Contemporary British seascapes and a fascinating photographic record of the country’s remaining pleasure piers, an homage to these monuments of Victorian engineering and eccentricity.
Simon Roberts Brighton, United Kingdom
Brighton, United Kingdom
University of SheffieldNational Council for the Training of Journalists
Flowers Gallery, LondonRobert Morat Galerie, HamburgKLOMPCHING Gallery, New YorkMC2 Gallery, MilanGalerie Heinzer Reszler, Lausanne
POC / www.pocproject.com
travelled far and wide throughout his native England to capture contemporary photographs of his fellow countrymen and fabled landscapes. The results are poetic, stunningly beautiful, and sometimes quite humorous.
Simon Roberts (b.1974) is a British photographer based in Brighton, UK. He originally studied a BA Hons Degree in Human Geography at the University of Sheffield (1996), a subject which has informed his subsequent photographic practice. After gaining a diploma from the National Council for the Training of Journalists (1997) and a period working as a magazine photographer, Roberts has spent the past decade dedicated to long-term self-generated projects. Often employing expansive landscape photographs, his approach is one of creating wide-ranging surveys of our time, which communicate on important social, economic and political issues.
Roberts has been exhibited widely with We English touring to over thirty national and international venues. He’s had solo shows at the National Media Museum, Bradford, Museum of Contemporary Photography, Chicago, and Museum of Contemporary Art, Shanghai, and been included in numerous group exhibitions. Recent shows include Observers: British Photography and the British Scene (From the 1920s to Now) at Galeria de Arte SESI, Brazil, and Camera Work at Museo d’Arte Contemporanea, Rome. His photographs reside in major public and private collections, including the George Eastman House, Deutsche Börse Art Collection and Wilson Centre for Photography.
In recognition for his work, Roberts has received several awards including the Vic Odden Award (2007) – offered for a notable achievement in the art of photography by a British photographer, along with bursaries from the National Media Museum (2007), John Kobal Foundation (2008) and grants from Arts Council England (2007, 2010, 2011). He was commissioned as the official Election Artist by the House of Commons Works of Art Committee to produce a record of the 2010 General Election on behalf of the UK Parliament. In 2012 he was granted access by the International Olympic Committee to photograph the London Olympics.
He has published three critically acclaimed monographs, Motherland (Chris Boot, 2007), We English (Chris Boot, 2009) - which was voted by Martin Parr as one of the best photography books of the past decade - and Pierdom (Dewi Lewis Publishing, 2013). He has also self published two newspapers, The Election Project (2010) and This Is A Sign (2012).
Roberts is regularly invited to give artist talks and teach workshops in photography for national and international institutions, including a post as visiting lecturer on the European Master of Fine Art Photography course at the Istituto Europeo di Design, Madrid. He is a member of POC, a network of contemporary photographers.
One commentator has described his photographs as “subtle in their discovery and representation of forms of cultural character, which, upon closer inspection, reveal a richness of detail and meaning. They exhibit a disciplined compositional restraint, a richness of palette, and a wealth of narrative incident.”