{"profiles":[{"id":52,"bio":"","user_id":52,"name":"Mark Laqua","website":"www.mark-laqua.com"},{"id":161845,"bio":"Helge Skodvin lives in Bergen, Norway. He is trained as a carpenter, but since he laid down his hammer and took a BA in Photography at London College of Printing he has been working freelance for major newspapers, magazines and publishing houses.\n\nHe is a member of Moment Agency and he is represented by Institute Artist.\n\nHe is also working on large photographic projects.\nTwo of those became books in the fall of 2015.\n- 240 LANDSCAPES, that Martin Parr thought was the \"the funniest landscape book I have ever seen\"\n- A MOVEABLE BEAST, that was shortlisted for the Leica Oskar Barnak Award.\n\nFacebook: Helge Skodvin\nInstagram: @hskodvin","user_id":161243,"name":"Helge Skodvin","website":"www.helgeskodvin.no"},{"id":699,"bio":"REPRESENTATIVES:\n\nArteF Fine Art Photography Gallery - Splügenstrasse 11, 8002 Zurich  Switzerland Tel. +41 (0)43.817.66.40\nGalerie Baudoin Lebon - 38 Rue Sainte Croix de la Bretonnerie, 75004 Paris Tel. 33.1.42.72.09.10\n\nBACKGROUND:\nBorn: Detroit,Michigan; July 19, 1931\nEducation: University of Michigan, Ann Arbor, Michigan, B.A., History of Art, 1953\nWayne State University,Detroit, Michigan, M.A., Art Education, 1956\n\nSELECTED SOLO EXHIBITIONS:\n2012 May - Dalet Gallery, Philadelphia, Just Bodies\n2010 Sept - Oct Maison Européenne de la Photographie, Paris, Images au Corps\n2010 Jan - Feb Dalet Gallery, Philadelphia, PA, In Between\n2009 Sep - Oct Galerie BMG, Woodstock, NY, Ernestine Ruben: Solo Exhibit\n2009 Mabel Smith Douglass Library, Rutgers University, New Brunswick, NJ, Destiny\n2008 Bernstein Gallery, Woodrow Wilson School,\n        Princeton University, Princeton, NJ, Imagined Landscapes\n2008 Rosenwald-Wolf Gallery, The University of the Arts, Philadelphia, PA, Retrospective\n2008 Palace Hotel, Lucerne, Switzerland, Dancescapes\n2008 Peter and Paul Fortress, The State Museum, St. Petersburg, Russia, Large Bodies\n2007 Pingyao International Photography Festival, China. Perceptions and Body Landscapes\n2006 Exhibition at American Embassy, Bratislava\n2006 Lianzhou International Photo Festival, Guangdong, China. Works inspired by Chinese Art\n2006 House of Photography, Liptovsky Mikulas, Slovakia, In Human Touch\n2004 Maison Européenne de la Photographie, Paris, Pushing Back the Boundaries of Photography\n2004 John Stevenson Gallery, New York, New Work, Landscapes printed in gum dichromate\n2001 University of Michigan Museum of Art, In Human Touch: Photographs by Ernestine Ruben, curated by James Steward\n2001 Halsted Gallery, Birmingham, Michigan\n2000 Stanford University Art Museum, Cantor Center for the Arts, Ruben on Rodin\n1999 John Stevenson Gallery, New York, A Lover's Journey: A Retrospective of Nudes\n1999 Galerie Baudoin Lebon, Paris, An American in Paris\n1997 The Czech Embassy, Washington, DC, The Petra Project\n1997 Kathleen Ewing Gallery, Washington, DC, Rodin Revisited and The Petra Project\n1997 The John Stevenson Gallery, New York, Rodin\n1997 Montgomery Museum of Fine Arts, Montgomery, Alabama, Correspondences with Rodin\n1997 Maison Européenne de la Photographie, Paris, Correspondences with Rodin\n1997 Dieu Donne Gallery, New York, Fusions: Paper and Photography\n1997 Prague House of Photography, Czech Republic\n1996 Merrill Lynch Art Gallery, Plainsboro, New Jersey\n1996 The Rodin Museum of The Philadelphia Museum of Art\n1996 The Print Center, Philadelphia\n1996 Marist College, Poughkeepsie, New York\n1995 Memorial Gallery, Lehigh University, Bethlehem, Pennsylvania\n1994 Paper Museum, Angouleme, France\n1994 The Bellport, Bellport, New York\n1993 The Walters Gallery, Rutgers University, New Brunswick, New Jersey\n1992 Gallery 6X7, Mainz, Germany, ArtEXPO in Frankfurt, Germany\n1991 Gallery of Union of Czech Photography, Prague, Czechoslovakia\n1991 Tour of German Cities, Form and Feelings, sponsored by Kodak\n1990 Sephia Gallery, Brussels, Belgium\n1990 Chateau D'Eau, Toulouse, France\n1990 Espace Photo de La Ville de Paris, Paris, France\n1990 Johnson and Johnson, New Brunswick, New Jersey\n1990 ICP Midtown, New York, New York\n1989 Forum Gallery, Tarragona, Spain\n1989 Canon Image Center, Amsterdam, Holland\n1988 Galerie Charles Sablon, Paris, France, Mois de la Photo\n1988 Centre de la Culture, Amiens, France\n1988 Marcuse Pfeifer Gallery, New York, New York\n1988 Museum, Aurillac, France\n1988 Wilfrid Israel Museum, Haifa, Israel\n1987 La Chambre Claire, Paris, France\n1986 IV Mois de la Photo, Lisieux, France\n1986 Ken Damy Gallery, Milan and Brescia, Italy\n1986 Al Ferro di Cavallo, Rome, Italy\n1986 Salzburg College, Salzburg, Austria\n1985 Contemporary Women's Exhibit, Volvic, France\n1985 Musee Fabre, Montpelier, France, Journees Internationales de la Photographie, Corps Humain\n1985 The American Cultural Center, Brussels, Belgium\n1985 Photographic Center of Athens,Athens, Greece\n1984 Bateau Lavoir, Paris, France, Mois de la Photo, Etre Humain\n1984 Le Reverbere, Lyon, France\n1984 Tartessos Gallery, Barcelona, Spain, Primavera Fotografica\n1983 Galerie Marion Valentine, Paris, France\n1983 Profoto Gallery, Nurenburg, Germany\n1983 Photographer's Gallery, Paule Pia, Antwerp, Belgium\n1983 Rubiner Gallery, Detroit, Michigan\n1982 France FNAC Galleries, traveling for 18 months, Paris-Montparnasse, Nice, Toulouse, Marseille, Colmar\n\nSELECTED GROUP EXHIBITIONS:\n2012 October/November - MANA Contemporary, two shows The Originals and 2 X 2\n2011 Mar - June Princeton University Art Museum, Princeton, NJ, When Men and Mountains Meet—China as Land and People\n2011 Mar - Apr The Arts Council of Princeton, Princeton, NJ, Between You and Me: An Exhibition of Photographic Portraiture\n2009 The Gershman Y Galleries, The University of the Arts, PA, Selections:\n         Original works from The Book of Alternative Photographic Processes\n2007 Mason Gross Gallery, Rutger's University, NJ, Eccentric Bodies\n2007 Bratislava, Slovakia, Galeria PF01, The Three: Generations, Women, Places\n2007 June-August Mason Gross Gallery, Rutger’s University, NJ, Eccentric Bodies\n2007 May Bratislava, Slovakia, Galeria PF01, The Three: Generations, Women, Places\n2006 ArteF Fine Art Photography Gallery, Zurich, Switzerland, The Body Exposed\n2006 Biennale Internazionale di Fotographia di Brescia, Italia\n2005 Panopticon Gallery, Waltham, MA, Tree in Landscape \n2005 Cork Gallery at Lincoln Center, New York, NY, The Handmade Print \n2004 Panopticon Gallery, Waltham, MA, Beneath the Surface\n2004 Fotofest, Houston, TX, A Personal View \n2003 The Print Center, Philadelphia, PA, Sculptural Prints\n2002 John Stevenson Gallery, New York, Beauty will save the World \n2002 Perkins Center for the Arts, Moorestown, NJ, A Tribute to New York \n2001 Galerie Valerie Cueto,Paris, Girls on Top \n1998 Skopelos, Greece. The Body Electric. Curated by William Ewing \n1997 The Montreal Museum of Fine Arts, Body in the Lens. Curated by William Ewing\n1996 Month of Photography, Paris, Le Forum des Halles, Image de la Mere \n1996 Dieu Donne Gallery, New York, Innovations and Explorations in Handmade Paper\n1996 Chateau d'Eau, Toulouse, France, D'une Main...l'autre \n1994 Phillips Mill Invititational, New Hope, Pennsylvania \n1993 Jan Noyes Museum, Master Prints from the Rutgers Center for Innovative Printmaking \n1992 Palais Tokyo, Paris, En Avion (with book) \n1992 Noyes Museum, New Jersey State Invitational \n1989 Salle du Musee Botanique, Brussels, Belgium \n1989 Nikon Live Gallery, Zurich, Switzerland\n1988 Graz City Hall, Graz, Austria, 150 years of Photography \n1988 Musee d'Art Moderne, Paris, France, Splendeur Misere du Corps \n1988 Chateau d'Eaux, Toulouse, France, Artotheque/Acquisitions, 1985-1988 \n1988 Chateau d'Eaux, Toulouse,France, Artotheque/Acquisitions \n1988 Musee des Beaux Arts, Toulon, France, Creation en France, Le Corps, La Galere \n1987 Chateaud'Eaux, Toulouse, France, Artotheque, Image du Corps \n1987 Pinacoteca Comunale, The Male Nude in the 19th and 20th Centuries, curated by Peter Weiermair\n1987 Morris Museum, New Jersey, Works by Recipients of New Jersey Arts Council Fellowships \n1986 Perros-Guirec, France, Perros, Ses Rochers \n1985 Espace Austerlitz, Paris, France, Eros 85 \n1984 Rubiner Gallery, Detroit, Michigan\n1984 Pavillon des Arts, Paris, France, La Photographie Creative, curated by Jean-ClaudeLemagny \n1984 Galleries Lafayette, Paris, France, November 1984, Les Plus Belles Images du Mois de la Photo \n1984 Amsterdam, Holland, Amsterdam Photo Festival, Object Man, curated by Giuliana Scime\n1983 Nimbus Gallery, Dallas, Texas \n1983 Galerie Marion Valentine, Paris, France \n1983 Municipal Museum, Bologna, Italy\n1980 Monmouth Gallery, Monmouth College, New Jersey \n1982 Soho Gallery, New York, New York, juried show of students of Maine Photographic Workshops \n\nWORKSHOPS CONDUCTED:\n2011 Princeton Photographic Club, Ongoing\n2011 Arts Council of Princeton\n2010 Private Tutoring\n2010 Princeton Photographic Club\n2009 Peters Valley, New Jersey\n2009 Princeton Photographic Club\n2008 St. Petersburg, Russia, \"Beyond Seeing\"\n2008 Woodstock Center for Photography, Woodstock, NY\n2008 Peters Valley, New Jersey\n2007 Taiyuan, China, \"Photography As Art\"\n2007 Peters Valley, New Jersey\n2006 Peters Valley, New Jersey\n2006 Woodstock Center for Photography\n2006 Liptovsky Mikulas, Slovakia\n2005 Peter's Valley, New Jersey \n2005 Poprad, Slovakia \n2004 Woodstock Center for Photography \n2004 Peter's Valley, New Jersey \n2004 Print Center, Philadelphia \n2003 Innbruck, Austria \n2003 Poprad, Slovakia \n2003 Burlington, Vermont \n2002 Woodstock Center for Photography \n2002 Bratislava, Slovakia \n2002 Poprad, Slovakia\n2001 University of Michigan School of Visual Art, Artist in Residence\n2001 Woodstock Workshops in New York, Master Class\n2001 HISK, Antwerp, Belgium \n2000 Poprad, Slovakia \n1999 Woodstock Center of Photography, Woodstock, New York\n1999 Peter's Valley, Layton, New Jersey\n1999 Skopelos, Greece\n1998 Fotoforum West, Innsbruck, Austria\n1998 Skopelos Photography Center, Greece \"The Nude\" \n1998 Fotoforum Gallery, Frankfurt, Germany\n1998 Printmaking Council of New Jersey\n1995 Center for Photography at Woodstock, New York\n1995 WIZO, Haifa, Israel\n1995 FAMU,Prague, Czechoslovakia \n1993 Rutgers University, New Jersey \n1991 Leer, Germany\n1991 FAMU, Prague, Czechoslovakia\n1990 Canon Image Center, Amsterdam, Holland\n1988 Maison de la Culture, Amiens, France \n1988 Lectoure, France\n1988 ADACA, Aurillac, France\n1988 WIZO, Haifa, Israel\n1986 American Center, Paris, France, Artist-in-Residence\n1986 Salzburg College, Salzburg, Austria\n1985 Bennington College, Bennington, VT\n1985 Ecole de Photographie Creative, Lausanne, Switzerland\n1984 Montclair State College Upper Montclair, New Jersey\n1984 Rietveld Akademie, Amsterdam, Holland\n1984 Canon Gallery, Amsterdam, Holland\n1983 Parsons-New School, New York, New York\n1983 ADAC, Lycee Henri IV,Paris, France\n1983 Profoto Gallery, Nurenburg, Germany\n1983 Center for Creative Studies, Detroit, Michigan\n1982 Le Mois de la Photo,Paris, France\n1982 Parsons-New School, Paris, France\n1981 Mercer County Community College, New Jersey \n1981 International Center of Photography\n\nCOMMISSIONED WORK:\n2009\tAnn Arbor, University of Michigan Museum of Art, Site specific installation based on the elements\n2006 Ann Arbor, University of Michigan Museum of Art, Edition of 20 platinum prints\n1988 November Paris, Antenne Deux, Assiette Anglaise, Television \n1988 Toulon, France, Photoformance, commissioned by Musee des Beaux Arts and Henri Mulsant\n1984 Paris, France, Commissioned by Paris Audio-Visuel for the City of Paris, an original creation, an audio visual\n        installation in the Museum of Modern Art for Le Mois de la Photo. Collaboration Toulon, with Daniel Hennemand\n        and original music composed by Guy Printemps.\n\nGRANTS:\n1997 Benetton,catalogue for The Petra Project\n1992 Paris, France, The European House of Photography, European City Squares\n1991 Paris, France, TheE uropean Museum of Photography, Spirits\n1988 Toulon, France, Fondation Nationale, Le Marbre Tremble, original dance, catalogue, and exhibition \n1985 New Jersey State Council on the Arts Fellowship, Photography\n\nSELECTED BOOKS AND CATALOGUES:\nThe World's Top Photographers - Nudes by Anthony LaSala, Rotovision, 2005\nDigital Photo Art: Transform Your Images with Traditional \u0026amp; Contemporary Art Techniques by Theresa Airey, Lark Books, 2005\nPhysique by Peter Kuhnst, Thames \u0026amp; Hudson, 2004\nFotofest H2O04 Catalogue, Houston, Texas, 2004\nBarbizon 1903-2003 Catalogue, Barbizon, France, 2003\nThe Book of Alternative Processes, Christopher James, Delmar, 2002\nPhotography's Antiquarian Avant-Garde, Lyle Rexer, Harry N. Abrams, Inc., 2002 \nIn Human Touch: Photographs by Ernestine Ruben, Nazraeli Press, 2001, Essays by James Steward, Lyle Rexer and Serge Tisseron\nThe Book of Alternative Photographic Processes, by Christopher James, Delmar Press, 2001\nRuben on Rodin, Nazraeli Press, 2000, Essays by Helene Pinet and Bernard Barryte \nLove and Desire, by William Ewing, Chronicle Books, 1999\nThe Male Nude, by David Ledick, Taschen, Germany, 1998\nOur Grandmothers, edited by Linda Sunshine, Welcome Enterprises, New York, 1998\nEros, Stewart, Tabori \u0026amp;Chang, New York, 1996\nErnestine Ruben: A Book of Photographs,Nazraeli Press 1996, Introduction by A. D. Coleman\nOur Mothers: Portraits by 72 Women Photographers, Vivianne Esders, Stewart, Taboriand Chang, 1996\nContemporary Photographers, Third Edition,Martin Marix Evans, ed., Ernestine Ruben, Vladimir Birgus, St.James Press, New York, 1995\nThe Body, William Ewing, Thames and Hudson, 1994\nSkin, by Dorothy Allison, Harper Collins, 1994. Front cover photo\nErnestine Ruben: A Retrospective Exhibition of Photography, Rutgers University, New Brunswick, New Jersey, 1993, Introduction by Vicki Goldberg, 54 pages, 34 images\nErnestine Ruben, Catalogue for Municipal Gallery, Toulouse, France, 1990\nErnestine Ruben, Passeport, Espace Photo, Paris, 1990\nErnestine Ruben: Forms and Feelings, Edition Stemmle, Schaffhausen, Switzerland, 1989\nSplendeurs et Miseres du Corps, Paris Audiovisuel/International Triannual of Photography, Fribourg, Switzerland, 1988\nGeneral Catalogue/Month of Photography, Paris, November 1988\nThe Fundamentals of Human Sexuality, college text, Holt, Rinehart and Winston, 1988, front cover\nAndre Daguin Cookbook, Random House, New York, 1988, back cover\nFrauen Sehen MZnner, Peter Weiermair, 1988, Verlag Photographie, Schaffhausen, Switzerland, 1988\nAkt Fotoschule,Claus Militz, ed., Verlag Photographie, Schaffhausen, Switzerland, January 1988\nFrauenbilder, Petra Olschewski, Edition Stemmle,Schaffhausen, Switzerland, 1987\nEntre Deux, Paris Audiovisuel, Paris, 1987, photographs by Ernestine Ruben, poetry by Pierre Borhan\nPhotoformance, created by Ernestine Ruben, constructed by Michel D'Heurle, art object with original turning photos, edition of 20, 1987\nInternational Encyclopedia of Photographers, 1983 to the Present, Michel Auer, Editions Camera Obscura, 1986\nPhotographies du Corp Humain, Journees Internationales de la Photographie Montpelier, France, 1985\nde la Bibliotheque Nationale, Jean-Claude Lemagny, Contrejour, Paris, France, 1984\nAmsterdam Photo, 1984, catalogue\nTraveling USA, Deuxieme Rencontre-Art et Cinema, Quimper, France, May 1984, catalogue\nPrimavera Fotografica a Catalunya, 1984, catalogue\nErnestine Ruben Photographs, European Photography,Kassel, 1982, Monograph\nEtre Humain, Editions Stratege, Brussels, Belgium, original photographs, portfolio, edition of 20\n\nSELECTED COLLECTIONS:\nLes Abattoirs Museum of Modern and Contemporary Art,Toulouse, France\nThe Philadelphia Museum of Art, Philadelphia, Pennsylvania\nRodin Museum, Paris, France\nStanford University Museum, Palo Alto, California\nThe Museum of Fine Arts,Houston, Texas\nMuseum of Modern Art, Paris, France\nDetroit Institute of Arts, Detroit, Michigan \nStedlijk Museum, Amsterdam, Holland \nMaison Européenne de la Photographie, Paris, France\nBibliotheque Nationale, Paris, France\n\nINSTALLATIONS:\n2011 Mar - May Ann Arbor, University of Michigan Museum of Art, Photoformance: An Empathic Environment\n2010 Permanent Hanging Photographic Sculpture, Private Collection\n2004 Maison Européenne de la Photographie, Paris, Wall installation\n2001 University of Michigan Museum of Art, Spirits in the Jewish Cemetary in Prague \n1996 Maison Européenne de la Photographie, Paris, (permanent), 14 tables\n1995 Jewish Spirits, Wilson and Hall Galleries, Lehigh University\n1993 Spirits in the Jewish Cemetery in Prague, a collaboration with architect Meira Kowalsky at the Walters Gallery\n        of Rutgers University\n\nLECTURES GIVEN:\n2001 Keynote Speaker, APIS Conference, Santa Fe, New Mexico \n2001 University of Michigan Museum of Art\n2000 Bratislava, Month of Photography \n1999 National Arts Club, New York, New York\n1999 Perkins Center for the Arts, Moorestown, NJ \n1997 Keynote Speaker, Society for Photographic Education Conference, North Carolina\n1997 Montgomery Museum of Art, Montgomery, Alabama\n1996 Rodin Museum of the Philadelphia Museum of Art, Philadelphia, Pennsylvania\n1995 Lehigh University, Bethlehem,Pennsylvania\n1989 Bezalel Academy, Jerusalem, Israel\n1988 Centre de la Culture, Amiens, France\n1987 Princeton University, Princeton, New Jersey\n1986 30/40 Club, Paris, France, presented by Jean-Claude Lemagny\n1986 Laboratoria del la Fotografia, Rome, Italy\n1986 Seventh Photographic Festival of Tregor, Lannion, France\n1985 The American Cultural Center, Brussels, Belgium\n1985 Bennington College, Bennington, Vermont\n1984 The American Center,Paris, France\n1984 Montclair State College, Upper Montclair, New Jersey\n1984 The Center for Creative Studies, Detroit, Michigan\n\nVISITING ARTIST:\n1999-Present - Portfolio Critiques, University of the Arts, Philadelphia, PA\n2005 Vonhess Artist in Residence, The Borowsky Center for Publication Arts, Philadelphia, PA\nBOARD MEMBERSHIPS:\nThe Institute for Women \u0026amp; Art, Advisory Council\nUniversity of Michigan Museum of Art, National Advisory Council\nCenter for Photography at Woodstock, Advisory Board\nPeters Valley Craft Center, Advisory Board\nShen Wei Dance Arts, Member of the Board","user_id":699,"name":"Ernestine Ruben","website":"www.ernestineruben.com"},{"id":240,"bio":null,"user_id":240,"name":"Markus Altmann","website":null},{"id":45,"bio":"Exhibitions:\n\n2012\n“Construction: Photographs by Brian Finke,” ClampArt, New York City\n“Do or Die: The Human Condition in Painting and Photography,” Deutsches Hygiene-Museum, Dresden\n“An Orchestrated Vision: The Theater of Contemporary Photography,” Saint Louis Art Museum, Saint Louis, Missouri\n\n2011\n“Beyond Words, Photography in The New Yorker,” Howard Greenberg Gallery, New York City (Curated by Elisabeth Biondi)\n“Art of Attraction,” F.L.O.A.T. Gallery, New York City\n“Only Photographs,” Newspace Center for Photography, Portland, Oregon\n\n2010\n“Portrait Photographs,” Worcester Art Museum, Worcester, Massachusetts\n“In leaves no step had trodden black,” School of Visual Arts Gallery, New York City\n“Do or Die: The Human Condition in Painting and Photography,” Wallraf-Richartz Museum and Fondation Corboud, Cologne\n“American Cheerleaders \u0026amp; Football Players: Photographs by Brian Finke,” Galerie    Wouter Van Leeuwen, Amsterdam\n\n2009\n“Kids Behaving Badly,” ClampArt, New York City\n“Masculine: Interpretations of Manhood,” Charles Cowles Gallery, New York City\n“Flight Attendants: Photographs by Brian Finke,” Galerie Open, Berlin\n“Focus!,” T \u0026amp; P Fine Art, Philadelphia\n\n2008\n“Flag, …for which it stands…” Galerie Thierry Marlat, Paris\n“NY PhotoGroup Salon,” SoHo Photo Gallery, New York City\n“The Hustle,” The PowerHouse Arena, Brooklyn, New York\n“Flight Attendants: Photographs by Brian Finke,” ClampArt, New York City\n“Flight Attendants: Photographs by Brian Finke,” Stephen Cohen Gallery, Los Angeles\n“Flight Attendants: Photographs by Brian Finke,” Galerie Philippe Chaume, Paris\n“The Hustle Exhibition,” powerhouse, Brooklyn, New York\n\n2007\n“Same Old, Same New,” Monya Rowe Gallery, New York City (Curated by Jane Harris)\n“Switcher Sex: Video Works and Photography from the Teutloff Collection,” Slought Foundation, Philadelphia, Pennsylvania\n“Photographs by Brian Finke,” James A. Michener Art Museum, Doylestown, Pennsylvania\n“The Brooklynites Exhibition,” powerHouse, Brooklyn, New York\n“M%ATURE,” M%, Cleveland, Ohio\n\n2006\n“Brian Finke: American Cheerleaders \u0026amp; Football Players,” Galerie Philippe Chaume, Paris\n“photo bravo 06,” Minnesota Center for Photography, Minneapolis, Minnesota\n“Society of Publication Designers Photography Auction,” Harry’s Loft/International Center for Photography, New York City\n“PRC Benefit Auction 2006,” Photographic Resource Center at Boston University, Boston, Massachusetts\n“PhotoNY,” ClampArt booth, Metropolitan Pavilion, New York City\n“PH Print,” Galerie Philippe Chaume, Paris\n“Teen Beat,” Society for Contemporary Photography, St. Louis, Missouri\n“Bring It On!,” moniquemelochegallery, Chicago\n“Blame It on Rio,” White Box, New York City (Benefiting the New York Foundation for the Arts)\n“Cheerleaders, Bodybuilders, and Disco Queens: Photographs by Brian Finke and Morten Nilsson,” Jacksonville Museum of Modern Art, Jacksonville, Florida\n“photo l.a.,” ClampArt booth, Santa Monica Civic Auditorium, Santa Monica, California\n\n2005\n“Most Muscular: Photographs by Brian Finke,” ClampArt, New York City\n“New View: Recent acquisitions to the Oppenheimer/JCCC Collection for the Nerman Museum of Contemporary Art,” Johnson County Community College Gallery of Art, Overland Park, Kansas\n“Focus on AIDS Photography Benefit Auction,” The Directors Guild of America, Los Angeles\n“GLAAD OUTAuction 2005,” The Altman Building, New York City\n“Focus on AIDS 11—Benefit Auction,” Directors Guild of America, Los Angeles\n“The Inaugural SVA Alumni Society Auction,” Visual Arts Gallery, New York City\n“Photography: Double Exposure,” The Renaissance Society at The University of Chicago, Chicago\n“Gods and Monsters,” Ambrosino Gallery, North Miami, Florida\n“this dream, America,” Art League of Long Island/Jeanie Tengelsen Gallery, Dix Hills, New York (Curator, Keith Miller)\n“FOTORELIEF and UNICEF Photography Exhibition and Auction,” Milk Studios, New York City\n“Rock and Royalty to Erase MS: 12th Annual Event,” The Westin Century Plaza Hotel, Los Angeles\n“Live Out Loud 4th Annual Gala,” Chelsea Art Museum, New York City\n“Humanity Photo Awards,” 2005 EXPO, United Nations Pavilion, Japan (traveling to UNESCO Headquarters, Paris)\n“Brian Finke: American Cheerleaders \u0026amp; Football Players,” Stephen Cohen Gallery, Los Angeles\n\n2004\n“Postcards From the Edge,” Visual AIDS at Brent Sikkema, New York City\n“Growing Up Absurd: Boys Becoming Men in an Irrational World,” Radiant Light Gallery, Portland, Maine\n“First Annual PhotoNY Invitational,” lyonswiergallery, New York City\n“PhotoNY,” ClampArt booth, Metropolitan Pavilion, New York City\n“GLAAD OUTAuction 2004,” The Altman Building, New York City\n“Unbroken: Photography Subjects Speak Out,” Denise Bibro Fine Art, New York City\n“Brian Finke: Bodybuilding,” Project Space/NYFA Interactive (Online exhibition)\n“Art Chicago 2004,” Catherine Edelman booth, Festival Hall, Navy Pier, Chicago, Illinois\n“The Photography Show (Association of International Photography Art Dealers),” Catherine Edelman booth, Hilton Hotel Midtown, New York City\n“Young Portfolio Acquisitions 2003,” Kiyosato Museum of Photographic Arts, Kitakoma-gun, Yamanashi, Japan\n“Teenage Kicks,” Hibernian Royal Academy, Gallagher Gallery, Dublin, Ireland\n“Discoveries of FotoFest: The FotoFest Meeting Place,” FotoFest, Houston, Texas\n\n2003\n“Brian Finke: American Cheerleaders \u0026amp; Football Players,” ClampArt, New York City\n“Boys of Summer: Photographs of and about Men,” ClampArt, New York City\n“Photo L.A.: The 12th Los Angeles Photographic Print Exposition,” ClampArt booth, Santa Monica Civic Auditorium, Santa Monica, California\n\n2002\n“48-hour Photo Exhibit (Selected Works by 48 NYC-based Photographers),” Arts International, New York City\nDe Oude Kerk, Amsterdam\n\n2001\nThe Netherlands Photography Institute, Rotterdam\nThe Light Factory, North Carolina\n\n2000\nThe Capital Building, Washington, DC\n\n1998\nNew Century Artist Gallery, New York City\n\n1996\nSchool of Visual Arts Gallery, New York City\nHouston Center for Photography, Houston, Texas\n\n1995\n“School of Visual Arts Group Show,” Houston Center for Photography, Houston, Texas\n\n1994\nHouston Center for Photography, Houston, Texas\n\n \nAwards and Honors:\n\n2004\nNew York Foundation for the Arts Fellowship One of 12 artists nominated for the International Center for Photography’s annual Infinity Award, Young Photographer Category\n\n2003\n7th International Prize for Young Photo Journalism 2003, Agfa and Das BildForum, Honorable Mention\n\n2001\nWorld Press Photo Masterclass\nPhoto District News, 30 Under 30\n\n1999\nChild Labor and the Global Village: Photography for Social Change Grant\nThe Alexia Foundation for World Peace, Award of Excellence\n\n \nBooks:\n\nConstruction: Photographs by Brian Finke (Decode Books: Seattle, Washington, 2012)\nReuel Golden, New York, Portrait of a City (Taschen: New York City, 2010)\nDo or Die, The Human Condition in Painting and Photography: Teutloff Meets Wallraf (Wallraf-Richartz-Museum \u0026amp; Foundation Corboud, Köln, Hirmer Verlag München, 2010)\nAlix Browne and Alison Nordström, Brian Finke: Flight Attendants (powerHouse Books: New York City, 2008)\nRobert Pledge and Peter Hay Halpert, FOTORELIEF (FOTORELIEF and UNICEF: New York City, 2005), no. 35, full-page illus.\n2-4-6-8: American Cheerleaders and Football Players, Photographs by Brian Finke (Umbrage Editions: New York City, 2003)\nTina Schelhorn and Dr. Peter V. Brinkemper, 7th International Prize for Young Photo Journalism 2003 (Edition Braus: Heidelberg, Germany, 2003), p. 71, full-page color illus.\nAlice Rose George, Ed., Here Is New York: A Democracy of Photographs (Scalo Books: New York\nCity, 2002), pp. 122-3\nSeptember 11, 2001: A Record of Tragedy, Heroism, and Hope (Harry N. Abrams: New York City, 2001), p. 95, 98-9, 112-3\n\n \n\nReviews:\n\n“Brian Finke: Construction,” The New Yorker, Review by Vince Aletti (September 2012)\n“Construction,” CNN, Portfolio with interview (July 2012)\n“On the Bookshelf: Brian Finke’s Construction,” GQ, Review and photographs (Sept. 25, 2012)\n“Brian Finke and Construction,” The Photographer Discloses, Interview and photos (Sept. 2012)\n“Construction,” Time LightBox, Review with photo (September 2012)\n“Photo of Today- Brian Finke,” Alexia Foundation, Review and photos (August 16, 2012)\n“Brian Finke Construction,” Newsweek Picture Dept, Review and photos (September 2012)\n“Photo of the Day,” PDN, Review and photos (September 5, 2012)\n“Brian Finke Construction,” La Lettre De La Photographie, Review and photos (Sept 19, 2012)\n“Build It,” Fortune,” Fortune Magazine, Review and photos (September 10, 2012)\n“Harry Allen/ Nonfiction” WBAI 99.5 FM, Radio Interview (September 7, 2012)\n“Construction by Brian Finke,” This Is the What, Portfolio and interview (June 13, 2012)\n“Brian Finke: Flight Attenants,” Fotofeinkost, Interview with photographs (July 1, 2009)\n“Cult Picks: Agenda,” listing in SAX magazine, p34 (October/November 2008)\nShane Lavalette, “AirFinke,” PhotoEye, Interview with photographs (September 3, 2008)\nRare Daily, Review with photographs (September 2008)\n“Costal Snaps,” The Coastal Traveler (Fall 2008)\n“Brian Finke’s Flight Attendants,” Amuse, review photographs (Fall 2008)\nLemon, Interview with photographs (TBC)\nPsychology Today, Review with photographs (August 2008)\nInternazionale, 6 page exerpt (August 2008)\nPicture Magazine, News Section, photograph (July/August 2008)\n“Über den Wolken,” Stadtansichten, Germany (July 2008)\nIPC Media, Review with photographs (July 12, 2008)\nIn Flight USA, Review with photographs (July 2008)\n“Flieg Mit Mir,” Das Magazin, online and print Review with photographs, Switzerland (July 2008)\n“Flight Attendants,” Amateur Photographer, Review with photographs, UK (July 5, 2008)\n“Airline Road-Test: Best \u0026amp; Worst of the Skies,” psychoPEDIA, Interview with photographs (July 3, 2008)\nReadyMade, Review with Cover image (June/July 2008)\nEuropean Photography, Review with photographs, Germany (July 2008)\n“Brian Finke’s ‘Flight Attendants’ at Stephen Cohen Gallery,” Los Angeles Times (June 22, 2008)\n“The Week End Guide,” Daily Candy LA (June 12, 2008)\nDas Magazine.com, Event, Listing with photographs (June 2008)\n“Shooting Stars,” Men’s Health: Best Life, Review with photographs (May 2008)\n“Flight Attendants,” Stop Smiling, Review with Photos (May, 2008)\n“How to Spent It,” Financial Times, England (May 2008)\nD2 Magazine, Portfolio Review (April 21, 2008)\n“Brian Finke: Flight Attendants,” The New York Times, Book Review (April 20, 2008)\nZoum Zoum, Review with photographs, France (April 16, 2008)\n“Mansion Reception,” New York Insider (April 11, 2008)\n“Flight Attendants,” Nude, Review with photographs (April 5, 2008)\n“About Photography,” Greg Wasserstrom.com (April 5, 2008)\n“Flight Attendants,” Outside Magazine (April 2008)\n“Flight Attendants,” Room 100, Thompson Hotels Magazine (April 2008)\n“Flight Attendants,” Picture Magazine (March/April 2008)\nUrb, Review with Photographs (March/April 2008)\n“Flight Attendants,” The First Post, Web Gallery, England (March 28, 2008)\n“Flight Attendants,” Entertainment Weekly, Review with photographs (March 28, 2008)\nThe Guardian, Review with photographs, England (March 22, 2008)\nLiberation, Review with photographs, France (March 22, 2008)\nThe New Yorker, Photograph and Short List (March 10, 2008)\nNew York Post, Fashion Feature, (March 3, 2008)\nFinancial Times, Review with photographs (March 3, 2008)\nNY Daily News, Review with photographs (March 3, 2008)\n“Flight Attendants,” Theme, Review with Photos (March 3, 2008)\n“Flight Attendants,” Elle Magazine (March, 2008)\n“Brian Finke: Flight Attendant,” Zoomzoom.com, (March 2008)\n“Spring Book Roundup,” American Photo (March 2008)\n“Service with a Smile,” Travel + Leisure | Portfolio (March 2008)\n“Also Worth a Read…,” CN Portfolio (March 2008)\nCity Magazine, Book Review (March 2008)\nFashion, Review with photographs, Canada (March 2008)\n“Flight Attendants,” ChelseaArtGalleries.com (February 2008)\n“Word of Mouth: Buzz Book,” Conde Nast Traveler (February 2008)\n“Coffee, Tea…and Some Great Photography,” PhotoInduced.com (February 2008)\n“Images of the Year,” American Photo Special Issue, (February 2008)\n“Flight Attendants,” Wired (February 26, 2008)\nNew York, Agenda, Exhibit listing (February 25, 2006)\n“Flight Attendants,” UrbanDaddy.com (February 22, 2008)\n“High Fliers,” Style.com (February 21, 2008)\n“Sky Glamour: Flight Attendant Portraits,” Out Traveler G.P.S. (February 21, 2008)\n“Same Old, Same New,” ArtCal.net (February 21, 2008)\n“Brian Finke: Flight Attendants,” The L Magazine (February 21, 2008)\n“Flight Attendants,” slamxhype.com (February 21, 2008)\n“Photog Brian Finke on Body Builders vs. Flight Attendants,” gridskipper.com (February 21, 2008)\n“Flight Attendants,” Style, Style File Q \u0026amp; A (February 21, 2008)\n“Come Fly With Me,” DART Design Arts Daily (February 20, 2008)\n“Flight Attendants,” Men Style (February 20, 2008)\n“Brian Finke: Flight Attendants,” Besosyfotos ( February 19, 2008)\n“Brian Finke: Flight Attendants,” World Hum (February 18,2008)\n“Flight Attendants,” Clusterflock (February 12, 2008)\n“Finke Photographs Faces of the Friendly Skies,” Wired.com (February 11, 2008)\n“PDN’s World in Focus: The Ultimate Travel Photography Contest 2008,” PDN Magazine (February 5, 2008)\nAfisha Mir, Portfolio, Russia (February 2008)\n“Flight Attendants,” Forbes Executive Woman (2008)\nCommunication Arts Photo Annual, Photographs (2008)\nLTD, Review with Photos (2008)\n“Flight Attendants,” Tokion, (January 31, 2008)\n“First Look: Flight Attenddants | Brian Finke,” Blueeyes Magazine (January 31, 2008)\nTheNewYorker.com, Exhibition Listing (January 14, 2008)\nAlix Brown, “Brian Finke,” Dear Dave (2008), pp. 42-9\n“Flight Attendants”, Dear Dave, Photo Feature (Fall 2007)\nVisual Arts Journal (Fall 2007), pp. 38-9\nThe Beacon, The Arts (December 6, 2007)\nAnthony Stoeckert, “Life as Sport,” Time Off (November 30, 2007)\nJames F. Duffy, “Americana on display at Michener,” BC Magazine (November 2007)\nFashion Week Daily: The Daily (November 14, 2007)\nTown Topics, Princeton, N.J. (October 31, 2007)\n“Flight Attendants,” D la Repubblica della Donne, Portfolio, Italy (September 2007)\n“2-4-6-8 Cheerleaders,” Focus Knack (June 13, 2007), p77, full-color illus.\n“Brian Finke,” Palace Costes (May 2007), p44, full-color illus.\n“Lees Joies du Stade,” Libération, (May 2007), illus.\n“Pauses Américaines,” Le Monde 2 (May 19, 2007), p. 10, full color illus.\nErwan Benezet, “Pompom Girls et Biscoteaux,” Le Parisien, (May 19, 2007), full color illus.\n“Brian Finke,” Exporama (April 2007), p. 40, full-color illus.\nElaine Hake, “Cheerleaders of the Free World,” The First Post (June 16, 2006), full color illus.\n“Catch me if you can,” City Magazine (October/November 2006), pp 81– 88, full color illus.\nTheresa Bembnister, “It’s a ‘Teen’ thing you’ll understand: SCP show clicks into confidence, insecurity of adolescence,” Kansas City Star (September 21, 2006), p. 39, illus.\nElaine Hake, “Cheerleaders of the free world,” The First Post (June 16, 2006), full-color illus.\nGreg Lindsay, “Perfect Attendants,” City Magazine (2005), p. 76-81\nMichal Zaczynski, “Brian Finke: Liderki entuzjazmu,” Foto Pozytyw (Wrzsien 2005), pp. 18 – 28, full-color illus.\n“Brian Finke: Football,” Pref (2005), Vol. 1, pp. 68-79, full-color illus.\n“The Best Photography on the Web,” American Photography (April 19, 2006), full-color illus.\n(along with Alec Soth, Lauren Greenfield, et. al.)\n“Brian Finke: Most Muscular,” Eyemazing (January 2006), Issue 1, p. 173, color illus.\n“Les bodybuilders de Brian Finke,” PHOTO (December 2005), p. 12, full-color illus.\n“Frat Boys: Photographies de Brian Finke,” Pref (November/December 2005), pp. 144-151, full-color illus.\n“Gallery Listings,” The New York Times (November 25, 2005), p. E33\nStephen D’Agostino, “Body of Work,” New York Blade (November 18, 2005), cover, p. 22, full-color illus.\nJennifer Snow, “Voice Choices,” The Village Voice (November 16 – 22, 2005), p. 79 (Critic’s Pick)\n“Short List,” The New Yorker (November 14, 2005), p. 24, full-color illus.\n“’Roid Ragin’,” HX Magazine (November 11, 2005), p. 58, full-color illus.\n“Art Listings,” Time Out New York (November 10 – 16, 2005), p. 71\nThe L Magazine (November 9 – November 22, 2005), p. 62, illus.\nPréf (October 2005), Issue 11, pp. 142-9, full-color illus.\nHelen A. Harrison, “Making the Ordinary Extraordinary,” The New York Times (May 29, 2005)\n“PhotoNY 2004,” HotShoe (December 2004), p. 37, color illus.\nRichard B. Woodward, “Home Team Advantage: On Gallery Walls, the Art Kids are Finally\nTaking on the Jocks,” The New York Times (February 15, 2004), p. AR-17, illus.\nDavid Schonauer (Editor in Chief), “The Best Photo Books of the Year,” American Photo (January/February 2004), pp. 65, 69-70, full-color illus.\n“Brian Finke,” The New Yorker (October 20, 2003)\n“2-4-6-8: American Cheerleaders and Football Players, Photographs by Brian Finke,” Toro (October/November 2003), p. 21, full-color illus.\n\n \n\nLectures:\n\n2012  \nInternational Center for Photography, New York City\n\nNew York Film Academy, New York City\n\n2011\nSchool of Visual Arts, New York City\n\n2009\nParsons School of Design, New York City\n\n2008\nSchool of Visual Arts, New York City\nNY Photo Festival, Brooklyn, New York\n\n2007\nSchool of Visual Arts, New York City\nJames A. Michener Art Museum, Doylestown, Pennsylvania\n\n2005\nRhode Island School of Design, Providence, Rhode Island\nSchool of Visual Arts, New York City\n\n2004\nInternational Center for Photography, New York City\nParsons School of Design, New York City\nSchool of Visual Arts, New York City\n\n2003\nPhotoExpo, Jacob Javits Center, New York City\nSchool of Visual Arts, New York City\nPratt Institute, Brooklyn, New York\n\n2002\nSchool of Visual Arts, New York City\n\n\n\nSelected Collections:\n\nMuseum of Fine Arts, Houston, Texas\nWorcester Art Museum, Worcester, Massachusetts\nSaint Louis Art Museum, Saint Louis, Missouri\nJames A. Michener Art Museum, Doylestown, Pennsylvania\nNerman Museum of Contemporary Art, Overland Park, Kansas\nAkron Art Museum, Akron, Ohio\n21c Museum, Louisville, Kentucky\nBibliotheque Nationale de France, Paris\nThe West Collection, Pennsylvania\nLutz Teutloff Photo + Video Collection, Germany\nKiyosato Museum of Photographic Arts, Kitakoma-gun, Yamanashi, Japan\nAlexia Foundation for World Peace, New York\nWorld Press Photos, Amsterdam\n\n \n\nEducation:\n1998\nBachelor of Fine Arts, School of Visual Arts, New York City","user_id":45,"name":"Brian Finke","website":"brianfinke.com"},{"id":47,"bio":"Tillim was born in Johannesburg in 1962 and lives in Cape Town. He started photographing professionally in 1986, working with the Afrapix collective until 1990. His work as a freelance photographer in South Africa for the local and foreign media included positions with Reuters between 1986 and 1988, and Agence France Presse in 1993 and 1994. Tillim has received many awards for his work including the Prix SCAM (Societe Civile des Auteurs Multimedia) Roger Pic in 2002, the Higashikawa Overseas Photographer Award (Japan) in 2003, the 2004 DaimlerChrysler Award for South African photography, the Leica Oskar Barnack Award in 2005 and the first Robert Gardner Fellowship in Photography from the Peabody Museum at Harvard University in 2006. His series Avenue Patrice Lumumba has shown at the Fondation Henri Cartier-Bresson in Paris; Museu Serralves in Porto; the Peabody Museum at Harvard University, Cambridge, USA; FOAM_Fotografiemuseum in Amsterdam; and Extracity, Antwerp, in 2009; at Kunsthalle Oldenburg, Germany, in 2010, and at the Museum of Contemporary Photography in Chicago in 2011, among other venues. His work was included on Documenta 12 in 2007 and the São Paulo Bienal in 2006. \n\n\n\nSOLO EXHIBITIONS\n\n2013\nLibreville, Stevenson, Johannesburg\nAvenue Patrice Lumumba, CentroCentro, Palacio de Cibeles, Madrid\nAvenue Patrice Lumumba, Rubin Center, University of Texas, El Paso\n\n2012\nSecond Nature, Kuckei + Kuckei, Berlin\nAvenue Patrice Lumumba, Weisman Art Museum, University of Minnesota, Minneapolis\nSecond Nature, Huis Marseille Museum of Photography, Amsterdam\nSecond Nature II, Stevenson, Cape Town\nSecond Nature I, James Harris Gallery, Seattle\n\n2011\nSecond Nature I, Stevenson, Cape Town\nAvenue Patrice Lumumba, Lannan Foundation Gallery, Sante Fe, New Mexico\nAvenue Patrice Lumumba, Contemporary Arts Center, Cincinnati, Ohio\nAvenue Patrice Lumumba, Contact Photography Festival, Toronto\nAvenue Patrice Lumumba, Museum of Contemporary Photography, Chicago\n\n2010\nAvenue Patrice Lumumba, Kunsthalle Oldenburg, Germany\nAvenue Patrice Lumumba, Kuckei + Kuckei, Berlin\nJo'burg, Centre du Patrimoine Arménien, Valence, France\n\n2009\nRoma, città di mezzo, FotoGrafia, Rome\nAvenue Patrice Lumumba, Extracity, Antwerp\nAvenue Patrice Lumumba, FOAM, Amsterdam\nAvenue Patrice Lumumba, Extraspazio, Rome\nAvenue Patrice Lumumba, Peabody Museum of Archaeology and Ethnology, Harvard University, Cambridge, MA, USA\nAvenue Patrice Lumumba, Museu Serralves, Porto, Portugal\nFondation Henri Cartier-Bresson, Paris\n\n2008\nAvenue Patrice Lumumba, Michael Stevenson, Cape Town\nGuy Tillim, Haunch of Venison, Zurich\nGuy Tillim, Haus Für Kunst, Altdorf, Switzerland\n\n2007\nCongo Democratic, Extraspazio, Rome\nCongo Democratic, Goodman Gallery, Johannesburg\n\n2006\nPetros Village, Museo di Roma, Trastevere, Italy\nPetros Village, Michael Stevenson, Cape Town\n\n2005\nJo'burg, Johannesburg Art Gallery (June); Durban Art Gallery\nJo'burg, Festival Artist, PhotoEspana, Madrid\nLeopold and Mobutu, Photographer's Gallery, London\nJo'burg, Rencontres Photographiques de Bamako, Mali\n\n2004\nJo'burg, South African National Gallery, Cape Town\nDaimlerChysler Award exhibition, Mercedes-Benz Museum, Stuttgart; DaimlerChrysler Contemporary, Berlin\nLeopold and Mobutu, Michael Stevenson, Cape Town\nKunhinga Portraits, Sala Uno, Rome\n\n2003\nKunhinga Portraits, Michael Stevenson, Cape Town\nCongo, Bell-Roberts Gallery, Cape Town\nCongo, Fotofiesta Medellin, Colombia\nDeparture, Higashikawa Photo Festival, Hokkaido, Japan\nDeparture, Bell-Roberts Gallery, Cape Town\nDeparture, NSA Galley, Durban\nDeparture, PhotoZA, Johannesburg\n\n2002\nKuito, Angola, Societe des Auteurs Multimedia, Paris\n\n2001\nKuito, Angola, South African Museum, Cape Town\nKuito, Angola, Gallery Dupon, Paris\n\n1996\nKabul, Afghanistan, Durban Centre for Photography, Durban\n\n\n\nSELECTED GROUP EXHIBITIONS\n\n2013\nPresent Tense, Fundação Calouste Gulbenkian, Lisbon, Portugal\nMy Joburg, La Maison Rouge, Paris, France\nDistance and Desire: Encounters with the African Archive, The Walther Collection, Ulm, Germany\nThe Rise and Fall of Apartheid: Photography and the Bureaucracy of Everyday Life, Haus der Kunst, Munich\n\n2012\nThe Rise and Fall of Apartheid: Photography and the Bureaucracy of Everyday Life, ICP, New York\nThe Great South, 1st Montevideo Biennial, Uruguay\nPrix Pictet Power, Saatchi Gallery, London, and other venues\nViewpoint, Huis Marseille, Amsterdam\nLost Places - Orte der Photographie, Hamburger Kunsthalle, Hamburg, Germany\nLa Triennale 2012 - Intense Proximity, Palais de Tokyo, Paris\n\n2011\nMotherland, Roma Fotografia Festival, Italy\nThe Eye is a Lonely Hunter: Images of Humankind, 4th Mannheim Fotofestival, Germany\nPhotography: New documentary forms, Tate Modern, London\nAppropriated Landscapes, Walther Collection, Neu-Ulm/Burlafingen, Germany\nXXI: Conflicts in a New Century, Oak Cliff Cultural Center, Dallas, Texas\nFigures and Fictions: Contemporary South African Photography, V\u0026amp;A Museum, London\nPossible Cities: Africa in Photography and Video, Cantor Fitzgerald Gallery, Haverford College, Pennsylvania\nBeguiling: The Self and the Subject, Irma Stern Museum, Cape Town\nPrix Pictet Growth, Passage de Retz, Paris\n\n2010\n21st Century: Art in the First Decade, Queensland Art Gallery, Australia\nBreaking News: Contemporary Photography from the Middle East and Africa, Fondazione Cassa di Risparmio Provincia di Modena, Italy\nAfrica: Objects and Subjects, Palacio de Revillagigedo, Gijon; Canal de Isabel II, Madrid\nThe Original Copy: Photography of Sculpture, 1839 to today, Museum of Modern Art, New York\nEvents of the Self: Portraiture and Social Identity, Walther Collection, Neu-Ulm/Burlafingen, Southern Germany\n1910-2010: From Pierneef to Gugulective, Iziko South African National Gallery, Cape Town\n\n2009\nWelt - Bilder 3, Helmhaus Zürich, Switzerland\nGreat Expectations: Contemporary photography looks at today's Bitter Years, Casino Luxembourg - Forum of Contemporary Art, Luxembourg\nImageSingulières festival, Sète, France\nThe Tropics: Views from the middle of the globe, Iziko South African National Gallery, Cape Town\nFace of Our Time, San Francisco Museum of Modern Art, San Francisco\nMythologies, Haunch of Venison, London\n\n2008\nShort Stories in Contemporary Photography, Museum of Design, Zurich\nPeripheral Vision and Collective Body, Museion, Bolzano, Italy\nHome Lands - Land Marks, Haunch of Venison, London\nContemporary Photography from South Africa - Part 2, Hereford Photography Festival, UK\nCities in Crisis: Photographs of the SA Urban Landscape, FADA Gallery, University of Johannesburg\nBiennale Cuvée, OK Center for Contemporary Art in Linz, Austria\nPresumed Innocence: Photographic Perspectives of Children, DeCordova Museum and Sculpture Park, Massachusetts\n\n2007\nDocumenta 12, Kassel, Germany\nChildren in Conflict, Wolverhampton Art Gallery, UK\nOstropicos, Centro Cultural Banco do Brasil\nGlobal Cities, Tate Modern, London\nAfrica Remix, Johannesburg Art Gallery, Johannesburg\nContemporary Art Photography from South Africa 2007: Reality check, Museum Bochum, Kunstsammlungen Chemnitz and other venues in Germany\nPhotography, Video, Mixed Media III, DaimlerChrysler Gallery, Berlin\nNon Tutte Le Strade Portano a Roma, FotoGrafia, International Festival of Rome\n\n2006\nPhotography, Video, Mixed Media III, DaimlerChrysler Gallery, Berlin\nSLUM: Art and life in the here and now of the civil age, Neue Galerie, Graz\nSão Paulo Biennale\nThy Brother's Keeper, Flint Institute of Arts, Flint, Michigan\nSnap Judgments: New Positions in Contemporary African Photography, International Center of Photogaphy, New York\n\n2005\nLasting Foundations, Museum for African Art, New York\nUnsettled, National Museum of Photography, Copenhagen\n\n2004\nAfrica Remix, museum kunstpalast, Düsseldorf; Hayward Gallery, London; Pompidou Centre, Paris; and Las Palmas; Tokyo; Stockholm; Johannesburg (2004-7)\nA Decade of Democracy: South African art from the permanent collection, South African National Gallery, Cape Town\nFestival Internazionale di Roma, Rome\n\n2003\nUnveiled, OMC Gallery for Contemporary Art, Düsseldorf\n\n1998\neyeAfrica: African Photography 1840-1998, Castle of Good Hope, Cape Town\n\n1996\t\nColors: Art from South Africa, Haus der Kulturen der Welt, Berlin\nAWARDS\n\n2012\nShortlist, Prix Pictet Power (for Congo Democratic)\n\n2011\nShortlist, Prix Pictet Growth (for Petros Village)\n\n2006\nRobert Gardner Fellowship in Photography awarded by the Peabody Museum, Harvard University\n\n2005\nLeica Oskar Barnack Award 2005 (for the Jo'burg series)\n\n2004\nDaimlerChrysler Award for Photography, South Africa\n\n2003\nHigashikawa Overseas Photographer Award, Japan\n\n2002\nPrix SCAM (Société Civile des Auteurs Multimedia) Roger Pic, France (for Kuito, Angola)\n\n2001\nFinalist, Prix Care for Humanitarian Reportage, France\n\n1999\nMondi Award for photojournalism, South Africa (report on the Himba people of Northern Namibia)\n\n1998\nMondi Award for photojournalism, South Africa (Congo River: journey from Kisangani to Kinshasa)","user_id":47,"name":"Guy Tillim","website":"www.stevenson.info/artists/tillim.html"},{"id":58,"bio":"Documentary photographer based in Berlin, Mila Teshaieva has worked as an economist before turning her professional pass into documentary photography. Since that time her work took her around the world, resulting in the bodies of work as: the War aftermath in Georgia, HIV/AIDS in Ukraine, Asylum seekers in Germany, Aftermath of Indian Tsunami. In her personal work Mila is focusing on the combination of fragility and a power of an individual submerged in the changing societies. She has dedicated the past years to work extensively in the ex-Soviet republics.\n\nMila's work has been commisioned and published by: Die Zeit, Alternatives Internationales, Outlook Magazine China, Time LightBox, New Times, Vokrug Sveta, Neue Zurcher Zeitung, Zoi Environmental Network, Forbs Ukraine, Marie Claire Ukraine, many others.\n\nShe worked with NGOs and organizations as: Unicef, Swiss Development and Cooperation, IOM, International AIDS/HIV Alliance, SOS Children Village.\n\nMila is represented by Laif Agentur, Cologne.