David Palacios belongs to a generation of young
artists whose proposals relate to the newest
languages. His work deals with the deconstruction
of works of art and the multiple fields related to this
notion. Palacios also carries out an intertextual
analysis of the work as a product and the context
that sponsors it, employing institutional connections
of all sorts. Using various indicators, comparative
charts, percentile analysis and statistical diagrams,
the artist shows the complexity of these relationships.
In many cases, he alludes to corrupted associations
that transform the work into a mere symbol destined
for commercialization and marketing. Palacios has
participated with other artists in various group
projects, and has shown his work as installations
as well as in traditional formats.