Priscila Ribeiro is a Brazilian documentary photographer whose work focuses on themes such as human rights, migration, gender-based violence, and the environment. Her approach combines humanized communication with a deep commitment to empathy and social justice, contributing to the search for and connection of narratives that denounce, embrace, and engage in dialogue with both the intimate and the collective.
A member of Women Photograph, she works on long-term projects and contributes as a freelance photographer to media outlets such as The New York Times. Priscila is dedicated to investigating social issues that traverse bodies and territories, delving into themes such as inequality, human rights violations, gender-based violence, and our relationship with the environment.
In 2025, she won first place in the POY Latam in the Daily Life category for a single photo and was a finalist in the FotoDoc documentary photography contest held in São Paulo. In 2024, she held her first solo exhibition, A Última Estação, at Sesc Arsenal (Brazil), and her work has been shown in important group exhibitions in Australia, Italy, and France. She was a finalist at the International Photography Festival of Paraty, selected among the 100 photographers of the year by the Women Photograph collective, and her work has been recognized in awards such as the Head On Photo Awards (Australia) and the Royal Photographic Society 166 (United Kingdom).
