Pedro Farías-Nardi has devoted much of his anthropological/photography career to document the lives of people that are socially and economically alienated, the response of these groups to the policies of modern capitalism and its impact on demoted sectors of society, together with documentation of cultural dynamics that are in flux, in his native country (Dominican Republic) and in Latin America. An example of this are the various anthropological studies and photographic essays on cotton farmers in India, the miners in the Bolivian Altiplano, the human situation after the Chernobyl disaster, Ukraine and Bateyes in the Northwest Line, in the Dominican Republic, among other. His photographic exhibits range from questioning the human condition in different environments and social enclave to conceptual images of the places he visits on his travels.