\n\n\nAwards/Grants\n\n2013  NPPA Best of Photojournalism -2nd place Portrait series\n2013  PDN Photo Annual Winner\n2013  VG BildKunst Project Grant\n2012  Critical Mass Book Award\n2012  Photolucida Critical Mass Top 50\n2011  European Culture Foundation Step Beyond Grant\n2011  Magnum Emergency Fund - nomination\n2011  PX3 silver award Winner Feature story Pro\n2011  Encontros da Imagem Int Photography award - shortlisted finalist\n2011  Document on War award - finalist\n2010  NPPA Best of Photojounalism 1st place Still photography Feature story\n2010  Scoop International Journalism Award - Honorable mention\n2010  Vilnus Photography Award - Shortlisted finalist\n2009  Visas de L'Association Nationale des Iconographes seleceted laureate, France\n2009  Humanistic Photography award, PHODAR  Biennial\n2007  Eddie Adams workshop - AP award\n\n\nSolo Exhibitions\n\n2011  Behind facade at French Cultural Institute Baku\n2011  Kahriz revival at French Cultural Institute Baku\n2009  Buffer Zone at Gallery Bar Floreal, Visa/ANI laureates exhibition, Paris\n2009  Buffer zone at PHODAR photography biennial (Bulgaria)\n2007  Uzbekistan at Gallery RA, Month of photography Kiev\n2005  Bay of Bengal at Gallery Mystets, Month of Photography Kiev\n\n\nGroup Exhibitions\n\n2012  Darmstadter Tage der Fotografie, Germany\n2011  Heidelberg Print Media Academy, Germany\n2011  Encontros da Imagem International Photography Festival, PT\n2011  FOTO8 Summershow, Host Gallery, London\n2010  Vilnius International Photo Festival\n2010  Give poor the voice - Stiftung Klosterneuburg, AU\n2009  Black and White, Gallery \"Mykola\", UA\n\n\nSlideshows\n\n2012  Women in Multimedia curated show at Spazio Labo, Italy\n2012  Bursa International Photofestival\n2011  Bursa International Photofestival\n2011  Slideluck Potshow Berlin\n\n\nBibliography\n\n\"Promising waters\" Art book, 240x220, 120 pages, hardcover, english. 2013 Kehrer Verlag Heidelberg Berlin.\n\"Insight. Ukrainian Black and White Photography XXI century\". Art book, 189x250mm,144 pages, hard cover. 2007","user_id":58,"name":"Mila Teshaieva","website":"milateshaieva.com"},{"id":76,"bio":"William Miller is a veteran photojournalist and native New Yorker. He studied photography at Bard College. His work has appeared in Saveur, Harpers, Paris Match, Spin, GQ, Stern, the New York Post, the Daily News, The Globe and Mail among others and his clients have included the Metropolitan Museum of Art, Human Rights Watch, Mercy Corps, Doctors Without Borders and Sundance Channel.\n\nHis art photography has been exhibited around the country and  featured in the Wired, Huffington Post, Slate, Vice, F-Stop Magazine, Lens Culture, Hyperallergic, Feature Shoot, El Pais, The Daily Mail among others and won the 2011 Celeste Prize for Photography.","user_id":76,"name":"William Miller","website":"www.williammillerphoto.com"},{"id":79,"bio":"","user_id":79,"name":"Archive Of Modern Conflict","website":null},{"id":60,"bio":"愛生活，喜歡攝影，享受生活帶來的一切。","user_id":60,"name":"wan wankaman","website":"www.facebook.com/wankaman2000"},{"id":99,"bio":"Jeroen Toirkens (Netherlands, b. 1971) studied Photographic Design at the Royal Academy for the Visual Arts in The Hague, and since 1995 has been working as a freelance photographer. He focuses particularly on social documentary photography and has published photo essays in Air France Magazine, Monocle, Le Monde Magazine, LensCulture, Trouw, De Morgen and several other Dutch and International newspapers and magazines.\n\nIn 1999 Toirkens initiated a project called Nomadslife, in which he plans to document the life of the last nomadic peoples on the Northern Hemisphere.\n\nToirkens became fascinated by the nomad families high in Turkey's Bolkar Mountains. He encountered the way of life of the Yörük, who were struggling with the pressures of a modernising Turkey. What were originally their nomadic pastures were being bought up by real estate developers, and many of the young people were departing for life in the cities. After that he visited other originally nomadic peoples who were encountering comparable problems. For instance, in 2005 and 2006 he and the journalist Jelle Brandt Corstius spent time with the Sámi and the Nenets in Russia. Before the Soviet era family units from these tribes were constantly on the move with their herds. Under the Soviet regime they were forced to become workers on collective farms, the kolchoses, a policy from which they are still suffering the consequences. Most recently Toirkens visited Barrow in Alaska, the centre for traditional whaling. There the nomadic life has already made way for a settled lifestyle.\n\nIn 2011 his book Nomad was published by Belgian publisher Lannoo. The book shows the pervasive photos Toirkens took during his eleven trips to nomadic peoples. With this book Toirkens creates a diverse and often poignant picture of nomadism in the 21st century. Jelle Brandt Corstius journalist and presenter, who accompanied Toirkens on a number of trips, wrote an extended essay for the book. Working closely with photo editor Marc Prüst, Toirkens selected the images that told his story of contemporary nomads.\n\nIn 2011 he was awarded with the prestigious CANON prize for the best innovative photostory for his project NomadsLife. According to the jury: “A project that, in these hectic times, stresses that a long focus on one issue leads to new insights, knowledge and images that transcend clichés in a superior way.”\n\nNominations and Awards\n2012 CANON prize for NomadsLife, best innovative photostory completed in 2011\n2011 Nomad selected on 'The 11 best photography books of 2011' by Brainpickings \n2011 Nominated (longlist) DutchDoc Award - NomadsLife\n2010 Nominated (longlist) Prix Pictet Growth - included in catalogue\n2010 Nominated (longlist) DutchDoc award - Inuït series Greenland\n2009 First price Silver Camera - Foreign Documentary, for a series on Tiniteqilaaq in East Greenland.\n2004 Third price Silver Camera - Foreign Documentary, for a photo on the Dukha nomads in Mongolia.\n\nPublications\n2012 Silver Camera, yearbook 2011 / various authors\n2011 Nomad the last nomadic life on the Northern Hemisphere / Photographs Jeroen Toirkens, essay Jelle Brandt Corstius, edit Marc Prüst, design Wout de Vringer, published by Lannoo\n2011 Growth - Prix Pictet (longlist) included in catalogue / various authors\n2010 LAND / country life in the urban age, catalogue / various authors\n2010 Silver Camera, yearbook 2009 / various authors\n\nExhibitions\n2012  Silver Camera | CANON prize | travelling exhibition - group\n2012  Roots2Share | Museum Volkenkunde, Leiden | 16 short films on East-Greenland - travelling exhibition\n2011  Kominek Gallery | Berlin | Groupshow on Dutch and Belgian photobooks - group\n2011  Roots2Share | Museon, The Hague | 16 short films on East-Greenland - permanent\n2011  The Hague / Gemak / Nomad / project overview and bookpresentation / curated by Wim van Sinderen - solo\n2010  Groningen / Noorderlicht Gallery / NomadsLife - solo\n2010  Leeuwarden / Fries Museum / Noorderlicht / LAND / country life in the urban age / curated by Wim Melis - group\n2010  Silver Camera travelling exhibition - group\n2009  Rotterdam / Centre for Arts / Nomaden - group\n2009  Utrecht / RASA / Mongolia - solo\n2008  Leiden / National Museum of Ethnology / Nomads above the Arctic circle, Nenets and Sámi  - solo\n2007  Amsterdam / KIT / Mongolië 2004 - solo\n2007  Naarden / Photofestival Naarden off / Zien of niet zien - group\n2006  Amsterdam / Olympic stadium / Holland Unique Photofestival - group\n2006  The Hague / Bronovo hospital / nursing' 12 purchased images - solo\n2006  Amsterdam / HUP gallery - group\n2005  The hague / Arthouse / North-Russian Nenets - solo \n2005  Amsterdam / Olympic stadium / Holland Unique Photofestival - group\n2005  YiPArt benefit auction and en group-exhibition - group\n2005  Silver Camera travelling exhibition - group\n2005  Naarden / Phototofestival / Vintagephoto gallery - group\n2003  The Hague / Museon / 4 purchased images - solo\n1996  The Hague / Radio West  - group\n1996  The Hague / Omniversum en Imax theater  - group\n1995  The Hague / Graduation exhibition / ‘Maria virgin of the poor’, pelgrimage in Europa.­­­ - solo","user_id":99,"name":"Jeroen Toirkens","website":"nomadslife.com"},{"id":148463,"bio":"Brazilian Graphic Designer and Visual Artist currently living in Rotterdam, NL.","user_id":147861,"name":"Caio Vita","website":"caiovita.com"},{"id":165,"bio":"In 1962 Cy Twombly (born 1928 in Lexington, Virginia) painted a work that illustrates many of the abiding engagements of his practice. Untitled is divided into two zones by a horizontal line about two thirds of the way up. Across the bottom edge of the canvas, Twombly has scribbled a textual fragment gleaned from the poet Sappho: “But their heart turned cold + they dropped their wings.” The phrase, suggesting a hovering between higher and lower realms, conjures up a distant classical realm, even as the grappling, awkward hand renders the words materially present.\nIn the upper third of the canvas, the artist provides a code for viewing: a white circle swirled with pink is labelled “blood”; an aggressive red “x” reads “flesh”; a glutinous dollop of brown paint, “earth” or possibly “youth”; a delicate disc of wispy white paint, “clouds”; and a shiny coin-shaped form in graphite pencil, “mirror”. Beneath this code, Twombly has rendered, within a drawn frame, an array of possibilities for mark-making per se, as though to set them apart from the more direct references of words.\nThe elements of the code come from three distinct experiential fields: the elemental (earth and clouds), the somatic (flesh and blood) and the subjective (mirror). And they can be mapped on to three corresponding traditional genres of oil painting, respectively: landscape, figure and self-portraiture. In Untitled we see Twombly’s invocation of myth and poetry, his wavering between high and low and his sustained dwelling on the threshold where writing becomes drawing or painting. Perhaps most importantly, we see in this painting how marks and words – in collaboration and counter-distinction – construct meaning differently. As John Berger has written, Twombly “visualises with living colours the silent space that exists between and around words”.\nAlthough his work resonates strongly with generations of younger artists, ranging from Brice Marden to Richard Prince to Tacita Dean to Patti Smith, it has a general propensity to polarise its audience between perplexity and unbridled admiration. (Remember the incident in summer 2007 of a woman planting a lipstick kiss on a Twombly canvas on show in Lyon?) Additionally, the critical and historical reception has seemed to describe two Twomblys – one about form, the other about content.\nSome writers have concentrated on the materiality of the artist’s mark as aggressive, often illegible graffiti; others have followed the classical allusions to ferret out the references. Two elements might serve as metaphors for the predominant interpretations: the floating disc of white paint labelled “clouds” standing for the poetic and mythological aspects, and the scatological heap of brown paint designating “earth”. However, Twombly’s painterly palimpsests trace the progressions through which form and content, text and image are inextricably linked.","user_id":165,"name":"Cy Twombly","website":"www.cytwombly.info"},{"id":85,"bio":"Joachim Schmid\nborn 1955 in Balingen, lives in Berlin\n1976–1981 studied Visual Communication at Fachhochschule für Gestaltung Schwäbisch Gmünd and Hochschule der Künste Berlin\n\nSolo Exhibitions\n2012\nO Campo, Sala BBK, Bilbao\nBilderbuch, Zephyr/Raum für Fotografie, Mannheim\nJoachim Schmid e le fotografie degli altri, Museo di Fotografia Contemporanea, Cinisello-Balsamo/Milan\n2011\nVarious Portraits, les arts au mur, Pessac, and image/imatge, Orthez\nOther People’s Photographs, Fotohof, Salzburg\n2009\nPhotoworks, Fondazione Studio Marangoni, Florence\n2008\nPhotoworks 1982–2007, BildMuseet, Umeå\nPrinted Matter, Galerie Alain Gutharc, Paris\nPictures from the Street, Les Rencontres d’Arles\n2007\nJoachim Schmid Photoworks 1982—2007, The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs, NY\nJoachim Schmid Selected Photoworks 1982—2007, The Photographers’ Gallery, London\nDrucksachen und Netzerscheinungen, Galerie Blickensdorff, Berlin\nJoachim Schmid Selected Photoworks 1982—2007, Yerba Buena Center for the Arts, San Francisco\nJoachim Schmid Photoworks 1982—2007, Nederlands Fotomuseum, Rotterdam\nUntitled Portraits, XX multiple Galerie, Rotterdam\n2005\nCyberspaces, Galerie Alain Gutharc, Paris\nCyberspaces, XX Multiple Galerie, Rotterdam\nPortraits, The State Museum of Urban Sculpture, Saint Petersburg\n2004\nRetratos decisivos (public art project), PhotoEspaña, Estación de Metro Nuevos Ministerios, Madrid\n2003\nBelo Horizonte, Praça Rui Barbosa, foam Fotografiemuseum Amsterdam\n2002\nPhotographic Garbage Survey Project, Centro Cultural UFMG, Belo Horizonte\nPhotographic Garbage Survey Project, Universidade Federal de Pernambuco, Recife\n2001\nPorträts, Galerie Blickensdorff, Berlin\nThe Museum of Contemporary Photography, Chicago\n2000\nStatics, Galerie Alain Gutharc, Paris\nThe Joachim Schmid Collection at the Pitt Rivers Museum, Pitt Rivers Museum, Oxford\n1999\nThe Face in the Desert (public art project), National Museum of Photography, Film \u0026amp; Television, Bradford\n1998\nVery Miscellaneous, Galerie Alain Gutharc, Paris\nMuseum voor Fotografie, Antwerp\n1997\nSF Camerawork, San Francisco\nVery Miscellaneous, Fabrica, Brighton\n1996\nFotoarbeiten, Galerie Sreda, Moscow\nPhotos au rebut. Photographic Garbage Survey Project, Galerie Condé, Goethe-Institut, Paris\nDocuments énigmatiques, Rencontres internationales de la photographie, Espace Pablo Neruda, Arles\nKunst gegen Essen, Fotogalerie Aroma, Berlin\nPhotographic Garbage Survey Project, Kunst 96, Zurich\n1995\nMagyar Fotográfiai Múzeum, Kecskemét\nLes Archives, Le printemps de Cahors, Tribunal, Cahors\nBilder von der Straße, Galerie im Körnerpark, Berlin\nArchiv, Galerie Alain Gutharc, Paris\n1994\nBilder von der Straße, Museum für Kunst und Kulturgeschichte der Stadt Dortmund\n1993\nBlue Sky, Portland\nArt Addicts Anonymous, Bilderdienst, Berlin\nArt Addicts Anonymous, Kunst \u0026amp; Raum, Vienna\nTaking Snapshots. Amateur Photography in Germany from 1900 to the Present, Fotofeis, The Queen’s Hall, Edinburgh (international tour 1993–1998: York, New Delhi, Kecskemét, Warsaw, Plovdiv, Bratislava, Belgrad, Skopje, Bandung, Singapur, Manila, Bangkok, San Francisco, Yaoundé, Lomé, Addis Abeba, London, Edinburgh)\nLambe-lambe em Belo Horizonte, Centro Cultural UFMG, Belo Horizonte\nRetratos anônimos, Museu da Imagem e do Som, São Paulo\n1991\nErste allgemeine Altfotosammlung, Bilderdienst, Berlin\nMeisterwerke der Fotokunst. Die Sammlung Fricke und Schmid, Brandenburgische Kunstsammlungen Cottbus\n1990\nMeesterwerken en andere Beelden, Perspektief, Rotterdam\n1988\nHeinz, Inge, Struppi, and their Friends, Blue Sky, Portland\n1987\nOriginalbilder, Galerie für den Fotofreund, Berlin\nA Imagem do Fotógrafo (public art project), 8os Encontros de Fotografia, Coimbra\n1986\nZur Theorie der Fotografie, Galerie für den Fotofreund, Berlin\n\nGroup Exhibitions\n2013\nObra-colección. El artista como coleccionista, Fundación Foto Colectania, Barcelona\nLumpenfotografie. Per una fotografia senza vanagloria, P420, Bologna\n2012\nDerrière le rideau – L’Esthétique Photomaton, Musée de l’Elysée, Lausanne\nHelp/Less, Printed Matter, New York\nBilder von der Straße, Pavlov’s Dog, Berlin\nDIY: Photographers \u0026amp; Books, The Cleveland Museum of Art\n2011\nAnti-Photography, Focal Point Gallery, Southend-on-Sea\nFollow-ed (after Hokusai), Winchester Gallery, Winchester; P74 Gallery, Ljubljana; Arnolfini Gallery, Bristol\nFemme Objet/Femme Sujet, Abbaye Saint André, Centre d’art contemporain, Meymac\nGraphic Detour, Graphic Design Museum, Breda\nOut of Storage, De Timmerfabriek, Maastricht\nBang Bang, Centre Cultural d’Art Contemporani, Andratx\n2010\nI was here, Centre national de l’audiovisuel, Dudelange\nIdentity Proofs, Muzeum Gliwice\nThe Brothel Without Walls, University of Toronto Art Centre\nUse Me, Abuse Me, New York Photo Festival\nLa revanche de l’archive photographique, Centre de la photographie Genève\nAnt!foto, Kunstraum Düsseldorf\nAnother Streetview, Bredafoto, Breda\nMikrokosmos, Galerie Alte Schule, Kulturzentrum Adlershof, Berlin\n2009\nAnimated, Centre d’Art Bastille, Grenoble\nRendez-vous manqué, Galerie Alain Gutharc, Paris\nEye/World, Triple Candie, New York\n2008\nThe Ubiquitous Image, New York Photography Festival\nInvasion/In-vision ou le Palais Rose, Musée Réattu, Arles\nDe orde der dingen, Museum van Hedendaagse Kunst Antwerpen\n2006\nPhoto-Trafic, Centre de la Photographie Genève\nMickey dans tous ses états, Hôtel Dassault, Paris\nPoetische Positionen II, Kasseler Kunstverein, Fridericianum, Kassel\n2005\nMarks of Honour – A Striking Library, foam Fotografiemuseum Amsterdam;\nGalerie van Zoetendaal, Amsterdam\nPortrait, Galerie Alain Gutharc, Paris\nAfter the Fact, Berlin Photography Festival, Gropius-Bau, Berlin\nElse-Heiliger-Fonds. Ein Überblick, Akademie der Konrad-Adenauer-Stiftung, Berlin\nError #2_Wrong Exposure, error one, Antwerpen\n2004\nO feito fotográfico. A colección fotográfica do Concello de Vigo 1984–2000, Museo de arte contemporáneo de Vigo\nPorträts. Daniel Sambo-Richter und Joachim Schmid, Galerie im Waschhaus, Potsdam\nMetamorfoses do Real, Mosteiro de Tibães, Encontros da Imagem, Braga\nColecção Fotográfica do Concello de Vigo, Centro Portugues de Fotografia, Porto\n2003\nVerarbeitete Fotografie – die Übergänge des Gegenstandes in die Abstraktion, Galerie Blickensdorff, Berlin\nExperience, Foto Biennale Rotterdam\nVigovisións. Colección fotográfica do Concello de Vigo, Museo de arte contemporáneo de Vigo\nTot zo ver, Stedelijk Museum Amsterdam\nPerception destabilisée, Galeries du Cloître, Ècole des beaux-arts de Rennes\n„Was ich von ihnen gesehen und was man mir von ihnen erzählt hatte“ – Der fotografierte Mensch in Bildern der Fotografischen Sammlung im Museum Folkwang, Museum Folkwang, Essen;\nNeues Museum, Staatliches Museum für Kunst und Design Nürnberg (2005)\n2002\nStranger Than Truth, Australian Centre for Photography, Sydney\nWielolinie, Galeria Sztuki, Klodzki Osrodek Kultury, Klodzko\nMaskers Af! Stedelijk Museum Amsterdam\nMensch und Tier. Eine paradoxe Beziehung, Deutsches Hygiene-Museum, Dresden\n2001\nAlexander Honory, Joachim Schmid, Galeria FF, Lódz\nKünstlerischer Wettbewerb für die Gestaltung einer Fassade an der Voltaire-Gesamtschule, Große Stadtschule, Potsdam\n2000\nKunst kontra Werbung, Galerie Blickensdorff, Berlin\nSammeln! Museum der Dinge, Berlin\nHet zicht herbekeken. Joachim Schmid, Robert van Steen, De Annex, Academie voor schone Kunsten van Sint-Niklaas\nAusblick 2001, Galerie Blickensdorff, Berlin\nDancing for joy et autres plaisirs…, Galerie Alain Gutharc, Paris\n1999\nL’image en mémoire, Maison des Arts, Bordeaux\nPhotoWork(s) in Progress II/Constructing Identity, Nederlands Foto Instituut, Rotterdam\nFragments of Document and Memory, The 3rd Tokyo International Photo-Biennale, Tokyo Metropolitan Museum of Photography\nNew Natural History, National Museum of Photography, Film \u0026amp; Television, Bradford\nRattling the Frame: The Photographic Space 1974–1999, SF Camerawork, San Francisco\nAnna Gaskell, Joachim Schmid, Marjaana Kella, Hasselblad Center, Konstmuseet, Gothenburg\nTrupi dhe Urnanizmi/Body and Urbanism, International Center of Culture, Tirana\n1998\nLe corps surexposé, Espace Carole de Bonat, Paris\nThe Artist and the Archive, Shoreditch Biennale, Standpoint Gallery, London\nBody and Photography, Hanlim Museum, Taejon\nŒuvres récentes, Galerie Alain Gutharc, Paris\nSubUrban Options, Nederlands Foto Instituut, Rotterdam\nPlay it again, Het Concertgebouw, Amsterdam\nPicturing Modernity. Selections from the Permanent Collection, San Francisco Museum of Modern Art\n1997\nFace to Face, Nederlands Foto Instituut, Rotterdam\nThe Found Potograph, Northbrook Photography Gallery, Worthing\nSur l’espace, la mémoire et la métaphore/On Space, Memory and Metaphor, Mois de la Photo, Maison de la culture Frontenac, Montréal\nRomantica. Immagini del cuore e della colpa, VII Biennale Internazionale di Fotografia, Palazzo Bricherasio, Turin\nAllemagne. Années 80, Maison Européenne de la Photographie, Paris\n1996\nNever Walk Alone, The Photographers’ Gallery, London\nBegrenzte Grenzenlosigkeit, Neue Gesellschaft für Bildende Kunst, Berlin\nVigovisións, VII Fotobienal, Casa das Artes, Vigo\n1995\nPrivat, Fotomuseum im Münchner Stadtmuseum, Munich\nFaire du réel avec du réel, Galerie Alain Gutharc, Paris\nObsession. From Wunderkammer to Cyberspace, Foto Biennale, Rijksmuseum Twenthe, Enschede\nBaz’art du Jour, Galerie du Jour – Agnes B., Paris\n1994\nWho’s Looking at the Family? Barbican Art Gallery, London\nII. Nemzetközi müvészkönyv-kiálitás/2nd International Artists’ Book Exhibition, Szent István Király Múzeum, Székesfehérvar\nReal como unha Foto, VI Fotobienal, Casa das Artes, Vigo\nDifferent Stories, Nederlands Foto Instituut, Rotterdam\nDie Bücher der Künstler, ifa-Galerie Friedrichstraße, Berlin\n1993\nWithin Memory, Montage ’93, Midtown Plaza Center, Rochester;\nThe Addison Gallery of American Art, Andover\nThe Friends’ Meeting, Künstlerhaus Bethanien, Berlin\nBorderlines, Deutsches Postmuseum, Frankfurt am Main;\nNeuer Berliner Kunstverein, Berlin (1994)\n1992\nCannibal Eyes, MIT List Visual Arts Center, Cambridge\nAbschied von Tim \u0026amp; Struppi, Fotoforum Schwarzbunt, Bielefeld\nArtists’ Books, Liget Galeria, Budapest\n1991\nDes Vessies et des Lanternes. Curiosités photographiques, Botanique, Centre culturel de la Communauté française Wallonie, Brussels;\nCentre National de la Photographie, Paris;\nRencontres Photographiques, Carcassone;\nAlmediterránea ’92, Almeria (1992)\n1990\nPreis für junge europäische Fotografen ’90, Berlinische Galerie, Berlin;\nGalerie Rähnitzgasse, Dresden\n1989\nJovem Fotografia Alemã, Encontros da Imagem, Braga\nGrupo Hafensalon, Centro de Estudos Fotográficos, Vigo\nHysterics of Photography, SF Camerawork, San Francisco\nPhotographie als Photographie, Berlinische Galerie, Berlin\n1988\nHohe und niedere Fotografie, Kunsthaus Rhenania, Cologne\nPhotographs within the Wall. Ten Contemporary Berlin Photographers, Linden Gallery, Melbourne\nFotovision. Projekt Fotografie nach 150 Jahren, Sprengel Museum, Hannover;\nKunstraum im Messepalast, Vienna (1989);\nMuseum für Gestaltung, Zurich\n1986\nFür den Fotofreund, Hochschule der Künste Berlin\n1985\nElementarzeichen. Urformen visueller Information, Staatliche Kunsthalle, Berlin\n1983\nKrankheitsbilder, Galerie Friedrichstrasse, Berlin\n100 Lochkameras/100 Photographien, Galerie Giannozzo, Berlin\n\nWorks in public collections\nBerlinische Galerie, Berlin\nBibliothèque Nationale, Paris\nBrandenburgische Kunstsammlungen, Cottbus\nFries Museum, Leeuwarden\nDaelim Contemporary Art Museum, Seoul\nFonds National d’Art Contemporain, Paris\nFonds Régional d’Art Contemporain Nord-Pas de Calais, Dunkerque\nFotomuseum im Münchner Stadtmuseum, Munich\nMaison Européenne de la Photographie, Paris\nMuseo de arte contemporáneo de Vigo\nMuseum Folkwang, Essen\nNederlands Fotomuseum, Rotterdam\nNeuer Berliner Kunstverein, Berlin\nPitt Rivers Museum, Oxford\nSan Francisco Museum of Modern Art\nStedelijk Museum Amsterdam\nThe Frances Young Tang Teaching Museum, Saratoga Springs\n\nPublications\nFotokritik, Berlin 1982–1987\nDer Leser hat das Bild, Berlin 1988\nDas Bild des Fotografen, Berlin 1988\nErrata, Berlin 1989\nFaits divers, Berlin 1989\nPorträts, Berlin 1989\nErste allgemeine Altfotosammlung, Berlin 1991\nPhantome, Berlin 1992\nArt Addicts Anonymous, Berlin 1993\nKnipsen. Private Fotografie in Deutschland von 1900 bis heute, Berlin/Stuttgart 1993\nBilder von der Straße, Berlin 1994\nKunst gegen Essen, Berlin 1996\nVery Miscellaneous, Maidstone 1997\nSinterklaas ziet alles, Rotterdam 1998\nThe Face in the Desert, Bradford 1999\nA meeting on holiday, Amsterdam 2003\nBelo Horizonte, Praça Rui Barbosa, Berlin 2004\nRetratos decisivos, Madrid 2004\nTausend Himmel, London 2007\nIllustriertes Tierleben, Berlin 2010\nThe Coach House / An Inventory, Berlin/Breda 2011\nBilderbuch, Berlin/Mannheim 2012\n\nCatalogues\nAlexander Honory, The Private Institute of Contemporary Family Photography/Joachim Schmid, The Institute for the Reprocessing of Used Photographs, Lódz 2001\nJoachim Schmid, Traballos Fotográficos/Photoworks 1982–2002, Vigo 2002\nJoachim Schmid, Photoworks 1982–2007, Brighton/Göttingen 2007\nJoachim Schmid, O Campo, Bilbao 2012\nJoachim Schmid e le fotografie degli altri, Milan 2013","user_id":85,"name":"Joachim Schmid","website":"schmid.wordpress.com"},{"id":132,"bio":null,"user_id":132,"name":"Stefania Gurdowa","website":null},{"id":87,"bio":"","user_id":87,"name":"Ferit Kuyas","website":"www.feritkuyas.net"},{"id":88,"bio":"","user_id":88,"name":"Solange Brand","website":""},{"id":93,"bio":"1966 Zurich, has Italian roots and grew up in Zurich. After training as a photographer, he worked as an assistant for Oliviero Toscani in Italy and Paris to then set up his own studio in Zurich. since 1993 Zanier has been freelancing for advertising, articles and free artistic work active at home and abroad. His focus is on Landscapes, stills and people.","user_id":93,"name":"Luca Zanier","website":"www.zanier.ch"},{"id":261,"bio":null,"user_id":261,"name":"Addison Scurlock","website":null},{"id":972,"bio":"Giorgio Barrera  works with photography and video. His research is an investigation about lens based arts as a synthesis and shape to give back and  represent the real.\nSince 1996 he is alternately devoted to a type of image that lives on the threshold of what is documentation and what is fiction. Later he worked on the landscape exploring the historic sites by placing a reflection on history and its ability to be cultured and interpreted within the present. \nBarrera is the author of several photographic surveys commissioned by major public and private institutions, he also made documentaries and short films experimenting with new cinematic languages. His works have won many awards including  Baume \u0026amp; Mercier, FNAC, Canon, Federchimica and recently shortilisted in many others, among them Sony, Fabbri, Open Pics. Images of him have been published in various books, catalogues and magazines internationally. His works have been shown at the Art Institute of Chicago in 2001, at the International Biennial of Photography in Turin  (1999), at the Rencontres Internationales de la Photographie in Arles  (France 2003). In 2009 his project \"Through the Window\" was shown at Palazzo delle Esposizioni in Rome while in 2011 his work “Battlefields 1848-1867” was shown at the IIC in Paris and at CONTACT Toronto's  Photography Festival. He's one of the founder of fotoromazoitaliano.it an artistic group that works at the development of languages and literacy. Fotoromanzo Italiano was  selected as one of the winners of   Beyond Memory's prize and recently created a convivial work that took part at MIO at Milan Triennale.\nBarrera is also one of the founders of Luogomano and Olla,  Cultural Associations that provide interdisciplinary seminars about visual and ecological subjects.  Presently, he teaches at the Marangoni Foundation in Florence.","user_id":972,"name":"Giorgio Barrera","website":"www.giorgiobarrera.it"},{"id":381077,"bio":"I am always looking for that next adventure. I love to travel and see new place, explore their culture, and see their history. I always loved photography, but over the past year or so I really discovered what type of photography I love, conservation and surf photography. I love conservation photography because you get to bring awareness to topics that matter and be in some pretty unique places. My other passion is surf photography. It’s thrilling and there are always new angles to find and you have to wait until that perfect moment to get the shot. Currently I work a 9-5, but try to teach myself photography in my spare time.","user_id":380493,"name":"Kelsey Herbig","website":"N/A"},{"id":96,"bio":"","user_id":96,"name":"Lars Schwander","website":""},{"id":97,"bio":"Eric Tabuchi\nLives and works in Paris \nerictabuchi2@gmail.com Solo exhibitions (selection)\n\n2013 Babel Web , Contemporary Art Center the VOG, Grenoble Monument to Progress , HKU / Shanghai Study Centre, Shanghai\n\n2011 Mini Golf , The Chamber, Strasbourg Indoor Land , The Link, Strasbourg\n\n2010 Natural Reserve , Palais de Tokyo, Paris Between Peak s Dohyang Lee Gallery, Paris\n\n2009 Hyper Trophy , Gallery Florence Loewy, Paris\n2008 \nK concrete Gallery Florence Loewy, Paris \nWalk the Line, Kiosk / Images, Paris\n2005 Drive-in , with Kristina Solomoukha, Le Pavé in Mare, Besançon\n2004 Some rules for post-tourism e, Librairie Le Moniteur, Paris KSET with Kristina Solomoukha, Espace d'Art Contemporain, Paris (catalog) Neon lights just after sunset , with Kristina Solomoukha, FRAC Basse-Normandie, Caen\n\n2003 \n9 Bis, Saint-Etienne\n2002 Duplex , Collective Gallery, Edinburgh, Scotland\n1999 I love Belfast , Centre for Poetry, Marseille\nGroup exhibitions (selection)\n2013 Artwork Collection have , Fundaciao Foto Colectiona, Barcelona Die Tage Schoenen , Jean Rouart Workshop, Paris Ed Rusha Books \u0026amp; Co , Gagosian Gallery, New York La Fabrique , Greenhouse, St Etienne Model Space of Contemporary Art Royan, Royan Ed Rusha Books \u0026amp; Co , Brandthorst Museum, Munich ace Artwork Collection , the Centro Andaluz de Fotografía, Almeria\n\n2012 Displaced mountains , Contemporary Art Center Capuchins, Embrun ATLAS , LWS Gallery, Paris\n\n2011 The dream of overhang , Dohyang Lee Gallery, Paris Humble, silent and unexplainable , Virgilio Gallery, Sao Paulo, Brazil Safari , Lieu Unique, Nantes Vertigo Gallery, Jeanroch Dard, Paris\n\n2010 Behind the panels, there are men , The Sheet Metal, Clermont-Ferrand The diagonal vacuum , The Bathroom, Lyon\n\n2008 \nParis Photo Gallery, Florence Loewy, Paris Panoramic view of daily workers (collaboration with Sylvain Rousseau) Galerie LH, Paris\n2007 Expats / Clandestines (sound collaboration with Afif), Wiels, Brussels Even world even dream (collaboration with Sylvain Rousseau), The Office, Paris\n\n2006 Sickkiss (sound collaboration with Stefan Nikolaev), Galerie Michel Rein, Paris\n2005 Here Dreaming Here , Esba, Tours Afterhours , Glassbox Outside the walls, Paris\n\n2003 On the front , Triage, Nanterre\n2002 \nGwangju Biennale, with Glassbox, Korea Double Life , Galerie Clark, Montreal, Canada Neighbors Next Door , Glassbox, Paris\n\n2000 High Fidelity , White Box, New York Psycho Park with Glassbox, Erba, Nantes\n\n1999 We're so loved , with Glassbox, Ensba, Paris ZAC 99 with Glassbox, Museum of Modern Art of the City of Paris West Coast - Global Motio n, University Art Museum, Santa Barbara Heartbreak Hote l, Thun, Switzerland Clin eye , Fotohof Gallery, Salzburg, Austria Glassbau , Cartier Foundation for Contemporary Art, Paris","user_id":97,"name":"Eric Tabuchi","website":"www.erictabuchi.fr"},{"id":107,"bio":"Evgenia was born in Siberian town Tiksi in Russia. \nShe received BA degree in art management from International University in Moscow. In 2009 graduated from International Center of Photography Photojournalism and Documentary Program. \nShe now works as a freelance photographer between Russia and New York. ","user_id":107,"name":"Evgenia Arbugaeva","website":"www.evgeniaarbugaeva.com"},{"id":133,"bio":"","user_id":133,"name":"Joan Fontcuberta","website":"www.fontcuberta.com"},{"id":100,"bio":"I began my trade age six with a pink and purple point and push Le Clic camera. I am presently based in London and have upgraded to a serious looking camera.\r\n\r\nAwards:\r\nFebruary 09        Winner of the KLM Paul Huf Award 2009\r\nOctober 08        Winner of the F Award 2008\r\nJune 07        Selected by the Magenta Foundation 2007\r\nJan 07        Winner of the Arts Foundation Fellowship for photography\r\nApr 06        Selected for the Joop Swart World Press Masterclass 2006\r\nDec 05         Awarded 15 month scholarship from Fabrica, Italy, to collaborate on the ‘Les Yeux Ouvert’ exhibition at The Pompidou Centre, Paris.\r\nDec 04        Winner of a Jerwood Photography Award\r\nMar 04        Selected as one of the Photo District News 30 emerging photographers\r\nSept 03        Winner of the Tom Webster Award\r\nJul 03        Winner of the Ian Parry Memorial Scholarship\r\nJun 03        Winner of the Metro Bursary Award\r\n","user_id":100,"name":"Leonie Hampton","website":"www.leoniehampton.com"},{"id":102,"bio":"","user_id":102,"name":"Sanne Sannes","website":""},{"id":160,"bio":null,"user_id":160,"name":"Mindaugas Kavaliauskas","website":null},{"id":108,"bio":"","user_id":108,"name":"Michael Stipe","website":"www.michaelstipe.com"},{"id":340,"bio":"Founded by the Pictet Group in 2008, the Prix Pictet has rapidly established itself as the world’s leading prize in photography and sustainability. The award aims to uncover outstanding photography applied to confront the most pressing social and environmental challenges of today.\n\nThe Prix Pictet has two elements: the prize of CHF 100,000 awarded to the photographer who, in the opinion of the independent jury, has produced a series of work that speaks most powerfully to the theme of the award; and the Commission, awarded by the Partners of the Pictet Group, in which a nominated photographer is invited to undertake a field trip to a region where Pictet is supporting a sustainability project.","user_id":340,"name":"Prix Pictet","website":"www.prixpictet.com"},{"id":911,"bio":"Born in Umbria, Italy I started photography with some experiences in Toronto , Canada and from 1992 in Vienna. I began frequent travel to the East and I was based for six years in Sydney, Australia. From year 2000 I started to work focusing in China and more precisely Shanghai. After many assignments and features, I decided to relocate to Shanghai in 2005. \n\nI have been represented by the Anzenberger Agency since 1992.\n\nI am currently based in Shanghai but working in many locations in Asia, mainly under assignment to editorial, corporate and portrait projects. \n\nSelected Editorial Clients :\n\nNew York Times, National Geographic , Newsweek, Afar, Bloomberg (USA) Vanity Fair Germany, Merian, Marie Claire, GQ, Amica, Focus, Brigitte (Germany),Daily Telegraph Magazine, The Times, The Financial Times (UK), Panorama, Corriere Magazine, D Repubblica, Newton, Internazionale , Wired (Italy), Geo Japan, Geo Korea, Silkroad , Discovery , (Hong Kong), Quote Magazine ( The Netherland) ,The Australian Magazine, She Magazine, The Goodweekend (Australia) , Elle Decor China and others\n\nCorporate Clients :\n\nAllianz, Australian Consulate,Siemens, Selle Royal,Rio Tinto, Vini Caprai, Valeo, Volvo, Kongsberg, Tilo Austria, ItaliaServizi, DB Schenker, Arkema France, GTZ Germany, Bystronic, Lenzing Fibers, PPG, Nestle’, Standford University, Berg, HldEvents, Ogilvy, Heatherwick Studio, Schmidhuber + Keindl, The Australian Pavilion,The Italian Pavilion and many others.\n\nMain Exhibitions :\n\nReportage Festival Sydney (Australia) – Australia(ns) – 2001\nPalazzo Trinci Foligno (Italy) – L’Isola di Adesso – 2002\nVilla Amoretti Turin (Italy) – Australia(ns) – 2002\nLeica Gallery Solms (Germany) – Ping Pong School in Shanghai – 2003\nAnzenberger Gallery Vienna (Austria) – Shanghai – 2004\nSanjiangyuan International Photography Festival in Qinghai (China) -Shanghai-2006\nItalian Cultural Office in Shanghai (China) – Shanghai 2006\nVisa Pour l’Image Perpignan (France) – Screening -Sigma Recycling factory in Shanghai – 2006\nPIngyao Photo Festival (China) – Cosplayer in China – 2009\nYonkang Lu Openings Shanghai (China) – Cosplayer in China – Group Show 2010\nEpsite Gallery Shanghai – Cosplayer – 2010\nZaja Beijing – Danno d’immagine – Group Show 2011\nBiennale Venezia,Istituto Italiano di cultura Shanghai ,Padiglione Italia nel Mondo, – “The Graft” work in collaboration with Girolamo Marri 2011\nZuni Art Ferrara (Italy) – Fallen Angels (Cosplayer) – 2011\nLuoping Photo Festival Yunnan, (China) – Fallen Angels (Cosplayer) – 2012\nViaggiatori sulla Flaminia 8th Edition (Italy) – This is not the center of the world – 2013","user_id":911,"name":"Daniele Mattioli","website":"danielemattioli.com"},{"id":128,"bio":"(b.1972, Milan, Italy) lives in New York. His work is exhibited, collected and published internationally. His first self published book “Gomorrah Girl”, 2011, won the PBN Photography Book Now 2011 as Best Book of the Year nominated by a panel of 11 international judges such as Darius Himes, Steve McCurry, Gerry Badger, as announced on TIME Magazine on September the 2nd 2011. Jim Goldberg nominated “Gomorrah Girl” to be the best, most beautiful and most interesting book of 2011 for the International FotoBook Festival 2012 at Le Bal Museum, Paris, France. “Gomorrah Girl” was named in various Best Book of the Year 2011 Lists by Rémy Coignet (Le Monde, France), Joerg Colberg (USA), Rob Honstra (Holland), Photo Eye with 4 nominations by John Gossage, Horacio Fernandez, Darius Himes and Gerry Badger to name a few.\r\nHe has been nominated as Best Artist of the year 2011 by Mr. Ulrich Pollman, Director of the Münchner StådtMuseum in Munich, Germany for the Albert Renger-Patzsch Award 2012.\r\nHis work won the Festival della Fotografia in Rome 2011 as best project and was exhibited at MACRO, Museum of Contemporary Art in Rome, Italy. \r\n“Gomorrah Girl” is in various privates and Permanent Collections, George Eastman House, International Museum of Photography and Film, Rochester (NY), Cleveland Museum of Art, Cleveland (OH), ICP International Center of Photography, New York (NY), Lightwork, Syracuse (NY) amongst others.\r\nValerio Spada’s first solo exhibition in USA at PPAC Phila Photo Arts Center in Philadelphia in 2012 as well as his first one at the Flatland Gallery in Utrecht, Holland has received outstanding five stars reviews.\r\nThe exhibition will than move to Madrid, Spain from January to April 2013 at the Galeria Cero.","user_id":128,"name":"Valerio Spada","website":"www.valeriospada.com"},{"id":142,"bio":"In 2013, awarded the ICP Infinity Award for Art and shortlisted for the Deutsche Börse Photography Prize. Signature artist in From Here On (2011), a group show representing the new age of photography at Les Rencontres d’Arles in France. In Arles, presented with the Kleine Hans award for works produced between 2010 and 2011. Read the Jury Report here. Works held in the Tate Collection, the Centre Pompidou, Museum of Fine Arts, Houston, Portland Museum of Art, and the Cleveland Museum of Art. Portfolios of works published in Photoworks, Ojo Depez, Photography Now, and Else Magazine. Works also reviewed and featured in Source, the British Journal of Photography, Time Magazine, the New York Times, the Guardian, De Volkskrant, and Frieze. Exhibited internationally in numerous group shows and surveys. Member of the ABC Artists’ Books Cooperative. Lives and works in Manchester, England.\r\n\r\nCONTACT\r\nPlease write to studio@mishkahenner.com\r\n\r\n\r\nDETAILED CV (Download)\r\n\r\n\r\nAWARDS\r\n2013\t\r\nICP Infinity Award for Art [Link]\r\nShortlisted Artist, Deutsche Börse Photography Prize [Link]\r\nVisiting Fellow, University of Wales, Newport\r\n\r\n2011\r\nKleine Hans Award [Link] \r\nTwo nominations, Photo-Eye’s Books of the Year [Link]\r\nHonorable Mention, Photography Book Now [Link]\r\n\r\nSOLO EXHIBITIONS\r\n2013 \r\nPrecious Commodities, Open-Eye Gallery, Liverpool, UK [Link]\r\n\r\n2011\r\nNo Man's Land, Hotshoe Gallery, London, UK [Link]\r\n\r\nSELECTED GROUP EXHIBITIONS\r\n2013\r\nDrone, Le Mois de la Photo, Montréal, Canada\r\nThe Constructed View, Dong Gang Museum of Photography, South Korea\r\nViews from Above, Centre Pompidou, Metz, France [Link]\r\nDeutsche Börse Photography Prize 2013, The Photographers’ Gallery, London, UK [Link]\r\nEd Ruscha: Books \u0026 Co, Museum Brandhorst, Munich, Germany\r\nEd Ruscha: Books \u0026 Co, Gagosian, New York, USA [Link]\r\nA Different Kind of Order, International Centre of Photography, New York, USA [Link]\r\nA Fair, University of Kansas Art + Design Gallery, USA [Link]\r\nFrom Here On, Arts Santa Mònica, Barcelona, Spain\r\n\r\n2012\r\nABCED, Mews Project Space, London, UK\r\nLess Americains \u0026 Astronomical (video works), Whitechapel Gallery, London, UK\r\nPhotographers, Berwick Film and Media Arts Festival, UK\r\nThe Big Picture, Ars Electronica, Linz, Austria\r\nWork, Festival Internazionale di Roma, Museum of Contemporary Art, Rome, Italy\r\nDutch Landscapes, Journées photographiques de Bienne, Switzerland\r\nDavid Horvitz’s Bouquet, Border Gallery, Mexico City, Mexico\r\nLive Stream, MediaCityUK, Manchester, UK\r\nAppropriation: Questioning the Image, Fotogalerie Wien, Austria\r\nNo Man’s Land, Oregon Center for Photographic Arts, USA\r\nFrom Here On, FotoMuseum Antwerp, Belgium\r\nLet Us Keep Our Own Noon, Galerie West, Hague, Netherlands\r\n\r\n2011\r\nNo Man’s Land, HotShoe Gallery, London, UK\r\nNo Man’s Land, Jersey Arts Centre, Jersey, UK\r\nFrom Here On, Les Rencontres d’Arles, France\r\nDark Matter, Mews Project Space, London, UK\r\nABC Artists’ Books Cooperative, Printed Matter, New York, USA\r\nCollateral Damage, Look 11, Liverpool \u0026 International Festival of Journalism, Perugia, Italy\r\nPolitical Absurd, Art \u0026 Culture Laboratory, Krk, Croatia\r\nFollow-Ed (after Hokusai), P74 Gallery, Ljubljana, Slovenia \u0026 Arnolfini, Bristol, UK\r\n\r\nCATALOGUES\r\n2013\r\nA Different Kind of Order: The ICP Triennial, International Center of Photography, Prestel [Link]\r\nDeutsche Börse Photography Prize 2013, Photographers’ Gallery [Link]\r\nFrom Here On, Arts Santa Monica [Link]\r\nVarious Small Books, MIT Press [Link]\r\nPrecious Commodities, Vice\r\nAneignung / Appropriation, Fotogalerie Wien [Link]\r\n\r\n2012\r\nExtra: From Here On, Fotomuseum Antwerp\r\nFotoGrafia – Festival Internazionale di Roma\r\n\r\n2011\r\nFrom Here On, Les Rencontres d’Arles\r\nMutations: Perspectives on Photography, Paris Photo [Link]\r\n\r\nSELECTED REVIEWS\r\n2013\r\nPicking Up The Pieces, Chris Wiley, Aperture, August [Link]\r\nDutch Landscapes, Moritz Neumüller, European Photography, Number 93\r\nMishka Henner: Open Eye Gallery, Sarah James, Frieze, June [Link]\r\nWhat’s Real Today (Check Again Soon), Holland Cotter, NY Times, May [Link]\r\nLes Nouvelles Visions de la Ville, du Bauhaus a Google Earth, Beaux Arts, April\r\nDo you really call this art?, Rob Cooper \u0026 Steve Robson, Daily Mail, April [Link]\r\nDeutsche Börse Photography Prize: Mishka Henner, The Telegraph, April [Link]\r\nMashups and Moon Walkers, Adrian Searle, The Guardian, April [Link]\r\nA Different Kind of Order: ICP Triennial, Jessie Wender, New Yorker, April [Link]\r\n\r\n2012\r\nCinema's snappers reassembled Marclay-style, Phaidon, December [Link]\r\nLess is More, Colin Pantall, British Journal of Photography, April [Link]\r\nRetouching a Classic: ‘Less Américains’, Jeffrey Ladd, Time Magazine, March [Link]\r\nUendelig Opplag, Anngjerd Rustand, Vagant, March-May\r\nMishka Henner’s erased images: art or insult?, Sean O’Hagan, The Guardian, May [Link]\r\nThe Golden Age of Dutch Aerial Landscapes, Giampaolo Bianconi, Rhizome, June [Link]\r\nArtistically censored Google Earth pix - the Dutch way, CNet, May [Link]\r\nThe solar system on paper, New Scientist, January [Link]\r\n\r\n2011\r\nDutch Landscapes, David Chandler, Photoworks, issue 17\r\nDutch Landscapes, Clément Chéroux, Mutations, Steidl\r\nVirtueel Toerisme in de Woestijn, Toine Heijmans, De Volkskrant, 3 September\r\nFotograaf Zonder Camera, Hans Aarsman, De Volkskrant, 10 August\r\nNo Man’s Land, Source Magazine, issue 68\r\nMishka Henner, Matthias Harder, Photography-Now Journal of Photography \u0026 Video Art, 4.11\r\nBlind Leading the Blind, Diane Smyth, British Journal of Photography, August\r\nPhotographing the Prostitutes of Italy’s Back Roads, Prison Photography, August\r\nGoogle’s Mapping Tools Spawn New Breed of Art Projects, wired.com, August\r\nGoogle Street View and Authorship, Jorg Colberg, Conscientious, August\r\nNo Man’s Land, DVA Photo Magazine, May\r\n\r\n2010\r\nPhotography Is, Joachim Schmid, Philosophy of Photography Journal\r\n\r\nSELECTED EDITORIAL PUBLICATIONS\r\n2012\r\nBeef \u0026 Oil, Vice magazine worldwide, December\r\nPump It Up, New York Times, 15 April\r\nThe Avant-Garde at the Net, Bauhaus, December\r\nGoogle Earth Vous Regarde, Le Monde, 19 May\r\n\r\n2011\r\nFrom Here Flows the Artery of Life, OjodePez, Issue 25\r\nVirtueel Toerisme in de Woestijn, De Volkskrant, 1 September\r\nFotografieprijs Kleine Hans voor Mishka Henner, De Volkskrant, 12 July \r\nNo Man’s Land, Guardian Magazine, 9 July\r\nDutch Landscapes, Spectrum, Sunday Times Magazine, 1 May\r\n\r\nBOOK PUBLICATIONS\r\n2012\r\nLess Américains, self-published\r\nNo Man’s Land II, self-published\r\nPumped, self-published\r\nRichtered, self-published\r\n\r\n2011\r\nAstronomical, self-published\r\nNo Man’s Land, self-published\r\nFifty-One US Military Outposts, self-published\r\n\r\n2010\r\nWinning Mentality, self-published\r\nCollected Portraits, self-published\r\nPhotography Is, self-published\r\nDutch Landscapes, self-published\r\n\r\nPUBLIC COLLECTIONS\r\nTate Library Collection, UK [Link]\r\nCentre Pompidou, France [Link]\r\nCleveland Museum of Art\r\nPortland Art Museum\r\nMuseum of Fine Arts, Houston\r\n\r\nPUBLIC LECTURES \u0026 PANEL DISCUSSIONS\r\nTate Modern, London\r\nBOZAR, Brussels\r\nHouse of Photography, Hamburg\r\nLes Rencontres d’Arles, Arles\r\nInternational Festival of Photojournalism, Perugia\r\nWhitworth Art Gallery, Manchester\r\n\r\nOTHER INFORMATION\r\nMember of ABC Artists’ Books Cooperative","user_id":142,"name":"Mishka Henner","website":"www.mishkahenner.com"},{"id":479906,"bio":"Hannah Latham is a graduate of Rhode Island School of Design’s Photography BFA program with a minor in race, gender, and sexuality studies. Her work investigates themes of memory, family, patriotism, and the environment. They take the form of cyanotypes, inkjet, or gelatin silver prints. She has been featured in online publications including Fraction Magazine, Lenscratch, and Float Magazine. Hannah’s work has been exhibited internationally and in educational galleries across New England. Her first solo show was held at Foster Gallery in Dedham, MA in 2023. Based in Boston, MA, Hannah teaches photography at Noble and Greenough School.","user_id":479322,"name":"Hannah Latham","website":"hannah-latham.com"},{"id":155,"bio":null,"user_id":155,"name":"Lauren E. Simonutti","website":null},{"id":730107,"bio":"Photo-Flaneur since 40 years.","user_id":729523,"name":"Thomas Pietsch","website":""},{"id":224,"bio":"Chris Jordan’s work explores contemporary mass culture from a variety of photographic and conceptual perspectives. Edge-walking the lines between beauty and horror, abstraction and representation, the near and the far, the visible and the invisible, his images depict viscerally the enormity and power of humanity’s collective will. Jordan’s works are exhibited and published worldwide.