My work studies the passing of time and the use of the image as code. I am interested in the preservation of memory as a record of the human being in the world pushing the document to its limits. I identify with solitaire and deteriorated spaces, implying the life and death of human history. Playing with collective imagination, my work tends to have the viewer interact with the pieces. I experiment with alternative process using photographic emulsions or wet plates as I am inclined to create unique and fragile pieces.