of Brazilian amusement parks.
Her project 3 é 5 shows the day-to-day life of public fairs in São Paulo, from the worker's point of view; the great public opera that is the assembly, the flow of customers, the disassembly and the “language” used by the stallholders. This work follows the photographer's research journey, which began in 2019, alongside the writer, curator and editor Diógenes Moura, with an exhibition and launch of the book (Vento Leste Editora) at Estúdio 41 in São Paulo, in August 2021, at the Nara Roesler gallery in Rio de Janeiro in February 2022 and at the República metro in São Paulo during the months of May and June 2022.
In July 2021, she was part of the group of 30 photographers who represented Brazil at Les Chegas de La Photographie, in Arles, France, as part of the Rituais Fotográficos – Rituais de Resistência project, carried out by Iandé Photographie and Photo Doc, from Paris.
From September 2021 she was present at the collective exhibition TERRA EM TRANSE, held at the Afro Brasil Museum.
LINDO SONHO DELIRANTE, a project carried out between 2019 and 2020, had an exhibition and launch of the book of the same name at Galeria Estação and brings together images produced in São