\n\nCurrent and Upcoming Exhibits\n\n“Vanishing Ice: Alpine and Polar Landscapes in Art, 1775-2012” (Denali Denial, 2006) (January 31 - April 26, 2015)\nFundacion Telefonica, Madrid, Spain, “BIG BANG DATA” (Prison Uniforms, 2007) (February - May, 2015) MuBE, Sao Paulo, Brazil, 2015 (selections from Midway: Message from the Gyre)\n\nExhibits\n\n2014\nBryan Oliver Gallery, Whitworth University, Spokane, WA “Running the Numbers” \nThe Water Tank Project, New York, NY\nCentre de Cultura Contemporania de Barcelona (CCCB), Barcelona, Spain, “BIG BANG DATA” (Prison Uniforms, 2007) \nGlenbow Museum, Calgary, Alberta “Vanishing Ice: Alpine and Polar Landscapes in Art, 1775-2012” (Denali Denial, 2006) \nLocation House, London, UK “HERE TODAY...”, in support of the IUCN 50th Anniversary of the Red List of Threatened Species (Silent Spring, 2014) \nMcMichael Canadian Art Collection, Vaughn, Ontario \nJulian Scott Memorial Gallery, Johnson State College, Johnson, VT, “Midway: Message from the Gyre” \n\n2012\nUniversity of Michigan, Ann Arbor, MI, \"Chris Jordan: Running the Numbers\"\nScience Museum of Virginia, Richmond, VA, \"Chris Jordan: Running the Numbers\"\nArt Center Sarasota, Sarasota, FL, \"Running the Numbers: Portraits of Mass Consumption\"\nUniversity of New Hampshire, Durham, NH, \"Chris Jordan: Running the Numbers\"\n\n2011\nCarleton College Art Gallery, Northfield, MN, \"Running the Numbers: Portraits of Mass Consumption\"\nInternational Museum of Art and Science, McAllen, TX \"Chris Jordan: Running the Numbers\"\nSordoni Art Gallery, Wilkes University, Wilkes-Barre, PA \"Running the Numbers: Portraits of Mass Consumption\"\nDiemar/Noble Photography, London, UK, \"Ushirikiano\", Photographs from the Prix Pictet Commission trip to Kenya\nOther Gallery, Shanghai, China \"E Pluribus Unum\"\nSouthern Methodist University, Hunt Institute for Engineering and Humanity, Dallas, TX \"Running the Numbers: Portraits of Mass Consumption\"\nNevada Museum of Art, Reno, NV \"Chris Jordan: Running the Numbers\"\nOther Gallery, Beijing, China \"E Pluribus Unum\"\nUniversity of Colorado Museum of Natural History, Boulder, CO \"Running the Numbers: Portraits of Mass Consumption\"\nJordan Schnitzer Museum of Art, University of Oregon, Eugene \"Chris Jordan: Running the Numbers\"\n\n2010\nDavid Brower Center, Berkeley, CA \"Chris Jordan: Running the Numbers\"\nSimon Fraser University Gallery, Burnaby, BC, Canada \"Running the Numbers\"\nHalsey Institute, College of Charleston, Charleston, SC \"Chris Jordan: Running the Numbers\"\nSeymour Marine Discovery Center, UC Santa Cruz, CA \"Running the Numbers: Portraits of Mass Consumption\"\nAustin Museum of Art, Austin TX \"Chris Jordan: Running the Numbers\"\nCantor Fitzgerald Gallery, Haverford College, Haverford, PA \"Chris Jordan: Running the Numbers\"\n\n2009\nMuseum of Science, Boston, MA \"Running the Numbers: Portraits of Mass Consumption\"\nPacific Science Center, Seattle, WA \"Chris Jordan: Running the Numbers\"\nKopeikin Gallery, Los Angeles, \"Running the Numbers II\"\nSanta Barbara Museum of Natural History, Santa Barbara, CA \"Chris Jordan: Running the Numbers\"\nWinsor Gallery, Vancouver, BC, Canada\nAlcatel Lucent Headquarters, Paris, France\nAPEX: Chris Jordan, Portland Art Museum\nWashington State University Art Museum, Pullman, WA, \"Chris Jordan: Running the Numbers\"\n\n2008\nSan Antonio Public Library and Southwest School of Art and Craft, San Antonio, TX\nAllen Memorial Art Museum, Oberlin College, Oberlin, OH\nHandwerker Gallery, Ithaca College, Ithaca, NY\nWinsor Gallery, Vancouver, British Columbia, Canada\n\n2007\nUnion Art Gallery, University of Wisconsin-Milwaukee\nPaul Kopeikin Gallery, Los Angeles, \"Running the Numbers\"\nVon Lintel Gallery, New York\nArmory Center for the Arts, Pasadena, CA\n\n2006\nLannan Foundation Gallery, Santa Fe, NM\nPaul Kopeikin Gallery, Los Angeles, \"In Katrina's Wake\"\nMuseo Circulo de Bellas Artes, Photo Espana Festival, Madrid, Spain\n\n2005 \u0026amp; earlier\nFoto\u0026amp;Photo Festival, Cesano Maderno, Italy\nPaul Kopeikin Gallery, Los Angeles, \"Intolerable Beauty\"\nYossi Milo Gallery, New York\nPhotographic Center Northwest, Seattle WA\nClotworthy Arts Centre, Antrim, Ireland\n\nSelected Group Exhibits\n\nUPCOMING\n\nDePaul Art Museum, Chicago, IL, \"Climate of Uncertainty\" (January 10-March 24, 2013)\nBogota, Columbia, Fotografica Bogota 2013 (May 4-June 15, 2013) \n\n2012\nThe Field Museum, Chicago, IL, \"Nature's Toolbox: Biodiversity, Art and Invention\"\nAnchorage Museum, Anchorage, AK, \"True North\"\nHong Kong Convention and Exhibition Center, Hong Kong, Prix Pictet Growth Shortlist Exhibition\nUniversity of Technology, Eindhoven, Netherlands, Prix Pictet Growth Shortlist Exhibition\nNesrin Esirtgen Collection, Istanbul, Turkey, \"No. 1\"\nAyyam Gallery, Beirut, Lebanon, Prix Pictet Growth Shortlist Exhibition\nThe Empty Quarter Gallery, Dubai, Prix Pictet Growth Shortlist Exhibition\nDublin Museum of Photography, Ireland, Prix Pictet Growth Shortlist Exhibition\n\n2011\nMuseum of Photographic Arts, San Diego, CA, \"Infinite Balance: Artists \u0026amp; the Environment\"\nSt. Louis Artist's Guild, Clayton, MO \"Running the Numbers: Photographs by Chris Jordan\"\nCorcoran Gallery of Art, Washington, DC, Prix Pictet Growth Shortlist Exhibition\nReal Jardin Botanico, Madrid, Spain, Prix Pictet Growth Shortlist Exhibition\nRoundhouse Mews, Vancouver, Canada, \"The Ocean in Us\", Safe Planet Exhibit\nNevada Museum of Art, Reno, NV, \"The Altered Landscape: Photographs of a Changing Environment\"\nArteversum, Dusseldorf, Germany, Prix Pictet Growth Shortlist Exhibition\nHenry Art Gallery, Seattle, WA, \"The Digital Eye: Photographic Art in the Electronic Age\"\nGalleria Carla Sozzani, Milan, Italy, Prix Pictet Growth Shortlist Exhibition\nNorth Carolina Museum of Art, Raleigh, \"Landscape Sublime\"\nMuseum of Monterey, Monterey, CA, \"Flows to Bay: Consumerism, Plastics \u0026amp; the Ocean\"\nGalerie Christophe Guye, Zurich, Switzerland, Prix Pictet Growth Shortlist Exhibition\nThessaloniki Museum of Photography, Greece, Prix Pictet Growth Shortlist Exhibition\nUniversity of Hawaii, Manoa, Honolulu, \"Plastic Pollution\", Safe Planet Exhibit\nElectric Works, San Francisco \"In the Eye of the Whale\" Bryant Austin\nPassage de Retz, Paris, France, Prix Pictet Growth Shortlist Exhibition\nWashington State Convention Center, Seattle, WA \"Forecast: Communicating Weather and Climate\"\n\n2010\nBoise Art Museum, Idaho \"Critical Messages: Contemporary Northwest Artists on the Environment\"\nSan Jose Museum of Art, \"Degrees of Separation: Contemporary Photography from the Permanent Collection\"\nUniversidad Technologico de Cancun, Cancun, Mexico, \"What Will Be\", Safe Planet Exhibit at the United Nations Framework Convention on Climate Change\nGalerie Filles du Calvaire, Paris, France, Prix Pictet 2010 Shortlist Preview Exhibition\nBREDAPHOTO, International Photo Festival, Netherlands\nUrban Institute for Contemporary Arts, Grand Rapids, MI, ArtPrize Event\nHallie Ford Museum of Art, Willamette University, \"Critical Messages: Contemporary Northwest Artists on the Environment\"\nARS Electronica Center, Linz, Austria, \"Raise Your Voice\"\nExit Art, New York, \"ECOAESTHETIC: The Tragedy of Beauty\"\nPRAE, Valladolid, Spain, \"Rummaging in the Rubbish: Waste and Recycling in Contemporary Art\"\nBohemian National Hall, New York City, \"Substantialis Corporis Mixti\", Safe Planet Exhibit\nWestern Gallery, Western Washington University, \"Critical Messages: Contemporary Northwest Artists on the Environmental\"\nCDAN (Center of Art and Nature), Huesca, \"Rummaging in the Rubbish: Waste and Recycling in Contemporary Art\"\n\n2009\nCalifornia State University Fullerton Main Art Gallery, \"What's the Rush? Topics on Convenience\"\nKoldo Mitxelena Cultural Centre, San Sebastian, \"Rummaging in the Rubbish: Waste and Recycling in Contemporary Art\"\nBrussels, \"It is Our Earth\"\nThe Mariners Museum, Newport News, VA, \"Message in a Bottle\"\nGualala Arts Center, Gualala, CA, \"Paper nOr Plastic\"\nPrix Pictet 2008 Shortlisted Artists Exhibition - Selection, Sustainability-Congress, Bonn\nPrix Pictet 2008 Shortlisted Artists Exhibition, Eindhoven University of Technology, Eindhoven\nPrix Pictet 2008 Shortlisted Artists Exhibition - Selection, Kempinski Hotel, Dresden\nPrix Pictet 2008 Shortlisted Artists Exhibition - Selection, The Rotunda, Exchange Square, Central, Hong Kong\nPasadena Museum of California Art, \"Data + Art: Science and Art in the Age of Information\"\nPrix Pictet 2008 Shortlisted Artists Exhibition - Selection, The Intelligence Squared Green Festival, Royal Geographical Society, London\n\n2008\nPrix Pictet 2008, Shortlisted Artists Exhibition, Thessaloniki Museum of Photograph, Thessaloniki\nPrix Pictet 2008, Shortlisted Artists Exhibition - Selection, DIFC, Dubai\nPrix Pictet 2008, Shortlisted Artists Exhibition, Palais de Tokyo, Paris\nAustin Museum of Art, Austin TX; \"Modern Art. Modern Lives. Then + Now\"\nPrice Tower Arts Center, Bartlesville, OK, \"3-logy Triennial 2008: Imaginative Qualities of Actual Things\"\nAffirmation Arts, New York, NY, \"Garbage Picker\"\nMesa Arts Center, Mesa, AZ, \"Mass Consumption\"\nMountainfilm, Telluride, CO\nDeutsche Bank Gallery, New York, NY, \"Feeling the Heat: Art, Science and Climate Change\"\nField Museum, Chicago, \"Melting Ice/A Hot Topic,\" curator Randy Rosenberg\nFotoGraphia Festival Internazionale di Roma, Rome, Italy\nSharon Arts Center, Peterborough, NH \"WASTE: Artists Speak Out on our Disposable Culture\"\nMinistry of Culture, Monaco, \"Melting Ice/A Hot Topic\"\nMontpelier Arts Center, Laurel, MD \"Digital Sequences\"\n\n2007\nMontserrat College of Art, Beverly, MA \"Cornucopia: Documenting the Land of Plenty\"\nBOZAR Centre for Fine Arts, Brussels, Belgium, \"Melting Ice/A Hot Topic\"\nBoulder Museum of Contemporary Art, Colorado, \"Weather Report\"\nHelen Day Art Center, Stowe, VT \"Nature Remains: The Artist as Environmentalist\"\nBates College Museum of Art, \"Green Horizons\"\nNobel Peace Center, Oslo, Norway. \"Envisioning Change\"\nNatural World Museum, San Francisco, \"Environmental Renaissance\"\nNorth Carolina Museum of Art, \"The Big Picture\"\nTufts University Art Gallery, Massachusets, \"Altered States, Views of Transition in Recent Photography\"\nTexas State University Art Gallery, \"Loyal Opposition\"\nTED Conference, Monterey, CA\n\n2006\nInternational Photomedia Biennial, Society for Contemporary Photography, Kansas City MO (Fellowship Award recipient)\nWesleyan University, Ezra and Cecile Zilkha Gallery, Connecticut\nLawrimore Project, Seattle\nGail Gibson Gallery, Seattle\nHouston Center for Photography, \"Trace, Visions of Katrina\" \nNew Orleans Museum of Art \nPort Angeles Fine Arts Center, Port Angeles, WA \n\"Art Not Oil,\" London, traveling exhibition\nMuseum of Cultural Arts Houston, Houston, TX, \"Artists Responding to Violence Against the Earth\" (Best of Show award)\n\n2005\nCollege of Santa Fe Art Gallery, Santa Fe, NM\n4th Annual Recycled Art Show, Seattle, WA\nUrban Jungle Environmental Expo, U.N. International Environment Day, San Francisco, CA\n\n2004\nAllegany Arts Council Wills Creek Survey, juried by Elizabeth Thomas, Carnegie Museum of Art\nAgora Gallery SoHo/Chelsea International Fine Art Competition, juried by Susan Cross, Guggenheim Museum, New York\nInternational Fine Art Photography Exhibition, Center for Fine Art Photography, Ft Collins, CO\nPhoto Espana Descubrimientos 04, Madrid, Spain\nArtivist Film Festival, Los Angeles CA\n\nPre-2004\n\"Intimate Landscapes,\" Tacoma Art Museum, Tacoma, WA\nPhotographic Image Gallery, Portland, OR\nEarth Day, Eastshore Gallery, Bellevue, WA\nThe Third Annual Earth Day Invitational Exhibit, Seattle, WA\nThe Second Annual Earth Day Invitational Exhibit, Seattle, WA\nThe First Annual Earth Day Invitational Exhibit, Seattle, WA\n\"Visions of Grace\" juried by Jock Sturges, Seattle, WA\nNorthwest Annual, Bellevue Art Museum, Bellevue, WA\n\"The Search for Transcendence\" juried by Joyce Tenneson, Seattle, WA\n\"Worth A Thousand Words\" juried by Duane Michals, Seattle, WA\n\nSelected Collections\n\nThe Getty Museum\nLos Angeles County Museum of Art (LACMA)\nMuseum of Fine Arts, Houston\nSanta Barbara Museum of Art\nSan Jose Museum of Art\nBirmingham Museum of Art\nAustin Museum of Art\nBoise Art Museum\nNevada Museum of Art\nNorth Carolina Museum of Art\nJordan Schnitzer Museum of Art\nCleveland Clinic\nSprint Collection\nFidelity Investments\nErica Tishman Collection\nMichael Wilson Collection\nAllen G. Thomas Jr. Collection\nAspen Companies\nTobias Foundation\nKadist Foundation\nBruce Berman Collection\nWest Collection\nMoon Collection\n\nAwards and Honors\n\n2012\nTrailblazer, Sustainable Path Foundation, Seattle, WA\nArtist Trust Fellowship for Media, Seattle, WA\nDesign Futures Council Senior Fellow\n\n2011\nPrix Pictet, London, UK, Commission Prize\nAaron Siskind Foundation Individual Photographer Fellowship\n\n2010\nPrix Pictet, London, UK, Nominated \u0026amp; Short Listed Artist\nAnsel Adams Award for Excellence in Conservation Photography, Sierra Club\nLEAD Award, Germany, For \"Midway\" series published in Stern Magazine, Bronze Medal\nTreeHugger, Best of Green, Best Artist\n\n2008\nPrix Pictet, London, UK, Nominated \u0026amp; Shortlisted Artist\n\n2007\nGreen Leaf Award, Natural World Museum and United Nations Environment Programme, Nobel Peace Center, Oslo, Norway\n\n2006\nFellowship Award recipient, Society for Contemporary Photography, Kansas City, MO\nBest of Show award, \"Artists Responding to Violence Against the Earth,\" Museum of Cultural Arts, Houston, TX\n\n2005\nFinalist, Santa Fe Prize for Photography\n\n2004\nFirst Place Winner, Gary Horowitz Award, Allegany Arts Council\nPhoto Espana Descubrimientos, Honorable Mention runner up to festival prize, Madrid, Spain\nFinalist, Honickman First Book Prize in Photography, Center for Documentary Studies\n\nSelected Press\n\n2012\nVolume Magazine, Netherlands, Summer Issue #31\n\n2011\nSixth Finch, Summer Issue\nDeep Sleep, Terminal Issue, Issue 6\nSierra Magazine, January/February Issue\n\n2010\nFinancial Times Weekend Magazine, November 13/14\nImage Magazine, Finland, November\nSea Voices, by Duffy and Elizabeth Laul Healey\nDenison Magazine, Granville, Ohio, Winter Issue\nThe Photo Review, Langhorne, PA, Volume 29, Number 1\nFocus Magazine, Poland, October\nSolar Today, Canada, September/October\nLe Monde Magazine, France, September 18\nMs.Use Magazine, Tel Aviv, August\nDiscover Magazine, NY, July/August\nTelerama, France, July 23\nYes! Magazine, \"Bearing Witness: Chris Jordan on Art, Grief, and Transformation,\" April 14\nColors Magazine, Italy, Spring issue\nFoam Magazine, Spring issue\nThe Chronicle Review, March 26\nFocus, Poland, February issue\nMother Jones, January/February issue\nPhotolife, \"Chris Jordan: A Soul Searching Photographer,\" January, Volume 35, Number 1\nOmega Lifetime, \"What a Waste\" January, Issue 5\nCourrier, Japan, January\nAdformatie, Netherlands, January 7\nYuno Magazine, Germany, January\nAlternatives, Canada, Volume 36, Number 1\nEcotone, UNCW, \"ReImagining Place\"\n\n2009\nPicnic Magazine, Mexico, Number 29\nThe Colourist, United Kingdom, Issue 4\nPhoto District News, Photo of the Day, December 21\nEsquire, Russia, December issue\nNRC Weekblad, Netherlands, November/December issue\nThe New York Review of Books, November 19\nStern Magazine, Germany, November 12\nPLANET Magazine, Nov. 5\nCNN.com International,Nov. 4\nThe Huffington Post, Nov. 2\nVSD, France, November\nkosmos journal, Fall/Winter issue\nPlanet Green, October 19 \nartdish, Review of Pacific Science Center Exhibit, October 16\nThe Seattle Times, Review of Pacific Science Center Exhibit, October 9\nThe PhotoBook, October 4\nThe PhotoBook, August 29\nNew York Times Dot Earth, August 19 \nWend Magazine, July 29\nMatador Change, July 15\nPitch, The Mountainfilm Magazine, July\nResurgence, UK, July/August Issue\nDaily Press, press for \"Message in a Bottle\" exhibit, June 14\nLa Tribune et Moi, France, June 13\nemel magazine, UK, June issue\nSwerve, Calgary, June 5\nConsumer Reports, May 20\nGarden 91, Taiwan, May 5\nEXIT Magazine Imagen \u0026amp; Cultura, Madrid, Spain, Issue Number 34, May/June/July\nMother Jones Magazine, May/June Issue\nInnovation Magazine, Spring Issue\nArtWorks Magazine, Spring Issue\nThe Seattle Times, Pacific Northwest Sunday Magazine, April 19\nThe Stranger, April 14\nExaminer.com \"Recession Inspires Expansion\" April 12\ndata visualization, April 6\nHorses Think, \"Pulse,\" March 10\nA Sky filled with Shooting Stars, \"The Pick of Pulse,\" March 6\nNewScientist, February 3\nEntertainment Weekly, Jan.30/Feb.6 Issue\nVrij Nederland, January Issue\n\n2008\nSun Valley Guide, Habitat\nTerra Economica, December issue\nOrion Magazine, Nov./Dec. Issue\nGreensource Magazine, Nov./Dec. Issue\nArcade Magazine, Winter Issue\nGEO magazine, Germany, October issue\nRevista Criativa, Brazil, Issue 234, October\nThe AkzoNobel Magazine, Issue 1, October\nArchitecture Boston, Sept./Oct. Issue\nVogue Italy, September\nSan Francisco Chronicle, September 27\nLe Monde 2, September 20\nPopular Photography, September issue\niidea creativity design magazine, Beijing, China, August issue\nVogue Brazil, Issue 360, August\nSOL Magazine, Lisbon, Portugal, Aug 27\nFinancial Times Weekend Magazine, Prix Pictet Shortlist, July 12/13\nArt In America, June/July issue (exhibition review by Suzaan Boettger)\nLe Monde 2, June issue\niidea creativity design magazine, Beijing, China, June issue\nDelicious Living Magazine, Boulder, CO, June Issue\nAdbusters Magazine, Vancouver, BC, May/June Issue\nHarper's Magazine, USA, May issue\nSotokoto Magazine, Japan, April Issue\nL'Uomo Vogue, Italy, April Issue\nCleveland Plain Dealer, Cleveland, OH, April 27\nLa Repubblicca, Rome, Italy, April 24\nDestak Lisboa, Lisbon Portugal, p. 32, April 22\nIl Manifesto, Rome, Italy, p. 14, April 22\nKeng Sheng Daily News, Taipei, Taiwan, April 21\nMetro Portugal, Lisbon, April 16, Edicao Especial\nMundo Universit·rio, Lisbon Portugal, p. 14, April 21\nSabado Magazine, Lisbon Portugal, p. 143, April 17\nYes! Magazine, April 14\nTaipei Times Sunday Edition, Tapei, Taiwan, April 13\nChina Times Newspaper, Taipei, Taiwan, April 12\nYvi Magazine, The Netherlands, Issue #2: Consumption\nIvy Magazine, Hamburg, Germany\nRotman Magazine, Toronto, Spring Issue\nCool Magazine, New York, Spring Issue, Vol. 15\nSTILUS Magazin, Budapest, Hungary, March issue\nConscious Choice, Seattle, March Issue \nEsquire Magazine, China edition, March Issue\nOutside Magazine, USA, March issue\nConscious Choice Magazine, Seattle, March issue\nUpstreet Magazine, France, March Issue\nSt. Louis Post-Dispatch, March 30\nGlobe and Mail, Winsor Gallery exhibition review, Canada, February 27\nThe Vancouver Sun, Winsor Gallery Exhibition Review, February 9\nThe Vancouver Courier, Winsor Gallery exhibition review, February 8\nBMW Magazine, February issue\nMen's Journal Magazine, USA, February Issue\nIcon Magazine, Essex, England, Issue 56, February\nFocus Junior Magazine, Hamburg, Italian edition\nDigitalis Foto Magazin, Budapest, Hungary, Jan/Feb issue\nGreenpeace Magazine, Germany, January/February Issue\niidea creativity design magazine, Beijing, China, January Issue\nEsquire Magazine, Spain, January Issue\nInhabitat, New York, January 30\nWashington Post, exhibition review, January 29\nConde Nast Portfolio, New York, January Issue\n\n2007\nArt In Action: Nature, Creativity, and Our Collective Future, pp. 54-55, © Natural World Museum\nUkula Magazine, Toronto, Vol. 3 No. 3\nCoutts Bank Journal, London, Issue 2\nSuperinteressante Magazine, Sao Paulo, Brazil, Edicao 247, December issue\nAdbusters, Vancouver, BC, Issue 74, Nov./Dec.\nThird Coast Digest, November 28\nVentiquattro Magazine, Italy, November Issue\nEsquire Magazine, Russia, October Issue\nLA Times, review of exhibit at Paul Kopeikin gallery, October 5\nElephant, Autumn issue, No. 21\nPulse, Hofstra University's Student Magazine, Fall, Issue 12\nDenver Post, \"Weather Report\" critique, September 21\nArt Culture, \"Seeing Numbers in a Whole New Way,\" September 18\nCurrent TV, San Francisco, September 13th\nIEEE Spectrum Magazine, New York, September Issue\nUtne Reader, USA, Sept./Oct. issue\nIdN Magazine, Hong Kong, August/September Issue\nInternazionale Magazine, Italy, August 23\nThe Toronto Star, August 5\nVision Magazine, China, August Issue\nWorld Ark Magazine, Arkansas, July/August Issue\nThe Morning News, July 23\nTrend Magazine, Santa Fe, Summer Issue\nFrog Design Mind, San Francisco, Summer Issue\nDaily Press, Newport News, Virginia, June 25, July 2, July 16 \nBrasil Sustentavel Magazine, Brazil, May/June Issue\nMilk Magazine, Hong Kong, May 24\nMasa Acher Magazine, Israel, Issue 190\nVisual Communication Quarterly, Special Issue: Hurricane Katrina, Spring issue, Volume 14 Number 2\nPlazm Magazine, Portland, OR, Issue #28\nVimagazino, Greece\nFive Magazine, Issue 17\nTrece:Veinte Magazine, Mexico\nVanity Fair, Italy\nPlenty Magazine\nMacDirectory Magazine\nBPM Magazine\nAFISHA Magazine, Russia\nOyster Magazine, Australia, Issue 72\nMagazine Esta, The Netherlands\nBrand Eins Wirtschaftsmagazin, Hamburg, Germany, July issue\nGeo Magazine, Germany, July Issue\nBH Magazino, Greece, June issue\nLifeLounge Magazine, Victoria, Australia, Summer issue \nMagenta Magazine, Toronto, Vol 2, issue 2 (June).\nContagious Magazine, London, June issue\nRevista MTV, Brasil, June issue\nBANT Magazine, Istanbul, Turkey, June issue\nLodown Magazine, Berlin, Germany, May/June issue\nWorld Watch, Volume 20, Number 2, March/April\nOrion Magazine, USA, March/April issue\nShambhala Sun, March issue\nFUTU Magazine, Warsaw, Poland, spring issue\nsleek mag, Magazine of Art and Fashion, Berlin, Germany, winter issue\nFlashFilm Magazine, Japan\nNewConsumer Magazine, Edinburgh, Scotland, Jan/Feb issue\n\"One Shot 2006,\" published by Visual Codec, USA\nCallaloo Literary Journal, Texas A\u0026amp;M University, USA, Volume 29, Number 4\n\n2006\nPhotoEspan˜a: Naturaleza, Madrid, Spain\nELLE Magazine, Italy, December issue\nSan Francisco Chronicle, review of \"In Katrina's Wake,\" Nov 19th\nPasatiempo, Santa Fe, New Mexico, Nov. Issue\nEXIT Magazine Imagen \u0026amp; Cultura, Madrid Spain, Issue Number 24\nLo Specchio Magazine, Italy, October 14th issue\nLos Angeles Times, review of show at Paul Kopeikin Gallery, October 6\nPHOTO Magazine, Romania, October issue\nFocus Magazine, Warsaw, Poland, October issue\nWorld Watch Magazine, WorldWatch Institute, September/October issue\nSeattle Times, show review by Matthew Kangas, September 15\nQue Onda Magazine, Dallas/Ft. Worth, August/September issue\nLos Angeles Times, August 27\nAtlanta Latino, August 24-30\nAssociated Press, review of \"In Katrina's Wake,\" syndicated in newspapers nationally, August\nRolling Stone Magazine, Spain, June issue\nPending Magazine, Switzerland, May issue\nPhotographie, May Issue\nProfile Magazine, London, April issue\nQuest Magazine, Germany, March issue\nGrist Magazine, USA, March issue\nKIJK Magazine, The Netherlands, March issue\nSunday Star-Ledger, Perspective Section, February 26\nHarper's Magazine, USA, February issue\nART Magazine, Germany, February issue\nMental Contagion, Issue #65, February\n\"C\" International Photography Magazine, London, January issue\nFocus Magazine, Greece, January issue\n\n2005\nScrap Magazine, Wash. D.C., November/December Issue, Vol. 62\nLufthansa, Germany, Nov. Issue\nDigital Journalist, \"Q\u0026amp;A with Photographer Chris Jordan,\" November\nFocus Magazine, Italy, October issue\nSeattle Times, \"Making the Most of Things,\" October 7\nThe Stranger, Seattle, Sep. 29\nSeattle Post-Intelligencer, Review of PCNW show, September 23\nLondon Daily Telegraph, \"In Focus,\" September 4\nFoto\u0026amp;Photo, Italy, Sept. - Nov. Issue\nArt In America Magazine, Chris Jordan at Paul Kopeikin, September issue\nIn Balance, New American Dream, Fall issue, No. 33\nTacoma News Tribune, In the Land of Plenty, August 21\nSouth China Morning Post, The Ring Recycle? More Like The Hard Sell For a Load of Rubbish, August 7\nSmithsonian Magazine, E-Gad!, by Elizabeth Royte; also run as a feature on CNN, August 7\nNew York Times Chris Jordan's Great Big Beautiful Piles of Junk, by Philip Gefter, July 24\n\nPre-2005\nPhotoMedia Magazine, Beauty and the Blight, portfolio feature, Fall issue, 2004\nPacific Northwest Magazine, Shooting From the Soul, March 21, 2004\nSeattle Times, Throwaway Culture In Focus, also in Dallas Morning News, San Antonio Express News \u0026amp; Tampa Tribune, February 15, 2004\nView Camera Magazine, Chris Jordan \u0026amp; the Miracle of the Mundane, July/August issue, 2003\nSeattle Post-Intelligencer, Night Blooming: Chris Jordan's Camera Captures Dazzling Urban Trees, by Regina Hackett, June 16, 2001\n\nSelected Speaking Engagements\n\n2012\nStudents for Sustainability Conference, Alexandria, VA - November 13 , 2012\nPenny W Stamps Speaker Series, University of Michigan, Ann Arbor, MI - November 15, 2012\nSmithsonian Symposium, Smithsonian National Museum of Natural History, Washington, DC - October 11, 2012\nThe Sixteenth Annual Otis Lecture supported by The Philip J. Otis Endowment, Bates College, Lewiston, ME - October 9, 2012\nMeredith College, Raleigh, NC - September 19, 2012\n\n2011\nMuseum of Photographic Arts, San Diego, CA - November 17\nTEDxRainier, University of Washington, Seattle, WA - November 12\nNews Xchange Conference, Cascais, Portugal - November 4\nCore Club, New York - October 25\nMicrosoft Art Collection Artist Lecture Series, Redmond, WA - October 7\nArt + Environment Conference, Nevada Museum of Art, Reno, NV - September 30\nInternational Museum of Art and Science, McAllen, TX - September 3\nCentral Academy of Fine Arts, Beijing, China - April 15\nJordan Schnitzer Museum of Art, University of Oregon, Eugene, OR - January 26\n\n2010\nTEDx: Great Pacific Garbage Patch, Los Angeles, CA - November 6\nCollege of Charleston, Charleston, SC (Exhibit lecture) - October 22\nEnvironmental Protection Agency, Washington DC - October 20\nWhitworth University, Spokane, WA - October 12\nNational Center on Atmospheric Research, Boulder, CO - October 5\nDavid Brower Center, Berkeley, CA - September 30\nInternational Bridge, Tunnel \u0026amp; Turnpike Association, San Diego, CA - September 14\nDLR Group, Seattle, WA - August 3rd\nAmerican College Personnel Association, Seattle, WA - June 25\nAmerican Institute of Architects, Miami Beach, FL - June 11\nAustin Museum of Art, Austin, TX (Exhibit lecture) - June 3\nMountainFilm Festival, Telluride, CO - May 30\nMuseum of Science, Boston, MA - April 30\nPhillips Collection, Washington, DC - April 28\nSietar Conference, Spokane, WA - April 17\nNYU Reynold's Program, NYC - Mar. 3\nEnvironmental Protection Agency, Research Triangle Park, NC - Mar. 2\nPark School of Baltimore, Baltimore, MD - Mar. 1\nAmerican Dental Education Association, National Harbor, MD - Feb. 28\nHaverford College, Haverford, PA - Jan. 28\nState of the World Symposium, Washington DC - Jan. 21 \nJournalism that Matters Pacific Northwest Conference, Seattle, WA - Jan. 8 \n\n2009\nWisconsin Women's Business Intiative Corporation, Milwaukee, WI - Nov. 18\nKids4Kids Conference, Port Sorell, Australia - Nov. 13\nTasmanian Arts School, Hobart, Australia - Nov. 12\nAustralian Antarctic Division, Hobart, Australia - Nov. 12\nKids4Kids Conference, Hobart, Australia - Nov. 11\nUniversity of Tasmania, Hobart, Australia - Nov. 10\nOpportunity Green, LA, CA - Nov. 7\nSouthern California Edison, CA - Nov. 5\nAmerican Association of Colleges of Nursing, Washington DC - Nov. 1\nPopTech Camden, ME - Oct. 22-Oct. 24\nThomas S. Kenan Institute for the Arts, North Carolina - Oct. 13\nPacific Science Center, Seattle, WA - Oct. 1, Oct. 3\nMountainFilm Festival, Aspen, CO - Aug. 29-Aug. 30\nGreen Forum: Oceans, Miami, FL - Aug. 27\nArizona Commission on the Arts, State of Arizona, Carefree, Arizona - Aug. 18\nShoreline Solar Project, Seattle - July 17\nWestern Bridge Gallery - Seattle Green Bag Campaign, Seattle, WA - June 29\nPortland State University, Portland, OR - April 30\nMattel, Inc., California - April 23\nAmerican Society for Quality, Milwaukee, WI - April 21-April 22\nCornish College - Class lecture, Seattle - April 16\nIdeas Festival 2009, Queensland, Australia - Mar. 27\nGuiding Lights Weekend, Seattle, WA - Jan. 30\nSteelcase, Inc., Santa Monica, CA - Jan. 29\nSMU - Willis M. Tate Distinguished Lecture Programs, Dallas, TX - Jan. 27\nWSU Chris Jordan Exhibit opening, Pullman, WA - Jan. 22\nAssociation of American Colleges and Universities (AAC\u0026amp;U), Seattle, WA - Jan. 21\n\n2008\nSprint, Kansas City, MO (Keynote Speech) - Nov. 14\nWoodmont Library Talk, Seattle, WA - Nov. 13\nVirginia Commonwealth University, Doha Qatar - Nov. 10\nWorld Economic Forum Council on Design, Dubai, United Arab Emirates - Nov. 7 - Nov. 9\nAHIMA Convention (American Health Information Management Association), Seattle, WA - Oct. 13\nOne Earth One dream symposium, Laguna Beach, CA - Oct. 1- Oct. 5\nImages and Voices of Hope Summit, Catskill, NY - Sept. 26-Sept. 28\nWest Coast Green - Green Building Design, Innovation \u0026amp; Business, San Jose, CA - Sept. 25\nInternational Interior Design Association - SF Chapter Speaking Engagement, San Francisco, CA - Sept. 23\nGreenway Consulting Group, Vancouver - Sept. 22\nNational Assembly of State Arts Agencies, Chattanooga, TN - Sept. 13\nUtah League of Cities and Towns - Salt Lake Sheraton, Salt Lake City, UT - Sept. 11\nMattel, Inc., Manhattan Beach, CA - Sept. 10\nMcKinley Financial Services c/o HR Florida, Orlanda, FL - Aug. 26\nChromatic Films/Ovation TV crew, Seattle, WA - Aug. 22\nTexas Public Radio, San Antonio, TX - Aug. 6\nSan Antonio Municipal Auditorium, San Antonio, TX - Aug. 6\nHollyhock Conference, Cortes Island - Jult 26-July 31 \nDaVIta Retreat - Personal Growth Wellness Symposium, Santa Barbara, CA - July 8\nMerrill Lynch, Coconut Grove, FL - June 24\nNatureWorks Inc., Tokyo, Japan - June 1-June 7\nMountainFilm Festival, Telluride, CO - May 23-May 26\nGovernment Invitational Lecture Tour, Caracas, Venezuala - May 12-May 18 \nNational Geographic Eco Ambassador Tour - Taipei, Taiwan; Lisbon, Portugal; Rome, Italy - April 10-April 30 \nInterview with Annika from Art Threat Magazine - Mar. 26\nOberlin College, Allen Memorial Art Museum, Oberlin, OH - Mar. 12\nTED Conference, Monterey, CA - Feb. 26-Feb 29\n\n2007\nNational Building Museum, Washington DC - Dec. 18\nUniversity of Wisconson - Milwaukee, Union Art Gallery, Milwaukee, WI - Nov. 16\nUniversity of Wisconson - Milwaukee, Milwaukee, WI - Nov. 14\nColbert Report, New York - Oct. 10\nBoulder Museum of Contemporary Art, Boulder, CO - Oct. 3\nUniversity of Colorado, Boulder, CO (Visiting Artist lecture) - Oct. 2\nCenter for a New American Dream retreat, Washington DC - Sept. 26\nCJ NYC Opening at Von Lintel Gallery, New York - June 14\nSan Francisco Young Leaders Breakfast (Keynote) - April 26\nEvening magazine, Seattle - April 3\n\nBooks\nUshirikiano: Building a Sustainable Future in Kenya's Northern Rangelands (teNeues Publishing Group, 2011)\nRunning the Numbers: An American Self-Portrait (Prestel Publishing, 2009)\nIn Katrina's Wake: Portraits of Loss from An Unnatural Disaster (Princeton Architectural Press, 2006)\nIntolerable Beauty: Portraits of American Mass Consumption (self-published, February 2005)","user_id":224,"name":"Chris Jordan","website":"www.chrisjordan.com"},{"id":234,"bio":"SELECTED ONE MAN SHOWS:\n\n“Side by Side”, Imlay Fine Art, Montclair, NJ March-April 2010\n“Between Order \u0026amp; Disorder”, Brassworks Gallery, Montclair, NJ, Jan.-Apr. 2009\n“The Manual Project”, Cypress College, Cypress, CA October-November 2008\n“Fragments”, Westby Gallery, Rowan University, Glassboro, NJ, November – December 2007\n“The Manual Project”, Sol Mednick Gallery, Philadelphia, August-September 2007\n“Other Avenues”, Rahway Arts Center, April-May 2004\n“Fragments”, Montclair, NJ, January 2004\n“Dreamstates”, New York, NY, March 2002\n“Assemblages”, Nikon House, New York, December 1984\nCarson Sapiro Gallery, Denver, CO, August 1984\n“The Elk Mountain Range”, Aspen Art Museum, Aspen, CO, May ? June 1982\nFirst National Bank in Aspen, December 1979\nPitkin County Library, Aspen, CO, Nov 80, July 82, April 85\n\nSELECTED GROUP SHOWS:\n\n“Working in Wonder”, Walsh Gallery, Seton Hall Univ., South Orange, NJ, January – February 2011\n“Constructed Territories”, Stein Gallery, Dayton, OH, October 2010 – January 2011\n“Photography Re-Imagined”, Tilt Gallery, Phoenix, AZ, October 1-29, 2010\n“Of Three Minds”, SMI Block Gallery, Montclair, NJ, September 2010 – January 2011\n“Diversity”, Adirondack Lakes Center for the Arts, Blue Mountain. Lake, NY, August – October 2010\n“Driving Without Destination”, Walsh Gallery, South Orange, NJ, September – October 2010\n“Flight”, Photoplace Gallery, Middlebury, VY, August – September 2010\nMartha Schneider Gallery, Chicago, IL, July-September 2010\n“Botanica”, Hunterdon Art Museum, Clinton NJ, May – September 2010\n“Art from the Ashes”, AFTA Gallery, Glendale, CA, June 19 – July 24, 2010\n“Peripheral Field”, NJAI Gallery, West Orange, NJ, May 22 – June 20, 2010\n“Who We Are”, Maloney Gallery, Morristown, NJ, June – August 2010\n“Energy Strength Power”, Coastal Arts Gallery, Half Moon Bay, CA, June 11 – July 5, 2010\n“Terra”, NJ Arts Incubator Gallery, West Orange, NJ February – March 2010\n“Moolah”, Arts Guild of NJ, Rahway, NJ November 13 – December 11, 2009\n“Photography Re-Imagined”, Tilt Gallery, Phoenix, AZ, October 2-29, 2009\n“Cosa Nostra”, Klotz Gallery, Chelsea, NYC, April-May 2009\n“Art Connections 5”, George Segal Gallery, Montclair, NJ, Jan.-Feb. 2009\n“NJPE”, 1212 Gallery, Richmond, Virginia, Oct.-Nov. 2008\n“Body Parts”, Rahway Arts Guild, September-October 2008\nGallery 51, Montclair, NJ, August-September 2008\n“Alternative Processes 2008” Options Gallery, Odessa, TX, Feb.-March 2008\n“Sun Pictures to Megapixels,” WAH Center, Williamsburg, Brooklyn, Sept.-Oct. 2007\n“Patterns,” Rahway Arts Guild, September-October 2007\nGallery 51, Montclair, NJ, September-October 2006\n“PhotoNow 2006”, The Goat Gallery, South Orange, NJ, June-July 2006\n“Contemporary Obscurists”, Alan Klotz Gallery, Chelsea, NYC, Sept.-Oct. 2005\n“Intimate Flora”, Center for Fine Art Photography, Ft. Collins, CO May-June 2005\n“The True Mirror”, City Without Walls Gallery, Newark, NJ, March-April 2005\n“Hybrid”, Dancing Goat Gallery, South Orange, NJ, May-June 2004\n“What is a Portrait?”, Gaelen Gallery, Parsippany, NJ, March 2004\n“Connections”, Kunstlerhaus, Graz Austria, December 2003\n“Archi+Texture”, Brooklyn Fireproof Gallery, Brooklyn, NY, Oct. – Nov. 2003\n“Photography Now”, Dancing Goat Gallery, South Orange, NJ, Sept. – Oct 2003\n“Analog-Digital”, City Without Walls, Newark, NJ, March 2003\n“12th Annual Center Awards”, Center for Photographic Art, Carmel, CA Nov. 2002\n“New Members”, City Without Walls, Newark, NJ, September 2002\n“Essex Exposed”, Baird Gallery, South Orange, NJ, September 2002\n“Art for New York”, Butterfields, Los Angeles, CA, October 2001\n“Poured on a Plate” George Eastman House, Rochester, NY, September 2001\n“Possible Photography”, Ward Nasse Gallery, NYC, May-June 1990\n“One-Of-A-Kind”, SSC\u0026amp;B:Lintas, New York, April-June 1987\nThe Cincinnati Art Museum, RSM Collection, March 1986\nTLK Gallery, Costa Mesa, CA, February 1984\nThe Cincinnati Art Museum, New Acquisitions, Winter 1984\nDepot Gallery, Steamboat Springs CO, June 1984\nBC Space, Laguna Beach, California, June 1983\nThe Unicorn Gallery, Aspen, December 1982, December 1983\nThe Hills Gallery, Denver, 1983, 1982?83, 1981?82\nThe Herron Gallery, Indianapolis, Indiana, Jan?Feb 1983\nEclipse Photographics, Boulder, CO., Dec 1981?Jan 1982\nAspen Art Museum, Aspen, CO, Sept. 1983, Dec. 1981, Sept. 1980\nThe Contemporary Arts Center, Cincinnati, OH., June - July 1981\n\nCOLLECTIONS:\n\nAtlantic Richfield Corp.\nChase Manhattan Bank\nCincinnati Bell\nCincinnati Art Museum\nGoldman Sachs\nLaguna Beach Museum\nLaJolla Museum of Contemporary Art\nPacific Bell\nPonderosa Collection\nRSM Collection\nThe Snowmass Club\nYale University Art Museum\nGRANTS:\nWork has been funded through grants from:\nAgfa?Gevaert, Inc.\nAspen Foundation\nJohn Denver\nIlford, Inc.\nLita \u0026amp; Morton Heller Foundation\n\nEDUCATION:\n\nUnion College, Schenectady, N.Y., 1970 ?1974\nB.A. Philosophy, additional study: Photographic and Graphic Art\nAdditional studies with:\nJerry Burchfield\nMark \u0026amp; France Scully Osterman","user_id":234,"name":"Bill Westheimer","website":"www.billwest.com"},{"id":172876,"bio":"Soy un periodista mexicano de 24 años","user_id":172274,"name":"Angel Melgoza","website":""},{"id":239,"bio":"MITCH EPSTEIN\n\nEDUCATION\n\nThe Cooper Union, NY, 1972-74\nRhode Island School of Design, RI, 1971-72\nUnion College, NY, 1970-71\n\nSELECTED GRANTS/AWARDS\n\nWinner, Prix Pictet Photography Prize: Growth, 2010\nGold Medal Deutscher Fotobuchpreis, American Power, 2009 \nOpen Society Institute Documentary Photography Project Grant, 2009\nThe American Academy in Berlin: Berlin Prize in Arts and Letters, Guna S. Mundheim\nFellow in the Visual Arts, spring 2008\nKraszna-Krausz Photography Book Award, Family Business 2004\nJohn Simon Guggenheim Memorial Foundation Fellowship 2002-2003\nCamera Works, Inc. Artist Grant 1996-97\nAmerican Institute of Graphic Artists, 50 Best Books of the Year 1997\nPinewood Foundation Artist Grant 1994\nNew York State Council for the Arts Artist Fellowship 1980\nNational Endowment for the Arts, Individual Artist Grant 1978\n\nTEACHING\n\nSchool of Visual Arts, Graduate Photography Program, Visiting Lecturer 2004\nBard College, School of the Arts, Assoc. Professor of Photography 2001, 1999, 1997\nSchool of Visual Arts, Graduate Student Advisor 1998, 2002\nLacoste School of the Arts, Professor of Photography 1999\nHarvard University, Instructor of Photography 1977 \n\nSELECTED ONE PERSON EXHIBITIONS\n\nThe A Foundation, Brussels, spring 2013\nGallery Thomas Zander, Cologne, fall 2012\nSikkema Jenkins \u0026amp; Co., New York, spring 2012\nMusée de l’Élysée, Lausanne, fall 2011\nOpen Eye Gallery, Liverpool, fall 2011\nFondation Henri Cartier Bresson, Paris, France, spring 2011\nKunst Museum, Bonn, Germany, fall 2010\nBrancolini Grimaldi, Rome, Italy, spring 2008\nFOAM – Fotografiemuseum, Amsterdam, summer 2007\nSikkema Jenkins \u0026amp; Co., New York, NY, spring 2007\nGalerie Thomas Zander, Köln, Germany, spring 2007\nJackson Fine Art, Atlanta, GA, spring 20062\nSikkema Jenkins \u0026amp; Co., New York, NY, fall 2005\nYancey Richardson, New York, fall 2004\nPhotoEspana, Madrid, Spain, spring 2004\nBrancoliniGrimaldi, Florence, Italy, spring 2004\nJackson Fine Art, Atlanta, GA, winter 2004\nPower House, Memphis, Tennessee, spring 2003\nOnefront Gallery, New York, NY, winter 2002\nRose Gallery, Santa Monica, CA, fall 2001, fall 1996\nBrent Sikkema, New York, NY, spring 2001\nCenter for Documentary Studies, Durham, NC, fall 1998\nSpringfield Museum of Fine Arts, MA, spring 1998 \nWooster Gardens, New York, NY, fall 1996\nGallery of Contemporary Photography, LA, CA, fall 1996\nTenri Gallery, New York, NY, fall 1995, fall 1992\nJulie Saul Gallery, New York, NY, spring 1994, winter 1987\nCleveland Museum of Art, OH, spring 1994\nFogg Art Museum, Cambridge, MA, spring 1991\nSanta Barbara Museum of Art, CA, spring 1989\nAperture, Burden Gallery, New York, NY, winter 1988\nH.F. Manes Gallery, New York, NY, fall 1984\nLight Gallery, New York, NY 1982, 1981, 1979\n\nSELECTED COLLECTIONS\n\nMetropolitan Museum of Art, New York, NY\nMuseum of Modern Art, New York, NY\nWhitney Museum of American Art, New York, NY\nTate Modern, London, UK\nInternational Center of Photography, New York, NY\nJ. Paul Getty Museum at the Getty Center, Los Angeles, CA\nLos Angeles County Museum of Art, Los Angeles, CA\nSan Francisco Museum of Modern Art, CA\nThe Victoria and Albert Museum, London, UK\nFondation Henri Cartier-Bresson, Paris, France\nArt Institute of Chicago, IL\nMuseum of Contemporary Photography, Chicago, IL\nPhiladelphia Museum of Art, PA\nMuseum of Fine Arts, Houston, TX\nMuseum of Fine Arts, Boston, MA\nCorcoran Gallery of Art, Washington, D.C.\nBaltimore Museum of Art, Baltimore, MD\nNew Orleans Museum of Art, LA\nBibliotheque Nationale, Paris, France\nTokyo Metropolitan Museum of Photography, Japan\nMuseum of Contemporary Art, Mexico City, Mexico\nAustralian National Gallery, Canberra, Australia 3\nBrooklyn Museum of Art, Brooklyn, NY\nNevada Museum of Art, Reno, NV\nSanta Barbara Museum of Art, Santa Barbara, CA\nColby College Museum of Art, Waterville, ME\nSt. Louis Museum of Art, St Louis, MO\nThe Walther Collection, Ulm, Germany\nDeutsche Börse Group, Frankfurt, Germany\nVassar College Art Museum, Poughkeepsie, NY\nGilman Paper Collection, New York, NY\nLaSalle Bank Photography Collection, Chicago, IL\nMuseum of Contemporary Photography, Chicago, IL\nNelson Atkins Museum of Art, Kansas City, MO\nEquitable Life Assurance Society, NY\nHenry Art Gallery, University of Washington, Seattle, WA\nChase Manhattan Art Program, New York, NY\nCitibank, New York, NY\nMorgan Guaranty, New York, NY\nGoldman Sachs, New York, NY\n\nSELECTED GROUP EXHIBITIONS\n\nMuseum of Modern Art/PS1 Queens, “EXPO 1: New York,” summer 2013\nSomerset House, “Landmark: The Fields of Photography,” spring 2013\nAmon Carter Museum of American Art, “Big Pictures,” spring 2013\nSaatchi Gallery, “Out of Focus: Photography at Saatchi Gallery,” spring 2012\nGeorge Eastman House, “The Unseen Eye: Photographs from the W.M. Hunt \nCollection,” fall 2011\nNevada Museum of Art, “The Altered Landscape: Photographs of a Changing \nEnvironment,” fall 2011\nMuseum of Photographic Arts, San Diego, \"Infinite Balance: Artists and the \nEnvironment,\" fall 2011\nLudiwg Forum, Achen, “Hyper Real: Art and America Around 1970,” spring 2011\nTate Modern, London, “New Documentary Forms,” spring 2011\nThe Walther Collection, Ulm, Germany, “Appropriated Landscapes,” spring 2011 \nThe Morgan Library and Museum, New York “Mannerism and Modernism: The Kasper \nCollection of Drawings and Photographs,” spring 2011\nSan Francisco Museum of Modern Art, “How Wine Became Modern: Design + Wine \n1976 to Now,” fall 2010\nExit Art, New York, “ECOAESTHETIC: The Tragedy of Beauty,” summer 2010\nYancey Richardson Gallery, New York, “Incognito: the Hidden Self-Portrait,” \nsummer 2010\nPrinceton University Art Museum, “Exposed: Voyeurism, Surveillance and the Camera,” \nsummer 2010 (traveling exhibition)\nTate Modern, London, “Exposed: Voyeurism, Surveillance and the Camera,” \nspring 2010 (traveling exhibition)\nFotoMuseum, Antwerp, “American Documents,” summer 20104\nCincinnati Art Museum, “Starburst: Color Photography in America, 1970-1980,” \nspring 2010 (traveling exhibition)\nBrooklyn Museum, New York, “Extended Family: Contemporary Connections,” \n2009 – 2010\nYancey Richardson Gallery, New York, “Glitz \u0026amp; Grime: Photographs of Times Square,” \nsummer 2009\nTuscon Museum of Art, “Trouble in Paradise: Examining Discord between Nature and \nSociety,” spring 2009\nGaleria Fortes Vilaça, São Paulo, “Nudes,” spring 2009\nMuseum of Modern Art/PS1 Queens, “That Was Then…This Is Now,” summer 2008\nJulie Saul Gallery, New York, “When Color Was New,” summer 2008\nYancey Richardson Gallery, New York, “The Good Life,” summer 2008\nYancey Richardson Gallery, New York, “Easy Rider,” summer 2007\nGalerie Rodolph Janssen, Brussels, “Phillip-Lorca DiCorcia, Mitch Epstein, \nStephen Shore,” spring 2007\nJ. Paul Getty Museum, Los Angeles, “Where We Live: Photographs of America from the \nBerman Collection,” fall 2006 - spring 2007\nInternational Center of Photography “Ecotopia: The Second ICP Triennial of \nPhotography and Video,” fall 2006\nUnited Technologies Corporation commission, “Cities In Transition,” Boston, MA, \n Hartford, CT, New York, NY, fall 2006\nICI Travelling Exhibition “Shoot the Family,” spring 2006 - spring 2008\nFotografie Museum Amsterdam, \"Garry Winogrand and the American Street \nPhotographers,\" spring 2005. \nHasselblad Center, Goteborg, Sweden, “The Open Book,” fall 2004\nKennedy Boesky Photographs, NYC, “’70s Color Photography,” winter 2004\nMusee de L’Elysee, Lausanne, Switzerland, “NY after NY,” summer 2002\nThe Whitney Museum of American Art, New York, NY “Visions from America,” 2002\nNoorderlicht, Groningen, The Netherlands, “Sense of Space,” fall 2001\n303 Gallery, “Overnight to Many Cities,” spring 2001\nNew York Historical Society, “Walkabout,” spring 2001\nMuseum of the City of New York, “New York Now,” spring 2000\nMass College of Art, “Blind Spot #17,” spring 2001\nJ. Paul Getty Museum, CA, “Eggleston and the Color Tradition,” fall 1999\nBrent Sikkema, February 1999\nSan Francisco Museum of Modern Art, CA, \"Photography after Modernism:\nExtensions into Contemporary Art,\" spring 1998\nApex Art C.P., NYC, \"The Sound of One Hand,\" spring 1998\nLaurence Miller Gallery, NYC, \"In Country: Vietnam Revisited,\" spring 1998\nPhiladelphia Museum of Art, PA, \"India: A Celebration of Independence,\" 1997 \nWhite Columns, NYC, \"Blind Spot: Coming of Age,\" May 1997\nHoward Greenberg Gallery, NYC \"Animal Attractions,\" 1995\nGrand Central Station, NYC, \"The Magic of Play,\" 1995\nHigh Museum of Art, Atlanta, GA, \"This Sporting Life\" (traveling exhibition) 992-93\nInternational Center of Photography, \"The Indomitable Spirit\" New York, NY 1990\nLos Angeles County Museum of Art, \"Romance of the Taj Mahal\" 5\n(traveling exhibition) 1989\nCultural Palace, Canton, China, \"Contemporary American Photography,\" summer 1988\nMuseum of Modern Art, NYC, \"Color Photographs: Recent Acquisitions,\" 1987\nInternational Center of Photography, New York, NY \"High Light: The Mountain in \nPhotography from 1840 to the Present,\" winter 1983\nInternational Museum of Photography at George Eastman House, Rochester, NY, \n\"Color as Form/History of Color Photography,\" (traveling exhibition) 1982\nInternational Center of Photography, New York, NY, \"The New Color,\" 1981\nInstitute of Contemporary Art, London, UK, \"New American Colour Photography,\" 1981\nCastelli Graphics, New York, NY \"Love is Blind,\" 1981\nC.A.P.S. Photography 1980, New York (Nikon House traveling exhibition) 1980\nCorcoran Gallery of Art, Washington DC, \"Recent Acquisitions Exhibition,\" spring 1980\nMuseum of Fine Arts, Boston, MA, \"Recent Acquisitions Exhibition,\" spring 1980\nAddison Gallery of American Art, Phillips Academy, Andover, MA, “Contemporary \nUrban Color,\" 1980\nArles Photography Seminar, Arles, France, \"Contemporary Frontiers in Color,\" 1979 \nSanta Barbara Museum of Art, CA, \"Attitudes; Photography in the 1970s,\" 1979\nLight Gallery, New York, NY, \"Summer Show,\" 1978\nCreative Photography Gallery, M.I.T., Cambridge, MA, \"Color Photography,\" \nsummer 1977\nLight Gallery, New York, NY, \"New Artists,\" summer 1979\nCastelli Graphics, New York, NY, \"Some Color Photographs,\" summer 1977\nHarvard University, Cambridge, MA, \"After the Fact,\" spring 1977\n\nSELECTED PUBLICATIONS\n\nAuthored Books:\nNEW YORK ARBOR, Steidl, spring 2013\nBERLIN, Mitch Epstein, Steidl \u0026amp; The American Academy in Berlin, spring 2011\nMITCH EPSTEIN. STATE OF THE UNION, Hatje Cantz , fall 2010\nAMERICAN POWER, Mitch Epstein, Steidl, Germany, fall 2009\nMITCH EPSTEIN: WORK, Mitch Epstein, Steidl, Germany, spring 2007\nFRATERNITY, Text by Siddhartha Deb inspired by photographs by Mitch Epstein \ndesigned by Pierre Charpin \u0026amp; Olivier Andreotti, Toluca Editions, fall 2006\nRECREATION: AMERICAN PHOTOGRAPHS 1973-1988, Mitch Epstein, Steidl, \nGermany, spring 2005\nFAMILY BUSINESS, Mitch Epstein, Steidl, Germany, fall 2003\nTHE CITY, Mitch Epstein, powerHouse, NY, spring 2001\nVIETNAM: A BOOK OF CHANGES, Mitch Epstein, W.W. Norton/DoubleTake, NY, \nfall 1996\nFIRE WATER WIND: PHOTOGRAPHS FROM TENRI, Mitch Epstein, \nDoyusha,Tenri, Japan 1995\nIN PURSUIT OF INDIA, Mitch Epstein, Aperture, NY 1987\nAnthologies: 6\nFILM: TACITA DEAN, Edited by Tacita Dean. Tate Publishing, 2011\nTHE NEW YORK TIMES MAGAZINE PHOTOGRAPHS, Edited by Kathleen \nRyan. Aperture, 2011\nTHE UNSEEN EYE: PHOTOGRAPHS FROM THE UNCONSCIOUS, Edited by \nW.M. Hunt. Aperture, 2011\nEXPOSED: VOYEURISM, SURVIELLANCE AND THE CAMERA, Edited by \nSandra S. Phillips. Tate Publishing, 2010\nSTARBURST: COLOR PHOTOGRAPHY IN AMERICA 1970-1980, Edited by \nKevin Moore. Hatje Cantz, 2010\nARBEIT AM BILD: EIN ALBUM FUR MICHAEL DIERS, Edited by Steffen Haug \nHans Georg Hiller von Gaertringen, Caroline Philipp, Sonja M. Schultz, Merle \nZiegler \u0026amp; Tina Zürn. Verlag der Buchhandlung Walther König, 2010\nTHE PRESENT: AN INFINITE DIMENSION, BANCO ESPIRITO SANTO \nCOLLECTION, Fundação de Arte Moderna e Contemporânea. Colecção \nBerardo, 2008\nTROUBLE IN PARADISE: EXAMINING DISCORD BETWEEN NATURE AND \nSOCIETY, curated and organized by Julie Sasse, Tucson Museum of Art, 2009 \nSHOOT THE FAMILY, Edited by Ralph Rugoff. Independent Curators International, \nNew York, 2006\nWHERE WE LIVE: PHOTOGRAPHS OF AMERICA FROM THE BERMAN \nCOLLECTION, Judith Keller and Anne Lacoste. The J. Paul Getty Museum, \nLos Angeles, 2006\nECOTOPIA: THE SECOND TRIENNIAL OF PHOTOGRAPHY AND VIDEO, \nBrian Wallis, Edward Earle, Christopher Phillips and Carol Squiers. Edited by \nJoanna Lehan. International Center of Photography and Steidl, 2006\nNO. 1: FIRST WORKS BY 362 ARTISTS, edited by Francesca Richer and Matthew \nRosenzweig. Distributed Art Publishers, Inc., 2005\nTHE PHOTOGRAPH AS CONTEMPRARY ART, Charlotte Cotton, \nThames\u0026amp;Hudson, London 2004\nTHE OPEN BOOK, A HISTORY OF THE PHOTOGRAPHIC BOOK FROM 1878 \nTO THE PRESENT edited by Andrew Roth, Hasselblad Center, 2004\nVISIONS FROM AMERICA, PHOTOGRAPHS FROM THE WHITNEY \nMUSEUM OF AMERICAN ART 1940-2001, edited by Sylvia Wolf, \nPrestel 2002\nTO SEDUCE, edited by Gregory Leroy, Coromandel Press, Paris 2002\nINDIA: A CELEBRATION OF INDEPENDENCE, edited by Michael Hoffman and \nAnne D'Harnoncourt, Aperture, New York 1997 \nA NEW LIFE: STORIES AND PHOTOGRAPHS FROM THE SUBURBAN \nSOUTH, ed. by Alex Harris and Alice George, W.W. Norton/DoubleTake, NY, \nfall 1996\nITALY OBSERVED, ed. by Luigi Ballerini \u0026amp; Charles Traub, Rizzoli, NYC 1988\nWANDERLUST: EIGHT CONTEMPORARY PHOTOGRAPHERS FROM THE \nHALLMARK COLLECTION, ed. by Keith Davis, U. of New Mexico Press, \nAlbuquerque 1987\nAMERICAN INDEPENDENTS, Sally Eauclaire, Abbeville Press, New York, NY 1984\nNEW COLOR/NEW WORK, Sally Eauclaire, Abbeville Press, New York, NY 19847\nLA PHOTOGRAPHIE CREATIVE, edited by Jean-Claude Lemagny, Bibliotheque \nnationale, Paris, France 1984\n24-HOURS IN THE LIFE OF LOS ANGELES, edited by Klaus Fabricius \u0026amp; Red \nSaunders, Alfred Van Der Marck Editions, New York, NY 1984\nA WORLD HISTORY OF PHOTOGRAPHY, Naomi Rosenblum, Abbeville, \nNYC 1984\nANNIE ON CAMERA, edited by Ann Hoy, Abbeville, New York, NY 1982\nTHE NEW COLOR, Sally Eauclaire, Abbeville, New York, NY 1981\n\nSELECTED ARTICLES\n\nThe New York Times Blog, February 11, 2012, Mitch Epstein, Tree Stalker, Kathy Ryan\nThe New York Times Magazine, February 12, 2012, How To See A Tree, Michael \nKimmelman\nThe Guardian, November 6, 2011. My Best Shot. Interview with Sarah Phillips.