For myself and for the love of it.
I like to collect instants from this play called life, where Scenography and Choreography are, though, brilliantly mastered by Time.
My investigation, with its foundations made by curiosity, never stops to spin between the life actors. This implies that I have to be on their same stage.
At the speed of 1/125 of a second I collect now what happens around me. I give back to reality fragments of a magic mirror, imprinted with moments of developed "truth".
I try not to move from an extreme to another, not to use the camera to shout against who disclaim “reality”. I build up suggestions to find authentic moments of life in between a framed view of our cities. The city is, in fact, where I can find an endless tide of crucial and insubstantial happenings. Here, the duvet with which Reality pretend to veil its face it is always too short and leaves its feet exposed to my viewfinder.