As a young girl she used to secretly put her father’s Leica in her backpack, get on her bicycle and loose herself photographing the sunny countryside of the Po valley. Her photographic education took first place in the darkroom in the garage at home, then in contact with the Italian fine art photographer Attilio Pavin. Today, as an adult, a communications manager and a mother, she still loses contact with reality every now and then (which is where her best works come from) and she still observes the world as if she had to photograph it at every moment.