\nRéponses Photo, Issue no 12, Summer 2011, USA: la quête de l'énergie, \nMarilia Destot\nConnaissance des Arts, June-September 2011, Mitch Epstein, Enregister Les Faits,\nDamien Sausset\nThe Independent on Sunday, March 27, 2011, Power Corrupts the Heartland, \nMike Higgins\nBBC World Service, March 21st, 2011. The Strand . Mitch Epstein talks about Prix Pictet \nAward winning work, American Power.\nBritish Journal of Photography, April 2010, Political Landscapes, Diane Smyth\nSüddeutsche Zeitung, December 3, 2009, Die Gier nach Energie: Mitch Epstein “PowerFotos,” Petra Steinber\nFinancial Times, November 13/14 2010, Mitch Epstein, Francis Hodgson\nKölner Stadt-Anzeiger, November 11, 2010, Im Schatten des Kraftwerks, Katja Behrens\nARTFORUM, January, 2010, Living in America, Michael Fried \nNewsweek Japan, December 2, 2009, Picture Power, Mirai Sugata\nBOMB Magazine Web Exclusive, October 21, 2009, Richard B. Woodward \nThe New York Times, October 9, 2009, Capturing a Nation's Thirst for Energy, \nRandy Kennedy \nFrankfurter Allgemeine Zeitung, October 14, 2009, Das Unbehagen in der Natur, \nJulia Voss\nGranta, Issue 107, July 2009, American Power by Mitch Epstein\nFrankfurter Allgemeine Sonntagszeitung, July 27, 2008 Strom der Verfallszeit,\nNiklas Maak\nMonopol, November, 2008, In der Steppe Berlins, Ulf Erdmann Ziegler\nDer Tagesspiegel, May 4, 2008, Epstein's Berlin, Susanne Kippenberger\nNumero, Issue 76, September 2006 Outside, It’s America, Jonatahan Wingfield\nDraft, spring 2005, Red States, Blue States\nThe Guardian, March 2005, Recreation:American Photographs 1973-1988,\nCaroline Roux\nContemporary, Special Issue on Photography, Clare Grafik, Issue 67, November 2004\nThe New York Times Arts and Leisure, Family Business: A Town, a Father and a Fire, \nMia Fineman, November 2003\nThe New York Times Magazine, Closeout, June 2003\nIssue, #6, fall 2001\nPhotographic District News, Mitch Epstein: The Art of Surveillance, Edgar Allen Beem, \nfall 2001\nBomb, Editor’s Choice: Mitch Epstein’s The City, Marvin Heiferman, fall 2001\nBlind Spot, issue #17, spring 2001, #9: Coming of Age, May 1997\nNest, Through a Glass Darkly, spring 1999\nThe New York Times Magazine, Special Photography Issue: Times Square, May 1997\nDoubleTake, In Vietnam and Versailles, fall 1995 \nAperture #105: India, The Ritual and the River 1987\nThe New York Times Magazine, Art and the life of India, John Russell, May 1985\nGeorge, Stills in Saigon, Jim Lewis, October 1996\nModern Photography, Color Now, Andy Grundberg, July 1981\nModern Photography, Current American Photography Today, Andy Grundberg and \nJulia Scully, June 1980\n\nSELECTED REVIEWS\n\nFrankfurter Allgemeine Zeitung, December 27, 2012. Laublos in New York at Galerie \nThomas Zander, Cologne by Freddy Langer.\nJeu De Paume, May 3, 2012. Here Is the World: The New (Old) Art Photography by \nShelley Rice and Rob Slifkin.\nThe New Yorker, April 14, 2012, Mitch Epstein at Sikkema Jenkins \u0026amp; Co., New York by \nVince Aletti.\nNew York Magazine, April 2, 2013. Mitch Epstein at Sikkema Jenkins \u0026amp; Co., New York by \nJerry Saltz.\nThe Guardian Observer, November 5, 2011, Mitch Epstein: American Power at Open \nEye, Liverpool\nLe Monde, May 7, 2011, Mitch Epstein au coeur de la puissance américaine. Review of \nAmerican Power at Fondation Henri-Cartier-Bresson.\nBookforum, December 12, 2009, American Power by Mitch Epstein, Brian Sholis\nMonopol, November 2009, Mit voller Macht in die Katastrohe: Mitch Epstein “American \nPower,” Sebastain Frenzel\nPhoto District News, October 2009, Power Struggle, Conor Risch\nThe Guardian, October 3, 2009, The Power of Nightmares, John Vidal \nModern Painters, September, 2009, American Power: Mitch Epstein, Valerie Gladstone\nOn Earth Magazine, Fall, 2009, Spotlight: American Power\nAperture, Issue 192, Fall 2008, Mitch Epstein: American Work Aaron Schuman\nArt in America, June/July 2007, Mitch Epstein at Sikkema Jenkins, David Coggins\nThe New Yorker, April 9, 2007 Goings On About Town: Sikkema Jenkins \u0026amp; Co.,\nVince Aletti\nThe New York Times, March 30, 2007, Mitch Epstein: American Power, \nMartha Schwendener\nThe New York Sun, March 15, 2007, Of Industry and Eden, Sikkema Jenkins \u0026amp; Co..\nDeborah Garwood9\nAmerican Photo, December 2006, A Labor of Life: Mitch Epstein’s WORK by Miki \nJohnson\nThe Telegraph, London, November 18, 2006, American Beauty: Mitch Epstein’s WORK\nby Drusilla Beyfus\nAperture, Issue 184, Fall 2006, Ecotopia: The Second ICP Triennial Exhibition of \nPhotography and Video by Brian Wallis,Edward Earle, Christopher Phillips, \nCarol Squires and Joanna Lehan\nUSA Today, Public Art Project Documents Urban Change by Charisse Jones, September \n2006\nThe New York Times, The Natural World, in Peril and in Its Full Glory by \nRoberta Smith, September 2006\nNew York Magazine, Earth in the Balance by Mark Stevens, October 2006\nPhoto District News, Recreation: American Photographs 1973-1988, Joanna Lehan, \nSeptember 2005\nPhotograph, Recreation: American Photographs 1973-1988, Vince Aletti, July/August \n2005\nThe Guardian, Recreation: American Photographs 1973-1988, Caroline Roux, March \n2005\nArt News, Mitch Epstein at Yancey Richardson, Barbara Pollack, January 2005\nArt in America, Going Home Again, Nancy Princenthal, November 2004\nArt \u0026amp; Auction, Family Business, Jean Dykstra, January 2004\nVillage Voice, Best Photo Books of 2003, Vince Aletti, January 2004\nNew York Times Book Review, Family Business, Andy Grundberg, December 2003\nThe Village Voice, Eyes Wide Open: The Best Photography Books of 2001, Vince Aletti, \nJanuary 22, 2002\nThe New Yorker, Mitch Epstein, April 19, 2001\nThe Village Voice, Voice Choices, Mitch Epstein at Brent Sikkema: Recreation, \nVince Aletti, May 1, 2001\nThe New York Times, Photography Review, Vicki Goldberg, August 25, 2000\nArt in America, Mitch Epstein at Brent Sikkema, Calvin Reid, February 2000\nArt on Paper, Mitch Epstein at Brent Sikkema, Jean Dykstra, January 2000\nThe New Yorker, Mitch Epstein, October 11, 1999\nThe Village Voice, Best of NYC: Photo, Vince Aletti, October 5, 1999\nThe New York Times, Mitch Epstein at Brent Sikkema, Ken Johnson, \nSeptember 24, 1999\nHungry Mind Review, The Infinite Present, Robert Warde, spring 1997 \nThe New York Times Book Review, Best Photography Books of 1996, Andy Grundberg, \nDecember 1996\nThe Village Voice, Ten best books of the year, Vince Aletti, December 1996\nArt in America, Mitch Epstein at Julie Saul, Peter Von Ziegesar, July 1994\nThe New York Times, Art in Review: Mitch Epstein, Julie Saul Gallery, Charles Hagen, \nApril 1, 1994\nThe Village Voice, Photo: Mitch Epstein, Vince Aletti, April 12, 1994\nThe New York Times, Mitch Epstein, Tenri Cultural Institute, Charles Hagen, \nNovember 6, 1992\nThe New York Times, Critic's Choices: Photography, Andy Grundberg, 10\nNovember 29, 1987\nAmerican Photographer, In Pursuit of India by Mitch Epstein, Schonauer, July 1988\nThe Village Voice, Mitch Epstein: In Pursuit of India, Vince Aletti, December 29, 1987\nThe Village Voice, Photo Choices: Mitch Epstein, Vince Aletti, December 1987\nUSA Today, Glimpses into India's Heart, Geoffrey C. Ward, December 4, 1987\nArt in America, Photography Raising a Hue: The New Color, Pepe Karmel, January 1982\nArt in America, Mitch Epstein at Light, Sally Eauclaire, October 1981\nAfterimage, Trips of the Shutter, Sally Eauclaire, summer 1979\nThe Village Voice, Americans Abroad, Ben Lifson, April 23, 1978\nThe Village Voice, Dark Days at Summer Light, Ben Lifson, August 1, 1977\n\nSELECTED PUBLIC LECTURES\n\nThe Cooper Union, New York, spring 2013\nColby College, Maine winter 2012\nAperture Foundation, New York winter 2012\nYale University, Connecticut winter 2012\nBard College, New York, winter 2012\nWhitechapel, London, spring 2012\nSatchi Gallery, London, spring 2012\nLes Rencontres d’Arles, summer 2011\nDavidson College, North Carolina spring 2011\nFotomuseum, Antwerp, spring 2010\nThe Jewish Community Center, New York, spring 2010\nCincinnati Art Museum, spring 2010\nC.V. Starr Center at Washington College, Chestertown, spring 2010\nCalifornia College of the Arts, Oakland, spring 2010\nWexner Center for the Arts, Columbus, spring 2010\nLACMA, Los Angeles, fall 2009\nArt Center College of Design, Pasadena, fall 2009\nPhoto Alliance at the San Francisco Art Institute ,fall 2009\nNew York Studio School, fall 2009\nPhiladelphia Photo Arts Center, fall 2009\nThe Photographer's Gallery, London, fall 2009\nPhiladelphia Photo Arts Center, fall 2009\nPhoto Alliance, San Francisco, fall 2009\nMassachusetts College of Art and Design, Boston, spring 2009\nThe American Academy in Berlin, Spring 2008\nHumboldt-Universität zu Berlin, Spring 2008\nThe Architectural League of New York at The Donnell Auditorium, New York, 2007\nBaltimore Museum of Art, Maryland, Spring 2007\nInternational Center of Photography, New York, NY, fall 2005\nThe Photographer’s Gallery, London, spring 2005\nUniversity of Texas, Austin, Graduate Art Program, Austin, TX, fall 2004\nRencontres de la Photographie, Arles, France, summer 2004\nYale University, Graduate Photo Program, New Haven, CT, spring 2004, fall 200111\nThe New School, New York, NY, fall 2003\nBard College, Annandale-on-Hudson, NY, fall 2002, spring 1998\nSyracuse University, Syracuse, NY, spring 2000 \nLacoste School of the Arts, Lacoste, France, summer 1999\nCenter for Documentary Studies, Duke University, fall 1998\nInternational Center of Photography, New York, NY, spring 1997, spring 1994, \nwinter 1985, fall 1979\nColumbia College, Chicago, winter 1996\nGallery of Contemporary Photography, Santa Monica, CA, winter 1996\nUnion College, Schenectady, NY, winter 1995\nWashington Center for Photography, spring 1993\nKansas City Institute of the Arts, MO, winter 1988\nMetropolitan Museum of Art, New York, NY, fall 1985\nSmithsonian Institute, Washington D.C., fall 1985\nHampshire College, Amherst, MA, winter 1983\nSUNY at Albany, NY, spring 1981\nColumbia University, New York, NY, winter 1981\nMassachusetts College of Art, Boston, MA, fall 1981\nSchool of Visual Arts, New York, NY, spring 1979\n\nFILMOGRAPHY\n\nDad, Producer and Director, Short 2003\nMississippi Masala, Production Designer and Cinematographer. Feature 1992\nSalaam Bombay!, Production Designer and Cinematographer. Feature 1988\nIndia Cabaret, Director of Photography. Documentary 1985\nSo Far From India, Director of Photography. Documentary 1982","user_id":239,"name":"Mitch Epstein","website":"www.mitchepstein.net"},{"id":167,"bio":"The ability to generate emotions in others can be an overwhelmingly powerful and persuasive tool. It can bring a single moment of reason to an often irrational world, with everlasting effect. If used correctly it can be the tool that will help carve a new tomorrow, in an age where tomorrow has never been in greater need of a Carpenter.\r\n\r\nWill Hilton is a 26 year old Visual Journalist based in the UK. With a background in the Royal Marines and 9 years experience in Business he is looking to bring some fresh perspective to the world of Photojournalism and digital media. Currently splitting his time between studying for a degree in Photojournalism and Documentary Photography at the University of Gloucestershire, working as a documentary photographer, as well as freelancing as a contract business consultant, Will views as more of a visual storyteller \u0026 thinker, than an out an out Photographer.\r\n\r\nThere are many important stories to be told and the would of digital communication is reaching new highs, Will plans on using all the tools available to him to become their visual messenger, promising to tell each story accurately, sensitively and with the mst important attribute available to every human being, an open mind. This website has been designed to Showcase the documentary stories covered by will, with the content of the story having as much emphasis as the artistic attributes in which they are delivered. If you would like to view some of his general photography work please visit his blog, or follow him ont the Facebook and Twitter links.","user_id":167,"name":"Will Hilton","website":""},{"id":176,"bio":null,"user_id":176,"name":"John Szarkowski","website":null},{"id":184,"bio":null,"user_id":184,"name":"Wayne Barrar","website":null},{"id":189,"bio":null,"user_id":189,"name":"H Jennings Sheffield","website":null},{"id":190,"bio":"Renowned poet, world traveler, spiritual seeker, founding member of a major literary movement, champion of human and civil rights, photographer and songwriter, political gadfly, teacher and co-founder of a poetics school. Allen Ginsberg (1926-1997) defied simple classification.\n\nPoets are commonly known only within their circles of readerships but like Walt Whitman, Ginsberg’s name was recognizable to millions who had never read so much as a single word of his poetry. Like Whitman, the foundation of Ginsberg’s work was the notion that one’s individual thoughts and experiences resonated among the masses. “It occurs to me that I am America”, Ginsberg wrote, and while the statement was intended to be humorous, it also illustrated his idea that democracy begins with the raising of a single voice. At the height of his celebrity, Allen Ginsberg was, arguably, as symbolic of America — or at least a large segment of the country — as anyone.\n\nAs a poet, he will probably be remembered most for two lengthy masterworks: “Howl”, with its famous opening line (“I saw the best minds of my generation destroyed by madness”) and relentless, rhythmic litany of lines devoted to the celebration of those minds, and “Kaddish” the powerful, heartbreaking biography of his mother, Naomi Ginsberg, who spent most of her adult life in a state of mental torment.\n\n“...the foundation of Ginsberg’s work was the notion that one’s individual thoughts and experiences resonated among the masses.”\n\nOther poems illustrate Ginsberg’s expansive interests and styles: “Sunflower Sutra” (Ginsberg’s ode to the beauty of the individual); “America” (a savagely comic commentary on American values); “Wichita Vortex Sutra” (a political diatribe in which Ginsberg individually declares an end to the Vietnam War); “Wales Visitation” (a celebration of nature’s minute particulars); the interconnected poems of The Fall of America, which won Ginsberg the National Book Award; “Father Death Blues” (a moving tribute to his father, poet Louis Ginsberg); and “White Shroud” (a dream poem in which the poet finally resolves some of his ambivalent feelings about his mother). And these are only a few of the many highlights. The overall body of Ginsberg’s work remains one of the most impressive literary canons in American history.\n\nThe 1956 publication of Howl and Other Poems established Ginsberg as an important voice in American poetry. But Ginsberg would achieve international fame a year later with the highly publicized “Howl” obscenity trial in San Francisco and the publication of Jack Kerouac’s “On the Road”. Kerouac, a Ginsberg friend and mentor since the mid-1940s, had written a novel that defined a generation of youths seeking experience, kicks, enlightenment, self-definition, and meaning in a dull, spiritless society. In such books as Howl, On the Road, and William S. Burroughs’ Naked Lunch, the Beat Generation had its own literature. Kerouac, dubbed “King of the Beats” by a cynical press, was a reluctant spokesperson. Ginsberg, who understood the currency of publicity from his youthful days as a marketing researcher, embraced his role as the Beat Generation’s most eloquent and persistent spokesperson.\n\n“I saw the best minds of my generation destroyed by madness”\n\nKnown for his prodigious energy, Ginsberg labored tirelessly to promote not only his own work, but also the writings of Kerouac, Burroughs, and many others associated with the Beat Generation, including Gregory Corso, Gary Snyder, Michael McClure, Diane di Prima, Philip Whalen, Lawrence Ferlinghetti, and Neal Cassady. In 1973, he and poet Anne Waldman co-founded the Jack Kerouac School of Disembodied Poetics at the Naropa Institute in Boulder, Colorado, ensuring a continuing legacy of the study and practice of Beat Generation-influenced writings.\n\nThe “Howl” obscenity trial served as a catalyst in fomenting Ginsberg’s lifelong obsession with First Amendment issues in particular, and political activism in general. Using his fame as an international podium, Ginsberg spoke out on such controversial issues as the Vietnam War, gay rights (he listed his lifelong companion, Peter Orlovsky, as his spouse in his Who’s Who entry), and drugs (he was an early participant in Timothy Leary’s psilocybin and LSD experiments). At times, his opinions landed him in trouble: he was expelled from Cuba and Czechoslovakia in 1965 and, like many outspoken artists and activists, became the subject of a voluminous FBI dossier. His opinions and knowledge, however controversial, were highly solicited. He testified before Senate subcommittee hearings on drugs and his political essays were in constant demand. Accredited with coining the term “Flower Power”, Ginsberg became a figurehead of the global youth movement in the late 1960s.\n\nGinsberg eventually parlayed his fame and network of connections into a modestly successful career in music. He recorded a handful of albums, including music he had written to accompany William Blake’s Songs of Innocence and Songs of Experience and two separate recordings known as First Blues. He and neo-classical composer Philip Glass set portions of “Howl” and “Wichita Vortex Sutra” to music. Over the years, Ginsberg appeared on stage with a diverse group of musicians, including Bob Dylan, The Fugs, Phil Ochs, the Clash and Patti Smith. Shortly before his death, Ginsberg recorded “Ballad of the Skeletons” with an eclectic lineup of musicians that included Glass, Lenny Kaye, Marc Ribot and Paul McCartney; the accompanying video, filmed by award-winning director Gus Van Sant, was both humorous and poignant.\n\nGinsberg might have been an American by birth, but through his extensive travel he developed a global consciousness that greatly affected his writings and viewpoint. He spent extended periods of time in Mexico, South America, Europe and India. He visited every continent in the world and every state in the United States and some of his finest work came about as a result of these travels. His interests in Eastern religions, largely influenced by his friendships with Jack Kerouac, Gary Snyder, and Philip Whalen, ultimately led to his adopting formal Buddhist vows.\n\n“Ginsberg might have been an American by birth, but through his extensive travel he developed a global consciousness that greatly affected his writings and viewpoint.”\n\nSomehow celebrity never seemed to faze Ginsberg. He might have once quipped “I want to be known as the most brilliant man in America”, but he spent his nearly seventy-one years trying to earn wisdom the way others attempt to acquire wealth; possessions meant little. He lived modestly, buying his clothing in second-hand stores and residing in downscale apartments in New York’s East Village. He donated much of his income to the Committee on Poetry, a non-profit organization that he organized to assist struggling artists and writers.\n\nThe life and writings of Allen Ginsberg continue to be of great interest today — long after he succumbed to liver cancer in 1997. Almost all of his books remain in print. Four books of writings and interviews have been posthumously published and new volumes of journals and correspondence are forthcoming. His poems appear regularly in anthologies around the world, and his photographs are constantly recycled in books and magazines. Universities offer Ginsberg and Beat Generation courses.\n\nBut most important — as Ginsberg would likely have seen it — is the fact that every day, somewhere in the world, perhaps in a farm town in Nebraska, or in a café in Berlin, or in a village in Southeast Asia, some kid is picking up “Howl and Other Poems” and beginning the next journey down the corridors of imagination from which a more patient and generous world just might evolve.","user_id":190,"name":"Allen Ginsberg","website":"www.allenginsberg.org"},{"id":159694,"bio":"Daniele Coricciati is an Italian photographer from Salento. He lives and works there. Photography has been part of his life for the last 20 years and he has always preferred black and white and reportage. His photographs have been exhibited in Rome, Milan, Stockard, Arles and in Salento, in both group and personal exhibitions.","user_id":159092,"name":"Daniele Coricciati","website":"www.danielecoricciati.com"},{"id":182,"bio":"","user_id":182,"name":"Lucie \u0026 Simon","website":"www.lucieandsimon.com"},{"id":254,"bio":"George is a photographer based in London. \nHe has photographed extensively in the Balkans, Eastern Europe and Turkey, living and working in Serbia, Greece and Turkey from 1999 to 2009. \nWork from this period has resulted in The British Journal of Photography project prize 2010, two World Press Photo prizes in 2003 and 2005, Pictures of the Year International first prize for Istanbul Bombs in 2004.\n\nIn 2010, his book \" Fault Line/Turkey/East/West\" was released and exhibited internationally. \nHis work was included in the prestigious “New Photography 2011\" exhibition at the Museum of Modern Art, New York\n\nIn late 2014, George released his 2nd book, \"Last Stop\"\n\nGeorgiou's work is collected by several institutions and private collectors, including the Museum of Modern Art, NY and the Elton John collection.","user_id":254,"name":"George Georgiou","website":"www.georgegeorgiou.net"},{"id":479928,"bio":"","user_id":479344,"name":"Nick Trautmann","website":"www.500px.com/nicktrautmann"},{"id":255,"bio":"","user_id":255,"name":"Christine Spengler","website":""},{"id":205,"bio":"Born and raised in Paris from Chinese/Laotian parents, I spent most of my childhood trying to balance my own double identity. My personal history is intimately interwoven with my photographs, and my work is influenced by my experience of living both in and between cultures. A fervent traveler I have worked and lived in Canada, India and now China. I hold a Master's degree in Photo/Video Journalism from the University of Bolton (UK), and a Bachelor's degree in English Literature with a minor in Philosophy from the Sorbonne University in Paris. \r\nAs a child, I was more absorbed by poetry and philosophy. My interest in photography came at a later stage after I decided to move in Beijing in 2007. I wanted to be in the front row seats to witness China's frenetic pace to become number one. China has appeared as a fascinating background portraying the rich and the poor, the ruins and the skyscrapers, the void and the crowd. In that sense, photography has become a philosophical tool for me, and my intention is not to bring answers through visuals, but instead producing photographic meditations on China's contemporary issues. \r\nMy intention is to offer hints but never definitive answers, enabling us to construct our own stories. Attracted by the fissures and the patches behind China's glossy facades, and what's being cropped out and not photographed. I am trying to capture the encounter between the physical and the metaphysical, the beauty and the strangeness. Presenting images that operates beyond the confines of the traditional documentary aesthetic. \r\nAt heart I am a passionate storyteller that thrives from creative challenges. I have worked in the media and advertising industry for over 5 years with extensive experience in producing viral, promotional, corporate and documentary videos for international advertising agencies. \r\nI am a list maker, a walker, and a documentary junkie, balancing my time between commercial assignments and self-initiated work.","user_id":205,"name":"Claire Bayrasy","website":""},{"id":260,"bio":"Instead of addressing any subject alone, my photographs operate in the area of language, with its own laws. I apply my knowledge of the properties of the photograph in the most diverse ways possible. I sometimes fade the points of identification and scale typical of photographs into the background, and elements of painting and drawing come along as stowaways, though pertinent and welcome in their own right. \n\nWhen a new series is completed, everything is clarified and laid out for a moment. The silence is unblemished, like my pictures. And then a new factor enter the space - the viewer, whose thoughts cannot be guided. It is only when one lets go of one´s works that they start to become real.","user_id":260,"name":"Timo Kelaranta","website":"www.timokelaranta.com"},{"id":754,"bio":"As a photographer I am interested in finding scenes that stimulate people's fantasy. I enjoy the improbability of reality and the fact that it can be transmitted by a theoretically objective tool, photography.","user_id":754,"name":"Zoltan Vancso","website":"photovancso.com"},{"id":210,"bio":"Born a photographer, Abbas is an Iranian transplanted to Paris. He has dedicated himself to documenting the political and social life of societies in conflict. In his major work since 1970 he has covered wars and revolutions in Biafra, Bangladesh, Northern Ireland, Vietnam, the Middle East, Chile, Cuba, and South Africa during apartheid.\r\n\r\nFrom 1978 to 1980, Abbas photographed the revolution in Iran, to which he returned in 1997 after seventeen years of voluntary exile. His book Iran Diary 1971-2002 is a critical interpretation of Iranian history, photographed and written as a private journal.\r\n\r\nDuring his years of exile Abbas traveled constantly. Between 1983 and 1986 he journeyed through Mexico, attempting to photograph a country as a novelist might write about it. The resulting exhibition and book, Return to Mexico: Journeys Beyond the Mask, helped define his photographic aesthetic.\r\n\r\nFrom 1987 to 1994, he focused on the resurgence of Islam throughout the world. Allah O Akbar: A Journey Through Militant Islam, the subsequent book and exhibition, spanning twenty-nine countries and four continents, attracted special attention after the 9/11 attacks by Islamic jihadists. A later book, Faces of Christianity: A Photographic Journey (2000), and touring show explored Christianity as a political, ritual and spiritual phenomenon\r\n\r\nAbbas' concern with religion led him in 2000 to begin a project on animism, in which he sought to discover why non-rational ritual has re-emerged in a world increasingly defined by science and technology. He abandoned this undertaking in 2002, on the first anniversary of 9/11, to start a new long-term project about the clash of religions, defined as culture rather than faith, which he believes are turning into political ideologies and therefore one of the sources of the strategic struggles of the contemporary world.\r\n\r\nFrom 2008 to 2010 Abbas travelled the world of Buddhism, photographing with the same sceptical eye. In 2011 he started a similar long term project on Hinduism.\r\n\r\nA member of Sipa from 1971 to 1973, then of Gamma from 1974 to 1980, Abbas joined Magnum Photos in 1981 and became a member in 1985.","user_id":210,"name":"Abbas","website":"www.magnumphotos.com/C.aspx?VP3=CMS3\u0026VF=MAGO31_10_VForm\u0026ERID=24KL53B_Y"},{"id":211,"bio":"Visual artist Corinne Vionnet is based in Vevey (Switzerland) and through her work envisages humanity in relation to surroundings, through the prism of the link with the image. Itineraries are created in her series, within known or common places, which question our collective imagination as well as our more personal connection with the image. Corinne Vionnet’s work thus narrates stories that in addition question the way in which images transform our view of the world. \r\n\r\nThe high density of the artist’s works of art raises questions about beyond the field of vision, comprising what is not, or is no longer, but also what could have been, which should have been included in the image. Corinne Vionnet in fact dismisses the obvious. Whilst being thought provoking, her works of art question the image as a vector for a social, political or economic reality. \r\n\r\nDiane Antille (extract), 2013 \r\n\r\n\r\nEXHIBITIONS \r\n\r\nAlonso Garcés galeria, Fotográfica Bogotá, Colombia, 2013\r\nArts Santa Monica, D’Ara Endavant (From Here On), group exhibition, Barcelona, Spain, 2013\r\nMaison Européenne de la photographie, les 10 ans d’IMAGES, Paris, France, 2013\r\nCentre Culturel de Chine, Jules Itier, Paris, 2012\r\nGet It Louder, Future, biennal, Beijing, 2012 \r\nDAAP gallery, Photogenus, Cincinnati, USA, 2012 \r\nKaunas Photo, About Photography, Lithuania, 2012\r\nMusée départemental, Photaumnales; Beauvais, France, 2012 \r\nArt Museum, Made In... Indentité et Art Contemporain, curated by Diane Antille, group exhibition; Sion, Switzerland, 2012 \r\nFotoMuseum, From Here On, group exhibition, Antwerp, Belgium, 2012\r\n  curated by Clément Chéroux, Joan Fontcuberta, Erik Kessels, Martin Parr, Joachim Schmid\r\nOslo 8 gallery, solo exhibition; Basel, Switzerland, 2012 \r\nMaerz artist association, Tourismen, organized by Gerlinde Miesenböck, group exhibition; Linz, Austria, 2012 \r\nHouston Center for Photography, Print Auction exhibition; Houston, USA, 2012\r\nMetropolis 2.0, City Life in the Urban Age, at The Empty Quarter, group exhibition; Dubai, 2011 \r\n  coproduction between The Empty Quarter and Nooderlicht\r\nLes Rencontres d'Arles, From Here On, group exhibition, 2011 \r\n  curated by Clément Chéroux, Joan Fontcuberta, Erik Kessels, Martin Parr, Joachim Schmid; France \r\nRayKo Photo Center, PhotoLucida, group exhibition; San Francisco, USA, 2011 \r\nMuseum of Contemporary Art and Redline, Month of Photography, curated by Mark Sink, group exhibition; Denver, USA, 2011 \r\nNewspace Center for Photography, PhotoLucida, group exhibition; Portland, USA, 2011 \r\nChelsea Art Museum, The Collector's Guide to New Art Photography, Humble Arts Foundation, group exhibition; New York, USA, 2011 \r\nPhoto Center NW, PhotoLucida, group exhibition; Seattle, USA, 2011 \r\nAtlanta Celebrates Photography, curated by Susan Todd-Raque, solo exhibition; Atlanta, USA, 2010 \r\nLes Journées photographiques, Photo Festival, solo exhibition; Biel, Switzerland, 2010 \r\nFotoMuseum, Time To Meet, Sugary Photographs with tricks, poses and effects, collaboration with Hester Keijser, Norman Beierle and Ralf Grossek; Antwerpen, Belgium, 2010 \r\n'La Ferme d'En Haut' Art Center, solo exhibition, curated by 'Destin Sensible'; Villeneuve d'Ascq, France, 2010 \r\nThe Empty Quarter Gallery, solo exhibition; Dubai, UAE, 2009 \r\nSIPF08 in Manila, Silverlens gallery, group exhibition; Manila, Philippines, 2009 \r\nAtlanta Celebrates Photography, What's Happening Now: A Cell Phone Photography, co-produced by Susan Todd-Raque and Christian Bradley-West, Cherrylion gallery; Atlanta, USA, 2009 \r\nEyes Wide Open, Selected Photos from 1st Singapore International Photography Festival, presented by the SIPF and The Annexe Gallery; Kuala Lumpur, Malaysia, 2009 \r\nSasha Wolf Gallery, curated by Nymphoto, collective exhibition; New York, USA, 2009 \r\nThe Opal Gallery, collaboration with William Boling, curated by Susan Todd-Raque; Atlanta, USA, 2009 \r\nSingapore International Photography Festival, LaSalle College of the Arts; Singapore, 2008 \r\nPhotographic Center Northwest, Juror Rod Slemmons, group exhibition; Seattle, USA, 2008 \r\nFotonoviembre, IX Bienal international de fotografía, solo exhibition; Tenerife, Spain, 2007 \r\nFestival Transfotografia, group exhibition; Gdansk, Poland, 2007 \r\nMusée cantonal des Beaux-Arts, Accrochages, group exhibition; Lausanne, Switzerland, 2005 \r\nPhoto españa, Descubrimientos, group exhibition; Madrid, Spain, 2005 \r\nQuai 1, place dedicated to contemporary image, duo exhibition; Vevey, Switzerland, 2004 \r\nSeptembre de la Photographie , Europa l'Esprit des Villes, group exhibition; Lyon, France, 2004 \r\nRenc'arts, group exhibition, Malves castle; Malves-en-Minervois, France, 2004 \r\nMusée suisse de l'appareil photographique, Des images dans la ville, group exhibition; Vevey, Switzerland, 2004 \r\n\r\nPUBLICATIONS \r\n\r\n+ Lemancolia, traité artistique du Léman, de Dominique Radrizzani, Les Editions Noir Sur Blanc, (catalog), 2013\r\n+ From Here On, D’ara endavant. RM Verlag, Barcelona, 2013\r\n+ Visiteurs Photographes, sciences humaines et sociales, Documentation française, 2013 \r\n+ MAO, by Claude Hudelot and Guy Gallice, Horizons edition, 2012 \r\n+ Jules Itier, Premières photographies de la Chine - 1844, catalog for the exhibition at the Centre Culturel de Chine in Paris and in Beijing, (catalog),2012 \r\n+ A Printed Thing, Novelletta by Guillaume Dreyfuss, AP+ publication, 2012 \r\n+ Light and Lens: Photography in the Digital Age, by Robert Hirsch, 2nd edition, 2012 \r\n+ Photo Opportunities, monography, published by Kehrer Verlag, foreword by Madeline Yale, 2011 \r\n+ From Here On, (catalog), 2011 \r\n+ Les Rencontres d'Arles, (catalog), 2011 \r\n+ The Collector's Guide to New Art Photography, Vol.2, Humble Arts Foundation, USA, 2011 \r\n+ Singapore International Photography Festival, 2008 \r\n+ 2008 Culturas, Madrid, Spain, 2008 \r\n+ Vevey, Ville d'Images, Switzerland, 2008 \r\n+ IX Bienal international de fotografía, Tenerife, Spain, (catalog), 2007 \r\n+ Europa, l'Esprit des Villes, Lieux Dits edition, Lyon, France, (catalog), 2007 \r\n\r\n\r\nPRESS \r\n\r\n+ Le Temps, Sortir; Lemancolia: Traité artistique du Léman, by Laurence Chauvy, Switzerland; June 16th, 2013 \r\n+ Hebdo, Lemancolie: la fortune artistique d'un lac, by Luc Debraine, Switzerland; Issue #24, week June 13th, 2013 \r\n+ Dirty Laundry Mag, USA, issue #1, June 2013 \r\n+ VON Magazine, Korea, by Sookyoung Huh, vol.12, June 2013 \r\n+ El Colombiano, El paisaje de muchos lugares se aprecia en unas 400 fotografías, by Mónica Quintero Restrepo, Colombia; May 16th, 2013 \r\n+ Entertainment Today, LA, Photo Opportunities, Book review by Brad Auerbach, May 2013 \r\n+ Images Magazine, by Sophie Bernard, France, February 2013 \r\n+ Volkskrant Magazine, Collectie, by Erik Kessels, December 29th, 2012 \r\n+ Les Lettres et les Arts, by Diane Antille, quarterly magazine, Switzerland, #13, 2012 \r\n+ Ethnologie française, by Mélanie Roustan, 2012/3 \r\n+ Blow Photo Magazine, issue four, Ireland, November 2011 \r\n+ Album #2, \"Same/Same\", Germany, September 2011 \r\n+ Telegraph Magazine, by Cheryl Newman, July 2nd, 2011 \r\n+ Beaux-Arts magazine, France, July 2011 \r\n+ Images Magazine, by Sophie Bernard, France, July/August 2011 \r\n+ Paris Match, by Clelia Bailly, France, Nr 3242, July 5-12, 2011 \r\n+ Marianne, by Vincent Huguet, France, Nr 745, July 30-August 5th, 2011 \r\n+ Le Monde, by Olivier Ramezon, France, August 23rd, 2011 \r\n+ Lens Culture, April 2011 \r\n+ Libération, Next, France, March 2011 \r\n+ Designboom, February 2011\r\n+ Vrij Nederland, #07/08, February 2011 \r\n+ Journal du Design, France, February 2011\r\n+ Huffington Post, USA, February 2011\r\n+ PDN magazine, by Holly Stuart Hughes, USA, February 2011\r\n+ The British Journal of Photography, by Simon Bainbridge, UK, # October 2010 \r\n+ Spot magazine, Houston Center for Photography, by Madeline Yale, Fall/Winter 2010 \r\n+ Variatio, photography magazine, Italy, with Elie Domit, #2, October 2010 \r\n+ Hello Magazine, interview by Jessica Owen, Dubai, #210, May 9th, 2009 \r\n+ Yvi Magazine, art magazine, \"Consumption\", #2, Netherlands, Interview by Welmer Keesmaat, 2008 \r\n+ Designer Magazine, UCDA, Tennessee, USA, 2008 \r\n+ Camera Austria, photography magazine, double page, #92/2005 \r\n\r\n\r\nINTERVIEWS \u0026 CONFERENCES\r\n\r\n+ Dirty Laundry mag, Interview with Sarah Robbins, June 2013 \r\n+ Guest Speaker, World Economic Forum, Annual Meeting, Davos-Klosters, Switzerland, 23-27th January 2013 \r\n+ Interview with Greg Jones, for inthein-between.com, January 2013 \r\n+ Talk with Julie Corteville, Musée français de la Photographie, \"Jules Itier, First pictures of China 1844\", catalog 2012 \r\n+ Interview with Henri Peyre, for galerie-photo.com, December 2012 \r\n+ European encounters, the Internet and photographic creation, Les Rencontres d'Arles, 9 July 2011 \r\n+ Radio France Culture, Les Rencontres d'Arles, 7 July 2011 \r\n+ Broadcast and interview on Deutsche Welle, Euromaxx, Germany, April 2011 \r\n+ Mossless Magazine, Interview with Romke Hoogwaerts, April 2011 \r\n+ Interview by Elie Domit for Variatio magazine, Italy, #2, 2010 \r\n+ MIAD-FA382, Interview by Lara Ohland, Milwaukee Institute of Art \u0026 Design, 2009\r\n+ A conversation, Nymphoto, 2009 \r\n+ Interview for Hello Magazine, Dubai, #210, May 9th, 2009 \r\n+ Interview by Welmer Keesmaat, Yvi Magazine, art magazine, \"Consumption\", Netherlands, #2, 2008 \r\n\r\n\r\nAWARDS \u0026 GRANTS\r\n\r\nPhotolucida's Critical Mass, Top 50 photographers, 2010 \r\nThe Singular Image, honorable mention, juror Jen Bekman, the Santa Fe Center for Photography, New Mexico/USA, 2008 \r\nSecond Prize, 2008 Culturas, \"Languages; Zeros and Ones\", exhibition and award competition for an intercultural dialogue, Madrid, Spain, 2008 \r\nBourse d'aide à la création (grant), culture council, Sion, Switzerland, 2007 \r\n\r\n\r\nLECTURES, JUROR and OTHERS \r\n\r\nWorkshop with students, Alliance Française, Bogotá, Colombia, 2013\r\nJuror for the Award of Young Talents for photography (Nachwuchsförderpreis), Vfg, Switzerland, \r\nwith William Ewing, Luc Debraine, Katharina Ammann, Meinrad Schade, 2012\r\nThis is a Picture..., curator for the exhibition at GABARIT, within Images Festival, Vevey, Switzerland, 2012\r\nGuest Lecturer, School of Visual Art, Biel, Switzerland, 2010\r\nPhotography assignment on the territory of Villeneuve d'Ascq, Destin Sensible Production, France, 2009 \r\nJuror for Critical Mass, Photolucida, Portland, USA (with mus-mus.org), 2009\r\nJuror for the Master of a student, École du Paysage, Versailles, France, 2008","user_id":211,"name":"Corinne Vionnet","website":""},{"id":619,"bio":null,"user_id":619,"name":"Lisette Model","website":null},{"id":538,"bio":"Yenny Huber \r\nAustralia \r\nT: +61 424 154 157\r\nVienna/ Paris\r\nT: + 43 676 687 0074\r\nyenny@yenny.com.au\r\nwww.yenny.com.au\r\n\r\nGalerija Fotografija \r\nMestni Trg 11/ I 1\r\nLjubljana – 1000\r\nSlovenia\r\nT: + 386 1 25 11 529\r\ninfo@galerijafotografija.si\r\nwww.galerijafotografija.si\r\n\r\nLayard Art Consulting\r\n1 Chatsworth Road,10-21\r\nSingapore\r\n249745\r\nT: + 61 404 876 392\r\nanna@layardart.com.au\r\nwww.layardart.com.au\r\n\r\nBorn 1980, Vienna, Austria\r\nCurrently lives and works in Vienna and Melbourne\r\n\r\nEducation\r\n\r\n2009 -\r\nResearch Candidate, Master of Arts, Media and Communication, RMIT, Melbourne\r\n2009\r\nCertificate III in Youth Work, Charles Darwin University\r\nProfessional Development on Indigenous Education and Culture Studies, Yirara College, Alice Springs\r\n2004\r\nCertificate of Textile Printing and Design, Melbourne School of Fashion\r\n2000-2003\r\nBachelor of Arts (Photography), RMIT, Melbourne\r\n1999/2000\r\nStudies in Art Theory and Theatre Production, at the University of Vienna\r\nCertificate in Fine Art Photography and Jewellery-Design, at the University of Fine Art, Vienna\r\n1997\r\nCertificate in Art Therapy, at TAFE Vienna\r\n\r\nOther Training\r\n\r\n1995 onwards\r\nContemporary Dance, Flamenco, Contact Improvisation and Performance Training:\r\nDiana Reyes (Sydney ), Maria Jose Franco (Spain), Brian\r\nCarbee (Sydney Dance Company), Alejandro Rolandi (Buenos\r\nAires/ Sydney), Centre de Danse du Marais (Paris), Laura Uhe\r\n(Melbourne), Johnny Tedesco (Melbourne), Gertrude Maar\r\n(Vienna) and more.\r\n1995-1998\r\nActing Training and performances in Vienna and surrounding.\r\n1987-1996\r\nClassical Music Training (Violin) and performances across Austria, Germany, France and in Cairo.\r\n\r\nSelected Grants \u0026 Awards\r\n\r\n2010\r\nRAAASS grant for the project Photographic Storytelling against Ganga, Alcohol and Other Drugs I Department of Health and Families, NT Government.