My work has an eminently multidisciplinary character. Photography coexists with manipulated objects and installations to explore different aspects of conflict in relation to identity, the social, the political or within the individual. My photographic work cannot be framed within the realm of reportage although it contains numerous connections with the documental and I frequently focus on themes drawn from the daily press or historical memory. I am most interested in photography as essay, as a tool for reflection. Through each image I create, I attempt to explore a specific moment in 20th century history as if it were in open dialogue with our present reality, a dialogue with its tensions and confrontations. It is fiction but at the same time documental in nature. Every object that I introduce in the works is rigorously selected original from the epoch I am dealing with, and as such, are all part of reality and history. These elements add a documentary component which is essential.