\r\nBronze Award, The Epson International Pano Awards\r\n2009\r\nFinalist, Olive Cotton Award, Australia\r\nFinalist, The Voies Off 2009 Prize, Rencontres d?Arles, France\r\nArtist-in-Residence, Marrickville Council, Sydney\r\n2008\r\nArtist-in-Residence, Kunstnerhuset, Lofoten, Northern Norway\r\nHasselblad Masters 2008, Semi-Finalist\r\nAshfield Council Artist in Residence at Thirning Villa, Sydney\r\n2007\r\nFinalist, Off the Wall, Art Sydney 2007\r\n2nd prize, PX3 Prix de la Photographie Paris, Category Portraiture, France\r\nStudio Residency \u0026 Public Art Commission, Ljubljana, Slovenia (Public Arts Grant, City of Ljubljana)\r\nParis Studio Residency , Cité Internationale des Arts (Austrian Federal Ministry of Art and Culture Grant)\r\nFinalist, Tattersall?s Contemporary Art Prize, Williamstown Festival\r\nFinalist, Julie Millowick Acquisitive Photographic Award, Castlemaine State Festival\r\n2006\r\nFinalist, 2006 Centre Awards, Centre for Photographic Art, California, USA\r\nFinalist, New Social Commentaries 06, Contemporary Art Award, Warrnambool Art Gallery, VIC\r\nArtist-in-Residence, Newington Armory, Sydney Olympic Park, NSW\r\n2005\r\nFinalist, Self-Portrait Prize, Artholes Gallery\r\nSelected Artist for the Public Screening Event Defining\r\nMelbourne, Australian Centre for Moving Images and Federation Square, Melbourne\r\nSelected Artist for the urbanart Summer Program, Public Art\r\nTram-Shelter Installation in the Melbourne CBD\r\n2004\r\nInvitation for Participation in The Fine Art Photography Exhibition, by Agora Gallery, Soho \u0026 Chelsea, New York City\r\nFinalist, 16th Annual Heritage Acquisitive Photographic Competition\r\nFinalist, Josephine Ulrick \u0026 Win Schubert Foundation of the Arts Photography Award 2004\r\n2002\r\nWinner, Sanpellegrino Melbourne Café Society Photography Competition2001\r\nRoslyn A. King Memorial Award , Best Alternative Photo - Processes Portfolio, RMIT University Kingston Arts Centre Award\r\n\r\nSelected Solo – Exhibitions\r\n\r\n2011\r\nReflections, Erco, Vienna, Austria\r\n2009\r\nThere is no light without darkness, Melbourne Fringe Festival\r\n2009, Angela Robarts-Bird Gallery, Melbourne\r\nYenny Huber, The Studio, Art Melbourne\r\n2008\r\nVertical Bath, Solo performance, Creative Director: Fiona Malone; Official Opening of Fraser Studios, supported by the City of Sydney\r\nSelected Works, Linton and Kay Gallery, Perth\r\nUrban Rooms Sydney, Cell Block Theatre, NSW\r\nThe Ballroom, Alliançe Francaise Melbourne, VIC\r\n2007\r\nUrban Rooms, Ruppitsch \u0026 Theuermann, Vienna, Austria\r\n48stunden, Galerija Fotografija, Ljubljana, Slovenia\r\n48stunden [Ljubljana], Public Art Installation, City of Ljubljana, Slovenia\r\n2006\r\nMy Self : My Other, Über Gallery, Melbourne, VIC\r\n48 Stunden [Melbourne], Angela Robarts-Bird Gallery, Gasworks Arts Park Melbourne, VIC\r\n2005\r\nNocturnal Fantasies \u0026 Untitled, Blender Gallery, Sydney, NSW\r\n2004\r\nUnnoticed, In Situ, Sydney, NSW\r\nNocturnal Fantasies, a joint exhibition with the Designer Label\r\nTunguska, Charles Smith Gallery, Fitzroy, VIC\r\n2003\r\nMelbourne Unnoticed, Lab X Gallery, St Kilda, VIC\r\n2002\r\nUntitled, Sugar, Collingwood, VIC\r\n2001\r\nChild Like View, Kingston Arts Centre, Moorabbin, VIC\r\n2000\r\nMaking Faces, a joint Exhibition with the Artist Janet Le Good, Charles Smith Gallery, Fitzroy, VIC\r\n\r\nSelected Group – Exhibitions\r\n\r\n2010\r\nParis Photo 2010, Galerija Fotografija Artist presentation, Paris\r\nThe Kodak Salon, Centre for Contemporary Photography (CCP), Melbourne\r\nAnno Fed square Exhibition, Melbourne?s State of Design Festival, Melbourne\r\nDie Presse Schaufenster-Edition, Galerie Base-Level, Vienna\r\n2009\r\nOlive Cotton Award Show, Tweed River Art Gallery\r\nFotografia Europea, 4th Edition, Reggio Emilia, Italy\r\nThe Voies Off 2009 Prize, Rencontres d?Arles, France\r\nLight in a box, Artereal Gallery, Sydney\r\nThe Armory Exhibition 2009, Sydney Olympic Park\r\nGalerija Fotografija, Art Austria 09, Vienna\r\nMay Street Studios, May Street Studios, Sydney\r\nThe South – North Exchange, Gasworks, Melbourne\r\nTop Marks, Ewart Gallery, Sydney, NSW\r\n2008\r\nNuit de l?Europe, Identités photographiques européennes, Nuit Blanche, Paris, 4.Oct 2008\r\nUrban Space 08, New Life Berlin Contemporary Art Festival, Berlin\r\nLes Rencontres d?Arles Photographic Festival, European Nights 2008, representing Austria\r\nPhotography 08, Art Traders, Sydney\r\nThe Sublime Equine, Rushcutters Bay Gallery, Sydney, NSW\r\n2007\r\nMOP Fundraiser, MOP Gallery, Sydney\r\nOff the Wall, Art Sydney 2007, Sydney, NSW\r\nPX3 Award Show, 13 Sévigné Gallery, Paris, France\r\nGreat Western, Armory Gallery, Sydney, NSW\r\nThe Southside Art Project at Treasury Place, City of Port\r\nPhillip/ Deputy Premier John Thwaites \u0026 Über Gallery, Treasury Building Melbourne, VIC\r\nWilliamstown Festival – Tattersall?s Contemporary Art Prize, The Substation Arts Centre, VIC\r\nCastlemaine State Festival, Julie Millowick Acquisitive Photographic Award, Old Castlemaine Goal, VIC\r\nCowra Festival Art Awards, Cowra Regional Art Gallery, NSW\r\n2006\r\n2006 Centre Awards, Centre for Photographic Art, California, USA\r\nBricks?n Slaughter, commission for the Sydney Olympic Park\r\nIndustrial History Exhibition, Newington Armory Gallery, NSW\r\nNew Social Commentaries 06, Contemporary Art Award\r\nExhibition, Warrnambool Art Gallery, VIC\r\nWilliamstown Arts Festival, Public Installation, Williamstown, VIC\r\nPostmod, Toyota Community Spirit Gallery, Port Melbourne, VIC\r\nRundgang, Staedelschule Frankfurt, Germany\r\n2005\r\nSelf-Portrait Show, Artholes Gallery, Fitzroy, VIC\r\nurbanart, CBD Melbourne, VIC\r\nDefining Melbourne, Australian Centre for Moving Images \u0026 Federation Square, VIC? City of South Perth Art Award, Heritage House Cultural Centre, Perth, WA\r\nDiscovery Art Show, Gasworks Arts Park, Port Melbourne, VIC\r\nSeeing Eye Dogs Australia Charity “Hollywood Nights” Ball, Fine Art Auction, Melbourne\r\nThe Fuji ACMP Australian Photographers Collection 10, 101 Gallery, Melbourne, VIC\r\n2004\r\nRiptide, Toyota Community Spirit Gallery, Port Melbourne, VIC\r\nThe 2004 Josephine Ulrick National Photography Prize for Portraiture, Tweed River Art Gallery, NSW\r\nThe Homeless Gallery Show edition 13, Mill Markets, Geelong, VIC\r\n16th Annual Heritage Acquisitive Photographic Competition Exhibition, Toowoomba Regional Art Gallery, QUE\r\nJosephine Ulrick \u0026 Win Schubert Foundation for the Arts Photography Award 2004 Exhibition, Gold Coast City Art Gallery, QUE\r\nLinden Postcard Show, Linden Gallery, St Kilda, VIC\r\n2003\r\nThe Homeless Gallery Show edition 10, Melbourne Fringe Festival, Collingwood Housing Estate, Collingwood, VIC\r\nPlastic Photo Show, Obscurity Pictures Gallery, North Fitzroy, VIC\r\n2002\r\n200//2, Bright Gallery, St.Kilda, VIC\r\nVYPSY 2002 Travelling Exhibition, around Australia\r\nThe Piece And The Practice, an innovation exposition of Global Sustainability, around Victoria\r\nUntitled, Holiday Inn, Melbourne, VIC\r\n2001\r\nUntitled, Tomorrow, Fitzroy, VIC\r\nNikon Summer Salon, Centre of Contemporary Photography, VIC\r\nSHE, who must be obeyed, Walker Street Gallery, VIC\r\n\r\nSelected Bibliography\r\n\r\n2009\r\nBarclay, Alison, “Lone wolf ahead of the pack”, Herald Sun, Arts and Entertainment, 17.April, p58\r\nGruber, Fiona, “The Opening, - All about the Arts”, Yenny Huber and The South – North Exchange, PBS Radio, 31.March\r\nHuber, Yenny, “Arabella Steinbacher: To express in Music, what one feels most deeply”, Shaep End- Akrapovic Lifestyle Magazine [Slovenia], Issue 4, April\r\n2008\r\nHuber, Yenny, “Akram Khan, daring the unknown”, Sharp EndAkrapovic Lifestyle Magazine [Slovenia], Issue 3, October, p.50-55\r\nArt.China, “Yenny Huber, 48 hours”, October","user_id":538,"name":"Yenny Huber","website":""},{"id":218,"bio":"","user_id":218,"name":"Anthropographia Award","website":"www.anthropographia.org/2013/result/content.html"},{"id":247,"bio":"JH ENGSTRÖM - BIOGRAPHY\n\nJH Engström was born in 1969. He grew up in Sweden but spent a lot of time in Paris and France during his childhood and adolescence. He was an assistant to photographer Mario Testino 1991 in Paris, and 1993 assisted photographer Anders Petersen in Stockholm. \n1997 he graduated from the Photography and Film Department at Gothenburg University. \nThe same year he published his first book, Shelter (Bokförlaget DN, 1997) \n1998 he moves to Brooklyn, New York to work on his project Trying to Dance. \nIn 2001 Engström returnes to his native region, Värmland to finish the project. The finalized book Trying to Dance (Journal, 2004) was short-listed for the Deutsche Börse Photography Prize 2005. He exhibits continuously internationally and is held in collections both in Europe and the US. Other published books by Engström are Haunts (Steidl, 2006), CDG/JHE (Steidl, 2008) and From Back Home (together with Anders Petersen, Max Ström, 2009) Wells will be published by Steidl during 2009. \nJH Engström is represented by Galerie VU’. Paris, France and by GUN Gallery, Stockholm, Sweden\n\nJH Engström\n\n1969 Born in Karlstad, Sweden.\n\nLives and works between Östra Ämtervik, Paris and Stockholm\nJH Engström is represented by Galerie VU in Paris and by GUN Gallery in Stockholm.\n\nEducation:\n2006 Graduates from Dramatic Institute, Advanced Course in Documentary \nFilm making\n1997 Graduation from The Photography and Film Departement of Gothenburg \nUniversity\n1993-94 Assistent to Anders Petersen in Stockholm.\n1992 Assistent to Mario Testino in Paris.\n\nMonographs:\n2010 Wells, Steidl\n2009 La Residence, Journal\n2009 From Back Home, together with Anders Petersen, Max Ström\n2008 Sketch of Home, GUN\n2008 CDG/JHE, Steidl\n2006 Haunts, Steidl\n2004 Trying to Dance, Journal.\n1997 Shelter, Bokförlaget DN.\n\nAnthologies:\n2009 Shoot, Rizzoli\n2007 PhotoArt, Aperture/Dumont\n2006 The photobook, Part two, av Martin Parr och Gerry Badger, Phaidon England\nVitamin PH, New Perspectives in Photography, Phaidon, England\n\nFilms\n2008 The Social Welfare Office, together with Göran Odbratt. (52 min, Shown at \nSwedish Television 2006)\n2008 A Film With About Anders Petersen (52 min, Shown at Swedish Television \n2008)\nBertil \u0026amp; Maggan.Stay or go (28 min, Shown at Swedish Television 2006\n\nCollections\nSaatchi Gallery, London\nHasselblad Center , Gothenburg.\nThe Museum of Modern Art, Stockholm\nThe Nordic Museum in Stockholm.\nThe Museum of Fine Arts in Houston.\nFotomuseum Winterthur.\nNoorderlicht Photogallery\nVärmlands Museum\nMusée Niepce, France\n\nGrants and awards:\n2009 From back home was awarded winnner of the Author Book award at \"Les Recontres d´Arles Photographie\" \n2008 Grant from KW Gullers fund\n2006-2010 Grant from Swedish Art Council\n2005 Shortlisted for the Deutsche Börse Photographic Price.\nGrant from The Swedish Authers Foundation.\n2004 Artist in residence at Musée de Niepce, Chalon Sur Saone.\nGrant from the Swedish Authers Foundation.\nGrant from Hasselblad Center.\n2003 Artist in residence at Contretype, Brussels.\n2000 Grant from the Swedish Arts Council.\n1999 Grant from The Swdish Arts Council.\n1998 Stockholm Cultural award.\nGrant from The Andrea Frank Foundation.\nWinner of ”The photographic book of the year in Sweden ”.\nGrant from the Swedish Authers Foundation.\n1996 Bildhuset grant for young photographers.\n\nSelected Solo exhibitions:\n2009 From Back Home, together with Anders Petersen, Galerie VU, Paris\nFrom Back Home, together with Anders Petersen, Värmlands Museum, \nSweden\nCentre Atlantique de la Photographie, Brest, France, Trying to Dance/ \nHaunts\nGalerie Le Lieux, Lorient, France, Trying to Dance/ Haunts\n2008 GUN Gallery, Stockholm, Sweden, Sketch of Home\n2007 Huarte Art Center, Huarte, Spain, Tying to Dance/ Haunts\n2006 Contretype, Brussels, Belgium, Je suis ou.\nMilliken, Stockholm\nFotografins Hus, Haunts, Stockholm \nGalerie VU, Haunts, Paris\nNantes Photfestival\n2005 Hasselblad Center, Haunts, Gothenburg.\n2004 Galerie VU‚, Trying to dance, Paris.\n2002 The Nordic Museum , Shelter , Stockholm.\nArhoteque D’Angers, Trying to dance, Angers.\nContretype, Trying to Dance,, Brussels.\n2000 Gallery F48, Entreacte, Stockholm.\n\nSelected Group exhibitions:\n2009 Winterthur Fotomuseum, Darkside II\n2009 Kunsthalle Wien, Das Porträt-Fotografie als Buhne\n2009 Arles Photofestival, Show curated by Nan Goldin\n2008 Fotomuseum Winterthur, Darkside\n2007 Cohan and Leslie Gallery, New York\n2006 Mois de la Photo, Paris\nCaprice Horn Gallery, Berlin\nContretype, ”Genre Humain”, Brussel\nFotografins Hus, ”Face a Face” Stockholm\nNoorderlicht Photogallery\nD-Foto, San Sebastian, Spain\n2005 Milliken Gallery, Stockholm\nFaulconer Gallery, Grinnell , USA.\nBildhuset, Umea, ”Instable”.\nPhotographers Gallery, London , ”Deutsche Börse Photography Price”.\nWinterthur Fotomuseum, ”Der Traum vom Ich, der Traum von der Welt”.\nDeutsche Börse Group, Frankfurt ( Main ).\nGooroom project, SouthCorea\nLanghans Galerie, Galerie VU, Praha.\n2004 Stockholm Cultural House, ”Instable”.\n2002 Stockholm Cultural House, ”Stockholm too Close”.\nGallery CFF, Stockholm , ”Inspiration Strömholm”.\nTheatre des images, Nice, ”Swedish Photography”.\n1998 Photographic Fair in Gothenburg.\nStockhoolm Cultural House, ”Tempo - A documentary Festival”.\nWith Anders Petersen at Gallery Prinsen in Stockholm.\n1994 Stockholm Cultural House, ”Territory”.","user_id":247,"name":"JH Engström","website":"www.jhengstrom.com"},{"id":246,"bio":null,"user_id":246,"name":"Aline Diépois","website":"ad-tg.com"},{"id":252,"bio":null,"user_id":252,"name":"Jan Møller Hansen","website":null},{"id":258,"bio":"Born in Brussels (1975), V.D. (aka Vincent Delbrouck) is an emerging photographer who has been working in hybrid practices, across and between media and materials. In in first book Beyond History (Havana 1998-2006), he assembled, recycled, and recomposed the fragments of his experience in Havana, creating a very complex family album with different layers and comments.\r\n\r\nV.D.’s integration of personal, contextual and fictional perspectives, combined with the nature of his physical and intimate exploration, was producing a vivid and lasting impression of the imaginative confusion that is inherent in any thought, recollection or projection. Confusion was created by the distorted and mysterious essence of memory that his journeys inside his archives/documents seeked to unravel, like fragments out of control. “These diaries document Delbrouck’s journeys and life in which his persona as an artist is hardly distinguishable from his ‘private’ self.”(Katalin Timar, Ludwig Museum of Contemporary Art, Budapest)\r\n\r\nIn the Beyond History book and other previous (collective) projects V.D. used various documents (pictures, pages from “fake” diaries, letters, short stories, poems,...) in a way that creates a fictionalized autobiography the reader could relate to her/his own life and memory. The result could be seen as a travel autofiction* combining photography and literature, and two paradoxically contradictory styles : autobiography and fiction. V.D. named this process : “poetic documentary”.\r\n\r\nIn 2009 and 2010, V.D. made a new \"family experience\" in Nepal and discovered meditation and Buddhism which completely transformed the way he deals with life and art/documentary practice. He is now working on a new book of texts and contemplative photographs from Nepal and India, focusing on the silence and the colors of a very intimate self-conscious moment and the intense discovery of a new light in Nepal. He is also learning Shiatsu (and other Oriental and holistic healing processes), and he is practicing meditation. For V.D. mindfulness and photography seem to join in the present moment and the emptiness or the potential of the impermanence of his life, in a tropical imagery where he has always felt at home, creating a profound joy he wants to share with people and nature.\r\n\r\nV.D. has received the Memorial Giacomelli Prize 2002 (Italy), the Jean Salgaro Prize at the 14th National Open Photography Prize (Photography Museum in Charleroi, Belgium) and the Vocational Bursary (Belgium) in 2003. He was one of the Discoveries of the Meeting Place in Fotofest Houston 2006.\r\n\r\nBeyond History (Havana 1998 – 2006) was published at the end of 2008 by Bold Publishing (Amsterdam) and was nominated as a finalist for the Best Book of the year in RIP Arles 2009 ! The project was exhibited in Mexico (Centro de la Imagen), Paris, Lyon (Septembre de la Photographie). Houston (Fotofest 2008), Krakow (ZPAF i S-ka gallery), Cuenca (PhotoEspaña), Groningen (Noorderlicht Festival) and in the Photography Museum in Charleroi, Belgium.\r\n\r\nV.D. has contributed to various magazines such as Purple Journal, Pavilion, CODE, Amica, Trace, Pig, nofound, Pozytyw and View, and he loves to work with the fashion designer Valeria Siniouchkina (Girls from Omsk).\r\n\r\nHe was a member of the Belgian collective BlowUp.\r\n\r\nV.D. is living now in the countryside in Belgium.","user_id":258,"name":"Vincent Delbrouck","website":""},{"id":259,"bio":null,"user_id":259,"name":"Massimiliano Rezza","website":null},{"id":722,"bio":null,"user_id":722,"name":"Stateoftheart","website":null},{"id":274,"bio":null,"user_id":274,"name":"Maxime Delvaux","website":null},{"id":282,"bio":"Education\r\n\r\nMA in Visual Communication, Ohio University. Athens, OH. 2004.\r\nSalt Institute for Documentary Studies. Portland, ME 2001.\r\nBA in English, Pomona College. Claremont, CA. 1999.\r\n\r\nAwards/Recognition\r\n\r\nNew York Photo Awards, Shortlisted Fine Art Series Category. 2012.\r\nSelected for Review Santa Fe, 2009.\r\nCanon Italia Young Photographer’s Award. 2009.\r\nAperture West Book Prize, Nominee. 2008.\r\nNew York Photo Awards, Shortlisted Fine Art Category. May 2008.\r\nBaum Award for Emerging American Photographers, Nominee. 2008.\r\nFulbright Fellowship, 2007-2008. Istanbul, Turkey.\r\nPhoto District News Emerging 30, 2006.\r\nMagenta Foundation Emerging Photographers, 2006. HM.\r\nAlexia Foundation. Student Award of Excellence, 2004.\r\nEddie Adams Workshop. Newsweek Award, 2003.\r\n\r\nExhibitions\r\n\r\nTroche Inny Festiwal Fotografii. Warsaw, Poland. New Directions in the Photobook. Fall 2012.\r\nNew York Photo Awards Shorlist, Dumbo Brooklyn. Fall 2012.\r\nMargate Photography Festival. Sunny Side Up Group Exhibition. Summer, 2011. \r\nGrazia Neri Gallery, Milan. Canon Italia Young Photographer’s Award. May. 2009.\r\nSalt Gallery. Portland, Maine. FuturePast, Photographs from Salt Alums. April, 2009.\r\nHumble Arts Foundation Group Show # 28. January, 2009.\r\nNew York Photo Festival. Various Photographs, installation by Tim Barber. Dumbo, Brooklyn. May, 2008.\r\nUfat Photo Festival. Asia Minor. Group Show. Bursa, Turkey. April, 2008. \r\nBruce Silverstein Gallery, NYC. Vice Photography, Group Show. July, 2006.\r\nOdgen Museum of Southern Art. New Orleans, LA. Permanent Collection. 2 prints acquired 2005.\r\nThe Dairy Barn Arts Center. Athens, OH. Ohio University Group Show. 2003.\r\n\r\nEditorial Clients\r\n\r\nArtReview (UK), Case de Abitare (Italy), Culture + Travel, Monocle Magazine (UK), NEON (Germany), \r\nNational Geographic, Newsweek, Outside, Planet, Spin, Time, Travel + Leisure, W, Wall Street Journal Magazine, Wallpaper*\r\n\r\nCommercial Clients\r\n\r\nBosch, BUILT NY, Del Monte Foods, Pictet Swiss Bank, Red Scout Creative, SMRT Design, Sony BMG, \r\nTimberland, Winkreative\r\n\r\nTeaching Experience\r\n\r\nSalt Institute for Documentary Studies. Portland, Maine. Photography Instructor, Fall 2011 - Spring 2012.\r\nAlmaty Photography Workshop. Weeklong documentary workshop with The Childrens Library in conjuction \r\nwith the US Embassy in Almaty, Kazakhstan. July, 2010.\r\nOpen Roads. Traveling documentary work for at risk youth, 2005. (www.openroads.org)\r\n\r\nSelected Press in Print and Online\r\n\r\nNew Yorker Magazine, Andres Gonzalez Takes a Journey Somewhere. July, 2012.\r\n(http://www.newyorker.com/online/blogs/photobooth/2012/07/andres-gonzalez-takes-a-journey-somewhere.html#slide_ss_0=1\r\nLens Culture. Somewhere. Fall, 2011. (www.lensculture.com)\r\nContact Editions. Interview with Benjamin Thomas, November 2011. (http://www.contacteditions.co.uk/articles/andres-gonzalez-interview/)\r\nSeesaw Magazine. Somewhere (portfolio and cover.) Fall/Winter 2011. (www.seesawmagazine.com)\r\nZing Magazine. Ukrainian Winter (portfolio and cover.) Fall 2010.\r\n\r\nBooks // Publications\r\n\r\nSome(W)here. Self-Published, 84 pages. Design by Sybren Kuiper (-SYB-). Publications date: Sept. 2012.\r\nProblemata Physica One. Ohja Books, Publication date: July, 2012. (Contributor)\r\nA Field Guide to the North American Family. Garth Risk Hallberg. (Contributor)","user_id":282,"name":"Andres Gonzalez","website":"www.andresgonzalezphoto.com"},{"id":727,"bio":"","user_id":727,"name":"Bennett Stevens","website":"www.bennettstevens.com"},{"id":278,"bio":"She was born 20 September 1952 in Sárvár, into an assimilated Roma family. She attended elementary and high school here. Between 1969-81, she worked as a paediatric nurse.\n\nIn 1985, she began to photograph professionally; she learned the profession from her husband, György Stalter. (See his biography in this volume.) Under his influence, she became conscious of the importance of her own background, to accept it and to take the responsibility to aid the fate of gypsies in Hungary, with her own means. This meant to present their human and emotional values, through a sociographic exploration and documentation – within their overwhelming poverty.\n\nBetween 1990-95, she was photo editor and photojournalist for the Roma magazine, Amaro Drom (Our Path) – under the direction of Béla Osztojkán, and then for three years she was editor-in-chief. In 1994 – together with her husband – they were awarded the Essay Award of the Hungarian Press Photo competition. When she finally felt that within the politicised media world, a “minority” magazine was unable to create something human, novel and useful, she became independent.\nTogether with her husband, for over ten years, they essentially photographed the life of the Roma in Hungary, living in the most typical gypsy settlements and in the ghettoised districts of Budapest. In 1998, their joint album, entitled Más Világ (Another World), was published, in which they broke with the bipolarised schematic of the visual presentation of the subject until that point (either sociographic documentation, or an idealised nostalgia for the “free existence”) – they were able to portray the individual (with their desires, with their smile, with their tears…), as just the same human being. The volume elicited a great response, and the exhibitions presenting the photos also made an extraordinary impact around the world. Journalist György Kerényi writes in the preface to the book: “In these photos, the absence is not a void, and not inhuman, but rather this poverty is very human.”\n\nIn 2002, they established the Kópia Fotógaléria (Copy Photo Gallery), giving space to presenting talented colleagues and students in group and solo exhibitions. At the same time, they engage continuously in the teaching of, and assistance to, young photographers.\n\nHer 2010 exhibition at Mai Manó, entitled Csalóka Látszat (Deceptive Appearances) – and the volume published privately – presents a new dimension in approach on the variegated palette of existence-past-femininity-memory-desire. In the large-scale colour photographs, it is not the object that becomes the individual, but rather the object and its milieu that compel the viewer to search for the vanishing individual in themselves. Judit M. Horváth says of her exhibition: “Proceeding from my own background, mental constitution, and last but not least, my female nature, Reality and Fables are tightly interwoven in my eyes, and the narrow borderland between them is permeable. I easily step from one into the other, and my pictures are born from my uncertainty springing from this dual state of mind…”\n\nMost recently, under the title Privát képek (Private Images, in collaboration with Ildi Herman), she confessed about her own shocking, personal fate, which could “catch up” with any of us, at any time – with unmercifully naked honesty.\n\nBetween 1998 and 2012, she had six solo shows and took part in twelve group exhibitions – from New York to Sárvár – with her photographs.\nShe is a member of the Hungarian Press Association and the Association of Hungarian Photographers.\n\nHer photographs are held at the Hungarian Museum of Photography, the Historical Photographic Archives of the Hungarian National Museum, and the Körmendi-Csák Collection of 20th Century Hungarian Photography.","user_id":278,"name":"Judit M. Horváth","website":""},{"id":284,"bio":"Harry Callahan (American, October 12, 1912–March 15, 1999) is known for his work in photography. He was born in Detroit, MI. He worked for Chrysler in his youth but left the company to attend Michigan State University to study engineering. Eventually, he dropped out of college and returned to work at Chrysler. Upon his return, he joined the company's camera club, and, by 1938, Callahan had begun teaching himself photography. During this time, he became friends with another future photographer, Todd Webb (American, 1905–2000). Callahan met his wife on a blind date in 1933, when they were both Chrysler employees, and the two married three years later. His method of photography was very technical and precise; every day, he woke up and walked the city where he lived to take photographs. In the afternoons, he would look over his negatives and choose the best ones to make print proofs. \n\nCallahan once estimated that he produced no more than a half dozen finished images each year. He often photographed his wife and daughter, buildings, and streets. His photos showed a strong sense of darkness and light, along with lines and forms. Callahan often experimented with multiple exposures and saw photography as deeply personal. His wife, in particular, held great significance in his work. She was his major subject for a period of 15 years. Callahan gave his photographs simple titles, such as Eleanor, New York, and Chicago. These works are currently in the collection of the Museum of Contemporary Photography in Chicago. \n\nCallahan was a unique innovator in American photography. His work is noted as much for his use of color as for black-and-white. He received the National Medal of Arts in 1996 and died in Atlanta in 1999. Callahan left behind some 100,000 negatives and 10,000 proof prints. The University of Arizona maintains his archives, and the Pace/MacGill Gallery in New York represents his estate.","user_id":284,"name":"Harry Callahan","website":null},{"id":291,"bio":null,"user_id":291,"name":"Tamara Lischka","website":null},{"id":317,"bio":"Full name: Han Sungpil Surname: Han First name: Sungpil Sex: Male\r\nBirth of Date: 21 May 1972 Birth of Place: Seoul, Republic of Korea\r\n\r\nEducation\r\n\r\n2003 ~ 2004 MA in Curating Contemporary Design with commendation at Kingston University,\r\nLondon (Delivered in collaboration with the Design museum, London)\r\n1993 ~ 1999 BA in Fine Arts (Photography medium) with distinction at Chung-Ang University, Seoul, Korea \r\nArtist in Residence (Career Progression)\r\n2010.11~ 2011.1 18th Street Arts Center , Santa Monica, U.S.A \r\n(Supported by GyeongGi Cultural Foundation, Republic of Korea)\r\n2010. 7 ~ 8 Picture Berlin (Kunstlerhaus Bethanien Berlin, Germany)\r\n2008.4 ~ 2009.3 Cite Internationale des Arts, Paris in France\r\n(Supported by Samsung Culture Foundation, Seoul, Korea)\r\n2007.8 ~ 9 Sirius Art Centre, Cobh, Cork in Republic of Ireland\r\n(Supported by Irish Arts Council and Cork County Council)\r\n2007.3 ~ 5 Uijae Art Studio, Gwangju in Korea \r\n(Supported by „A Culture Hub City of Asia, Gwangju \u0026 Gwangju Metropolitan City)\r\n2006.3 ~ 9 Cite Internationale des Arts, Paris in France\r\n(Supported by Ministere Francais des Affaires Culturelles)\r\n2005.6 ~ 12 Centre d?art Marnay Art Centre , Marnay-sur-Seine, France\r\n(Supported by the Korean culture and Arts Foundation grants \u0026 Fondation TENOT)\r\n2004.12 ~ 2005.3 Selasar Sunaryo Art Space, Bandung, Indonesia (UNESCO-Aschberg Bursaries)\r\n\r\nExhibitions (Selected)\r\n\r\nSolo Exhibitions\r\n\r\n2011. 6 Façade (Blanca Berlín Galería, Madrid, Spain)\r\n2011. 5 Moment of Realization:The Meaning of Photography (National Assembly Library, Seoul, Korea)\r\n2011. 4 Dual Realities (Arario Gallery, Seoul, Korea)\r\n2011. 1 Façade –12à Bienal International de Fotografía de Córdoba (Cordoba, Spain)\r\n2010. 3 In Between Layers (Gallery Zandari, Seoul, Korea) \r\n2008. 2 RE: Presentation (SEO Gallery, Seoul, Korea)\r\n2007. 3 Façade: Face_cade (Gallery Zandari, Seoul, Korea) \r\n2006. 11 The Sea I dreamt - The 16th International Festival of Photography : Bratislava Month of Photography 2006 (Bratislava, Slovakia) - Supported by Arts Council Korea \u0026 Paradise Culture \r\nFoundation, Korea \r\n2006. 1 The Sea I dreamt (Lightcontemporary, London, U.K)\r\n2005. 10 My Sea (Goethe Institute, Frankfurt am Main, Germany)\r\n2005. 2 Blue Jungle - Displaced Spaces (Selasar Sunaryo Art Space, Indonesia)\r\n2004. 3 The Sea I Dreamt - The 10th International Biennial of Photography \u0026 Photo-Related Art \r\n„Houston Fotofest 2004? (Houston Fotofest Headquarters gallery, Texas, U.S.A.) \r\n2002. 10 The Sea I Dreamt (Gallery Space 4Zine : Seoul, Korea)\r\n1999. 5 My Sea (Gallery Indeco: Seoul)\r\n\r\nGroup Exhibitions\r\n\r\n2012.03 Art Project 2012 : Communion (Nuclear Security Summit Seoul 2012 Media Center \u0026 \r\nNational Museum of Contemporary Art, Korea)\r\n2011.12 Epilogue : On the Border (Gyeonggi Museum of Modern Art, Ansan, Korea)\r\n2011. 9 MoA Picks 2011 (Museum of Art, Seoul National University, Korea)\r\n2011. 8 Our Magic Hour (Yokohama Triennale 2011, Yokohama Museum of Art, Japan)\r\n2011. 7 Mr. Rabbit in Art Land (Gyeonggi Museum of Modern Art, Ansan, Korea)\r\n2011. 4 Purpose of Life (Pohang Museum of Steel Art, Gyungsangnamdo, Korea)\r\n2011. 3 Multiple Senses (Savina Museum, Seoul, Korea)\r\n2010. 7 The Extraordinary Time Travel (Woljeon Museum of Art, Icheon, Korea)\r\n2010. 7 Chaotic Harmony: Contemporary Korean Photography, \r\n(Santa Barbara Museum of Art, U.S.A)\r\n2010. 5 Man Ray's Photography \u0026 His Heritage, (Seoul Museum of Art, Korea)\r\n2010. 4 Maden Pictures (Arario Gallery, Cheonan, Korea)\r\n2009. 12 Views from Korea - The 5rd Lianzhou International Photo Festival ( Lianzhou, China)\r\n2009. 10 Chaotic Harmony: Contemporary Korean Photography\r\n(Museum of Fine Arts, Houston, U.S.A)\r\n2009. 7 Photography is Dead … , (Three White Walls Gallery, Birmingham, U.K)\r\n2009. 7 The Photograph as Contemporary Art, (Doosan Gallery, Seoul, Korea)\r\n2009. 5 Someplace, (Gallery Ihn, Seoul, Korea)\r\n2008.12 Things Dancing,( Dr Park Gallery, Yangpyung, Korea)\r\n2008. 11 Then \u0026 Now – Momories of the Future (Daegu Photo Biennale, Exco, Daegu in Korea)\r\n2008. 10 The Senses (Gallery Zandari, Seoul, Korea)\r\n2008. 9 Olympics \u0026 Love (Pingyao International Photography Festival, Pingyao, China) \r\n2008. 6 Escenarios Emocionales English Title: Emotional Scenarios - PHotoEspaña 2008 :Off Festival\r\n(Blanca Berlín Galería, Madrid, Spain)\r\n2008. 4 „Space? Looking at different way – (Shinsegae Art Wall Gallery, Seoul, Korea)\r\n2008. 3 2007 New Acquisitions of 'Gyeonggi Museum of Art' (Ansan, Korea)\r\n2007. 12 The Alchemy of Shadows – The 3rd Lianzhou International Photo Festival\r\n(Granary Factory, Lianzhou, China)\r\n2007. 11 Pass the Picture (Goethe Institute, Berlin, Germany) \r\n2007. 10 Mysteries, Secrets, Illusions – Kaunas Photo 07 \r\n(Kaunas Picture Gallery, M.K.Ciurlionis National Museum, Kaunas in Lithuania) \r\n2007. 9 Co-exist (Foil Gallery, Tokyo, Japan)\r\n2007. 9 My Private Collection (Gana Art Center, Seoul, Korea)\r\n2007. 6 In Touch of the Present – Korean Artists Collaboration(Wada Fine Arts, Tokyo in Japan) \r\n2007. 6 Photography - copied truth : four truth : made truth\r\n(Gallery Touch Art Gallery, Hayri, GyeongGi-do, Korea)\r\n2007. 5 Open Studio3\r\n(Old Jeonnam Province Hall \u0026 Uijae Studio)\r\n2007. 3 Photographs by the Next Generation: Young Portfolio Acquisitions 2006 \r\n(Kiyosato Museum of Photographic Arts, Yamanashi, Japan) \r\n2006. 12 Danginri Culture Factory (Ssamzie Space, Seoul, Korea) \r\n2006. 11 Obsesiones - Obras de la Colección Fotográfica del MNBA \r\n(National Museum of Fine Arts, Buenos Aires, Argentina)\r\n2006 11 Contemporary Korean Photography_KOREANEW DAYS \r\n(Dome Unenia, Bratislava in Slovakia)\r\n2006. 10 The Senses (Gallery Zandari, Seoul, Korea)\r\n2006. 7 Audio \u0026 Visual Show of the Young Emerging 16 Korean Photographic Artists \r\nThe Opening of Donggan International Festival of Photography \r\n(Youngwol Museum of Photographic Arts, Gangwondo, Korea) \r\n2006. 6 Descubrimientos PHE – Photo Espana 2006 \r\n(Antiquo Matadero de Leqazpi, Marid, Spain)\r\n2006. 4 Pictures vs Pictures 2006 (Gallery Zandari, Seoul, Korea)\r\n2006. 2 Photographs by the Next Generation: Young Portfolio Acquisitions 2005\r\n(Kiyosato Museum of Photographic Arts, Yamanashi, Japan) \r\n2005. 12 Winterwonderland (Fotografie Forum international, Frankfurt, Germany)\r\n2005. 12 Three Views: Korean Photography (De Santos Gallery, Houston, U.S.A) \r\n2004. 11 Club Paradiso – Jamming with Photography\r\n(Kiyosato Museum of Photographic Arts, Yamanashi, Japan)\r\n2004. 7 The Flow - The International Festival of the Image „Rhubarb-Rhubarb? \r\n(Mailbox Gallery, Birmingham, England, U.K)\r\n2004. 7 Archetype \u0026 Experience (Gallery La Mer, Seoul, Korea)\r\n2003. 2 Photographs by the Next Generation: Young Portfolio Acquisitions 2002 \r\n(Kiyosato Museum of Photographic Arts, Yamanashi, Japan) \r\n2002. 11 I International Encounter “Artists for Peace” (Islamic Cultural Center, Madrid, Spain) \r\n2001. 1 Photographs by the Next Generation: Young Portfolio Acquisitions 2000 \r\n(Kiyosato Museum of Photographic Arts, Yamanashi, Japan) \r\n2000. 10 Sky \u0026 Sea ; Text \u0026 Context” (Gallery Sajin Madang : Seoul, Korea) \r\n2000. 7 Introduction to Photography-Portraits \u0026 Landscapes\r\n(Art Sonje Center Seoul \u0026 Art Sonje Museum Gyeongju Korea) \r\n\r\nPublic Installation Projects\r\n\r\n2011.4 Small City in Garden 5 (Garden 5, Seoul, Korea) \r\n2011.3 Small City in SHINSEGAE (Shinsegae Department Store, Cheonan, Korea) \r\n2011.1 Open Water (18th Street Art Center, Santa Monica, CA, U.S.A)\r\n2010.9 Melting Space (The Goyang Cultural Foundation, Goyang, Korea)\r\n2010.4 New World Square Project (ARARIO Green Sculpture Park, Cheonan, Korea) \r\n2010.3 RE(Wrapping + Eco Bag)Cycling Project (Gallery Zandari, Seoul, Korea)\r\n2009.7 How to Lie with SPACE, (Space Group, Seoul, Korea)\r\n\r\nPermanent Collection\r\n\r\n“My Sea”- Museum of Art, Seoul National University (Seoul, Korea) : 4 pieces \r\n“My Sea”- Kiyosato Museum of Photographic Arts (Yamanashi, Japan) : 4 pieces \r\n“Blue Jungle” - Selasar Sunaryo Art Space (Bandung, Indonesia) : 10 pieces\r\n“Blue Jungle” - Kiyosato Museum of Photographic Arts (Yamanashi, Japan) : 2 pieces\r\n“My Sea”- National Museum of Fine Arts (Buenos Aires, Argentina) : 2 pieces\r\n“Travelog” – Museum of New Mexico (Museum of Fine Arts, Santa Fe, U.S.A) : 1 piece\r\n“Travelog” – The Photomedia Center (Pennsylvania, U.S.A) : 1 piece\r\n“Façade” – National Museum of Contemporary Art: Art Bank (Seoul, Korea) : 1 pieces\r\n“Façade” – SPACE Group (Seoul, Korea) : 1 pieces\r\n“Façade” – Hana Bank (Seoul, Korea) : 17 pieces\r\n“Façade” – Gyeonggido Museum of Art (Gyeonggido, Korea) : 1 piece\r\n“Façade: face-cade – Kiyosato Museum of Photographic Arts (Yamanashi, Japan) : 4 pieces\r\n“Ground Cloud” – Kiyosato Museum of Photographic Arts (Yamanashi, Japan) : 2 pieces\r\n“Fasthion” – Kiyosato Museum of Photographic Arts (Yamanashi, Japan) : 4 pieces\r\n“In Between Layers” – Naver Group (Seoul, Korea) : 2 pieces\r\n“In Between Layers” – National Museum of Contemporary Art: Art Bank (Seoul, Korea) : 1 pieces\r\n“In Between Layers” – National Museum of Contemporary Art (Seoul, Korea) : 1 pieces\r\n\r\nPermanent address: Tobonggu Chang1Dong 662-54 4F Seoul, Republic of Korea 132-041\r\nEmail address: sphan93@hotmail.com\r\nMobile: 82-(0)1037618805 (Korea)","user_id":317,"name":"Sungpil Han","website":"www.hansungpil.com"},{"id":117621,"bio":"Jessie DiBlasi is an Australian photographer and writer who works throughout Australia, Asia and Europe. She is best known for work that focuses on the exploration of cultural identity through the documentation of significant stories and personal histories.  \n\nIn 2014, Jessie self-published her first book, a large-scale documentary photography project called 'Nonna to Nana'. Described as a documentary cookbook, it explores the seamless connection between love and nourishment. ","user_id":117019,"name":"Jessie DiBlasi","website":"www.jessiediblasi.com"},{"id":380,"bio":"Lori \nGrinker, born in New York, is an award-winning documentary photographer.\n Internationally exhibited and published, her work has garnered many \nawards, including a New York Foundation for the Arts Grant, the W. \nEugene Smith Memorial Fellowship, an Ernst Hass Grant, Open Society \nCommunity Engagement Grant, and a Hasselblad Foundation Grant. Using \nstill photographs, text and video, she is known for long-term, intimate \ndocumentary projects with a strong creative vision. She has published \ntwo books: The Invisible Thread: A Portrait of Jewish American Women, and Afterwar: Veterans from a World in Conflict.\n Her photographs are held in the collections of the Israel Museum, \nJerusalem; the International Center of Photography, New York; the Museum\n of Fine Arts, Houston; and San Francisco MOMA (among others). A \nlecturer at Yale since 2010, and a faculty member at ICP, she teaches \nworkshops around the world. Her current project, Distant Relations, \nexplores through landscapes, portraits, and interiors her family’s \ndiaspora. She is represented by Nailya Alexander Gallery in New York, \nMeo Represents, and has been a member of Contact Press Images since \n1988.","user_id":380,"name":"Lori Grinker","website":"www.lorigrinker.com"},{"id":382,"bio":null,"user_id":382,"name":"Robbie Cooper","website":null},{"id":385,"bio":null,"user_id":385,"name":"Martin Amis","website":null},{"id":843,"bio":"Far from being a documentary photographer and playing with metaphors and experimental forms, Alain Willaume develops an unusual work in tune with the world. Under the influence of long journeys and away from the main streams, he draws up a personal cartography made of enigmatic images, which all tell of the violence and the vulnerability of the world and the human beings who live in it. ","user_id":843,"name":"Alain Willaume","website":"tendancefloue.net/alainwillaume"},{"id":398,"bio":"Born 28 April 1964 in Bratislava, Slovak Republic. Press photographer and writing reporter. Published feature stories in national and foreign media on a regular basis. Curator for a number of exhibitions at the Month of Photography in Bratislava, writes articles on photography, lectured at the photography workshops at the Summer School of Photography in Poprad, eastern Slovakia (1995), a member of the Czech Press Photo International (2000, 2001, 2002, 2003, 2004). In 2002 winner of the grant program Photodocument.sk supported by Juraj Vaculik Creative Studio. Chairs the humanitarian organizaton People in Perill, co-founder of the slovak Documentary Photo civic association. Lives in Bratislava.\r\n\r\nEducation\r\n- Faculty of National Economy at the Economic University in Bratislava (1983 - 1987)\r\n- Philosophical Faculty, Comenius University in Bratislava (1984 - 1986)\r\n\r\nProfessional Career\r\n- reporter with Mlade roziety picture magazine (1987-1990)\r\n- photographer with Plus 7 dni magazine (1990-1991)\r\n- freelance photographer (1991-1992)\r\n- reporter with Mlady svet magazine (1992-1995)\r\n- staff reporter with Reflex magazine (1995-2001)\r\n- INDEX book publishing house (2001-2002)\r\n- freelance (2002-)\r\n\r\nPublications\r\nPilgrims, exhibition catalogue, House of Photography Poprad, 1995\r\nThe Other Slovakia, photographic book, published by FOTOFO and Milan Simecka Foundation, 1999\r\nThe Last Book of the Century, ZIKA film publishing house, Prague, 2000\r\nEmerging from the Shadows, SLOVART publishing house, Bratislava, 2002\r\nPocasle je take, ake si ho urobis, PDCS, Bratislava, 2004\r\nS tekvicou priviazanou o nohu, PDCS, Bratislava, 2005\r\n\r\nProjects\r\nAndrej Ban has been working on long-term documentary photography projects:\r\nThe Other Slovakia - images oof the past and present in the everyday life of ordinary people, rituals and stereotypes, intentional and incidental feeling of being detached from the roots.\r\nPutnici - pilgrimages as one of the most important phenomena of our times, consumerism vs spiritually, masses vs. individuals\r\nKosovo - on values of life and death, on extreme situations, exodus of people living one thousand km away from our doorstep, restoration of life in war-wrecked country, urge to survive, endless love and hatred\r\n\r\nCo-authored the scripts of documentary films\r\nKratka pamat (Short memory), ORF, Wien, 1993, directed by: Dusan Trancik\r\nTisovy stiny (Tiso's Shadows), Czech Television, Bratislava, 1999, directed by: Marko Skop\r\nAkvarium (Aquarium), People in Peril and LEON, Bratislava, 2001, directed by: Jaro Vojtek\r\nMy zdes (We are here), LEON, Bratislava, 2005, directed by: Jaro Vojtek","user_id":398,"name":"Andrej Ban","website":""},{"id":1535,"bio":"","user_id":1535,"name":"Nathalie Mohadjer","website":"www.nathaliemohadjer.com"},{"id":402,"bio":"Vita\n\n1959 born in Lübeck-Travemünde, Germany\n1981-1986 studied communication design in Augsburg\n1986-1988 studied philosophy at the Ludwig-Maximilians-Universität, Munich \n\nWork\n\n1999-2011 \"Under the Nordic Light – A journey through Time\" Iceland\n2007-2008 \"Above Zero\", Greenland\n2003-2006 \"Broken line\" Greenland\nAwards\n2011 Fellowship and artist’s residency in Rossinière, Switzerland\n2010 Awarded the photography prize of the Bayerischer Journalisten-Verband\n2008 Lead Award\n2007 Deutscher Fotobuchpreis for/für Broken Line \n2006 Unter dem Licht des Nordens/Under the Nordic Light nominated for best books at Rencontres Internationales de la Photographie\n2006 Unter dem Licht des Nordens/Under the Nordic Light nominated for Deutsche Fotobuchpreis\n2006 Grant for the project \"Broken Line\" from the Kulturwerk VG Bild-Kunst, Bonn\n2005 Awarded the photography prize of Bayrischer Journalisten-Verband\n\nPublications\n2012 State of the Art Photography, Feymedia Düsseldorf\n2011 Under The Nordic Light– A Journey Through Tim, Iceland 199-2011, Hatje Cantz\n2011 Help Earth 2011, The Society of Korean Photography\n2010 Photo Speaks 2011, The Society of Korean Photography \n2010 BREDAPHOTO, International Photofestival, exh. cat. / \n2010 Weiss / Ice White. Zeitgenössische internationale Kunst, exh. cat.\n2009 Above Zero, Hatje Cantz, Ostfildern 2009, Germany \n2008 Visual Leader 2008 (exh.cat)\n2008 Day of Ascension, The New York Times Magazine, Issue Fall 2008\n2008 Verschwindende Landschaften/Vanashing Landscapes, DuMont, Cologne 2008 \n2007 Broken Line, Hatje Cantz. Ostfildern 2007. Germany \n2007 Geo, Feb.2007 (Portfolio)\n2006 Lynne Warren, Encyclopedia of Twentieth-Century Photography, New York\n2006 The New Yorker, November 20\n2005 Olaf Otto Becker, Under The Nordic Light, Schaden.com, Cologne \n2005 Stuttgarter Fotosommer 2005, Stuttgart (exh. cat) \n2005 Süddeutsche Zeitung Wissen, 4, (Portfolio)\n2004 Wasser in der Kunst. Vom Mittelalter bis heute, Städt. Galerie Überlingen (exh. cat) \n\n\n\n\n","user_id":402,"name":"Olaf Otto Becker","website":"www.olafottobecker.de"},{"id":409,"bio":null,"user_id":409,"name":"Victor Blue","website":null},{"id":410,"bio":null,"user_id":410,"name":"Guy Lane","website":null},{"id":412,"bio":"","user_id":412,"name":"Brighton Photo Biennial","website":"www.bpb.org.uk"},{"id":414,"bio":"bio:\r\n\r\nborn 1976, doylestown, pa\r\ncurrently living and working in philadelphia, pa\r\n\r\neducation:\r\n\r\nMFA, november 2003, savannah college of art and design, savannah, ga\r\nBA, december 1999, university of pittsburgh, pa\r\nspring 2000-spring 2001, pittsburgh filmmakers\r\n\r\nsolo exhibitions:\r\n\r\nmay 2003, MFA thesis show, \"blandscape,\" oglethorpe row gallery, savannah, ga\r\n\r\nselected group exhibitions:\r\n\r\njune 2013, PPAC's 4th annual contemporary photography competition \u0026 exhibition, philadelphia photo arts center, philadelphia, pa\r\nmay 2013, at second glance, pei ling chan gallery, savannah, ga\r\naugust 2009, NEXT: emerging philadelphia photographers, philadelphia photo arts center\r\napril 2008, is it possible to make a photograph of new jersey regardless of where you are in the world?, pierro gallery, south orange, nj\r\nmay 2006, PMPE phillips mill photographic exhibition, new hope, pa\r\nmay 2005, PMPE phillips mill photographic exhibition, new hope, pa\r\ndecember 2004, \"selections from silverworks,\" may poetter gallery, savannah, ga\r\nspring 2003, \"low county landscapes,\" exhibit a gallery, savannah, ga\r\njanuary 2003, \"small works,\" exhibit a gallery, savannah, ga\r\nmarch 2002, \"moving medium,\" starland gallery, savannah, ga\r\n\r\npublications/web:\r\n\r\njune 2013, flak photo\r\naugust 2012, excerpt magazine issue 4\r\nnovember 2011, photo/arts magazine, my own wilderness; cover image credit of the book included in the indie photo book library\r\nmay 2011, troppo tardi\r\nmay 2011, conscientious\r\nmay 2011, lpv magazine\r\napril 2011, new landscape photography\r\njanuary 2011, urbanautica\r\noctober 2010, russian esquire\r\nseptember 2008, dtown magazine, doylestown, pa\r\njuly 2007, flak photo\r\njuly 2007, the sonic blog, internationale fotografie\r\n2005, mused magazine, issue 4, santa barbara, ca\r\n2005, lensculture.com\r\n2005, fstopmagazine.com\r\n2005, filemagazine.com\r\n2005, blir.net\r\n2004, mooncruise.com\r\n2004, suitcasemagazine.com\r\n2003, silver works, savannah college of art and design, savannah, ga\r\n\r\nstatement: \r\n\r\nStay Golden suggests ideas of the uncertainties and vulnerabilities of existing in the world through the direct and curious observation of our everyday environment. The title comes from some graffiti I came across referencing a quote from the novel, The Outsiders. These images loosely depict everyday struggle and the desire to remain \"golden\", innocent and pure in a world of insecurities. The series is an on-going photographic survey of everyday Americana: over-looked places, objects, buildings, vehicles, and signage. They are mostly vacant, emptied spaces, void of people but reeking of human presence. I am fascinated by the decisions people make, why they make them and by the layering effect of these decisions over time and how they can transform common things. I love dry humor, playful relationships and quirky coincidences. Photography describes more than can be explained. It forces attention, the need to look and look again. I want to be rewarded with surprise and a re-charged awareness of my surroundings, enjoying the subtle mysteries and metaphors found in the commonplace.","user_id":414,"name":"Martin Buday","website":""},{"id":437,"bio":null,"user_id":437,"name":"Chris Cobb","website":null},{"id":426,"bio":"Working mainly on human stories and social issues I am interested in the way people live, the values they hail and their reaction to what life has thrown at them. It is often people at the margins of society; those who struggle, those who have dropped out and those behind the scenes who I seek through the lens.\r\n\r\nPhotography provided the catalyst with which I began to move in unfamiliar and challenging environments, explore worlds which are foreign to mine and continously push me to rethink my personal values. \r\n\r\nThe rush to get my image, the work to get it published, publication and the public's reactions that extra stimulus to push further my photography.\r\n\r\nGilbert Calleja (b.1978) became involved with photography after studying art. He graduated in drawing and painting from the Malta School of Arts, holds a BA (Hons) Art from the University of Malta and a \"Licence\" and Maitrise d'Arts Plastiques' (Fine Arts) from the University of Paris, Paris 1, Pantheon-Sorbonne.\r\n\r\nHe has worked and collaborated with numerous institutions and NGOs and also worked for a couple of years with Media Today Ltd (Malta). His works were featyured in a number oof local and foreign magazines and newspapers such as Newsweek Russia, the Guardian and Ottar magazine (Swedish Publication).\r\n\r\nHe currently lectures in Fine Arts at the Malta College for Arts, Science and Technology.","user_id":426,"name":"Gilbert Calleja","website":""},{"id":427,"bio":"My inspiration is simple: Animals. My images celebrate being in the company of animals and are both a declaration of love for the wild and untamed as well as a lyrical reminder of what we stand to lose if we do not preserve and protect habitat for the wild creatures that share the planet with us. You need to be enamored with wildlife to choose it as your subject because you quietly suffer for it. Rising long before dawn; waiting for interminable times; not talking; avoiding (and sometimes not) poison oak; getting ravaged by bugs; only to come home empty handed more times than not. So why on earth would you choose wildlife as a subject? It has to be because you are madly in love with the furred and feathered. Blending into the the environment as much as possible, I try to have my presence accepted by the animal. I stay visible and let the animal approach--if it chooses to. This strategy takes a crazy amount of timing, patience, perserverance and a whole lot of luck. The most important consideration for me in photographing wildlife is that no image is worth causing an animal stress. Reading body language and knowing when to back off and walk away is crucial. On the surface my subject is animals. But perhaps it is more about the reverence I hold for them. I hope that comes across in my pictures. Thanks for checking out my work. If you have any questions about my work, email trish@trishcarney.com","user_id":427,"name":"Trish Carney","website":""},{"id":428,"bio":"Simon Carruthers is a photographer whose practice explores the built environment and marginal landscapes often in relation to themes of globalisation. More widely he is interested in documentary, landscape, interior and architectural photography. Simon exhibits widely across the UK and beyond, and is a founding member of the Arts Council funded Human Endeavour collective. He can be contacted for enquiries regarding print sales, commissions and freelance work.\r\n\r\nSelected Exhibitions\r\n2013\tThe Motorway Service Station as a Destination in its Own Right Bank Street Arts, Sheffield\r\n2012\tVoies Off Rencontres d’Arles festival, Arles\r\n2011\tCollectives Encounter Format Festival, Derby\r\n2010\tmurmurART: An Introduction 20 Hoxton Square, London\r\n\tDegeneration Brighton Photo Fringe, Bellis Gallery, Brighton (Funded by Arts Council England)\r\n\tHuman:Nature Singapore International Photography Festival, Esplanade Xchange, Singapore\r\n\thuman ENDeavour Kalman Crane gallery, Brighton\r\n2008\tFresh Faced and Wild Eyed, The Photographers’ Gallery, London\r\n\tThe Foto8 Award \u0026 Summer Show, Host Gallery, London\r\n\tHuman Endeavour, Brighton Photo Fringe, Bellis Gallery, Brighton (Funded by Arts Council England)\r\n2007\tThis Working Life, The AOP Gallery, London \u0026 Renew Rooms, Liverpool\r\n\tRecent Graduates Exhibition, Affordable Art Fair, London\r\n\tIssues of Landscape, Friese Greene Gallery, Brighton\r\n2006\tTriptych, Moholy-Nagy University of Art and Design, Budapest \u0026 University of Brighton Gallery\r\n\r\nAwards/Commissions\r\n\r\nShort listed, Corinthia Artist in Residence (2011)\r\nSelected, Singapore International Photography Festival (SIPF10) (2010)\r\nSelected, Magenta Flash Forward Award (2010)\r\nShort listed, BJP Project Assistance Award (2008)\r\nShort listed, Pavilion Commissions Programme (2007)\r\nSelected, This Working Life LCD/Redeye Photography Award (2007)\r\n\r\nPublications\r\n\r\nContext \u0026 Narrative by Maria Short, published by AVA Academia, 2011\r\nThe British Journal of Photography, issues 7699, 7718\r\nCAN magazine, june 2009\r\nLIP magazine, summer 2009\r\nWallpaper* magazine, august 2008\r\n\r\nRepresentation\r\n\r\nMillennium Images\r\nEye Buy Art\r\n\r\nEducation/Work Experience\r\n\r\n2009\tMagnum Photos, London 6 week internship\r\n2007\tUniversity of Brighton 1st class BA degree in Photography","user_id":428,"name":"Simon Carruthers","website":""},{"id":431,"bio":null,"user_id":431,"name":"Natasha Cherkashin","website":null},{"id":434,"bio":"Massimiliano Clausi was born in 1979 in the sea port of Genoa, northern Italy and attended the Danish School of Journalism in 2006. The resulting final work has been awarded the Canon Young Photographers’ Scholarship the same year and has been exhibited at Forma photography center in Milan. Since then Massimiliano has travelled to eastern Europe, south eastern Asia and his works have been extensively pubblished in Courier International, Vanity Fair, L’Espresso, News Week, GEO, as well as they have helped Action Aid, Amnesty International and Terres Des Homme in raising awareness about their projects.\r\n\r\nMassimiliano’s work focuses on social and humanitarian issues worldwide, with the firm belief that photography can shed a light on untold stories and help to achieve a better knowledge of the world around us, and change it for the better.\r\n\r\nMassimiliano is now based in Genoa and Milan, Italy.\r\n\r\nAwards\r\n\r\n2011 – UNICEF POY (finalist)\r\n2010 – Anthropographia Award (finalist), China Press Photo Comp. (hon. mention)\r\n2009 – Anthropographia Award (finalist), Px3 Photo Award (hon. mention)\r\n2006 – Canon Young Photographers Scholarship (winner)","user_id":434,"name":"Massimiliano Clausi","website":""},{"id":438,"bio":"Chris Coekin was born in Leicester and is now based in London. His work is predominantly concerned with contemporary British culture. His work is frequently based upon personal experiences and is often collaborative. He works mainly with photography and often combines, text, ephemera, audio and archival imagery within his projects. His work has been exhibited widely including shows at: The Photographers’ Gallery London, Wolverhampton Art Gallery, Belfast Exposed, Foam Museum Amsterdam, People’s History Museum Manchester, Stephen Bulger Gallery Canada. He has had solo shows at the Lodz Festival Poland, the Orange Festival and the Dali International Photography Festival China. Chris has published three books, Knock Three Times (Dewi Lewis Publishing, 2006) The Hitcher (Walkout/The Photographers’ Gallery, 2007) and The Altogether (Walkout/Books, 2011). He set up his publishing imprint, Walkout/Productions in 2007. He is also Senior lecturer on the BA Photography, University for the Creative Arts.","user_id":438,"name":"Chris Coekin","website":"www.chriscoekin.com"},{"id":440,"bio":"Greg Constantine was born in the United States and is currently based in Southeast Asia.\r\n\r\nIn late 2005 Greg moved to Asia to begin work on his most recent project, Nowhere People, which documents the struggles of ethnic minority groups who have had their citizenship denied or stripped from them and are stateless. Work from Nowhere People has been exhibited at international photography festivals like Chobi Mela IV in Dhaka (2006) and at the Angkor Photo Festival in Cambodia (2006). Work from Nowhere People has also been exhibited at the Foreign Correspondents Club of Thailand in Bangkok (2007) and at the Tokyo Metropolitan Museum of Photography (2007).\r\n\r\nHis work has been featured in publications and websites like the New York Times, International Herald Tribune, The Economist, PDN Magazine, Stem, Irrawaddy Magazine, Varity Fair Italy, Himal Southasian, Visual Communications Quarterly, Forced Migration review, POWER Magazine, Foto Folio 12 (pdfx12), CNN and Al Jazeera. He has collaborated wiith and been commissioned by a number of international humanitarian and human rights organizations like: Medecins Sans Frontiers (MSF), UN Refugee Agency (UNHCR), Refugees International and the World Food Program (WFP).\r\n\r\nAwards:\r\n2009: Osborn Elliott Prize for Journalism in Asia: Co-Winner as part of a team of journalists from the International Herald Tribune\r\nWorld Hunger Year's Harry Chapin Media Award: Winner for Photojournalism\r\nPrix de la Photographie, Paris (PX3): Honorable Mention x2\r\nNPPA: Best of Photojournalism (BOP): Honorable Mention: Best Published Picture Story (Small Markets)\r\n2008: Society of Publishers in Asia Awards (SOPA): Winner: Feature Photograhpy\r\nUNICEF Photo of the Year: Nomination\r\nAmnesty International Human Rights Press Awards (Hong Kong): Award of Merit, Photojournalism\r\n2007: Unicef Photo of the Year: Nomination\r\nAtlanta Photojournalism Seminar: Honorable Mention: Portraits\r\n2006: Picture of the Year International (POYI): 2nd Place: Feature Story, Award of Excellence: Portraits\r\nUnicef Photo of the Year: Nomination\r\n\r\nGrants \u0026 Fellowships:\r\n2009: Getty for Good Grant: Finalist\r\n2008: Project Grant: Oxford Brookers University, UK\r\n2008: One Month Visiting Fellowship: Oxford Brookes Universiy, UK","user_id":440,"name":"Greg Constantine","website":""},{"id":448,"bio":null,"user_id":448,"name":"Charles Schwartz","website":null},{"id":1548,"bio":"Richard Avedon (1923–2004) was born to parents of Russian Jewish heritage in New York City. As a boy, he \nlearned photography, joining the YMHA Camera Club at the age of twelve; later, he took up poetry, winning a \ncitywide award for high school students during his senior year at DeWitt Clinton in the Bronx.\nAvedon joined the armed forces in 1942 during World War II, serving as Photographer’s Mate Second Class in the \nMerchant Marine. Making identification portraits of the crewmen with his Rolleiflex twin lens camera—a gift from \nhis father—Avedon advanced his technical knowledge of the medium and began to develop a dynamic style. After \ntwo years of service he left the Merchant Marine to work as a photographer, making fashion images and studying \nwith art director Alexey Brodovitch at the Design Laboratory of the New School for Social Research. \nIn 1945, Avedon set up his own studio and worked as a freelance photographer for various magazines. He quickly \nbecame the preeminent photographer used by Harper’s Bazaar. There, under the tutelage of Brodovitch, his rise to \nthe top of the profession was meteoric. Avedon developed an original approach to making fashion photographs. He \nshowed the models full of expression: smiling, laughing, and often posed in action. Inspired by Hungarian \nphotojournalist and fashion photographer Martin Munkácsi, Avedon photographed models and fashions on the \nstreets, in nightclubs and circus arenas, and in other locations then uncommon. \nFrom the beginning, Avedon made portraits for editorial publication as well: in the pages of Harper’s Bazaar, in \nTheater Arts, and in Life and Look magazines. From the outset, he was fascinated by photography’s capacity for \nsuggesting the personality and evoking the life of his subjects. Only rarely did he idealize people; instead, he \npresented the face as a kind of landscape, with total clarity. He registered poses, attitudes, hairstyles, clothing and \naccessories as vital, even revelatory elements of the personal image. “My photographs don’t go below the surface. I \nhave great faith in surfaces. A good one is full of clues.”\nAvedon continued to make portraiture and fashion photography for magazine publications throughout his career. \nAfter parting ways with Harper's Bazaar in 1965, he began a long-term relationship with Vogue that continued through \n1988. In later years, he established formidable creative partnerships with the French publication Egoiste, and with The \nNew Yorker. In the pages of these periodicals, Avedon reinvigorated his formalist style, investing his imagery with \ndynamism and theatricality. In addition, he supported his studio by making innovative advertising work for print \nand broadcast – defining the look of brands like Calvin Klein, Versace, and Revlon.\nAs his reputation grew and his signature aesthetic evolved, Avedon remained dedicated to extended portraiture \nprojects as a means for exploring cultural, political, and personal concerns. In 1963-64, Avedon examined the civil \nrights movement in the American South. During the Vietnam War, he photographed students, countercultural \nartists and activists, and victims of the war, both in the United States and in Vietnam. In 1976, on a commission for \nRolling Stone magazine, he produced The Family, a composite portrait of the American power elite at the time of the \ncountry's Bicentennial election. Some of Avedon's most extraordinary portraits were taken of his father Jacob Israel \nAvedon during the last years of his life: a photographic confrontation with, and ultimate acceptance of, his illness \nand subsequent death.\nIn 1985, Avedon created his magnum opus – In the American West. He portrayed members of the working class: \nbutchers, coal miners, convicts, and waitresses, all photographed with precisionist detail, using the large format \ncamera and plain white backdrop characteristic of his mature style. Despite their apparent minimalism and \nobjectivism, however, Avedon emphasized that these portraits were not to be regarded as simple records of people; \nrather, he said, “the moment an emotion or a fact is transformed into a photograph it is no longer a fact but an opinion.” \nAvedon produced and published a number of books over the years. In addition to In the American West (1985), his \nbooks include Observations (1959), Nothing Personal (1964), Portraits (1976), and his fashion survey Photographs 1947–1977\n(1978). His first museum retrospective came in 1962, at the Smithsonian Institute, and his photographs have been \nwidely exhibited in museums since then: Avedon at the Minneapolis Institute of Arts (1970); In the American West at the \nAmon Carter Museum (1985); Richard Avedon: Evidence 1944-1994 at the Whitney Museum of American Art (1994); \nand his final retrospective, Portraits, at the Metropolitan Museum of Art (2002). Since his death, his work has been \nincluded in a number of survey exhibitions, most recently, Avedon Fashion 1944-2000 at the International Center of \nPhotography (2009). ","user_id":1548,"name":"Richard Avedon","website":"www.richardavedon.com"},{"id":449,"bio":"EDUCATION\r\n\r\n2014\tMA Sculpture, Royal College of Art, London, UK (anticipated)\r\n2009\tBA (Hons) Photography, LCC University of the Arts London, UK\r\n \t \r\nEXHIBITIONS\r\n\r\n2013\tBack Fill, Royal College of Art, London UK\r\n \tMA Post Graduates 2013, Atkinson Gallery, Somerset, UK\r\n \tWIP Show, Royal College of Art, London, UK\r\n2012\tPhotoville, Pier 3, Brooklyn Bridge Park, Brooklyn, USA\r\n2011\tInternational Discoveries III, FotoFest Gallery, Texas, USA\r\n \tBauhaus Now: Contemporary Applications, UIMA Ukrainian Institute of Modern\r\n \tArt, Chicago, USA\r\n \tPhotomedia Open Salon 2011, Charlie Dutton Gallery, London, UK\r\n \tAfter We Arrive, Before We Leave, Tate Modern, London, UK\r\n \tPXL, Anka Gallery, Portland, Oregon, USA\r\n \tLight | Touch, Upper Street Gallery, LCC, London, UK\r\n \tSalon Photo Prize 2011, MRA Project Space, London, UK\r\n2010\tFresh Faced and Wild Eyed 10, The Photographers' Gallery, London, UK\r\n \tCollision: Where Image Worlds Meet, Rhubarb East, Birmingham, UK\r\n \tAcademy Meets Photokina, Cologne, Germany\r\n \tCollision: Where Image Worlds Meet, Flowers East Gallery, London, UK\r\n \tPaper, Rock, Scissors: The Constructed Image in New British Photography,\r\n \tFlash Forward Festival, Toronto, Canada\r\n \tContact Editions, Unit 101, London, UK\r\n2009\tLCC Graduate Show, London College of Communication, London, UK\r\n \tIAF Summer Salon 2009, Islington Arts Factory, London, UK\r\n2008\tSuspended Animation, Ritzy Picturehouse, London, UK\r\n \tSuspended Animation, Elstree Film Festival, Hertfordshire, UK\r\n \t \r\nAWARDS\r\n\r\n2011\tBar Tur Award Finalist\r\n2010\tArts Council / Rhubarb Rhubarb Bursary Overall Winner\r\n \tInternational Photography Awards, Honorable Mention, Fine Art Category\r\n \tAcademy Meets Photokina Award\r\n2009\tPhotoworks Graduate Award\r\n \t \r\nBIBLIOGRAPHY\r\n\r\n2011\tLoupe, Journal of the Photographic Resource Centre at Boston University,\r\n \tVolume 2, Issue No 1, February 2011\r\n \tVORN | Progressive Visuals \u0026 Words, Volume 6, Issue No 6, January 2011\r\n2010\tThe British Journal of Photography, Issue No 7781, Volume 157, October 2010\r\n \t \r\nPUBLICATIONS\r\n\r\n2012\tParticipating Spaces | FotoFest 2012 Bienale, Schilt Publishing\r\n \t \r\nLINKS\r\n\r\nThe Photographers' Gallery FFWE 2010 Online Gallery\r\nThe British Journal of Photography\r\nVORN on vimeo\r\nConscientious\r\nHey Hot Shot\r\nLens Culture","user_id":449,"name":"Julia Curtin","website":""},{"id":450,"bio":"","user_id":450,"name":"Czarna Gallery","website":"czarna-gallery.pl"},{"id":455,"bio":"Marrigje de Maar -1944, The Hague, The Netherlands\r\nLives in Groningen, The Netherlands\r\n\r\nEducation\r\n\r\n2004 - BA The Visual Arts, Universiy of Groningen, The Neherlands\r\n1968 - MA Social Sciences, University of Rotterdam, The Netherlands\r\n\r\nGrants\r\n\r\n2007: Starters Stipend, The Netherlands Foundation for Visual Arts, Design and Architcture\r\n2006:Travelgrant, The Netherlands Foundation for Visual Arts, Design and Architecture.\r\n2005: Travelgrant, The Netherlands Foundation for Visual Arts, Design and Architecture\r\n2005: Starters Stipend, The Netherlands Foundation for Visual Arts, Design and Architecture.\r\n\r\nPrizes\r\n\r\nAugust 2012 - USA, IPAPhotography Awards, 2 Honorable Mentions\r\nOctober 2011 - London, International Color Awards, Honorable Mention\r\nAugust 2011 - USA, IPA Photography Awards, Interiors Pro - 1st.\r\nAugust 2009 - USA, IPA Photography Awards, Interiors Pro - 2nd.\r\nJuni 2009 - France, PX3 - Honorable Mention\r\nOctober 2007 - France, PX3 -Honorable Mention\r\nSeptember 2007 - London, International Color Awards - 3 nominations\r\nAugust 2007 - London, London Photographic Awards, \"Landscapes\" - silver\r\nOctober 2006 – London, London Photographic Awards, “My Backyard” - silver\r\nOctober 2004 – New York, Lucie Award - New Discovery 2004\r\nSeptember 2004 – Klaas Dijkstra Academy Prize\r\nJanuary 2004 – Dutch Press, Silver Camera – Foreign Documentary Series – silver\r\n\r\nMasterclasses, Residencies\r\n\r\nOctober 2012: Artist Residency ACOSS, Jerevan, Armenia\r\nMarch-June 2012: Artist Residency KCAC, Kathmandu, Nepal\r\nApril-May 2010: Artist Residency Rhizome, Lijiang, China\r\nDecember 2009: Artist Residency CEAC, Xiamen, China\r\nMarch 2008: Houston, FotoFest\r\nMay 2007: Bill Jacobson, Noorderlicht, Groningen\r\nOct.-Nov. 2006: Aomori Contemporary Art Centre, Aomori, Japan\r\nSept.-Nov. 2005: Artist Residency Imagine gallery Beijing, China\r\nMarch 2005: Artist Residency Imagine Gallery, Beijing, China\r\nFebruary-July 2003: Student Exchange, Art College Joensuu, Finland\r\nAugust 2002: Masterclass Lynne Cohen: Int. Summerschool Salzburg, Austria\r\n\r\nSolo Exhibitions\r\n\r\nMarch-May 2011, Netherlands, Amsterdam - Huis Marseille\r\nFebr,-March 2010, The Netherlands, Beetsterzwaag - Art Space Wagemans\r\nNovember 2009, Slovakia, Bratislava - Month of Photography\r\nNovember 2008, USA, Portland/Or- Blue Sky Gallery\r\nMay 2008, Poland, Lodz - Fotofestiwal, Made in China\r\nMay 2008, Amsterdam, Art Amsterdam, Art space Fred Wagemans.\r\nJuly-August 2006: The Netherlands, Rotterdam – Museum of Photography of the Netherlands\r\nJune-August 2006: Finland, Helsinki – Finnish Photomuseum\r\nOctober 2005: Rusland, Petrozovodsk – Karelian National Library\r\nSeptember 2005: The Netherlands, Amsterdam - FOAM\r\nSeptember 2005: The Netherlands, Groningen – Noorderlicht-Gallery programme\r\nMay 2005: USA, Los Angeles – Farmani Gallery\r\nOctober – December 2004: Finland, Kuhmo - Juminkeko\r\nApril 2004: The Netherlands, Groningen - Noorderlicht Gallery\r\n\r\nGroup Exhibitions\r\n\r\nApril 2011, Thailand, Bangkok, BACC, Foreign-Familiar\r\nSeptember 2010, Russia St. Peteresburg,Manege, Photovernisage 2010\r\nMay 2010, The Netherlands, ART Amsterdam - Art Space Fred Wagemans\r\nMay 2010, The Netherlands, Heerenveen - Museum Belverdere, NOK\r\nMarch-April 2010, The Netherlands, Almere - Corrosia\r\nJune-september 2009, The Netherlands, Maastricht - Bonnefanten Museum\r\nMay 2009, The Netherlands, ART AMSTERDAM - Art Space Fred Wagemans\r\nApril 2008-2009, London, Victoria \u0026 Albert Museum, photodepartment\r\nDecember 2007, China, Lianzhou - LIPF2007, \"Otherlands\"\r\nJuly 2007, England, Birmingham - Urban View, 'Otherlands'\r\nMay 2007: The Netherlands, Naarden - Fotofestival Naarden\r\nMay 2006: China, Beijing – 798, Dashanzi Art Festival\r\nApril 2006, The Netherlands, Amsterdam, FOAM\r\nMarch 2005: The Netherlands, Haarlem – Dutch Press, Silver Camera-off programme,\r\nJune 2004: The Netherlands, Amsterdam –Vondelpark, FOAM-Oasis\r\nMarch 2004: The Netherlands, Haarlem – Dutch Press\r\n\r\nWork in Collections\r\n\r\nHuis Marseille, Amsterdam\r\nMuseum of Modern Art, Portland, Oregon\r\nVictoria \u0026 Albert Museum, London\r\nFOAM Photomuseum of Amsterdam, Amsterdam\r\nUniversity of Groningen, Groningen\r\nRabobank, Groningen\r\nKPMG, Amsterdam\r\nAMC, Amsterdam\r\nSBK, Amsterdam\r\nCBK, Groningen\r\nStaal Bankiers, Zwolle\r\nPrivate collectors in Europe and USA\r\n\r\nWork in Publications\r\n\r\nRED ROSES YELLOW RAIN - Marrigje de Maar, Hatje Cantz 2011\r\nBritish Journal of Photography, July 23rd. 2008, \"Picturing China\".\r\nTHE CHINESE DREAM – Dynamic City Foundation, Amsterdam-Beijing 2008\r\nCAMERA AUSTRIA 98, June 2007\r\nSHOTS – Art Directors Directory 2007\r\nGUP - Guide to Unique Photography, Iss. 7, Amsterdam 2006\r\nEVERYDAY IS NOT LIKE EVERYDAY – 70 Dutch photographers , Still and Moving Foundation,-2006\r\nPanL#15, 2006\r\nPanL#14, 2005\r\nPanL#13, 2004\r\nDutch Press, Silver Camera 2004\r\nPhoto Journals, Architecture and Design Journals","user_id":455,"name":"Marrigje De Maar","website":""},{"id":511,"bio":null,"user_id":511,"name":"Reza Golchin","website":null},{"id":475,"bio":"Fabricius Anna (1980)\r\n\r\nPhone: 0036702112409\r\nE-mail: fabriciusanna@gmail.com\r\nWeb: http://www.fabriciusanna.com\r\n\r\nEducations\r\n\r\n2008-2011 Moholy-Nagy University of Arts, DLA scholarship\r\n2003 Glasgow School of Art, Scotland, scholarship\r\n2002 loan Andrescu Art University, luj-Napoca, Romania, scholarship\r\n2000-2005 Hungarian University of Arts and Design, photo department, Budapest\r\n\r\nGroup Exhibitions (selected)\r\n\r\n2013 STILL - Photography in the museum, MODEM, Debrecen\r\n2013 Contemporay Hungarian Photography after the years 2000-Hungarian National Gallery, Budapest\r\n2013 In kitchen, In bed.. - Mai Mano House of Hungarian Photographers\r\n2013 Scope Art Fair, NY - Presented by Faur Gallery Budapest\r\n2012 ,,What is Hungarian?\" - Kunsthalle, Budapest\r\n2012 XY Generation - Ludwig Museum, Budapest\r\n2012 Art Paris 2012\r\n2011 OUT OF LEFT FIELD - Museum of Modern and Cont. Art, Rijeka, Croatia\r\n2011 GETEILTE ZUVERSICHT - Publicart Project, Reinsberg, Austria\r\n2011 FIKA, Pecs, Hungary\r\n2010 ParisPhoto, State Section by Raday Gallery, Paris\r\n2010 Festival Europe, ,,Modernizacion\", Barcelona\r\n2010 Photoespana, ,, Modernizacion'' Openphoto, Cuenca\r\n2010 ,, Live Sync'', Museum of Comntemporary Art, Art Expo, Shanghai, China\r\n2010 Relations, Deak Collection, Szekesfehervar, Hungary\r\n2009 EUROPE: In between document and fiction, Budapest, Romania\r\n2008 BACKLIGHT'08, Galerie FLUSS, Wolkersdorf, Austria\r\n2008 Stalking Utopia, Institute of Contemporary Art, Dunaujvaros, Hungary\r\n2008 Men at Work, Dom Fotografie, Liptovsky Mikulas, Slovakia\r\n2008 Zeitgenossische Fotokunst aus Ungarn, Galerie der Stadt Sindelfingen\r\n2008 Zeitgenossische Fotokunst aus Ungarn, Hallescher Kunstverein\r\n2008 Zeitgenossische Fotokunst aus Ungarn, Neuer Berlner Kunstverein, Berlin\r\n2007 Imginary Paradise, IMPEX, Budapest\r\n2007 Exibition with Elek Judit, Kudasz GaborArion, Vintage Gallery, Budapest\r\n2007 Lodz Photosensitive Space, Lodz Art Center, Poland\r\n2007 Pecsi Jozsef Photography Award, Hungarian House of Photography, Budapest\r\n2007 Contemporary Fineartist from Hungary, Art Center, Moscow\r\n2006 Photomatrix, Collegium Hungaricum, Austria\r\n2006 Pseudo Documents, Vizivarosi Gallery, Budapest\r\n2006 I Image, Bratislava, Slovakia\r\n2006 Private matter?, Kunsthalle, Budapest\r\n2005 Fieldworks, Irokez Gallery, Szombathely\r\n2005 I-Image, Dorottya Gallery, Budapest\r\n2004 Dokumentum6, Photomonth 2004, Hungarian House of Photography, Budapest\r\n\r\nSOLO EXHIBITIONS\r\n\r\n2013 UNpredictable Events of the Future - Photon Gallery, Ljubljana, Slovenia\r\n2012 Unpredictable Events of the Future - Faurzsofi Gallery, Budapest\r\n2011 Menotrentuno III. - Ghilarza, Sadinia, Italy\r\n2011 Hungarian Standard, Falkenstein Smitt'n, Austria\r\n2010 Cavalrymen and Equestrienes, Photomonth2010, Bratislava\r\n2009 ,,A'' Group, Radat Gallery, Budapest\r\n2007 Hungarian Standard, Lodz Photofestival, Poland\r\n2007 Get a new for Homo Sapiens!, Hungaraian Institute of Prague, Czech Republic, (with Tibor Gyenis)\r\n2006 Saints and Tigers, Galeria Ostrava, Czech Republic\r\n2006 Tigress of Housekeeping, Korut Festival, Budapest\r\n2005 Cavalrymen and Equestrieness, Lumen Gallery, Budapest\r\n\r\nAWARDS, SCHOLARSHIPS, RESIDENCES\r\n\r\n2013 Member of the Association og Hungarian Photographers\r\n2012 MQ21 A.I.R. programme, Vienna, Austria\r\n2011 GuestRoomMaribor, Slovenia\r\n2008-2009 Art-Universitas Programme with Gyenis Tibor www.camra.hu\r\n2008-2001 MOME DLA scholarship\r\n2008 BACKLIGHT'08 International Photodialogue - speaker, Museum Quartier, Wien\r\n2008 Men at Work, International Photography conference - speaker, Liptovsky Mikulas\r\n2007 Lodz Photosensitive Space, residence programme, invited artist\r\n2007 Budapest Gallery Scolarship - Helsinki: Gallery Gjutars\r\n2007 Thessaloniki International Photobiennale Awards, finalist\r\n2005-07 Pecsi Jozsef Photography scholarshp\r\n2006 Budapest Gallery Scholarship, Gallery Gjutars, Helsinki, Finaland\r\n2006 Sittcom Award, finalist\r\n2004 Member of the organizers of the Young Photographers Studio\r\n\r\nPUBLICATIONS\r\n\r\n- IDEAT 2012 - 3 Art Paris\r\n- Good Life March 2012 Art Paris 262. page\r\n- IL FOTOGRAFI Aprile 2012 14-17. page\r\n- Fotografisk Tidskrift 6-2010 Sweden 24-25. page\r\n- BeauxArt magazine, decembre 2010 France 54. page\r\n- PHOTO no. 474 France ,, Paris Photo: Nos 10 coups de coeur\"\r\n- PARISBERLIN Septembre2010 no. 56, France 69. page\r\n- Mozgo Vilag 7 2009/July Ban Zsofia: ,, Csoportkep csoportal\" 119. page\r\n- Uj Muveszet 2009 July XX. year 7th issue Bordacs Andrea: ,,A mi es az en\" 32-33. page\r\n- Muerto 2009 July-August XII. year 6. page\r\n- Muerto 2009 July-August XII. year \r\nLenard Anna: ,, A kep es a kritikus tomeg\" 12. page\r\n- Europe: in between document and ficion, Erte foundation, Vienne, 52-53. page\r\n- Uj Muveszet 2008 November XIX. year 11th issue\r\nJokesz Antal: ,,Van*e elet a foto utan? \" 33th page\r\n- Uj Muveszet 2007 June XVIII. year 6th issue\r\nBordacs Andrea: \"Ami a csaladi fenykepalbumbol kimaradt\" 10th page\r\n- Uj Muveszet 2007 May XVIII. year 5th issue\r\nSomogyi Zsofia: \"Talalld meg a kulonbseget a negy kep kozott\" 22th page\r\n- Uj Muveszet 2006 October XVII. year 10th issue\r\nBan Andras: \"Koveket vinni a szigetre\" 40th page\r\n- PRAESENS 2005/3\r\nHoranyi Attila: \"Kipipalt feladat, kihagyott lehetoseg\" 42-43rd page\r\n- FOTOGRAFIA 2006 winter, Polish Contemporary Photography magazine\r\n- IMAGO 2007 autumn, Middle-European Photogaphy magazine\r\n- IMAGO 2006, spring Middle-European Photogaphy magazine\r\n- VISION 2007 February, 1s chinese Art magazine, 222-225th page\r\n\r\nWORKS IN COLLECTION\r\n\r\n- Jozef T. Baio private collection, New York\r\n- KOGART www.kogart.hu\r\n- Horvath Artificial Association, Hungary","user_id":475,"name":"Anna Fabricius","website":""},{"id":476,"bio":"","user_id":476,"name":"Maria L. Felixmueller","website":"www.mariafelixmueller.de"},{"id":477,"bio":"1957 – Born in Floriana Malta. His father, Gianni Fenech, is a painter in the Modern Art Group in Malta.  \r\n1975 – Completes high school at St Aloysius College, a Jesuit run school and enrolls in the painting course at the School of Art at the Malta College of Arts Science \u0026 Technology, Polytechnic.  \r\n1979 – Starts to experiment with photography producing B\u0026W silver bromide prints.  \r\n1982 – Has his first solo exhibition of B \u0026 W photographs ‘Caged Spaces’ at Gallerija Fenici, Valletta.  \r\n1982 – Awarded Phoenicia International Trade Trophy Cultural Award by the State of Malta.  \r\n1983 – Meets Petr Tausk  photography lecturer at Prague University and author of several book on photography and friend of Mario Giacomelli and Bill Brant.  Petr Tausk acquires some of Fenech’s B\u0026Ws and recommends to contact Sue Davis director of Photographers Gallery in London. \r\n1984 – Awarded Italian scholarship to study design and photography in Florence and Milan for 4 years. \r\n1984-85 is commissioned by ‘Musicus Concertus’ of Florence as PR photographer for their classical concert season photographing names such as Lorin Mazel, Barbara Hendrix, Alirio Diaz…etc.   \r\n1988 – Graduated in photography at IEDD Milan, specializing in advertising/still life photography.  \r\n1988 – Married textile designer Jacqueline Robinson and settled in London practicing printmaking at Camberwell School of Arts. Works as a free lance photographer.  \r\n1990 – Set up his own design and photography studio in Malta servicing the commercial and culture sector.  \r\n1992 – Awarded best poster design by  Malta Advertising Awards – Client, Ministry of Tourism and Culture.  \r\n1995 – Art director and partner with Robinson Fenech Design Associates Ltd, creative consultants.  \r\n2000 – Assisted Prof Margaret Harker from University of Westminister, Head of the School of photography and then Pro-Rector of the Polytechnic of Central London in compilinginformation for her publication about ‘The Photographers of Malta’ (1840 – 1990).  \r\n2003 – Joins ‘Start Contemporary’ and exhibits his first video installation work (see ‘Borders’ exhibition.)  \r\n2004 – Invited by the University of Malta to give lectures on photography to art students in the Faculty of Languages and the Arts; a post he still retains till today.  \r\n2007 – Commissioned project to digitize and research in the archives of 19th c. Photographer Richard Ellis (1827 – 1924) containing more than 40,000 glass plate negatives for the purpose of publishing.  \r\n2008 – Invited by St James Cavalier Arts Centre in Valletta to conduct photography workshops as part of the EU culture programme for the ‘Year of Intercultural Dialogue’, which then culminated in an exhibition which he curated at the same venue – ‘Pictures in My Mind’.  \r\n2009 – Funded by the MCCA to attend a conference on ‘International Opportunities for the Arts and took part in the project and exhibition ‘Here There \u0026 Everywhere’ – Transcultural Exchange – Omni Park Hotel – Boston MA.  \r\n2009 – Appointed by Malta Arts Festival committee to curate the visual arts exhibition for 2009. “The Life Model – Between Nude \u0026 Naked”, involving 7 international and local artists.  \r\n2010 – Selected by a jury from the  Smithsonian National Portrait Gallery, The Philips Collection and the Katzen Art Centre in Washington D.C. to represent Malta in a contemporary video art expo, ‘In The Loop’ At the National Portrait Gallery.  \r\n2010 - Awarded a Malta Art Fund by the Malta Council for Culture and the Arts to curate the first Photography Festival in Malta in May 2011.  \r\n2011 – Invited by Satacchi Gallery in London to attend a forum on ‘New Directions in Contemporary Photography’ January 17.  Main speaker Charlotte Cotton.  \r\n2011 – Launches the first festival of photography in Valletta, VLTPH11.  Curates Ten Maltese Contemporary Photographers exhibition and one of the artists is invited to take part in a group show at the BOZAR in Belgium.  \r\n2011 – Invited by the Faculty of Media and Knowledge Sciences to lecture contemporary photography to MFA digital art students at the University of Malta. 2012 – BBC2  programme ‘Put Your Money Where Your Mouth Is’  interview re the The Richard Ellis Archives.","user_id":477,"name":"Patrick Fenech","website":""},{"id":855,"bio":"Like all artists, Bruce Gilden’s life bleeds into and informs every piece of work he’s ever created. Growing up in Brooklyn with what he describes as a “tough guy” of a father, Bruce developed a love of the streets, often calling them his “second home.” But the love was more than just a simple connection — it was a creative fascination. It was the unique energy of the streets that mesmerized Bruce, an energy that can momentarily expose something inside people that generally stays hidden. Bruce made it his life’s work to capture those moments.\n\nAnother defining characteristic of Gilden’s photography is his creative attraction to what he calls “characters,” and he has been tracking them down all through his career. His first major project, which he worked on until 1986, focused on Coney Island, the legendary Brooklyn beach where New Yorkers who cannot escape the city heat have been going for cheap thrills summer after summer.\n\nIn his early years, Gilden also photographed in New Orleans during its famous Mardi Gras festival. Then, in 1984, Bruce made his first trip to Haiti where he worked for ten years. His book Haiti, published in 1995, won the European Award for Photography. It could have marked the end of his professional and personal story with Haiti, but after the earthquake of January 2010, Bruce went back three times, and he has decided to continue documenting the endless hardships of the Haitian people, and “keep the light burning.”\n\nSince 1981, Gilden had tackled a new approach to urban spaces, specifically the streets of New York City. It became a major ongoing project for more than twenty years, and his work culminated in the publication of Facing New York (1992), and later A Beautiful Catastrophe (2005).\n\nHis next project, After the Off, explored rural Ireland and its passion for horseracing. Gilden also carried out personal projects in India and Russia.\n\nPublished in 2000, Gilden’s next book, Go, is a penetrating look at Japan’s hidden side. His images of the homeless and of Japan’s mafia gangs strongly bypass the conventional visual clichés of Japanese culture.\n\nIn 2008, Bruce Gilden felt the need to photograph in his own country and draw a social portrait of America in this time of great recession. By November 2011, in Nevada, Gilden had completed the fourth segment of “No Place Like Home,” his extended personal project on foreclosures in America, which had previously led him to Florida, Detroit, and Fresno, California.\n\nIn the summer of 2011, Gilden traveled to Melbourne, Australia to photograph Mick Gatto and his friends for his ongoing project on special characters. Gilden will also carry out a commission for the Archive of Modern Conflict in London that he started in 2010.\n\nGilden, who has travelled and exhibited widely around the world, has received numerous awards, including the European Award for Photography, three National Endowment for the Arts fellowships, and a Japan Foundation fellowship. But what truly sets Bruce apart from other photographers is not his accolades or his experience, but his ability to see and capture the essence of a character, a place or a moment. It’s a sixth sense that can’t be taught, but simply learned by years of walking the streets with your eyes wide open.\n\nBruce Gilden joined Magnum Photos in 1998. He lives in New York City.","user_id":855,"name":"Bruce Gilden","website":"www.brucegilden.com"},{"id":478,"bio":"Charlie is a self-taught photographer from Houston, Texas. He began learning to photograph by shooting musicians at local concert venues in Austin while attending the University of Texas. He later worked as a staff photographer for The Daily Texan newspaper where he won a Society of Professional Journalists “Mark of Excellence” award. His photography has since taken him from the streets of São Paulo, Brazil to the sugar cane fields of Nicaragua, while his work has ranged from black and white photo documentaries to color abstracts. He lives in Austin, Texas.\r\n\r\nSOLO EXHIBITIONS\r\n\r\n2011 “Wasted Expressions”, L Nowlin Gallery, Austin, TX.\r\n2009 “Street Impressions”, Vaughan Christopher Gallery, Houston, TX.\r\n2003 “Morador de Rua”, Projex Gallery, Austin, TX.\r\n2003 “Avenida Paulista: Street Level”, University of Texas, Austin, TX.","user_id":478,"name":"Charlie Ferguson","website":""},{"id":485,"bio":null,"user_id":485,"name":"Leonard Folgarait","website":null},{"id":486,"bio":"","user_id":486,"name":"Fotofest China","website":"www.fotofest.org/ff2008"},{"id":491,"bio":null,"user_id":491,"name":"Michael Fried","website":null},{"id":500,"bio":null,"user_id":500,"name":"Peter Garmusch","website":null},{"id":512,"bio":"","user_id":512,"name":"Joel Grafnings","website":"www.fotofestiwal.com/2009/joel-grafnings-2"},{"id":519,"bio":null,"user_id":519,"name":"Hannah Guy","website":null},{"id":523,"bio":"","user_id":523,"name":"Adam Krawesky","website":"www.inconduit.com"},{"id":526,"bio":"The photographs and artist books of Cig Harvey, MFA, have been widely exhibited and remain in the permanent collections of major museums and collections, including the Museum of Fine Arts, Houston, Texas; the Farnsworth Art Museum, Rockland, Maine; and the International Museum of Photography and Film at the George Eastman House, Rochester, New York. She was a recent finalist of the BMW Prize at Paris Photo and the Prix Virginia, an international photography prize for women. Cig had her first solo museum show at the Stenersen Museum in Oslo, Norway, in the spring of 2012 in conjunction with the release of her monograph, You Look At Me Like An Emergency (Schilt Publishing, 2012). Cig’s devotion to visual storytelling has lead to innovative international campaigns and features with New York Magazine, Harper's Bazaar Japan, Kate Spade, and Bloomingdales. Cig teaches workshops and regularly speaks on her work and processes at institutions around the world. She is known for her high energy, sense of humor and creativity. She brings a profound sense of optimism to all that she does.\r\n\r\nCig lives in a farmhouse in the Midcoast of Maine with her husband Doug (who has the profile of an emperor on a Roman coin), their wayward daughter Scout, and Scarlet the dog (the original baby). She was an assistant professor at the Art Institute of Boston at Lesley University for ten years, but recently took a leap of faith to devote her life to purely making things. She tries to do this every day, and then pretends to clean up the mess she’s made with varying degrees of success.\r\n\r\nInternational Collections:\r\nThe Houston Museum of Fine Arts, Houston, Texas\r\nThe International Museum of Photography, George Eastman House, Rochester, New York\r\nThe Masterworks Foundation, Hamilton, Bermuda\r\nBowdoin College, Special Collections, Brunswick, Maine\r\nUniversity of Washington, Special Collections, Seattle, Washington\r\nThe Farnsworth Museum, Rockland, Maine\r\nFidelity Corporation, Special Collections\r\n\r\nInternational Symposiums, Lectures and Artist's Talks:\r\n2012 Artist Talk. Stenersen Musuem, Oslo, Norway\r\n2012 Juror and keynote Speaker. Alaska Photographic Center, Anchorage, Alaska\r\n2010 Keynote Speaker. Click 646, Greenwood, South Carolina.\r\n2010 Panalist. \"Women in Photography\" B\u0026H Event Space, NYC\r\n2010 Juror. \"The Uncommon Portrait\" PhotoPlace Gallery, Vermont\r\n2009 Juror. Annual Show. The Texas Photographic Society\r\n2008 Juror. \"Pause To Begin\", International Emerging Artist Competition\r\n2008 Artist Talk Farnsworth Museum, Rockland, Maine\r\n2007 Speaker Symposium on Contemporary Photography, Visual Studies Program, University of Houston, Texas Guest Speakers and Panel: Sally Mann, Vicki Goldberg, John Wood, John Stauffer, Sally Gall, and Cig Harvey. \r\n\r\nInternational Publications and Awards:\r\n2012 Finalist. Prix Virginia. Paris. France\r\n2012. You Look At Me Like An Emergency, Schilt Publishing\r\n2012. Cover and Book Review. PDN. November issue\r\n2012 Artist Profile and Feature Blink, “Cig Harvey” September\r\n2012 Artist Profile and Feature Aesthetica “Uncertain Beauty” August\r\n2012 Cover and Feature Fotografi (Norway)\r\n2012 Exhibit Review Boston Globe\r\n2012 Book review Literary section Independent On Sunday (UK)\r\n2010 Shortlisted Finalist for international BMW Prize Paris Photo\r\n2009 Nominee The Santa Fe Prize\r\n2008 Critical Mass Photo Lucida\r\n2008 Image of the Year 2008, American Photo\r\n2008 Gold Award Self Portrait Competition Photo District News, December\r\n2008 Artist Profile “The Best Photography Workshops” American Photo, July/August\r\n2008 Artist Profile “The Moments Between The Moments” Maine Home and Design, March\r\n2007 Exhibit Review. “Photosynthesis” Bangor Daily News, September 20th\r\n2007 Exhibit Review “She Came, She Saw, She Focused” Maine Sunday Telegram, Jan. 14th\r\n2006 Artist Profile “Schoner Schein” Frankfurter Rundschau, April 29th\r\n2005 Award. Best Artist of the Year -Venus Magazine, December\r\n2005 Artist Profile Popular Photography, September\r\n2005 Award “Emerging 30 of 2005” Photo District News\r\n2004 Artist Profile. \"Rising Star\" Photo District News\r\n2005 Artist Profile. “Cig Harvey – An Interview”. Shots Magazine – Spring\r\n\r\nSolo Exhibitions:\r\n2013. “You Look At Me Like An Emergency” Kopeikin Gallery, Los Angeles, California\r\n2013 “You Look At Me Like An Emergency” Firecat Studios, Chicago, Illinois\r\n2012. “You Look At Me Like An Emergency” Stenersen Museum, Oslo, Norway\r\n2012. “You Look At Me Like An Emergency” Joel Soroka Gallery, Aspen, Colorado\r\n2012. “You Look At Me Like An Emergency” Robert Klein Gallery, Boston, Massachusetts\r\n2012. “You Look At Me Like An Emergency” Robin Rice Gallery, New York City, New York\r\n2011 “Cig Harvey” Dowling Walsh Gallery, Rockland, Maine.\r\n2011 “Cig Harvey” Tilt Gallery, Phoenix, Arizona\r\n2010 “Cig Harvey – Photographs” The Robert Klein Gallery, Boston, Massachusetts\r\n2010 “The Hope Chest” JAGR Projects, Philadelphia, Pennsylvania\r\n2010 \"The Hope Chest” Joel Soroka Gallery, Aspen, Colorado\r\n2007. “Cig Harvey – Photographs” Robin Rice Gallery, New York City, New York\r\n2006. “The Self Portrait, Updated” Joel Soroka Gallery, Aspen, Colorado\r\n2005. “Cig Harvey, Photographs”, Robin Rice Gallery, New York City, New York\r\n2005. “The Impossible Tasks”, Watermark Gallery Houston, Texas\r\n2005. “Eyes Like Disappointed Lemons \u0026 The Impossible Tasks”, Pikto Gallery, Toronto, Canada\r\n2002. “Tread Softly” The Maine Center for Contemporary Art, Rockport, Maine\r\n2001. “Tread Softly”, Paul Mellon Arts Center, Choate Rosemary Hall, Wallingford, Connecticut\r\n2000. “Artists Up Front Street” Masterworks Gallery, Bermuda\r\n\r\nClients:\r\nNew York Times Style Magazine\r\nKate Spade\r\nHarpers Bazaar Japan\r\nBoston Magazine\r\nDomino Magazine\r\nNew York Magazine\r\nReal Simple Magazine\r\nO Magazine\r\nBloomingdales\r\nSurface Magazine\r\nLittle, Brown and Company\r\nBody + Soul Magazine\r\nPrevention Magazine\r\nRoyal Shakespeare Company\r\nRalph Lauren\r\nAce Insurance\r\nThe Wyndham Hotel Group\r\nHealth Magazine","user_id":526,"name":"Cig Harvey","website":""},{"id":527,"bio":"EDUCATION\t \r\n \t \r\n2005 – 2007\tMA Photography, Royal College of Art, London, UK\r\n2006 Oct.-Dec.\tResidency at the Kyoto City University of Arts, Kyoto, Japan\r\n2003 – 2005\tstudies in Philosophy and Art History, University of Vienna, Vienna, Austria\r\n2000 – 2003\tBA (Hons) in Photography, University of Westminster, London, UK\r\n1999 – 2000\tRSA Advanced Diploma in Photography and Audio Visual Studies,\r\n \tFilton College, Bristol, UK\r\n \t \t \r\nEXHIBITIONS\t \r\n \r\n2011\t\"Zeit-zeugen – Photographie in Österreich seit 1945\"; Künstlerhaus, Vienna, Austria\r\n2010\t\"WEISS/SCHWARZ\"; Momentum Gallery, Vienna, Austria\r\n \tTRIENNALE LINZ 1.0 \"Update - Neue Fotografie aus Österreich\"; Landesgalerie Linz, Austria\r\n2009\t\"Contemporary Photography. New Positions From Austria\"; Carinthian Museum of Modern Art/MMKK, Klagenfurt, Austria\r\n \t\"Breathless\"; Wien Mitte, Vienna, Austria\r\n \t\"Viennafair\"; Vienna, Austria\r\n2008\t“Bloomberg New Contemporaries 2008”; Rochelle School, London, UK\r\n \t“Editionen 2009\"; Momentum Gallery, Vienna, Austria\r\n \t\"Man Group Photography Prize 2008\"; Lower Galleries, RCA, London, UK\r\n \t“European Night – European Photographic Identities\"; Nuit Blanche Paris 2008, Paris, France\r\n \t“Bloomberg New Contemporaries 2008”; Liverpool Biennal of Contemporary Art, Liverpool, UK\r\n \t“LandForm”; Momentum Gallery, Vienna, Austria\r\n \t\"European Night – European Photographic Identities\"; Les Rencontres d’Arles,\r\n \tArles, France\r\n \t“Nearly Nothing”; Viewfinder Photography Gallery, London, UK\r\n \t“Landscape Photography”; Sadler’s Wells, London, UK\r\n2007\t“Davis Langdon Award 2007”; Davis Langdon, London, UK\r\n \t“Casa Décor Loft Exhibition”; Casa Décor Loft, London UK\r\n \t“Summer Show”; Hoopers Gallery, London, UK\r\n \t\"The Great Exhibition 2007\"; RCA summer show, London, UK\r\n \t“Interim Show”; RCA, London, UK\r\n2006\t“15th Foreign Student Exhibition”; Kyoto Arts Center, Kyoto, Japan\r\n \t“Interim Show”; RCA, London, UK\r\n \r\nAWARDS \u0026 SCHOLARSHIPS\r\n \r\n2011\tBMUKK Residency Program New York City\r\n2008\tthird prize \"Man Group Photography Prize 2008\"\r\n \tselected for „Bloomberg New Contemporaries 2008“\r\n \t \tselectors: Richard Billingham, Ceal Floyer and Ken Lum\r\n2007\twinner of \"Hoopers Gallery Award\r\n \twinner of \"Davis Langdon Award 2007\r\n \tshortlisted for \"Conran Foundation Awards 2007\"\r\n2006\tKyoto residency scholarship, Royal College of Art\r\n \tFlash Forward 2006: Emerging Photographers from Canada, the U.K. \u0026 the U.S.\r\n \t“Critique of the Alps Exchange”; Lausanne, Switzerland\r\n \r\nPRESS \u0026 PUBLICATIONS\r\n \t \r\n2011\t\"Zeit-zeugen Fotografie in Österreich seit (1945)\"; ed. Werner Sobodka, Horst Stasny, exhibition catalogue\r\n2010\tTRIENNALE LINZ 1.0 Gegenwartskunst in Österreich; ed. Martin Hochleitner, Stella Rolling, Martin Sturm\r\n2009\t\"Contemporary Photography. New Positions From Austria\"; ed. Silvie Aigner, 2009\r\n2008\t\"Bloomberg - new contemporaries 2008\"; exhibition catalogue\r\n \t“Nearly Nothing”; exhibition catalogue; Viewfinder Photography Gallery\r\n2007\tThe Times, \"A degree of restraint\", June 19, 2007\r\n \t“Reference Book” Photographic Practice Royal College of Art, 2007\r\n \tMagnachrom, Vol. 1, Issue 4, USA\r\n2006\tFlash Forward 2006: Emerging Photographers from Canada, the U.K. \u0026 the U.S.,\r\n \twith an essay by Gary Michael Dault, published by The Magenta Foundation,\r\n \tToronto, 2007","user_id":527,"name":"Gerd Hasler","website":""},{"id":529,"bio":null,"user_id":529,"name":"Derek Henderson","website":"www.derekhenderson.net"},{"id":484,"bio":"","user_id":484,"name":"Bertrand Fleuret","website":"www.bertrandfleuret.com"},{"id":962,"bio":"","user_id":962,"name":"Filippo Romano","website":"www.filipporomano.net"},{"id":544,"bio":"Garret and his wife, Melissa, having left Arizona, New Mexico and California, now call Oregon home. \r\nAnd so does their cat.\r\n\r\nINDEX: SELF-PUBLISHED WORK \r\n\r\nYEAR OF THE ROOSTER 2005 CALENDAR (2005) letterpress/Gocco edition: 35 \r\n12 lino prints follow the rooster encountering the different animals on the Chinese zodiac on his journey through 2005. \r\n\r\nTHREE GREY WOMEN (2004) letterpress edition: 50 \r\n26 lino prints tell a story about vision and how we see the world told through the myth of Perseus. \r\n\r\nCALL OF THE SIRENS: Air Raid Sirens of Los Angeles County (2002) inkjet photoprints \r\n24 photographs of sirens describe an era of atomic paranoia and apocalyptic doom. \r\n\r\nSURREAL ESTATE: A Trip Through the Neighborhood (2001) inkjet photoprints \r\n24 photographs take you through a walk of post WWII baby boomer neighborhoods. \r\n\r\nTHE BIG BANG (1998) screen cover/laserprints \r\nA collection of strips originally published in the Willamette Week. \r\n\r\nMADAM XYZ (1997) lino cover/laserprints \r\nComic strips developed for and originally published in Japan by Kodansha Ltd. \r\n\r\nCRITICAL MASS (1995) lino cover/laserprints \r\nComic strips commenting and commemorating on 50 years of nuclear arms \r\n\r\nFISH DOG BIRD (1995) lino cover/ laserprints \r\nA picture poem of words and images. \r\n\r\nSTRIP DOWN (1994) letterpress edition: 1100 \r\n1994 Xeric Grant recipient. \r\n\r\nSHORTWAVE COMICS (1992) lino cover/offset \r\nStrangely dark yet lightly flippant comic strips which became Garret Izumi's first book.\r\n\r\nFEATURED WORK: ANTHOLOGIES (listed by Publishers) \r\n\r\nTOP SHELF PRODUCTIONS \r\nTOP SHELF ASKS The Big Questions (2003), TOP SHELF: UNDER THE BIG TOP #8 (1999), \r\nTOP SHELF #5 (1997), TOP SHELF #2, 4 (1996) \r\n\r\nZUKAZUKA \r\nPEKO PEKO #3 (2002), PEKO PEKO #5 (2003) \r\n\r\nGRASS HUT CORP. \r\nAin't Nothin' Like Fuckin' Moonshine #14 (2000) \r\n\r\nKODANSHA LTD. \r\nMANGA SURPRISE! (1996), OPEN (Japanese publication) #18-20 (1996) \r\n\r\nSLAVE LABOR GRAPHICS \r\nMURDER CAN BE FUN #1,2,4 (1996), 7 (1997) \r\nDESTROY ALL COMICS #3 (1995) \r\n\r\nCAT-HEAD COMICS \r\nBUZZARD #17 (1996), BUZZARD #18 (1997) \r\n\r\nFANTAGRAPHICS \r\nPICTOPIA #1 (1991), PICTOPIA #3 (1992) \r\n\r\nKITCHEN SINK PRESS \r\nBUZZ #2 (1991) \r\n\r\nFEATURED WORK: ANTHOLOGIES (listed by Publishers) \r\n\r\nTOP SHELF PRODUCTIONS \r\nTOP SHELF ASKS The Big Questions (2003), TOP SHELF: UNDER THE BIG TOP #8 (1999), \r\nTOP SHELF #5 (1997), TOP SHELF #2, 4 (1996) \r\n\r\nZUKAZUKA \r\nPEKO PEKO #3 (2002), PEKO PEKO #5 (2003) \r\n\r\nGRASS HUT CORP. \r\nAin't Nothin' Like Fuckin' Moonshine #14 (2000) \r\n\r\nKODANSHA LTD. \r\nMANGA SURPRISE! (1996), OPEN (Japanese publication) #18-20 (1996) \r\n\r\nSLAVE LABOR GRAPHICS \r\nMURDER CAN BE FUN #1,2,4 (1996), 7 (1997) \r\nDESTROY ALL COMICS #3 (1995) \r\n\r\nCAT-HEAD COMICS \r\nBUZZARD #17 (1996), BUZZARD #18 (1997) \r\n\r\nFANTAGRAPHICS \r\nPICTOPIA #1 (1991), PICTOPIA #3 (1992) \r\n\r\nKITCHEN SINK PRESS \r\nBUZZ #2 (1991) ","user_id":544,"name":"Garret Izumi","website":""},{"id":580,"bio":null,"user_id":580,"name":"Lisa Robinson","website":null},{"id":547,"bio":"1978 - Born in Kalundborg, Denmark\n2002 - Studies at Fatamorgana, Copenhagen\nLives and works in Copenhagen / Buenos Aires\n\nExhibitions\n2013 – State of the Art, Carlsberg Byen Slottet, Copenhagen Denmark (G)\n2012 – Flatlands Camp Project, Galerie van der Mieden, Antwerp, Belgium (S)\n2012 – Flatlands Camp Project, National Museum of Photography, Copenhagen, Denmark (S)\n2012 – Do you remember the first time, Atlas Gallery, London, UK (G)\n2012 – Voices Off, Arles, France (G)\n2012 – Play, Collect, Construct, Fold and Display, LhGWR, Den Haag, Netherlands (G)\n2011 - Arctic, Multimedia Art Museum, Moscow, Russia (G)\n2011 - The Flatlands Camp Project - Beyonder, Peter Lav Gallery, Copenhagen, Denmark (S)\n2011 - Out of Life, Grohman Villa, Lodz, Poland (G)\n2010 - Photography Group Show, Galerie van der Mieden, Antwerp, Belgium (G)\n2009 - Faaborg Museum, Faaborg, Denmark (S)\n2009 - On Sleepwalking, Galleri Image, Aarhus, Denmark (S)\n2009 - Eden, Galerie van der Mieden, Antwerp, Belgium (G)\n2008 - Small Formats, peter lav Photo Gallery, Copenhagen (G)\n2008 - Nuit Blanche, Paris(G)\n2008 - Wir Für Euch, Kudlek van der Grinten Galerie, Köln, Germany (G)\n2008 - Saimaa, peter lav Photo Gallery, Valby, Denmark (S)\n2008 - Nuit d'Europe, Arles (G)\n2008 - real_ly?, peter lav Photo Gallery, Valby, Denmark (G)\n2007 - Tillykke Lille Fugl, Fleisher/Ollman Gallery, Philadelphia, US (G)\n2006 - The Wake, Galleri Hornbæk, Hornbæk, Denmark (S)\n2006 - Stills, PL gallery, Copenhagen, Denmark (G)\n2006 - New Danish Photography, Scandinavia House, New York, US (G)\n2006 - Transient images, Galleri Hornbæk, Hornbæk, Denmark (G)\n2005 - Scandinavian Photography II: Denmark. Faulconer Gallery, Grinnell College, Grinnell, US (G\n\nCollections\nDenver Art Museum \nThe Danish Arts Foundation\nThe Swedish Arts Foundation\nThe National Museum of Photography, Denmark\nMuseet for Fotokunst, Brandts, Denmark\nNykredit Fonden, Copenhagen, Denmark\nC/O Berlin, Berlin, Germany\n\nGrants \n2012 – Paul René Gauguins Fond\n2012 – The Danish Arts Foundation\n2010 - Fogtdals Fotografipris '10\n2010 - The Danish Arts Foundation\n2009 - Ebba Celinders Legat\n2009 - The Danish Arts Foundation\n\nPrizes \n2009 - Deutsche Borse Photography Prize - Nominated\n2009 - KLM Paul Huf Award - Nominated","user_id":547,"name":"Adam Jeppesen","website":"www.adamjeppesen.com"},{"id":558,"bio":null,"user_id":558,"name":"Carine Krecke","website":null},{"id":581,"bio":"My initial foromal education prepared me for teaching art, which I did for almost twenty yeras. Early on, I recognized that I could best apply my talents to teaching in inner city schools. When the time came for me to work on a Master's Degree, I decided to get the equivalent number of hours in a photography program at the Kansas City Art Institute, which fortunately was located close to home and work. Though I did not realize it at the time, I had discovered my life's passion and calling. After two years of study, while simultaneously teaching and raising two children as a single mother, I was ready to advance to teaching photography at Magnet School for the Arts, Lincoln Academy, in the Kansas City, Mossouri School District. I shared my enthusiasm for medium with my students, and under my guidance many of them recieved national awards and recognition.\r\n\r\nFor the past ten years I have been traveling and photographing many different peoples and cultures in the Middle East, Central Asia and Southeast Asia. After several trips to Middle East after 9/11/2001, I became painfully aware that the information I was receiving from the U.S. minstream media often included half truths and sometimes was completely false. It became a mission oof mine to educate anyone who would observe my work and listen to me, and to address common misunderstandings about the goodness of most of the people that I had met. Though most live with great hardships, many have invited me into their homes and offered great kindness and hospitality.","user_id":581,"name":"Gloriann Liu","website":""},{"id":583,"bio":null,"user_id":583,"name":"London","website":null},{"id":585,"bio":null,"user_id":585,"name":"Reinaldo Loureiro","website":null},{"id":552,"bio":"William Klein (born April 19, 1928) is an American-born French photographer and filmmaker noted for his ironic approach to both media and his extensive use of unusual photographic techniques in the context of photojournalism and fashion photography. He was ranked 25th on Professional Photographer's list of 100 most influential photographers.\n\nKlein trained as a painter, studying under Fernand Léger and found early success with exhibitions of his work. He soon moved on to photography and achieved widespread fame as a fashion photographer for Vogue and for his photo essays on various cities. He has directed feature-length fiction films, numerous short and feature-length documentaries and has produced over 250 television commercials.\n\nHe has been awarded the Prix Nadar in 1957, the Royal Photographic Society's Centenary Medal and Honorary Fellowship (HonFRPS) in 1999, and the Outstanding Contribution to Photography Award at the Sony World Photography Awards in 2012.","user_id":552,"name":"William Klein","website":""},{"id":726571,"bio":"Wandering photographer","user_id":725987,"name":"Luis Olivan Tenorio","website":"www.olivantenorio.com"},{"id":599,"bio":null,"user_id":599,"name":"Mana","website":null},{"id":607,"bio":"Education\r\n\r\nBorn Limerick City 1970. Living in Cork, Ireland\r\n\r\n1994-1997 National Diploma in Photography, Dun Laoighaire College of Art and Design/Dublin (Ireland)\r\n2003-2005 MA in Visual Arts Practice (Art-making), Institute of Art Design, and Technology Dublin (Ireland)\r\n\r\n \r\n\r\nSolo Exhibitions/Installations\r\n\r\n2008    ‘Deconstructing the Maze’ Site-Specific installation, The former Maze/Long Kesh Prison, (Northern Ireland)\r\n2007     “Idensitat”- Priorat Centre d’Art, Barcelona, Site-Specific installation (Spain)\r\n2006     “Days Like These”. Site-Specific installation, Triskel Arts Centre/Cork City (Ireland)                \r\n2006    “Green Lands” ArdBia Arts Space/Galway City (Ireland)\r\n2005 “Boundaries”?Site-specific installation / Cork City, European City of Culture 2005 (Ireland)\r\n2004    “A Land Removed” Site-Specific, Rathowen Community Hall/ WestMeath (Ireland).\r\n2004 “Plantation”?Studio 6 Temple Bar Gallery / Dublin and site-specific installation, Sligo (Ireland)                                                         \r\n2003 “By The Way”?Draiocht Arts Centre / Dublin, Crawford Municipal Art Gallery/Cork, Droichead Arts Centre/Drogheda (Ireland)\r\n2003   “Between the Lines”?Uberbau Gallerie/Dusseldorf, (Germany) and Galerie Nei Licht /     (Luxembourg)\r\n\r\nSelected Group Exhibitions\r\n\r\n2011 'De Grens/La Frontiere', Centre des Beaux-Arts Bruxelles \r\n2011 'Field Work' Black Box Gallery Portland Oregon \r\n2011 'Convergence', Siemens Arts Space, Beijing \r\n2010 'Cube Open' Centre for the Urban and Built Environment Manchester \r\n2010 'Minutiae' Bank Street Arts, Sheffield \r\n2010  ‘The Market Eate Project” The Market Estate, Islington (London)\r\n2010   ‘Paper Links’ Tsinghua Academy of Arts (Beijing) 2010\r\n2009  ‘What Lies Beneath: Nature and Urban Landscape in E.U. Photography’ Fotoweek DC (Washington)\r\n2009  ‘ECO 09’,Exeter Contemporary Open (UK)\r\n2009  ‘Subjective Rejection,’ The Factory Islington, London\r\n2009  ‘The City’ SiNordic Arts Space, Beijing (China)\r\n2008  ‘Singapore International Photo Festival, National Museum of Singapore (Singapore)\r\n2008  ‘The Lives of Spaces’ Irish Pavillion, 11th International Architecture Biennale Venice (Italy)\r\n2008  ‘European Night, La Nuit de l’Année, Rencontres d’Arles (France)\r\n2008  ‘Home/Visitant’, Priorat Centre d’Art, 2008 Barcelona (Spain)\r\n2008  ‘Let Go’ RHA/Monster Truck Gallery 2008 (Ireland)\r\n2008  ‘EV+A 08’ Limerick City Gallery of Art/Limerick City (Ireland)\r\n2007  ‘Two Minds’, Golden Thread Gallery/Belfast (Northern Ireland)\r\n2007  ‘Beyond the Countryside’, Lewis-Glucksman Gallery/Cork City (Ireland)\r\n2007  ‘Mysteries and Secrets.’ Kanus Photo Days’07, F Galerija, Kaunas, (Lithuania)\r\n2007  ‘What the Roof Dreamt’, Two Rooms Gallery, Newton, Auckland. (New Zealand)\r\n2007  ‘Home/Away’, Idensitat ‘07, Barcelona, (Spain)\r\n2007  ‘Thru Irish Eyes’, Beijing Institute of Graphic Communication, Daxing, Beijing (China).\r\n2006  ‘Heart Lands’ River Bank Arts Centre, NewBridge (Ireland)\r\n2006  ‘Another Product’ Corner House, Manchester/(England)\r\n2005  ‘Making Things Better’, East05, Norwich Gallery/Norwich (England)\r\n2005  ‘European Eyes on Japan Vol.7’Iwate Museum of Modern Art (Japan)\r\n2005  ‘C2’ Crawford Municipal Art Gallery/Cork City (Ireland)\r\n2003  ‘Contemporary Photography’ Model+Niland Gallery/Sligo (Ireland)\r\n2002  ‘Day lighting The City’?National Sculpture Factory / Cork City (Ireland)\r\n2001  ‘EV+A Expanded’ Limerick City Gallery of Art/Limerick City (Ireland) 2000  ‘Perspective’ Ormeau Baths Gallery / Belfast?Northern Ireland?\r\n2000  ‘Emerging European Creation’, Les Subsistances/Lyon (France)\r\n1998  ‘Community and Conflicts’, Salle Allende, Universite Libre De Brussels/Brussels (Belgium)\r\n\r\nPublications\r\n\r\nArt \u0026 Architecture, Building Material -19 Autumn 2009\r\nIrish Arts Review- Autumn 2008\r\nDeconstructing The Maze (self-publication/Tonic Design 2008)\r\nTwo Minds (GT Gallery/Royal Society of Ulster Architects, Dec 2007)\r\nAtelier/Draoicht Arts Centre, 2003?\r\nSource Magazine (Olympus Commission)(Photo Works North/Gallery of Photography, Spring 2000)\r\nEuropean Eyes on Japan Vol.7 (Japan Today/ E.U.-Jap Fest, June 2005)\r\nDays Like These  (Triskel Arts Centre, June 2006)\r\nPlantation (Sligo County Council/Dara McGrath 2006)\r\n\r\nCommissions\r\n\r\nGlucksman-Invited U.C.C./Cork City (Ireland) 2007\r\nRoyal Institute of Ulster Architects (United Kingdom)-2007\r\nLewis-Glucksman Gallery, University College Cork/Cork City (Ireland)-2005\r\nSligo County Council/Sligo (Ireland)-2006\r\nWestmeath County Council/Westmeath (Ireland)-2004\r\nE.U. Eyes on Japan Vol.7 (Tokyo)- 2004\r\nPepenieres pour le Jeune Artistes du Europe(Luxembourg)- 2000\r\n\r\nAwards\r\n\r\n2010 Visual Artists Bursary, Arts Council of Ireland (Ireland)\r\n2008 New Work Award, Arts Council of Ireland (Ireland)\r\n2007 National Sculpture Factory, DesIre Artists Bursary (Ireland)\r\n2006 Visual Artists Bursary, Arts Council of Ireland (Ireland)\r\n2006 Artist’s Bursary, Arts Council of Ireland (Ireland)\r\n2003 Allied Irish Banks Art Prize2003 (Ireland)\r\n2003 Cork City Council Visual Arts Bursary (Ireland)\r\n2000 Arts Council of Ireland Travel Award (Ireland)\r\n1999 Pepenieres pour le Jeune Artistes du Europe (France)","user_id":607,"name":"Dara McGrath","website":""},{"id":608,"bio":"KATHLEEN LARAIA MCLAUGHLIN\r\n855 Garfield Avenue\r\nSouth Pasadena, CA 91030\r\n626.233.0123\r\nkathleen@klmphoto.com \r\nwww.klmphoto.com \r\n\r\nEducation\r\nVirginia Commonwealth University 2001 M.F.A. Photography\r\nVirginia Commonwealth University 1990 B.S. Psychology\r\nVirginia Commonwealth University 1990 Minor Photography\r\n\r\nProfessional Experience\r\n2012-present New York Film Academy, Los Angeles, California\r\nAdjunct Faculty, Department of Photography\r\nPHOT520 History and Theory I\r\nPHOT620 History and Theory II\r\nDIGI614 Aesthetics of Personal Style (Digital Capture, Photoshop)\r\n2009-present Academy of Art University, San Francisco, California (online)\r\nAdjunct Faculty, School of Photography\r\nPH_101 Photo History and Concepts (Digital Capture)\r\nPH_115 Visualization (Digital Capture)\r\nPH_235 People Photography (Digital Capture)\r\nPH_100 Fundamentals of Photography (Digital Capture)\r\n2006-present California State Fullerton, Fullerton, California\r\nAdjunct Faculty, Department of Visual Arts\r\nART338A Creative Photography A (Film, Darkroom)\r\nART338B Creative Photography B (Film, Black/White and Color \r\nDarkroom, Alternative Processes)\r\n2005-present Loyola Marymount University, Los Angeles, California\r\nAdjunct Faculty Member, Department of Art and Art History\r\nART280 Introduction to Photography (Film, Darkroom)\r\nART398 Documentary Photography (Film, Darkroom, Digital Capture, \r\nPhotoshop, Adobe Premiere Pro)\r\n2009-2010 Pasadena City College, Pasadena, California\r\nAdjunct Faculty, Department of Journalism\r\nJOU22\u002623 Photojournalism and Advanced Press Photography\r\n2005-2008 Orange Coast College, Costa Mesa, California\r\nAdjunct Faculty, School of Photography\r\nPH283 Art Photography (Film and Digital Capture)\r\nPH122 Personal Expression (Film and Digital Capture)\r\nPH120 Basic Photography (Film, Darkroom)\r\n2006 California State San Bernardino, San Bernardino, California\r\nAdjunct Faculty, Department of Art\r\nART290 Photography I (Film and Darkroom)\r\n2005-2006 Saddleback College, Mission Viejo, California\r\nAdjunct Faculty, Photography Department\r\nPH50 Introduction to Photography (Film and Darkroom)\r\n2004-2006 Cypress College, Cypress, California\r\nAdjunct Faculty, Fine Arts Division, Photography Department\r\n11481 Introduction to Photography (Film and Darkroom)\r\n2004-2006 Santa Monica College Santa Monica, California\r\nAdjunct Faculty, Photography Department\r\n2747 Photography I (Color Slide/Positive Film)\r\n2004 Otis College of Art and Design Continuing Education, Los Angeles, California\r\nPhotography Instructor\r\nPHO2012 Introduction to the Black and White Darkroom (Film and \r\nDarkroom)\r\n2002-2003 Ioan Andreescu Academy of Art, Cluj-Napoca, Romania\r\nFulbright Senior Scholar Visiting Lecturer\r\nSeminar Current Trends in American Photography\r\nLecture Documentary Photography (Film, Darkroom, Digital Capture)\r\n2002 Ithaca College, Ithaca, New York\r\nAssistant Professor, Cinema and Photography Department, Park School\r\n222-304 Documentary Photography (Film and Darkroom)\r\n222-141 Introduction to Photography (Film and Darkroom)\r\n2001 Virginia Commonwealth University, Richmond, Virginia\r\nAdjunct Faculty, School of the Arts, Department of Photography and Film\r\nPHTO245 Introduction to Photography (Film and Darkroom)\r\n\r\nGrants and Fellowships\r\n\r\n2012 Artist Lecture and Exhibition Travel Grant to Romania, United States Department of State\r\nArtist Travel Sponsorship to Romania, Romanian National Tourist Office\r\n2011 Artist Lecture and Exhibition Travel Grant, Xiang Sha Wan Photography Week, Inner Mongolia, \r\nChina\r\n2008 Adjunct Faculty Grant, Coast Community College Association, Costa Mesa, California\r\n2004 Photography Fellowship, Houston Center for Photography, Houston, Texas \r\n2003 Fulbright Senior Scholarship, Council for International Exchange of Scholars, Washington, D.C.\r\nFederal Assistance Artist Grant for Exhibition in Romania, United States Department of State\r\n2002 Individual Advanced Research Opportunities (IARO) Fellowship, International Research \u0026 \r\nExchange Board; National Endowment for the Humanities Fellowship, Washington, D.C.\r\n\r\nAwards\r\n\r\n2012 Honorable Mention, The Color of Hay: The Peasants of Maramures, Los Angeles Book Festival \r\n2011 Runner-up, The Color of Hay: The Peasants of Maramures, London Book Festival\r\n2009 Documentary Finalist, Worldwide Photography Gala Awards\r\n2006 Second Place Award, The New Documentarian: For a Long Term Project, Julia Dean Workshops, \r\nMarina del Ray, California\r\nExcellence Award, B\u0026W Magazine, Arroyo Grand, California\r\n2005 Professional Honorable Mention, Portrait, International Photography Awards\r\nWinner, Top 50, Critical Mass, Photolucida, Portland, Oregon\r\n2004 Fourth Place Documentary Award, Humanity Photo Awards, Beijing, China\r\n2002 1st Place Award, The Photo Review 2002 Competition, juried by Melissa Harris, Editor of Aperture, \r\nLanghorne, Pennsylvania\r\n2nd Place Award, Women’s Center Juried All Media Exhibition, Boise State University, Boise, Idaho\r\n2001 1st Place Category Award, Documentary, Gallery Print Photographic Awards, Stillwater, Minnesota\r\nBest in Competition, Gallery Print Photographic Awards, Stillwater, Minnesota\r\n1st Place Award, May All Media Show, Shockoe Bottom Arts Center, Richmond, Virginia\r\n2001 2nd Place Award, 7th Biennial Juried Competition in Southeastern Photography, Crealdé School of \r\nArt, Winter Park, Florida\r\n1999 1st Place Student Award, 1st Annual Richard Nagler Photography Competition, Judas Magnes \r\nMuseum, Berkeley, California\r\n\r\nSelected Solo and Two-Person Exhibitions\r\n\r\n2012 The Color of Hay, ASTRA International Film Festival, Sibiu, Romania\r\n2011 The Color of Hay, Desert Art Palace, Xiang Sha Wan Photo Week, Inner Mongolia, China\r\nThe Color of Hay, Cleveland Neighborhood Library, Washington, DC\r\nThe Color of Hay, WorkSpace Gallery, Lincoln, Nebraska\r\nThe Color of Hay, Romanian Consulate, Los Angeles, California\r\nThe Color of Hay, SPACE, South Pasadena, California\r\n2008 Silver Eye Center for Photography, Pittsburgh, Pennsylvania\r\n2007 Robert V. Fullerton Museum, Ellis Gallery, Cal State University, San Bernardino, California\r\nSchool of Photography, Orange Coast College, Costa Mesa, California\r\n2006 Art6 Gallery, Richmond, Virginia\r\n2005 Visual Arts Gallery, University of Wisconsin, Fond du Lac, Wisconsin\r\n2004 Tradition and Changein Transylvania, Lawton Gallery, University of Wisconsin, Green Bay, \r\nWisconsin\r\nAncient Peasant Ways in Transylvania, Charleston Heights Cultural Arts Center Gallery, Las Vegas, \r\nNevada\r\nMaude Kerns Art Center, Eugene, Oregon\r\n2003 Mind's Eye Gallery, Idaho State University, Pocatello, Idaho \r\nMuseum of the Romanian Peasant, Bucharest, Romania\r\nNational Museum of Art, Cluj-Napoca, Romania\r\nEastern Kentucky University, Giles Gallery, Richmond, Kentucky\r\nGheorgheni Cultural Center, Harghita, Romania\r\nThe People’s Palace, Bucharest, Romania\r\n2002 Galeria, National Academy of Art, Bucharest, Romania\r\nEthnographic Museum, Sighetu Marmatiei, Romania\r\nUniversity of California Berkeley Extension, San Francisco, California\r\nFranklin Street Cafe, Tribeca, New York City, New York\r\nEast-West Gallery, Romanian Cultural Center, New York, New York\r\n2001 Soho Photo Gallery, New York, New York\r\nRomanian Embassy, Washington, DC\r\nA Contactful Life, Anderson Gallery, Virginia Commonwealth University, Richmond, Virginia\r\n1998 Sara D. November Gallery, The Jewish Community Center, Richmond, Virginia\r\n\r\nGroup Exhibitions\r\n\r\n2012 A Survey of Documentary Styles in Early 21st Century Photobooks, curated by Darius Himes and \r\nLarissa Leclair, FOTO Week DC, November\r\nLooking at Ourselves: Portraits featured on Lenscratch, Guate Photo Festival, Guatemala City, \r\nGuatemala\r\n2012 A Survey of Documentary Styles in Early 21st Century Photobooks, Curated by Darius Himes and \r\nLarissa Leclair, Gallery Carte Blanche, San Francisco, California\r\nCollection of the Indie Photobook Library, Flash Forward Festival, Boston, Massachusetts\r\n2011 Museum of Photographic Art Silent Auction, San Diego, California\r\nBetween East and West: Folk Art Treasures of Romania, Mingei International Museum, San Diego, \r\nCalifornia\r\n2010 Picturing the Process: Beauty and Body Image, Museum of Photographic Art, San Diego, California\r\nInvitational Julia Dean Silent Auction, Stephen Cohen Gallery, Los Angeles, California\r\n2008 The Indomitable Spirit, Starlight Auction, Ace Gallery, Los Angeles, California\r\n2007 Denver International Airport Invitational Exhibition, The Center for Fine Art Photography, Fort \r\nCollins, Colorado\r\n2006 Aftermath Auction, Dawson’s Book Shop, Los Angeles, California\r\nGenerations of Caring, Methodist's Hospital's Center for Performing Arts Medicine, Houston, \r\nTexas\r\nPeople, Places and Things, The Center for Fine Art Photography, Fort Collins, Colorado\r\nPhoto Narratives: The Latent Image, The College Art Gallery, Cazenovia College, New York\r\nSelected Works Invitational, Gallery Print Photographers, Oxygen Gallery, St. Paul, Minnesota\r\n2005 Romania Redrawn, Photo West Gallery, Philadelphia, Pennsylvania\r\nJuried Membership Exhibition, Houston Center for Photography, Houston, Texas\r\nOne Foot After Another: Photography, Mark Woolley Gallery, Portland, Oregon\r\nFirst Annual Juried Photographer's Showcase, Photo-Eye Gallery, Santa Fe, New Mexico\r\nHumanity Photo Award 2004, Guangdong Museum of Art, China, UNESCO Headquarters, \r\nParis, France, UN Pavilion 2005 EXPO, Aichi, Japan\r\n2004 Houston Center for Photography 2004 Fellowship Recipients, Houston Center for Photography, \r\nHouston, Texas\r\nCulture and Agriculture, New Visions Gallery, Marshfield, Wisconsin\r\n2003 Invitational Photo Exhibition, McNeese State University, Lake Charles, Louisiana\r\nThe 146th Royal Photographic Society Exhibition, Stoke Museum and Art Gallery, England\r\nThe Contemplative Man, Cultural Center, University of Nantes, France\r\n2002 The Photo Review 2002 Competition Exhibition, University of the Arts, Philadelphia, Pennsylvania\r\nLancaster Museum of Art’s Photo National 2002, Lancaster Museum of Art, Lancaster, Pennsylvania\r\nHumanity Photo Award 2002, Beijing, China\r\nMidwest Photography Invitational: XII, Lawton Gallery, University of Wisconsin, Green Bay, \r\nWisconsin\r\nThe 145th Royal Photographic Society Exhibition, Stoke Museum and Art Gallery, England\r\nContemporary Photography in Virginia, Western Virginia Museum of Art, Roanoke, Virginia\r\nGallery Print Photographic Awards, Gallery Print, Stillwater, Minnesota\r\nWomen’s Center Juried Exhibition, Boise State University, Boise, Idaho\r\nThreads of Tradition, Smithtown Township Arts Council, New York\r\n2001 \r\n7th Annual National Photography Competition, Texas Artists Museum, Port Arthur, Texas\r\nFolio, Charles H. Taylor Arts Center, Hampton, Virginia\r\n9th International Photographic Art Exhibition, Scengde City, China\r\nLatent Images, Our Dream Gallery, Portland, Oregon\r\n2001 Spectra ’01, Third National Photography Biennial, Silvermine Guild Arts Center, New Canaan, Connecticut\r\nHonoring the Crone, WomanMade Gallery, Chicago, Illinois\r\nCurrent Works 2001, Society for Contemporary Photography, Kansas City, Missouri\r\nThe 144th Royal Photographic Society Exhibition, Stoke Museum and Art Gallery, England\r\nShe-Painting, East-West Gallery, Romanian Cultural Center, New York, New York\r\nFresh Works, A Celebration of Virginia Photography, 1708 Gallery, Richmond, Virginia\r\n7th Biennial Juried Competition in Southeastern Photography, Crealdé School of Art, Winter Park, Florida\r\n1999 1st Annual Richard Nagler Photography Competition, Judas Magnes Museum, Berkeley, California\r\n\r\nPublications — Books, Magazines, and Journals:\r\n\r\n2012 Of The Afternoon Magazine, Issue Number 1, November(on press)\r\nChinese Photographers Magazine, April issue, photo essay pp. 36-43, Beijing, China\r\n2011 The Color of Hay: The Peasants of Maramures, McLaughlin, Kathleen Laraia and McLaughlin, Henry, \r\nOceanic Graphic Printing, Hong Kong, China\r\nLensWork #95, July/August issue, reproductions pp. 75-91, Anacortes, Washington\r\nLensWork Extended #95, multimedia publication, 39 images and audio interview, Anacortes, Washington\r\nPDN Magazine, reproduction, February\r\n2010 Gastronomica: The Journal of Food and Culture, University of California Berkeley Press, Vol. 10, Number 1, photo essay, Winter\r\n2007 Fotofile, Number 52, reproduction of portfolio, Long Island, New York\r\n2006 Rangefinder Magazine, December issue, reproduction, Santa Monica, California\r\nB\u0026W Magazine, Special Portfolios Issue, reproduction of portfolio, June, Arroyo Grande, California\r\nPhotomedia CenterInsight Magazine, reproduction of portfolio, Erie, Pennsylvania\r\n2005 B\u0026W Magazine, reproduction, December Annual , Arroyo Grande, California\r\nSHOTS 89, reproductions, Autumn, Minneapolis, Minnesota\r\n2004 fotogrid, reproduction, Spring ,Vol. 1, Los Angeles, California\r\n2003 The Times Saturday Magazine, “The Last Peasants of Europe,” cover and photo essay), March 8, \r\n2003, London, England\r\n2003 LensWork #44, cover and portfolio, January, Anacortes, Washington\r\n2002 New Rag Rising Magazine, Winter issue, photographic essay, High Point, North Carolina\r\n\r\nPublications - Selected Reviews and Articles:\r\n\r\n2012 Curto, Jeff, “Photographer’s Bookshelf: The Color of Hay,” Camera Position 117: A Podcast About the Creative Side of Photography, November\r\nPetrescu, Cristina, “Sapte Sfaturi Pentru Fotograful Documentarist aspirant (Seven Tips for Aspiring Documentary Photographers,)” ParagrAFF, October 18\r\nRobinson, Abby, “The Color of Hay: The Peasants of Maramures,” book review, PDNedu \r\nMagazine, Spring\r\n2012 Casper, Jim, “The Color of Hay: The Peasants of Maramures,” book review, LensCulture Online Magazine\r\n2011 Smithson, Aline, “Success Stories: Kathleen Laraia McLaughlin,” March, Lenscratch Blog\r\nSchwartz, Erin, “Your Photo of the Day: The Color of Hay,” March 3, Photo Stories from National Public Radio\r\nEditors of the Bureau of Educational Affairs, “Preserving the Culture of Modernizing Villages \r\nThrough Photography,” The Fulbright Program\r\nMcWhorter, Melanie, “The Color of Hay,” book review, photo-eye, Santa Fe, New Mexico\r\nStockdale, Doug, “The Color of Hay,” book review, The PhotoBook Blog, October\r\nStefanut, Laura, “FOTO Doi Americani in Maramuresul Binecuvantat (PHOTO: Two Americans in Blessed Maramures,)” Romania Libera, April 7\r\nDeHart, Theo, “The Color of Hay,” book review, Dot Photozine, October\r\nGriggs, Tom, “f100: Jason Francisco, Kathleen Laraia McLaughlin, Alex Leme, and Raoul \r\nGatepin,” fototazo Online Magazine\r\n2009 McWhinnie, Ailsa, “Time Capsule,” Black + White Photography Magazine, feature article and photo \r\nessay, East Sussex, England\r\nButters, Mary Jane, “Makin’ Hay in Romania,” Mary Jane Farm Magazine, feature article and photo essay, August-September issue, Norwalk, Connecticut\r\n2006 Ericson, Misty, “Kathleen Laraia McLaughlin: A Year of Days,” Her Circle Magazine: A Magazine For Women’s Creative Arts and Activism\r\n2004 Pederson, Sylvie, “Three Artist Show at Maude Kerns Art Center,” Eugene Weekly, January 29\r\n2003 Marinescu, Veronica, “Kathleen Laraia McLaughlin, O Fotorafa din America, pe Urmele Taranilor \r\ndin Maramures (An American Photographer Following the Maramures Peasants),” Curierul National, April 20\r\n\r\nPublications – Exhibition Catalogs and Brochures:\r\n\r\n2012 Exhibition Catalog, A Survey of Documentary Styles in Early 21st Century Photobooks, Indie \r\nPhotobook Library, curated by Darius Himes and Larissa Leclair\r\n2011 Brochure, Romania, Atlantic Tour, Bucharest, Romania\r\n2006 Brochure, B\u0026W Magazine, Arroyo Grande, California, reproduction\r\n2004 Exhibition Catalog, Humanity Photo Awards: World Folklore Photographers Association, Beijing, China\r\n2002 Annual Photo Exhibition Catalog, The Photo Review, Langhorne, Pennsylvania reproduction\r\nExhibition Brochure, Contemporary Photography in Virginia, Western Virginia Museum of Art, Roanoke, Virginia\r\n145th International Print Exhibition Catalogue, Royal Photographic Society, Bath, England,\r\nreproduction of photograph\r\n2001 Exhibition Catalog, 7th Biennial Juried Competition in Southeastern Photography, Winter Park, \r\nFlorida, reproduction\r\n\r\nLectures, Symposiums, and Workshops\r\n\r\n2012 “Teaching the History of Photography,” VASA Project Online Media Studies, part of the \r\nTeaching Photography Certificate Program (5-weeks online workshop) \r\n“Documentary Photography: What Compels Us to Photograph,” Master Class Lecture, ASTRA \r\nInternational Film Festival, Sibiu, Romania \r\n“Current Trends in Contemporary Photography,” Lecture, National University of Arts, \r\nBucharest, Romania\r\n“In My Back Yard,” Lecture and Artist Talk, Sapientia University, Cluj-Napoca, Romania\r\n2012 “The Color of Hay: The Peasants of Maramures, “ Artist Talk, Museum of the Romanian Peasant,  Bucharest, Romania\r\n“Documentary Photographic Styles in the Early 21st Century,” Panel with Todd Hido, Darius \r\nHimes, and Eric W. Carroll, Indie Photobook Library at Gallery Carte Blanche, San Francisco, California\r\n“The Public and Private Spaces of Village Life,\" Image Maker Presentation, Society for \r\nPhotographic Education National Conference, San Francisco, California\r\n2011 “Folk Culture and Non-material Heritage,” Panel with Laura Moya and Nancy Newberry, Xiang \r\nSha Wan Photo Week, Inner Mongolia, China\r\n“Villages in Transition in the European Union,” Image Maker Presentation, Society for \r\nPhotographic Education Western Regional Conference, Cabrillo College, Santa Cruz, California\r\n“The Color of Hay: The Peasants of Romania,” Artist Talk, Cleveland Public Library, Washington, \r\nDistrict of Columbia\r\n“The Color of Hay: The Peasants of Maramures,” Artist Talk, Romanian Consulate, Los Angeles, \r\nCalifornia\r\n“The Color of Hay: The Peasants of Maramures,” Lecture, Mingei International Folk Art \r\nMuseum, San Diego, California\r\n“Traditions and Change,” Lecture, University of California Los Angeles Romanian Language \r\nClub, Los Angeles, California\r\n“The Color of Hay,” Artist Talk, Park West Camera Club, New York, New York\r\n2008 Invited Guest Lecturer as part of Smithson’s Next Step class, Julia Dean Photo Workshops,\r\nMarina del Ray, California\r\n2005 “Travel Photo Workshop to Transylvania, Romania,” Julia Dean Photo Workshops, Marina del \r\nRay, California\r\n2004 “A Year of Days,” Image Maker Presentation, Society for Photographic Education Western \r\nRegional Conference, Art Center College of Design, Pasadena, California\r\nArtist Talk, University of Wisconsin, Green Bay, Wisconsin\r\nArtist Talk, Dalton State College, Dalton, Georgia\r\n2003 “Documenting Village Life in Transition,” Lecture, East Meets West Symposium, Romanian \r\nFulbright Commission, Sibiu, Romania\r\n2001 “A Contactful Life: Maramures,” Image Maker Presentation, Society for Photographic Education \r\nSoutheast Regional Conference, Hampton, Virginia\r\n\r\nMembership in Professional Organizations\r\n\r\n1997-present Society for Photographic Education\r\n2011-present College Arts Association\r\n2004-2006 Houston Center for Photography\r\n2001-2004 Silver Eye Center for Photography\r\n\r\nCollections\r\n\r\nMuseum of Photographic Art, San Diego, California\r\nWestern Virginia Museum of Art, Roanoke, Virginia\r\nBeinecke Rare Book and Manuscript Library at Yale University\r\nJudas Magnes Museum, Berkeley, California\r\nUnited States Embassy, Bucharest, Romania\r\nVirginia Commonwealth University, Richmond, Virginia\r\nIndie Photobook Library, Washington, District of Columbia\r\nASTRA International Museum Complex, Sibiu, Romania\r\n\r\nProfessional Services\r\n\r\n2013 Portfolio Reviewer, Society for Photographic Education National Conference, Chicago\r\nJudging Panel, Reflections Program 2012-13 “The Magic of the Moment,” California State Parent Teacher Association\r\n2012 Portfolio Reviewer, Society for Photographic Education National Conference, San Francisco\r\n2008-2010 Co-Chair, Society for Photographic Education West Regional Conference\r\n• Worked with co-chairto make conference arrangements/set schedule of events\r\n• Reviewed proposals for conference lectures\r\n• Compiled and revised program abstracts and lecturer bios for the program\r\n• Developed and ran the Vendor Showcase\r\n• Coordinated student volunteers\r\n2008 Portfolio Reviewer, Society for Photographic Education National Conference, Denver\r\n2006-2008 Secretary, Society for Photographic Education West Regional Conference\r\n• Worked with board members to make conference arrangements/set schedule of \r\nevents\r\n• Reviewed proposals for conference lectures\r\n• Compiled and revised program abstracts and lecturer bios for the program\r\n• Led Student Competitions and obtained $7,000 value in awards\r\n• Worked with co-chairs to oversee entire event","user_id":608,"name":"Kathleen Laraia McLaughlin","website":""},{"id":651,"bio":"Alexandra Pace (b.1977, Malta) started her career in photography through her curiosity as an observer of the world around her. After successfully navigating both the art world and commercial photography in Malta for over ten years, she moved to London, where she is currently studying for a Masters Degree at Central Saint Martins College of Art \u0026 Design. \r\n\r\nPeople feature heavily in her work, whether it is in portraiture, bodies swirling underwater or a bunch of naked boys frolicking around with balloons, silly string and superhero or villain masks. Her more recent work turns its attention on issues of artifice and representation in photography as well as a questioning of the medium itself.\r\n\r\nShe has held four solo exhibitions, the most recent of which was staged in a four-story rehabilitated Valletta townhouse which in turn became an artist-run space by herself. She has also exhibited at Rencontres d’Arles, the annual photography festival held in Arles (France), Nuit Blanche in Paris and Circle de Bellas Artes in Madrid. Her work has been featured in a number of publications including the recent bid book that earned Malta the title of Capital of Culture 2018.","user_id":651,"name":"Alexandra Pace","website":""},{"id":610,"bio":"Fellowships/Grants:\r\n\r\nIndividual Artist Fellowship-Video, Ohio Arts Council, 1999. \r\nCintas Foundation Fellowship-Photography, Institute of International Education, 1995-1996.\r\nIndividual Artist Fellowship-Photography, Ohio Arts Council, 1995. \r\nIndividual Artist Fellowship-Creative Writing, Ohio Arts Council, 1995. \r\nUniversity Seed Grant, Ohio State University, 1991.\r\nIndividual Artist Fellowship-Photography, National Endowment for the Arts, 1990.\r\nIndividual Artist Fellowship-Photography, Ohio Arts Council, 1990. \r\nIndividual Artist Fellowship-Creative Writing, Ohio Arts Council, 1990. \r\nIndividual Artist Fellowship-Photography, National Endowment for the Arts, 1986.\r\nGuggenheim Photography Fellowship, 1985.\r\nPhotography Fellowship, New York Foundation for the Arts, 1985.\r\nEmerging Photography Fellowship, National Endowment for the Arts, 1981.\r\nCAPS Photography Fellowship, New York State, 1981.\r\n\r\nCollections:\r\n\r\nMuseum of Modern Art, New York City.\r\nMetropolitan Museum of Art, New York City.\r\nLos Angeles County Museum of Art, Los Angeles.\r\nSan Francisco Museum of Modern Art, San Francisco.\r\nMuseum of Fine Arts, Boston.\r\nFogg Museum, Harvard University, Cambridge, MA.\r\nColumbus Museum of Art, Columbus, OH.\r\nAddison Gallery of American Art, Andover, MA.\r\nToledo Museum of Art, Toledo, Ohio.\r\nFort Lauderdale Museum of Art, Fort Lauderdale, Florida.\r\nKalamazoo Institute of Arts, Kalamazoo, Michigan.\r\nFirst National Bank of Chicago, Chicago, Illinois.\r\n\r\nSelected Exhibitions: Photography/Video:\r\n\r\nCalifornia Museum of Photography, Dog Days of Summer, June-Sept. 2004.\r\nMuseum of Art, Fort Lauderdale, Cats and Dogs and Other Stories, (one person show) February-June 2004. \r\nColumbus Museum of Art, Tony Mendoza, Photographs, Words, Video. January-May 2003. A Twenty year retrospective show.\r\nColumbus Museum of Art, A Thousand Hounds. October-January 2003. \r\nFlorida International University, Tony Mendoza, (one person) North Miami, Florida, 2001.\r\nLa Luz: Contemporary Latino Art in the United States, National Hispanic Cultural Center, Albuquerque, N.M., October, 2000\r\nLatin American Artist-Photographers, Museo del Barrio, New York City. October 2000.\t\r\nGeneration Ñ, New Latino Films and Videos, Guggernheim Museum, New York City, April 2000.\r\nMy Father's Lunch, New York Expo for Short Films and Videos. December 1999.\r\nTheater of Memory, Centro Cultural Español, Miami, Florida, 1999. One person.\r\nMy Father's Lunch, Los Angeles Latino International Film Festival, October, 1999. \r\nCuba: Going Back, New York Video Festival, Lincoln Center, July 1998.\r\nLehigh University Art Gallery, Lehigh, PA, 1998. One person.\t\r\nRecent Work by Fourteen Ohio Photographers, Columbus Museum of Art, Sept-January, 1997.","user_id":610,"name":"Tony Mendoza","website":"www.tonymendozaphoto.com"},{"id":612,"bio":"Duane Michals (b. 1932, McKeesport, PA) is one of the great photographic innovators of the last century, widely known for his work with series, multiple exposures, and text.\n\nMichals first made significant, creative strides in the field of photography during the 1960s. In an era heavily influenced by photojournalism, Michals manipulated the medium to communicate narratives. The sequences, for which he is widely known, appropriate cinema’s frame-by-frame format. Michals has also incorporated text as a key component in his works. Rather than serving a didactic or explanatory function, his handwritten text adds another dimension to the images’ meaning and gives voice to Michals’s singular musings, which are poetic, tragic, and humorous, often all at once.\n\nOver the past five decades, Michals’s work has been exhibited in the United States and abroad. The Museum of Modern Art, New York, hosted Michals’s first solo exhibition (1970). More recently, he has had one-person shows at the Odakyu Museum, Tokyo (1999), and at the International Center of Photography, New York (2005). In 2008, Michals celebrated his 50th anniversary as a photographer with a retrospective exhibition at the Thessaloniki Museum of Photography, Greece and the Scavi Scaligeri in Verona, Italy.\n\nIn recognition of his contributions to photography, Michals has been honored with a CAPS Grant (1975), a National Endowment for the Arts Fellowship (1976), the International Center of Photography Infinity Award for Art (1989), the Foto España International Award (2001), and an Honorary Doctorate of Fine Arts from Montserrat College of Art, Beverly, Mass. (2005).\n\nMichals's work belongs to numerous permanent collections in the U.S. and abroad, including the Israel Museum, Jerusalem; the J. Paul Getty Museum, Los Angeles; the Metropolitan Museum of Art, New York; the Moderna Museet, Stockholm; the Museum of Modern Art, New York; the National Museum of Modern Art, Kyoto; and the Philadelphia Museum of Art. Michals's archive is housed at the Carnegie Museum of Art, Pittsburgh.\n\nMonographs of Michals's work include Homage to Cavafy (1978); Nature of Desire (1989); Duane Michals: Now Becoming Then (1990); Salute, Walt Whitman (1996); The Essential Duane Michals (1997); Questions Without Answers (2001); The House I Once Called Home (2003) and Foto Follies / How Photography Lost Its Virginity on the Way to the Bank (2006). Forthcoming publications include 50 (Admira Photography, June 2008); a collection of Michals’s writing (Delpire Editeur, Fall 2008); and his Japanese-inspired, color photographs (Steidl, Fall 2008).\n\nMichals received a BA from the University of Denver in 1953 and worked as a graphic designer until his involvement with photography deepened in the late 1950s. He currently lives and works in New York City.","user_id":612,"name":"Duane Michals","website":"www.dcmooregallery.com/artists/duane-michals"},{"id":623,"bio":"James Mollison was born in Kenya in 1973 and grew up in England. After studying Art and Design at Oxford Brookes University, and later film and photography at Newport School of Art and Design, he moved to Italy to work at Benetton’s creative lab, Fabrica. Since August 2011 Mollison has been working as a creative editor on Colors Magazine with Patrick Waterhouse. In 2009 he won the Royal Photographic Society’s Vic Odden Award, for notable achievement in the art of photography by a British photographer aged 35 or under. His work has been widely published throughout the world including by Colors, The New York Times Magazine, the Guardian magazine, The Paris Review, GQ, New York Magazine and Le Monde. His latest book Where Children Sleep was published in November 2010- stories of diverse children around the world, told through portraits and pictures of their bedroom. His third book, Disciples was published in 2008 – panoramic format portraits of music fans photographed before and after concerts. In 2007 he published The Memory of Pablo Escobar- the extraordinary story of ‘the richest and most violent gangster in history’ told by hundreds of photographs gathered by Mollison. It was the follow-up to his work on the great apes – widely seen as an exhibition including at the Natural History Museum, London, and in the book James and Other Apes (Chris Boot, 2004). Mollison lives in Venice with his wife and son.","user_id":623,"name":"James Mollison","website":"www.jamesmollison.com"},{"id":624,"bio":"Hi there, at school I learned the traditional techniques of the darkroom print\nI still use colour \u0026amp; black \u0026amp; white film in my darkroom for projects to this day.\nBeing a typical gemini i have two fashion styles, one is a love for rough looking grunge style, and the other is for clean \u0026amp; bright.\nMy portrait work i do natural light indoor \u0026amp; outdoor for casual portraits \u0026amp; studio for corporate magazines \u0026amp; corporate portraits.\nI also have a new wedding site! andrewrmoore weddings so please check out my reportage style wedding photography.\nI'll be looking to do some more fine art photography in the future so keep an eye out for more links, I hope you enjoy my work and check out my blog for updates. take care! - andrew","user_id":624,"name":"Andrew Moore","website":"www.andrewrmoore.com"},{"id":625,"bio":"Katharina Mouratidi\r\nborn 1971\r\nlives and works as a photographer and artist in Berlin, Germany\r\n\r\nEducation and Career:\r\nSince 2013\tElected member German Photographic Association (DGPh)\r\nSince 2008\tExecutive director Society of Humanistic Photography (GfHF)\r\nSince 2001\tPhotographer and Artist\r\n1999–2001\tMaster's Degree in Fine Arts and postgraduate studies of Visual Communication, Art College Berlin-Weissensee\r\n1993–1999\tStudy of Fine Arts, Art College Berlin-Weissensee\r\n\r\nSolo Exhibitions:\r\n2013\t\"Backstage Heroes - Alternative Nobel Prize Laureates\"\r\n \tPalau Robert, Barcelona, Spain\r\n2012\t\"Backstage Heroes - Alternative Nobel Prize Laureates\"\r\n \tArs Electronica Festival, Linz Austria\r\n \tRheinisches Landesmuseum, Bonn, Germany\r\n\"The Other Globalisation\"\r\n \tMuseum Arbeitswelt, Steyr, Austria\r\n2011\t\"The Other Globalisation\"\r\n \tGoethe-Institute, Athens, Greece\r\n2010\t\"Katharina Mouratidi, Reportagen 2000 - 2010\"\r\n \tLoftgalerie Peter Gregor, Berlin, Germany\r\n2009\t\"Sarayacu – a village in resistance to oil drilling\"\r\n \tURANIA, Berlin, Germany\r\n2007\t\"The Other Globalisation\"\r\n \tMelkweg Gallery, Amsterdam, Netherlands\r\n2006\t\"The Other Globalisation\"\r\n \tPhotokina, Cologne, Germany\r\n \tFoto\u0026Photo, photography festival, Cesano Maderno, Italy (catalogue)\r\n \t\"Breast Cancer\"\r\n \tLianzhou International Photo Festival, Lianzhou, China (catalogue)\r\n2005\t\"The Other Globalisation\"\r\n \tPotsdamer Platz, Berlin, Germany\r\n \tMain train station, Stuttgart, Germany\r\n2004\t\"Breast Cancer – Faces\"\r\n \tThessaloniki Museum of Photography, Greece (catalogue)\r\n2003\t\"Breast Cancer\"\r\n \tRencontres Photographiques du Mois d’Octobre, Orthez, France (catalogue)\r\n \tGallery \"Le Bar Floréal\", Paris, France\r\n2002\t\"Breast Cancer\"\r\n \tExposure, photography festival, Hereford, Great Britain (catalogue)\r\n \tMuseum der Arbeit, Hamburg, Germany\r\n \tForum de l´Image, Musée de l´Histoire de la Médecine, Toulouse, France\r\n \tPrimavera Fotográfica, La Capella de l´Antic Hospital de la Santa Cruz, Barcelona, Spain (catalogue)\r\n2001\t\"Breast Cancer – Faces\"\r\n \tCentral Library, Mahón, Menorca, Spain\r\n \tDreikönigskirche, Dresden, Germany\r\n\r\nExhibition Participation:\r\n2014\tWissenschaftspark, Gelsenkirchen, Germany\r\n\"The Critical Camera\"\r\n2013\tBallarat International Foto Biennale, Ballarat, Australia\r\n\"Breast Cancer\"\r\nKunstverein Tiergarten, Berlin, Germany\r\n\"Kunst jetzt Draußen\"\r\nSchwules Museum, Berlin, Germany\r\n\"Transformation\"\r\n2012\t11th International Photography Festival, Aleppo, Syria\r\n\"Global Change - Personal Story\"\r\nKunstverein Tiergarten, Berlin, Germany\r\n\"The Critical Camera\"\r\nSala de Columnas, Logrono, Spain\r\n\"¿Heroínas o víctimas? Mujeres que conviven con el cáncer\"\r\n2011\tMuseo de Arte Moderna, Rio de Janeiro, Brazil\r\n\"Fotografias Coleção Joaquim Paiva\"\r\nFotomanias, festival of photography, Malaga, Spain\r\n\"¿Heroínas o víctimas? Mujeres que conviven con el cáncer\"\r\n2010\tTrinity Church Museum, New York, USA\r\n\"Picturing an Ethical Economy\"\r\n2009\tSoutheast Museum of Photography, Daytona Beach, USA\r\n\"Recent Acquisitions\"\r\n \tXIII Bienal de Fotografia, Mexico City, Mexico\r\n\"Discoveries of the Meeting Place\"\r\n \tEspai Cultural Caja Madrid, Barcelona, Spain\r\n\"Mujeres abriendo caminos\"\r\n2008\tBumbershoot Festival, Seattle, USA\r\n\"The Power of One\"\r\n \tTomo Art Center, Bejing, China\r\n\"Retrospection Lianzhou 2005-2007\"\r\n \tGalerie Nord/Kunstverein Tiergarten, Berlin, Germany\r\n\"Querköpfe\"\r\n \tFotologia 6, Festival Internacional de Fotografia, Bogota, Columbia\r\n\"Breast Cancer\"\r\n \tMelkweg Gallery, Amsterdam, The Netherlands\r\n\"Sustainability and Transparency\"\r\n \tFotoFest Houston, Texas, USA\r\n\"Discoveries of the Meeting Place\" (catalogue)\r\n2007\tGeorge Eastman House, Rochester, USA\r\n\"What We're Collecting Now\"\r\n2006\tMuseum of Photography, Thessaloniki, Greece\r\nPhotosynkyria - 18th international festival of photography\r\n\"Post.doc\" (catalogue)\r\n \tTsihritzis Foundation of the Visual Arts, Athens, Greece\r\n\"The Photographic Portrait: From Trace to Allegory\" (catalogue)\r\n \tMaison d´ Art Bernard Anthonioz, Nogent-sur-Marne, France\r\n\"m+m \u0026 friends\" (catalogue)\r\n \tLes Rencontres d´Arles, photography festival Arles, France\r\n\"Photo Folio Gallery\"\r\n2005\tFotogalerie Wien, Vienna, Austria\r\n\"REALITÄTEN I: MACHTFAKTOR WIRTSCHAFT\" (catalogue)\r\n2004\tSalon MIPS 2004, Paris, France\r\n\"regard rebelle\"\r\n \tKunstverein Tiergarten, Berlin, Germany\r\n\"ich, du, er, sie, es – corporate genders\"\r\n \tMusée d´art et d´histoire, Geneve, Switzerland\r\n\"La collection M+M Auer\"\r\n2003\tZentral- und Landesbibliothek, Berlin, Germany\r\n\"Die 100 besten Plakate 2002\" (\"The 100 Best Placards 2002\", catalogue)\r\n2002\tFotogalerie Wien, Vienna, Austria\r\n\"THEMA:FRAUEN:THEMA\" (catalogue)\r\n \tGalerie d´Art Du Conseil Général des Bouches-du-Rhone, Aix-en-Provence, France\r\n\"Femmes – femmes. Regards de femmes – Femmes regardées\" (catalogue)\r\n \tMuseum für Kunst und Gewerbe, Hamburg, Germany\r\n\"Nackt\" (catalogue)\r\n2001\tZentral- und Landesbibliothek, Berlin, Germany\r\n\"Die 100 besten Plakate 2000\" (\"The 100 Best Placards 2000\", catalogue)\r\n\r\nCollections:\r\nGeorge Eastman House, Rochester, USA\r\nLianzhou Photography Museum, Lianzhou, China\r\nMuseum für Kunst und Gewerbe, Hamburg, Germany\r\nKunstmuseum Dieselkraftwerk, Cottbus, Germany\r\nThessaloniki Museum of Photography, Greece\r\nMusée de la Photographie, Charleroi, Belgium\r\nSoutheast Museum of Photography, Daytona Beach, USA\r\nCollection Museu de Arte Moderna, Rio de Janeiro, Brazil\r\nCollection M+M Auer, Switzerland\r\n \r\nTeaching Assignments and Lectures:\r\n2012         \t Teaching assignment\r\nArt-College Berlin, Department of Visual Communication, Berlin, Germany\r\n2011-2012\tTeaching assignment\r\nOstkreuzschule für Fotografie und Gestaltung, Berlin, Germany\r\n2011\tVisiting professorship\r\nArt-College Berlin, Department of Visual Communication, Berlin, Germany\r\n\r\nLecture\r\nGoldsmiths, University of London, Great Britain\r\n\r\nWorkshop\r\nFotomanias, festival of photography, Malaga, Spain\r\n2009-2010\tTeaching assignment\r\nArt-College Berlin, Department of Visual Communication, Berlin, Germany\r\nArt-College Berlin, Department Raumstrategien, Berlin, Germany\r\n\r\nScholarships/Grants:\r\n2009\tProject grant Maecenia-Foundation, Germany\r\nProject grant Heinrich-Böll-Foundation, Germany\r\n\"Ideenwettbewerb Lateinamerika\", Bundeszentrale für politische Bildung, Germany\r\n2008\t\"Etwas bewegen\", Grant awarded by the \"Hopfner-Foundation\", Germany\r\n2007\t\"Alternative Media Prize 2007\", Germany\r\n2006\t\"Photography Now - one hundred portfolios\", Wright State University, USA\r\n \t\"Prix de l´Édition Photo Service\", Rencontres d´Arles, France\r\n2004\tProject grant VG Bild-Kunst, Germany\r\n2003\tCompetition Winner, \"Die 100 besten Plakate 2002\" (\"The 100 Best Placards 2002\") for the series \"The Other Globalisation\"\r\n2002\tNaFöG-grant (grant awarded by the Berlin City Council)\r\n2001\t\"German Study Prize\" awarded by the \"Koerber-Foundation\" for the series \"Breast Cancer\"\r\n \tDiploma of Honour, \"Die 100 besten Plakate 2000\" (\"The 100 Best Placards 2000\") for the series \"Breast Cancer\"\r\n1999–2001\tStudy scholarship awarded by the \"Heinrich-Böll-Foundation\"\r\n1997\tDAAD/Erasmus scholarship","user_id":625,"name":"Katharina Mouratidi","website":""},{"id":654,"bio":"Adam Panczuk (1978) lives in Warsaw. In his work he travels to wherever he finds an interesting subject. He studied at the University of Economics and photography at the Multimedia Communication Department of the Academy of Fine Arts in Poznan. With his projects Panczuk seems to be asking questions, at the same time directly and metaphorically, about identity, consciousness and attitude towards life of the people he meets along the way. His unique skill to tell gripping yet intimate stories with images has won him many prestigious awards to date. Pictures of the Year International, Magnum Expression Award, Grand Press Photo. He published in: National Geographic, Newsweek, British Journal of Photography, Le Monde, Esquire, OyodePez, Geo Magazine, Polityka , Malemen, DF Gazeta Wyborcza.","user_id":654,"name":"Adam Panczuk","website":"adampanczuk.pl"},{"id":640,"bio":null,"user_id":640,"name":"Luca Nostri","website":null},{"id":646,"bio":null,"user_id":646,"name":"Dee O'Connell","website":null},{"id":647,"bio":null,"user_id":647,"name":"Erwin Olaf","website":null},{"id":650,"bio":"For the past six years Gallery 16 and Urban Digital Color have been collaborating with Internationally acclaimed artist Deborah Oropallo to produce a series of works which are hybrid prints. Here she continues to use the computer and contemporary digital printmaking methods in combination with her signature painting techniques. \r\n\r\nAs in her past work Oropallo appropriates images from everyday life to use as subject matter but in this ongoing work, images from domestic settings are replaced with rubber gloves, boarded up houses, and toy guns. \r\n\r\nThe prints are made by creating an image using digital photography which is then digitally manipulated and ultimately printed on a German printmaking paper using a pigment-based process. These digital prints are then taken into the artist's studio where she works over them with encaustic and oil paint to create a layered surface. Not only are the results formally compelling, but layers of content are added to the work. \r\n\r\nEDUCATION \r\nM.F.A., University of California, Berkeley, CA 1983 \r\nM.A., University of California, Berkeley, CA 1982 \r\nB.F.A., Alfred University, Alfred, NY, 1979 \r\n\r\nSELECTED AWARDS \r\n2007 \r\nHigh Fiber, The Katzen American University Museum, Washington, D.C. \r\n\r\n2006 \r\nPaul G. Allen Foundation grant in support of solo show at Boise Art Museum, Boise, Idaho \r\n\r\n2005 \r\nPollock-Krasner Foundation Award Recipient \r\n\r\n1998 \r\nModern Masters Award from the Museum of Art and Environment, Frank Lloyd Wright Marin County Civic Center, California \r\n\r\n1993 \r\nFleischhacker Award \r\n\r\n1991 \r\nNational Endowment for the Arts Award \r\n\r\n1990 \r\nArt Space, Grant, San Francisco, CA \r\nCalifornia Arts Council Grant \r\n\r\n1988 \r\nArt Space, Support Grant, San Francisco, CA \r\n\r\n1987 \r\nEngelhard Award, Institute of Contemporary Art, Boston, MA \r\n\r\n1983 \r\n22nd Annual Art Exhibit, HAFA, Second Place, Hayward, CA \r\n\r\n1982 \r\nRichmond Art Center Award, Small Format Show, Richmond, CA \r\nAnn Bremer Award, University of California, Berkeley, CA \r\n\r\n1981 \r\nCalifornia State Fair Art Exhibition, Honorable Mention, Sacramento, CA \r\nCalifornia State Fair Art Exhibition, Second Place, Sacramento, CA \r\n\r\n1978 \r\nCollege Register Certificate of Recognition, Alfred University, Alfred, NY \r\nMichael Cory Levins Sculpture Award, Alfred University, Alfred, NY \r\n\r\n1977 \r\nF.C.-J.C. Fine Art Award, Alfred University, Alfred, NY \r\n\r\nSELECTED SOLO EXHIBITIONS \r\n2009 \r\nWild Wild West Show, Stephen Wirtz Gallery, San Francisco, CA \r\nWild Wild West Show, Gail Severn Gallery, Sun Valley, ID \r\n\r\n2008 \r\nFeign, Stephen Wirtz Gallery, San Francisco, CA \r\nGuise, Gallery 16, San Francisco, CA \r\n\r\n2007 \r\nGuise, deYoung Museum, San Francisco, CA \r\nKink, Scott White Contemporary Art, San Diego, CA \r\nHead to Head,Gail Severn Gallery, Sun Valley, ID \r\n\r\n2005-2006 \r\nDeborah Oropallo, Boise Art Museum, ID \r\nBy and Large,Gail Severn Gallery, Sun Valley, ID \r\n\r\n2005 \r\nStretch, Stephen Wirtz Gallery, San Francisco, CA \r\nPitfalls, Modernism West, San Francisco, CA \r\n\r\n2004 \r\nReplica, Stephen Wirtz Gallery, San Francisco, CA \r\n\r\n2002 \r\nGeneral Purpose, Weinstein Gallery, Minneapolis, MN \r\nOropallo on Paper: 1990-2001, Montalvo Gallery, Saratoga, CA \r\nHow To: The Art of Deborah Oropallo, San Jose Museum of Art, Traveling Exhibition. Other venues: Museum of Glass: International Center for Contemporary Art, Tacoma, WA; Palm Springs Desert Museum, CA \r\nMaterial Handling, Stephen Wirtz Gallery, San Francisco, California \r\n\r\n2000 \r\nNew Paintings and New Prints, James Harris Gallery, Seattle, WA \r\n\r\n1998 \r\nHouse \u0026 Garden, Stephen Wirtz Gallery, San Francisco, CA \r\nHouse \u0026 Home, Weinstein Gallery, Minneapolis, MN \r\n\r\n1997 \r\nInstitute of Contemporary Art, Maine College of Art, Portland, MN \r\nDeborah Oropallo: Prints \u0026 Monoprints, Pasadena City College, Pasadena, CA \r\nFlat Pictures, Stephen Wirtz Gallery, San Francisco, CA \r\n\r\n1996 \r\nZolla/Lieberman Gallery, Chicago, IL \r\n\r\n1995 \r\nLessons, Stephen Wirtz Gallery, San Francisco, CA \r\n\r\n1994 \r\nSelections from the Anderson Collection, San Jose Museum of Art, San Jose, CA \r\n\r\n1993 \r\nStephen Wirtz Gallery, San Francisco, CA \r\nKate Block Fine Arts, Boston, MN \r\n\r\n1992 \r\nWeatherspoon Gallery, University of North Carolina, Greensboro, NC \r\nAnn Jaffee Gallery, Bay Harbor Island, FL \r\n\r\n1991 \r\nGreenville County Museum of Art, Greenville, SC \r\nGermans van Eck Gallery, New York, NY \r\n\r\n1990 \r\nCurrents/Deborah Oropallo, Institute of Contemporary Art, Boston, MA \r\nVik Muniz/Deborah Oropallo, Stephen Wirtz Gallery, San Francisco, CA (solo) \r\n1990 Grant for Individual Artist: Painting Award Exhibition, Artspace, San Francisco, CA \r\n\r\n1988 \r\nStephen Wirtz Gallery, San Francisco, CA \r\n\r\n1987 \r\nMemorial Union Art Gallery, University of California, Davis, CA \r\nOropallo/Pijoan, Raab Gallerie, Berlin, Germany (solo) \r\n\r\n1986 \r\nStephen Wirtz Gallery, San Francisco, CA \r\n\r\nSELECTED GROUP EXHIBITIONS \r\n2009 \r\nConjuring Houdini, The Jewish Museum, New York, NY \r\nTech Tools of the Trade: Contemporary New Media Art, deSaisset Museum, Santa Clara University, Santa Clara, CA \r\nMagnolia Tapestry Project, FCMOCA, Fort Collins, CO \r\nDress Code, FCMOCA, Fort Collins, CO \r\nOpen Project Photography, Zane Bennett Gallery, Santa Fe, NM \r\nInaugural Exhibition, Melissa Morgan Fine Art, Palm Desert, CA \r\n\r\n2008 \r\nThese are the People in Your Neighborhood, Gallery 16 15th Anniversary Group Show, Gallery 16, San Francisco, CA \r\n\r\n2006 \r\nSuburban Escape: The Art of California Sprawl, San Jose Museum of Art, San Jose, CA \r\n\r\n2005 \r\n10th Anniversary Exhibition, Gallery 16, San Francisco, CA \r\nRecent Editions, Gallery 16, San Francisco, CA \r\nPlayful Poetics, Oakland Art Gallery, Oakland, CA \r\nA Group of Mostly Unrelated Things, Gallery 16, San Francisco, CA \r\n\r\n2003-2004 \r\nThe Not-so Still Life: A Century of California Painting and Sculpture, San Jose Museum of Art, San Jose CA \r\n\r\n2003 \r\nGroup Exhibition, In Camera, New York, NY \r\nOn the Surface: Contemporary Paintings by Bay Area Women, Monterey Museum of Art, CA \r\nEight Years: The Editions of Gallery 16, San Francisco, CA \r\nUC Berkeley Art Alumni Group Exhibit 2002, Worth-Ryder Gallery, Berkeley, CA \r\n\r\n2001 \r\nObjects Considered, Bedford Gallery, Dean Lesher Regional Center for the Arts, Walnut Creek, CA \r\nWeinstein Gallery, Minneapolis, MN \r\n\r\n2000 \r\nCelebrating Modern Art: Works from the Anderson Collection, San Francisco Museum of Modern Art, San Francisco, CA \r\n\r\n1999 \r\nNew Work: Painting Today, Recent Acquisitions, San Francisco Museum of Modern Art, San Francisco, CA \r\nInto the 21st Century: Selections from the Permanent Collection, San Jose Museum of Art, San Jose, CA \r\nMuseum Pieces: Bay Area Artists Investigate the de Young, M.H. de Young Museum, San Francisco, CA \r\nAmerican Artists’ Books Exhibition, California Palace of the Legion of Honor, San Francisco, CA \r\nCalifornia Dreamin’: Contemporary Art from the Bank of America Collection, Bank of America Gallery, Mint Museum of Craft + Design, Charlotte, NC \r\n\r\n1998 \r\nALTERNATIVITY: The Other Side of Christmas, The Jewish Museum, San Francisco, CA \r\nWorks on Paper, Stephen Wirtz Gallery, San Francisco, CA \r\nIn Over Our Heads: The Image of Water in Contemporary Art, San Jose Museum of Art, San Jose, CA \r\nPaper Thin, Stephen Wirtz Gallery, San Francisco, California \r\nArt from Around the Bay: Recent Acquisitions, San Francisco Museum of Modern Art, San Francisco, CA \r\nCalifornia Current, RARE Gallery, New York, NY \r\nMasterworks on Paper from the Collection of George Hopper Fitch, The M.H. de Young Memorial Museum, Fine Arts Museums of San Francisco, San Francisco, CA \r\nHidden Treasures: Contemporary Art from Sonoma County Private Collections, University Art Gallery, Sonoma State University, Rohnert Park, CA \r\nArt Making Book Making Art, The San Francisco Center for the Book, San Francisco, CA \r\n\r\n1997 \r\nWeinstein Gallery, Minneapolis, MN \r\nHeart, Body, Mind, Soul, Recent Acquisitions at Whitney Museum of American Art, New York, NY \r\nFive Fine Arts Presses, Emmie Smock Gallery, San Francisco, CA \r\n\r\n1996 \r\nAmerican Kaleidoscope: Themes and Perspectives in Recent Art, National Museum of American Art, Washington, D.C.\r\nGroup Show, Foster Gallery, University of Wisconsin, Eau Claire, WI \r\nArtist/Books, City College of San Francisco, November 20 - February 20 Palm Springs Desert Museum, Palm Springs, CA \r\n\r\n1995 \r\nTrillium's Graphics The Artists Contemporary Gallery, Hyatt Regency Plaza, Sacramento, CA \r\nBlue, Stephen Wirtz Gallery, San Francisco, CA \r\nWhat's in A Word?, Gallery Concord, Concord, CA \r\n\r\n1994 \r\nU.S.A. ‘Within Limits,’ Documenta, Galleria de Arte, Sao Paulo, Brazil \r\nLyricism and Light, Palo Alto Cultural Center, Palo Alto, CA \r\nOf Dancing Frogs and Altarwings: Animal Allegories in Contemporary Art, John Michael Kohler Arts Center, Sheboygan, WI \r\nSummer Print Show, Okeonos Press, Berkeley, CA White Bird Gallery, Cannon Beach, OR \r\nOld Glory New Story: Flagging the 21st Century, CAPP Street Project, San Francisco, CA \r\nSex Sells, Rena Bransten Gallery, San Francisco, CA \r\nBooks Works: Pacific Center for the Book Arts, 7th Biennial Members Exhibition, San Francisco Public Library, San Francisco, CA \r\n\r\n1993 \r\nDirections in Bay Area Printmaking, Palo Alto, CA \r\nOffices of the Mayor, San Francisco, CA \r\n43rd Corcoran Biennial, Corcoran Gallery of Art, Washington, D.C. \r\nFleishhacker Award Exhibition, San Jose Museum, San Jose, CA \r\nDrawing II, Koplin Gallery, Santa Monica, CA \r\nThe Return of The Cadavre Exquis, Traveling Exhibition: The Drawing Center, New York; The Corcoran Gallery of Art, Washington, D.C.; The Foundation for Contemporary Art, Mexico City, Mexico; The Santa Monica Museum, Los Angeles, CA; and The Forum, St. Louis, MO \r\nIt's a Beautiful Thing, Savage Fine Art, Portland, OR \r\n\r\n1992 \r\nWhy Painting- Part , Susan Cummins Gallery, Mill Valley, CA \r\nCorollaries of Apprehension, California College of Arts and Crafts, Oakland, CA \r\nCalifornia: North and South, Aspen Art Museum, Aspen, CO \r\nPainted Word/Written Image, Greg Kucera Gallery, Seattle, WA \r\nSomewhere Between Image and Text, Krakow Gallery, Boston, MA \r\nSummer Show, Germans van Eck Gallery, New York, NY \r\nVoices, Shea \u0026 Bornstein, Los Angeles, CA \r\nBeyond Just Words: I, Modernism, San Francisco, CA \r\nBay Area Greats, Syntex, Palo Alto, CA \r\nKatie Block Fine Art, Boston, MA \r\n\r\n1991 \r\nHer Story, Oakland Museum, Oakland, CA \r\nContemporary Painting, Wake Forest University, Fine Arts Gallery, Winston-Salem, NC \r\nDrawing Conclusions, Molica Guidarte Gallery, New York, NY \r\nGroup Show, Michael Kohn Gallery, Santa Monica, CA \r\nThe Artist's Hand: Drawings from the Bank of America Collection, a traveling exhibition organized by the Bank of America, San Francisco; San Diego Museum of Contemporary Art, La Jolla, CA; Fisher Gallery, University of Southern California, Los Angeles, CA \r\nDo You Hear What I'm Saying? TransAmerica Pyramid Lobby, San Francisco, CA \r\nErotic Drawing, Artspace, San Francisco, CA \r\nWorks on Paper, Weatherspoon Art Gallery, University of North Carolina, Greensboro, NC \r\nCruciformed, an exhibition organized by the Cleveland Center for Contemporary Art, Cleveland, OH, September 6-November 3, and traveling to: Museum of Contemporary Art, Wright State University, Dayton, OH; Western Gallery, Western Washington University, Bellingham, WA; MacDonald Stewart Centre, Guelph, Ontario, Canada \r\nPrints from Experimental Workshop, University of the Pacific, Santa Clara, CA \r\nGroup Show, Stephen Wirtz Gallery, San Francisco, CA \r\n\r\n1990 \r\n“Prints from Experimental Workshop,” San Francisco, Alpha Gallery, Boston, MA \r\n“Drinking and Driving,” Cleveland Center for Contemporary Art, Cleveland, OH \r\n“Word as Image,” a traveling exhibition organized by the Milwaukee Art Museum, Milwaukee, WI, June 15-August 26, 1990 and traveling to: Oklahoma Museum of Art, Oklahoma City, OK, November 17, 1990-February 2, 1991; Contemporary Art Museum Houston, TX, February 23-May 21, \r\n1991 \r\n“Crossing the Line: Word and Image in Art, 1960-1990,” Montgomery Gallery, Pomona College, Pomona, CA \r\n“Contra-Costa Collects Contemporary,” Bedford Gallery, Regional Center for the Arts, Walnut Creek, CA \r\n“Words as Symbols,” Aldrich Museum of Contemporary Art, Ridgefield, CT \r\n“26th Anniversary Exhibition,” Ann Jaffee Gallery, Bay Harbor Islands, FL \r\n\r\n1989 \r\nFay Gold Gallery, Atlanta, GA \r\n“1989 Biennial Exhibition,” Whitney Museum of American Art, New York, NY \r\nGermans van Eck Gallery, New York, NY \r\nGroup Show, Stephen Wirtz Gallery, San Francisco, CA \r\n“New Works,” Capp Street Project, San Francisco, CA \r\nNew Acquisitions, Achenbach Foundation for Graphic Arts, H.M. de Young Memorial Museum, San Francisco, CA \r\n“Bay Area: Fresh Views,” San Jose Museum of Art, San Jose, CA \r\n“41st Annual Purchase Exhibition,” American Academy and Institute of Arts and Letters, New York, NY \r\n\r\n1988 \r\n“Recent Prints from West Coast Presses,” Allport Gallery, San Francisco, CA \r\n“Chatchke: A Source Show,” Nexus Gallery, Berkeley, CA \r\n“Contra Costa Contemporary Collections,” Hearst Art Gallery, Saint Mary's College, Moraga, CA \r\n“Selections from the Experimental Workshop, San Francisco,” San Francisco, CA \r\n\r\n1987 \r\n“Passages: A Survey of California Women Artists, 1945 to Present, Part IV: Emerging California Women Artists,” Fresno Art Center, Fresno, CA \r\nJanet Steinberg Gallery, San Francisco, CA \r\n\r\n1986 \r\n“Academy of Art College - Fine Arts Faculty Exhibition,” Academy of Art Gallery, San Francisco, CA \r\n“Emerging Artists: A Macedonia,” Museo Italo Americano, San Francisco, CA \r\n“PARAVENT: Extending the Range of Expression,” Artspace, San Francisco, CA \r\n\r\n1985 \r\n“Different Directions,” San Francisco Arts Commission Gallery, San Francisco, CA \r\n\r\n1984 \r\n“59th Crocker- Kingsley Exhibition,” Crocker Art Museum, Sacramento, CA \r\n“Three Painters,” Anna Gardner Gallery, Stinson Beach, CA \r\n“Artists Choice,” Emanuel Walter \u0026 Atholl McBean Galleries, San Francisco Art Institute, San Francisco, CA \r\n\r\n1983 \r\n“Current Work in California,” Annual Conference of the Museum Association of America \r\n“Art at Zellerbach,” Zellerbach Hall, Berkeley, CA \r\n“22nd Annual Art Exhibition,” HAFA, Hayward, CA \r\n“M.F.A./u.c.b., 1983,” Berkeley Art Museum, Berkeley, CA \r\n“Oropallo/Dix,” Anna Gardner Gallery, Stinson Beach, CA \r\n\r\n1982 \r\n“M.A. Show,” Worth Ryder Gallery, Berkeley, CA \r\n“Award Show,” University of California, Berkeley, CA \r\n“Small Format Show,” Richmond Art Center, Richmond, CA \r\n“Two Person Show,” Worth Ryder Gallery, Berkeley, CA \r\n\r\n1981 \r\n“35th Annual Arts Festival,” Civic Center, San Francisco, CA \r\n“California State Fair Art Exhibition,” Sacramento, CA \r\n“Beyond Words,” San Jose Institute of Contemporary Art, San Jose, CA \r\n“Group Show,” Worth Ryder Gallery, Berkeley, CA \r\n\r\n1980 \r\n“4th Western Drawing Exhibit,” Albright Knox Museum, Buffalo, NY \r\n“27th Annual Painting Show,” Richmond Art Center, Richmond, CA \r\n\r\n1979 \r\n“Solo Show,” Media Gallery, Alfred University, New York \r\n\r\nSELECTED ARTICLES AND REVIEWS \r\n\r\n2008 \r\nBaker, Kenneth. “Anger shines through Oropallo’s manipulations,” San Francisco Chronicle, February 16. \r\n\r\n2007 \r\nBaker, Kenneth. “Oropallo at the deYoung,” San Francisco Chronicle, May 19. \r\n\r\n2005 \r\nBaker, Kenneth. “On sleep and Surrealistic pillows – Oropallo dives into the unconscious,” San Francisco Chronicle, December 17. \r\n\r\n2004 \r\n“Oropallo’s next step,” San Francisco Chronicle Datebook, February 7, p.D10 \r\nBaker, Kenneth. “Art fair has more provincial look but shows some gems,” San Francisco Chronicle Datebook, January 17, pp.D1-D4 \r\nLevine, Karen. “Deborah Oropallo,” Tema Celeste, \r\nMay/June, pp.94-95 \r\nVan Proyen, Mark. “Deborah Oropallo at Stephen \r\nWirtz,” Art in America, September \r\nZinko, Carolyne. “Taking heart from the arts,” San Francisco Chronicle, February 15, p.E3 \r\n”Looking at Love in S.F.,” San Francisco Chronicle, \r\nJune 6, p.25 \r\n\r\n2003/2004 \r\n“Hot Picks,” 7x7 Magazine, December/January, p.44 \r\n\r\n2002 \r\n“Artist of the Month: Deborah Oropallo,” BistArt.com, Winter \r\n\r\n2001/2002 \r\nMorris, Barbara. “Deborah Oropallo at the San Jose Museum of Art,” Artweek, December/January \r\n\r\n2001 \r\nBeeler, Monique. “Still life more lively, less still In Bedford exhibit,” Oakland Tribune, December 21 \r\nBonetti, David. “Oropallo's Industrial-Strength Art,” San Francisco Chronicle, January 18, p.E6 \r\nFisher, Jack. “Routine forms foundation of rich artworks,” San Jose Mercury News, October 21 \r\nGolonu, Berin. “Objects Considered,” Artweek, November, pp.6, 27 \r\nHamlin, Jesse. “Oropallo Finds Playfulness, Danger in Factory Images,” San Francisco Chronicle, January 31, pp.D-1, D-8 \r\nHelfand, Glen. “Harmful if swallowed,” The San Francisco Bay Guardian, February 7-13 \r\nJohnson, Ken. “Domestic Traces,” The New York Times, June 1 \r\nKeats, Jonathon. “Ghosts in the Machine,” San Francisco Magazine, October, pp.127-128 \r\nRoche, Harry. “Come Together,” San Francisco Weekly, February 14-20, p.36 \r\nSivesind, Elizabeth. “Still lifes continue to stir the Imagination,” Contra Costa Times, November17, pp.1-2 \r\nVan Proyen, Mark. “Deborah Oropallo at Stephen Wirtz,” Art issues, March/April, pp.42-43 \r\n\r\n2000 \r\nHamlin, Jesse. “Glen Ellen winery swaps wine for artists' original works to be used on its labels,” San Francisco Chronicle, November 25 \r\n“This is What an Artist Must Do: Ten Modern Art Manifestos,” Open: The Magazine of the SFMoMA, Fall 2000, p. 29 \r\n\r\n1999 \r\nBonetti, David. “Genial deconstruction of de Young Museum,” San Francisco Examiner, November 26, pp.B-5, B-14 \r\nBrunetti, John. “As American Culture Faces,” New Art Examiner, December, pp.20-21, 62-63 \r\nHamlin, Jesse. “Brushes with Greatness,” San Francisco Chronicle, September 30, pp.E1, E7 \r\nTokyo South Life, pp.10-13 \r\n\r\n1998 \r\nBaker, Kenneth. “Oropallo’s Home Works,” San Francisco Chronicle, October 8, p.E5 \r\nBonetti, David. “ Three S.F. Artists In Their Prime,” San Francisco Examiner, October 29 \r\nHelfand, Glen. ““Deborah Oropallo,” San Francisco Bay Guardian, October 7, p.113 \r\nHelfand, Glen. “'Alternativity,'“ The San Francisco Bay Guardian, December 23-29 \r\nRiddle, Mason. “Berkeley artist’s show is on the house,” Saint Paul Pioneer Press, June 2, p.3B \r\nRowlands, Penelope. “San Francisco’s New Art Exposition,” Art \u0026 Auction, September 21-October 4, Vol.XXI, no.2 \r\nWhiting, Sam. “Looking at Christmas From the Outside,” San Francisco Chronicle, December 21, E1, E5 \r\n\r\n1997 \r\nBaker, Kenneth. “Deborah Oropallo,” ArtNews, September \r\nBonetti, David. “Succeeding by resisting early success,” San Francisco Examiner, April 25, p. D-10 \r\nGreenleaf, Ken. “Search unifies three art forms,” Maine Sunday Telegram, October \r\nRoche, Harry. “Deborah Oropallo,” San Francisco Guardian, April 16, p.43 \r\n\r\n1996 \r\n“American Kaleidoscope: Themes and Perspectives in Recent Art,” National Museum of American Art, Washington, D.C. Exhibition Catalogue \r\nBrunetti, John. “Deborah Oropallo, Zolla/Lieberman Gallery” New Art Examiner, September p. 39 \r\n\r\n1995 \r\nDipirro, Kevin and Lang Ho, Cathy. “Unflagging Support,” Metropolis, The Magazine of Architecture and Design \r\nBaker, Kenneth. Art News, April, pp. 153-154 \r\nRapko, John. “Deborah Oropallo at Stephen Wirtz Gallery,” Artweek, March, Vol. 26, no. 3 \r\nTromble, Meredith. “A Conversation with Deborah Oropallo, Artist,” Artweek, March, vol. 26, no. 3 \r\nJan, Alfred. “Deborah Oropallo: Fairy Tales with a Double Edge,” Artist Writer, February, vol. 4.2, p. 5 \r\nBonetti, David. “Gallery Watch: Now is the Time for a City Tour,” San Francisco Examiner, January 20, page C-14 \r\nMiller, Judith. “Exhibit Substantiates Art Category Collapse: 12 Bay Area Painters,” San Jose Museum of Art Publication, January \r\nMaclay, Catherine. “Once Subjugated, the Human Figure Regains Acceptance,” San Jose Mercury News, February 25\r\nSmith, Dean. “Deborah Oropallo at Stephen Wirtz Gallery,” Visions Art Quarterly, Spring \r\nThe Print Collector's Newsletter, vol. XXV, no. 1 March/April \r\nEdelman, Robert G. “The Figure Returns,” Art in America, March \r\nBurkhart, Dorothy, “Picture Imperfect; Bay Area Painting Surveyed,” Visions Art Quarterly, Summer \r\nWhiting, Sam. “American Originals: Unflagging Artists Create New Old Glories,” San Francisco Chronicle, November 30 \r\n\r\n1993 \r\nCohn, Terri, “Narratives,” Artweek, June 3 \r\nThe Boston Globe, Thursday, October 28 \r\nThe Print Collector's Newsletter, Vol. XXIV, no. 1, March - April \r\nRichard, Paul, “What's Wrong With this Picture?” The Washington Post, October 31 \r\nBonetti, David. “Grant Recipients Aren't all Winners,” San Francisco Examiner, November 5 \r\nBaker, Kenneth. “Contemporary Painting Celebrated in DC,” San Francisco Chronicle, November 7 \r\nHodder, Monroe. “Fact and Fiction: New Paintings by Deborah Oropallo,” Detail, Fall \r\nBaker, Kenneth. “Bay Area Painters, Mexican Photographers, San Francisco Chronicle, November 28 \r\nMcWilliams, Martha. “Go Figure,” Washington City Paper, November 12 \r\nBurchard, Hank, “Out of the Fire, Into the Melting Pot,” The Washington Post, Oct. 29 \r\nHess, Elizabeth, “Body Triple,” Voice, Nov 30 \r\nMaclay, Catherine, “Outlaws at an Exhibition,” San Jose Mercury News, October 15 \r\n\r\n1992 \r\nRapko, John, “Beyond Appearances: 'Corollaries of Apprehension at CCAC,” Artweek, February 27 \r\nBaker, Kenneth. “'Why' Paintings in Mill Balley,” San Francisco Chronicle, March 14, \r\nSantiago, Chiori. “The fine Art of Apprehension,” Oakland Tribune, February 17 \r\nTurner, Elisa, “Deborah Oropallo,” Artnews, Summer \r\n\r\n1991 \r\nTanner, Marcia. “Between the Lines,” SF Magazine, February \r\nMatthews, Lydia. “Stories History Didn't Tell Us, Her Story: Narrative Art by Contemporary California Artists at the Oakland Museum,” Artweek, February 14, pp. 1,15 - 17 \r\nOllman, Leah. “Five New Works Added at Museum of Contemporary Art,” Los Angeles Times, San Diego Edition, January 9, p.F12 \r\nPatterson, Tom. “WFU is Presenting A Disjointed Exhibit,” Winston-Salem Journal, February 24, p.H4 \r\nStapen, Nancy. “David Ross: A ‘Natural Panache,’” ARTnews, April, pp.93-94 \r\nPorges, Maria. “Quick Quick Pause,” Artforum, May, pp. 108-112 \r\nLitt, Steven. “Using or Abusing a Powerful Symbol?” The Plain Dealer, September 8, pp.1H,12H \r\nWatten, Barrett, “Consentual Erotica,” Artweek, October 10 \r\nThompson, Walter. “Deborah Oropallo at Germans van Eck,” Art in America, December \r\n\r\n1990 \r\nTemin, Christine. “ICA's Current Takes a Look at What's New,” Boston Globe, January 23 \r\nBonetti, David “Whose Community? What Standards?” San Francisco Chronicle, June 29, C-2,8 \r\nBaker, Kenneth. “3 Award Winners in Artspace Exhibition,” San Francisco Chronicle, June 30, p.C7 \r\nAziz, Anthony. “Of Poetry and Farce, 1990 Painting Grant Award Exhibition at Artspace,” ARTweek, July 19, p.11 \r\nBurkhart, Dorothy. “Critic's Choice,” San Jose Mercury News, July 15, p. 18 \r\nHelfand, Glen, “Star Search,” S.F. Weekly, September 19, pp. 1,13,14. \r\nBonetti, David. “Report From the Bay Area,” Art New England, September, vol. 11, no.8 pp.10-11,33 \r\nCook, Catherine. “Red Cross and Black Tar,” Visions, Winter, p.33, 38 \r\n\r\n1989 \r\nBurkhart, Dorothy. “ Painter's Work Bound for N.Y. Show,” San Jose Mercury News, March 9, p. 5-E \r\nFlam, Jack. “The View From the Cutting Edge,” The Wall Street Journal, May 10, p. A-16 \r\nLarson, Kay. “The Childrens Hour,” New York Magazine, May 8, p.94 \r\nWolff, Theodore F. “What's New And Challenging in the Visual Arts” Christian Science Monitor, May 9 \r\nHess, Elizabeth. “Coming Up Empty,” The Voice, May 9, p. 99 \r\nStraus, Marc. “Facts and Fancy: A New York Collector Shares His Impressions of the Biennial,” CONTEMPORANEA, vol. II no. 5, July/August \r\nSmith, Roberta, “More Women and Unknowns in the Whitney Biennial,” New York Times, April 28, p. C-23 \r\nBrunson, Jamie. “Deborah Oropallo, The Printed Text,” ARTSPACE, September/October, pp. 58-62 \r\nMacDonald, Anne, “Deborah Oropallo,” SHIFT Magazine, Vol.3, No.2, pp. 38-41 \r\nJan, Alfred. “Symbolizing History,” ARTWEEK, September 23, l989, Vol. 20, No. 30, p. 3 \r\nBerkson, Bill. “Five Bay Area Artists,” Art International, Autumn 1989, Vol.8, pp. 45-50 \r\nBerkhart, Dorothy. “Summing Up the '80's,” San Jose Mercury News, November 3 \r\nBaker, Kenneth. “Whitney Biennial Exhibition is a Clever and Cynical Mix,” San Francisco Chronicle, May 13, p. C-8 \r\nBaker, Kenneth. “Bay Area Artists,” San Francisco Chronicle, November 12 \r\nRoss, Jeanette. “Frostings on a Plain Cake,” ARTWEEK, November 16, Vol. 20, No. 40, pp. 11-12 \r\nSchapiro, Mark. “The bay Area: The Persistence of Light,” ARTnews, December, p. 134. \r\n\r\n1988 \r\n“The Best of California,” California, May, illustrated p. 30 \r\nBurkhart, Dorothy. “Critic's Choice,” San Jose Mercury News, May 15, vol. 19, No. 1 \r\nPorges, Maria. “Text \u0026 Image Metaphors,” ARTWEEK, MAY 28, 1988, Vol. 19, No. 1 \r\nBaker, Kenneth. “Artists in Command - and Others,” San Francisco Chronicle, Wednesday, June 1, p. E-3 \r\nBurkhart, Dorothy. “Promising Futures,” San Jose Mercury News, Arts \u0026 Books Section, July 17, pp. 18-20 \r\nBerkson, Bill. “Reviews/Deborah Oropallo-Stephen Wirtz Gallery,” Artforum, September, p. 149 \r\nLevy, Mark. “California Contemporary Art,” Art \u0026 Antiques, September. \r\nStern, Fred. Deborah Oropallo,” Mizue (Tokyo), Autumn \r\nFrench, Christopher. “That Was Then, This is Now,” The Journal of Art (International Edition), December, Vol. I, No. I \r\n\r\n1987 \r\nTarshis, Jerome. “Deborah Oropallo at Stephen Wirtz, ART IN AMERICA, February, p. 157 \r\nRobins, Cynthia. “The San Francisco 39ers,” San Francisco Examiner, April 7, Style Section p. F-4 \r\nMochary, Alexander. “Bay Area Art - Take Another Look,” Antiques \u0026 Fine Arts, December, pp. 71 - 75 \r\n\r\n1986 \r\nMorch, Al. “Eight Artists Step to the Fore with Macedonia Exhibit,” San Francisco Examiner, September 8, p. E-3 \r\nBrunson, Jamie. “Questions of Skill and Intent,” ARTWEEK, October 18, p.1 \r\nMorch, Al. “Maturity Brings Out Outstanding Talent in Two Young Artists,” San Francisco Examiner, October 14, p. E-3 \r\nHjalmerson, Brigitta. “Sliding, Rocking \u0026 Rolling in California,” ART \u0026 AUCTION, November, pp. 144-150 \r\n\r\n1985 \r\nFrench, Christopher. “Three Different Voices,” ARTWEEK, September 7 \r\nBurkhart, Dorothy. “Critic's Choice,” San Jose Mercury News, February 24, p.18. \r\nMorch, Al. “Arts Commission Shows the Work of Promising Young Artists,” San Francisco Examiner, February 25, p. B12 \r\n\r\n1984 \r\nDickson, Joanne, Point Reyes Light, October 25, p.17 \r\n\r\n1983 \r\nShere, Charles. “Gallery Roundup,” Oakland Tribune, August 15, p. H-20. \r\nVan de Muelen. “Arts,” Pacific Sun, September 30, p.16. \r\nSaunders, Maria. “One of the Best MFA Exhibits in Years,” The Daily Californian, August 17, p.2 \r\n\r\n1982 \r\nToris, Joe. Mario Ferrarri, “The Prize Show: Clarity and Confidence,” University Art Museum, May \r\n\r\nSELECTED PUBLICATIONS/CATALOGUES \r\n“Pomp,” essay by Nick Stone, published by Gallery 16, San Francisco, CA, 2009 \r\n“Guise,” Recent prints by Deborah Oropallo, curated by Karin Breuer, brochure published by deYoung Museum, San Francisco, CA \r\n“Deborah Oropallo: Twice Removed,” curated by Sandy Harthorn, published by Boise Art Museum, Boise, ID \r\n“How To: The Art of Deborah Oropallo,” Curated by Merrill Falkenberg. Essay by Jeff Kelley. Published by the San Jose Museum of Art, 2001 \r\n“Museum Pieces: Bay Area Artists Consider the de Young,” Curated by Glen Helfand. Published by Fine Arts Museums of San Francisco, 1999 \r\n“Into The 21st Century,” Selections from the Permanent Collection San Jose Museum of Art, Curated by Cathy Kimball, Published by San Jose Museum of Art, 1999 \r\n“Deborah Oropallo: Flat Pictures,” Essay by Donald Kuspit. Published by Stephen Wirtz Gallery, 1997 \r\n“Oropallo,” Essays by Bill Berkson and Maria Porges. Published by Stephen Wirtz Gallery, 1993 \r\n“43 rd Biennial Exhibition of Contemporary American Painting,” Curated by Terry Sultan. Published by the Corcoran Gallery of Art, Washington, D.C., 1993 \r\n“The Rutgers Archives for Printmaking Studios,” Curated by Trudy Victoria Hansen. Published by Jane Voorhees Zimmerli Art Museum, Rutgers, The State University of New Jersey, 1992 \r\n“Corollaries of Apprehension,” Curated by Dyana Currei-Chadwick. Published by California College of Arts and Crafts, Oliver Arts Center, 1992 \r\n“Her Story: Narrative Art by Contemporary California Artists,” Curated by Therese Heyman. Published by the Oakland Museum, 1991 \r\n“1991 Art on Paper,” Curated by Trevor Richardson. Published by Weatherspoon Art Gallery, University of North Carolina at Greensboro, 1991 \r\n“Cruciform,” Curated by David S. Rubin. Published by Cleveland Center for Contemporary Art, 1991 \r\n“Drawing Conclusions,” Curated by Giuseppe Molina. Published by Edition Molica, Rome/New York, 1990 \r\n“Crossing the Line - Word and Image in Art: 1960-1990,” Curated by Mary Davis, McNaughton, Montgomery Gallery, Pomona College, Pomona California, 1990 \r\n“1989 Biennial Exhibition,” Curated by Richard Armstrong, John Hanhardt, Richard Marshall, Lisa Philips: Published by Whitney Museum of American Art in association with W.W. Norton \u0026 Company, New York, 1989 \r\n“Word as Image,” by Russell Bowman and Dean Sobel, Milwaukee Art Museum, 1990 \r\n“New Art,” Selected by Phillis Freeman; Harry N. Abrams, Inc., 1990 \r\n“Bay Area: Fresh Views” curated by Colleen Vojvodich, directed by I. Michael Danoff: San Jose Museum of Art, San Jose, California, 1989 \r\n“PARAVENT:Extending the Range of Expression,” Curated by Anne Walker, Published by Artspace, San Francisco, California, 1986 \r\n“The Prize Show, Clarity and Confidence,” by Joe Toris and Mario Ferrari. Published by University Art Museum, Berkeley, California, 1986 \r\n“Art Program” by Bonnie Earls-Solari, Published by Bank of America Corporation, 1986 \r\n“Artists Choice” By David S. Rubin: San Francisco Art Institute Exhibitions Program, 1984 \r\n\r\nPUBLIC COLLECTIONS \r\nAnderson Collection, Palo Alto, CA \r\nARA Services, Philadelphia, PA \r\nBaltimore Museum of Art \r\nBank of America, San Francisco, CA \r\nBerkeley Art Museum \r\nCrocker Art Museum, Sacramento, CA \r\nCharles Schwab \u0026 Co., Inc. San Francisco, CA \r\nThe Gap, San Francisco, CA \r\nHenry Art Gallery, University of Washington, Seattle \r\nLa Jolla Museum of Contemporary Art \r\nLang Communications, New York, NY \r\nLannan Foundation, Los Angeles, CA \r\nMills College Special Collections Library, Oakland, CA \r\nMilwaukee Art Museum \r\nMuseum of Fine Arts, Boston \r\nNestle USA, Inc., Glendale, CA \r\nNew York Public Library \r\nPalace of the Legion of Honor, San Francisco, CA \r\nPalm Springs Desert Museum \r\nProgressive Corporation Mayfield, OH \r\nRobertson Stephens \u0026 Company, San Francisco, CA \r\nSan Francisco Museum of Modern Art \r\nSan Francisco Public Library \r\nSan Jose Museum of Art \r\nWeatherspoon Art Gallery, Greensboro, NC \r\nWhitney Museum of American Art, New York, NY ","user_id":650,"name":"Deborah Oropallo","website":""},{"id":655,"bio":null,"user_id":655,"name":"Panayotis Papadimitropoulos","website":null},{"id":666,"bio":"Valladolid, 1969.\r\n\r\nBachelor of Fine Arts from the Universidad Complutense de Madrid.\r\n\r\nEXHIBITIONS\r\n2011. Play Room. Gallery My Name's Lolita Art Madrid\r\n2009. What remains, DNA Gallery, Barcelona, ??Spain\r\n2008. Holdings. Gallery My Name's Lolita Art Madrid\r\nDropouts. Gallery My Name Is Lolita Art Valencia\r\n2007. Shelters / Absence / Withdrawals. DNA Gallery. Barcelona\r\nDaydream. Darkroom. Gallery My Name's Lolita Art Madrid\r\n2005. Accommodation. DNA Gallery. Barcelona\r\nTransit. Gallery My Name's Lolita Art Madrid\r\n2004. S / T Gallery Teresa Square, Valladolid\r\nSalas. Gallery My Name Is Lolita Art Valencia\r\n2003. S / T. DNA Gallery, Barcelona\r\n\r\nEXHIBITIONS\r\n2011. Seoul Photo Festival 2011. Seoul Museum of Art Seoul\r\nFictions and Realities. MMOMA. Moscow.\r\nCoca-Cola Foundation Exhibition. Cervantes Institute (various locations) Brazil\r\nOne Bedroom Own. Room of the Faculty of Fine Arts. UCM. Madrid\r\n2010. Cross. Korea-Spain.Exhibition on Contemporary Photo. Seoul.\r\nThe Angel exterminador.Versión expanded. BOZAR. Brussels\r\nMadridfoto. Gallery My Name's Lolita Art Madrid\r\nUltreia and Suseia. León Museum.\r\nJust Lolita. Gallery My Name's Lolita Art Madrid\r\nOff. Gallery My Name's Lolita Art Valencia\r\n2009. Ultreia and Suseia. Box Art Center Burgos. CAB\r\nMadridfoto. Gallery My Name's Lolita Art Madrid\r\nThe bridge of vision. Museum of Fine Arts, Eagle House and Parra. Santander.\r\nFurniture??, Scale Space, Cajasol Art Collection, Seville, Spain\r\nARCO'09, DNA Booth Gallery, Madrid, Spain\r\nSANTANDER ART. Gallery My Name's Lolita Art Madrid\r\nItinerante.Córdoba sombras.Exposición Hunters. Argentina, Cuba, Mexico.\r\n2008. Santander Art 08. DNA Booth Gallery. Santander, Spain\r\n5 ts Only a Number, DNA Gallery, Barcelona, ??Spain\r\nSWAB. Contemporary Art Fair BCN, DNA Gallery.\r\nArco '08. The scene of a crime, Region of Murcia.\r\nScope Basel. Stand Gallery My Name's Lolita Art Basel.\r\nARQUITECTRURAS GAME. Gallery Guillermo de Osma. Madrid.\r\nEuropean Night 2008. Rencontres d'Arles. France\r\nBuilding, Dwelling, thinking. IVAM, Valencia\r\nScope New York. Stand Gallery My Name's Lolita Art New York.\r\nStand Off. My Name's Lolita Art Madrid\r\nShadowhunters. Travelling exhibition. MASP Sao Paolo (Brazil), San Marcos in Lima Center, Museum of Contemporary Art designed and San Jose in Costa Rica, Museo de Bellas Artes de Santiago in Chile, Museum of Contemporary Art in Panama.\r\n2007. Photo Miami. DNA Gallery, Barcelona\r\nScholarships Caja Madrid. Párraga Center. Murcia\r\nStocks. MUSAC. Leon\r\nSalzillo 21. Veronicas room. Murcia\r\nShadow Hunters .. traveling exhibition. MAMBO. Bogota\r\nDestination Future. Botanical Garden. Madrid.\r\nAbsences. Fullart Gallery. Seville\r\nARCO'07. Gallery My Name's Lolita Art Madrid.\r\nArt Brussels. DNA Gallery \u0026 My Name's Lolita Art\r\nSWAB. Contemporary Art Fair BCN, DNA Gallery.\r\nSANTANDER ART. DNA Gallery\r\n2006. Photo Miami. DNA Gallery, Barcelona\r\nIV International Biennial of visual arts. Alcorcón\r\nArco'06. Gallery My Name's Lolita Art Madrid\r\nSANTANDER ART. DNA Gallery, Barcelona\r\nGallery My Name's Lolita Art Madrid\r\n2005. CONTEMPORARY TRE. Civic Pinacoteca. Como Italy\r\nDPHOTO. San Sebastian. DNA Gallery\r\nARCO'05. 2005 generations. Caja Madrid.\r\nARCO'05. My Name Is Lolita Art\r\n2004. ARCO'04. Ayto Alcorcon. Madrid\r\n90-60-90. Ayto Alcorcón. Madrid.\r\nPurification Garcia Photography Contest. Circulo de Bellas Artes. Madrid\r\nDNA 1. DNA Gallery, Barcelona\r\n2003. XIX Annual L'OREAL. CC Conde Duque. Madrid\r\nIn Her 13. DNA Gallery, Barcelona\r\nGeneration 2003 Lit House, Madrid\r\n2003 Arch. Ayto Alcorcón. Madrid.\r\nDeluxe. Monasterio de Prado, Valladolid\r\n2002. Deluxe. Showroom Spain Square, Madrid.\r\nDeluxe. Houses Riegner Gallery, Miami\r\n2001. \r\n2001 Arch. Ayto Alcorcón. Madrid.\r\n1999. Space Difference. Intervention in Mental Health Old Hospital Santa Isabel, Leganés, Madrid.\r\nWhat am I doing here. Pemasa Garage Art Space, Madrid.\r\n1998. The explosion of the Maine. Pemasa Garage Art Space, Madrid.\r\n1997. Scenes for a maze. Interventions in public spaces. Alcorcón, Madrid.\r\nThe mountain travels. A public art project. Madrid.\r\nThe mountain travels. A public art project (Documentation). Municipal Art Centre of Alcorcon, Madrid.\r\n\r\nAWARDS AND ACQUISITIONS\r\n2008. Accesit. Marquis Photo Contest Tena Valley.\r\n2004. GENERATIONS Scholarship 2004 .. Caja Madrid. Madrid\r\n2003. 1st PRIZE contest XIX L'OREAL \r\n\r\nCOLLECTIONS\r\nPatio Herreriano Madrid. Valladolid\r\nIVAM Caja Madrid\r\nAlcorcón City Council Fine Arts Museum in Santander\r\nL'oreal MANGO\r\nCOCA-COLA MUSAC\r\nMarques cajasol Valle de Tena\r\n\r\nPUBLICACI0NES\r\n2011. Seoul Photo Festival 2011. (Catalogue)\r\n2010. Cross. Korea-Spain.Exhibition on Contemporary Photo. (Catalogue)\r\nThe Angel exterminador.Versión expanded. (Catalogue)\r\n2009. The Vision Bridge. (Catalogue)\r\nUltreia and Suseia. (Catalogue)\r\n2008. Building, Dwelling, Thinking. (Catalogue)\r\nThe scene of a crime. (Catalogue)\r\n2007. Shelters / Absence / Withdrawals (Catalog)\r\nShadowhunters. (Catalogue)\r\nArt Brussels (catalog)\r\nSWAB (Catalog)\r\nSalzillo 21 (Catalogue)\r\n2006 ART SANTANDER (Catalog)\r\nARCO 2006 (catalog)\r\n2005. EXIT. 100 Photographers Spanish.\r\nCONTEMPORARY TRE. Civic Pinacoteca. Como Italy (Catalogue)\r\nDPHOTO (Catalog)\r\nGenerations Scholarship 2004. Caja Madrid. (Catalogue)\r\n2004. MUSAC. The Building. Contemporary Art Museum of Castilla y León.\r\nPurification Garcia. (Catalogue)\r\n2003. XIX Annual L'OREAL. (Catalogue)\r\n2002. Deluxe. (Catalogue)\r\n2001. What am I doing here / what is art. (Biannual magazine)\r\n2000. Capital comfort. (Catalog)\r\n1999. What am I doing here. (Catalog)\r\n1998. The explosion of the Maine. (Catalog)\r\n1997. Scenes for a labyrinth 1997. (Catalog)\r\nThe mountain travels. (Catalog)\r\n1996. The evil of the activity. (Catalog)\r\n1994. Teach your wounds. (Catalog)","user_id":666,"name":"Concha Perez","website":""},{"id":668,"bio":"","user_id":668,"name":"Damien Peyret","website":"galeriespreedamienpeyret.tumblr.com"},{"id":671,"bio":"Donna Pinckley, a native Alexandria, Louisiana, received a Bachelor of Fine Arts in photography from Louisiana Tech University in 1984 and a Master of fine Arts in photography from University of Texas at Austin in 1990. She received Visual Artist Fellowships from the Mid-America Arts Alliance/NEZ and the Arkansas Arts Council. Her work has been exhibited nationally and internationally in over 150 solo/juried shows and also included in several public collections, such as the University of Vera Cruz at Xalapa, Vera Cruz, Mexico, the Photographic Collection at the Harry Ransom Center, University of Texas at Austin, Alexandria Museum of Art and McNeese state University. She has been published in GEO Germany, Photo Review Magazine, Photography Quarterly and the online photography, www.lensculture.com and www.oneonethousand.org. She is currently Associate Professor at the University of Central Arkanasas in Conway, Arkansas.","user_id":671,"name":"Donna Pinckley","website":""},{"id":675,"bio":null,"user_id":675,"name":"Dmitri Poltavski","website":null},{"id":684,"bio":"Anna Puig Rosado lives in Drôme Provençale.\r\n\r\nShe regularly conducts social and human stories for magazines and parallel leads a copyright work in the world of the urban landscape.\r\n\r\nLeicaiste passionate, working in color, it favors long journeys by land to venture into places left behind but charged with an aesthetic sense.\r\n\r\nLong attracted the musulmam Arab world it travels tirelessly, she is interested in subjects with social meaning by working with humanitarian groups or local organizations focusing on community, social and cultural exchanges. She conducts workshops and photos where she uses photography as social ties and means of expression.\r\n\r\nIts status as an independent photographer allows it to better control its images and subjects that always accompanies an editorial link (with Nicolas Joriot). Photography is so much more a pretext for exploring the lives of others and refine their aesthetic work on the world.","user_id":684,"name":"Anna Puig Rosado","website":""},{"id":685,"bio":null,"user_id":685,"name":"Charlie Crane","website":"www.charliecrane.co.uk"},{"id":691,"bio":null,"user_id":691,"name":"Douglas Rickhard","website":null},{"id":696,"bio":null,"user_id":696,"name":"Tony Rosies","website":null},{"id":698,"bio":"Isabelle Rozenbaum pursuing an artistic research in photography as well as video on the identity and the cultural dimension of the \"other\", especially in the food and wine world, but also in contemporary art and literature.\r\n\r\nIsabelle Rozenbaum was assistant Jean Louis Bloch-Lainé for two years before launching his own independent photo studio with Frédéric Cirou in 1983. In 1994, she co-founded with the latter PhotoAlto library she is the artistic director until 2001 when it then completely devoted to his job as a photographer, including the head Guy Martin with whom she made ??her first culinary books. Sometimes referred to as photographer \"ethno-culinary\", she has published several books with several chefs and authors with different Editions La Martinière , Minerva , Agnes Vienót , The Oak , Marabout , South West , etc.., many of which were awarded a \"World Cookbook Awards\" or the price \"Jean-Charles Taugourdeau\", \"Guerlain\", \"Ladurée\" and \"Antonin Carême\".\r\n\r\nIn 2008, it operates a new approach to the culinary world through video and then made ??his first stories in French vineyards for critical Michel Bettane and Thierry Desseauve . She continues this artistic research in the wine world, especially with the owner of Château Fonroque  (in) , Alain Moueix , but also in the worlds of literature and contemporary art since 2009, where she made ??portraits of artists and writers for online publishing platform D-Fiction on Dominiqu Jenvrey , Cécile Guilbert , Mathieu Larnaudie , Oliver Rohe , Jean-Christian Bourcart , Isabelle Lartault , Mathias Enard , Eric Rondepierre , Alessandro Mercuri , Philippe Bordas , David LESPIAU , etc.). . Meanwhile, she leads culinary photographic studios (Paris and Bordeaux).\r\n\r\nAs part of his artistic work, Isabelle Rozenbaum developed since 1991 photographic series related to intimate self-portrait and the world of sleep, \"Portrait of the artist hidden\" (1993-1994), \"The Sleepers\" (1994-1996), \"Portrait of the Artist as a Landscape\" (2004-2006), \"Insomnia\" (2005-2006), \"Portrait of the artist's feet\" (2007-2008), \"Black Room\" ( 2011), \"Portrait of the Artist as cameras\" (2012). His series \"Portrait of the Artist as Snake Gourd\" is a \"presentation / representation\" of the body through a plant tested the temporal and organic resistance thereby addressing the issue of corruption, the processing and decomposition. This series, made ??in polaroid (SX70) was awarded the Polaroid International Prize in 2004.\r\n\r\nHis artistic achievements video also echo his photographic series since Isabelle Rozenbaum made different films where we find the questions and concepts that occupy around identity and sleep, for example, in \"Two trees \"(2009),\" Diplopia \"(2009) or in this serial work on dreams associated with colors:\" White Dream \"(2010),\" Red Dream \"(2011), etc..\r\n\r\nIn 2012, she began \"Sleeping Works\", a video work that wants an update of \"  Sleep  \"Warhol but shows the artist making itself into a sleep of several hours, punctuated by dreams and nightmares. The idea for the video work is a Work in Progress including, eventually, different photographic and cinematic achievements of the artist to create an installation investigations sleep that can be viewed and traversed as a universe of questions . In 2013, this project received the Award \"Draft of a digital dream\" Civil Society of Multimedia Authors (SCAM).\r\n\r\nHis photographs as her videos have resulted in exhibitions and screenings at festivals and / or cities (New York, Paris, Sofia, Biel, London, etc..). His works are in the collections of the National Library of France (BNF), the Library of Contemporary International Documentation (CID) and in private collections.","user_id":698,"name":"Isabelle Rozenbaum","website":""},{"id":706,"bio":null,"user_id":706,"name":"Kate Shortt","website":null},{"id":714,"bio":"Born on the 4th June 1967 in Brno.\n\nGraduated from the Faculty of Mechanical Engineering at the University of Technology in Brno and the Institute of Creative Photography of the Silesian University in Opava.\n\nHe works as a freelance photographer and as a photography teacher (Institute of Creative Photography, Opava; Fotoškola Brno; Philosophical Faculty, Masaryk University, Brno; South Moravia Photoworkshops)\n\nThe focal point of his work is documentary photography.\n\nAwards\n2010\nLensCulture Award, Honorable Mention for Life in Blue series, France\n2001\nTalentinum, 2nd prize in documentary photography, Czech republic\n2000\nM.I.L.K. competition\nGeneral winner in \"Love\" category, U.S.A.\nMiO Photo Award, Grand Prix Winner, Japan\n\nScholarship\n2004\nCHOICE - Credit Suisse Masterclass for Photojournalists from Central and Eastern Europe, Budapest - New York\n\nResidences\n\n2010\nInternationales Haus der Autoren Graz, Cultural City Network Graz, Graz, Austria\nStiftung kunst:raum sylt quelle, Sylt, Germany\n\nSelected Solo Exhibitions\n\n2012\nLife in Blue, Central European House of Photography, Bratislava\nLooking Back. Salon Daguerre, Brno\nLife in Blue, Mala galerie ?eské sporitelny, Kladno\nLife in Blue, Fotofestival, Blatná\nLife in Blue, Kino Hv?zda, Uherské Hradi?t?\n\n2011\nLife in Blue, BlueSky Gallery, Portland\nLife in Blue, Pictura Gallery, Bloomington\n\n2010\nLife in Blue, Hidden Landscapes, Fotogalerie im Grazer Rathaus, Graz\nLife in Blue, Fotografic Gallery, Prague\n\n2009\nLife in Blue, Galerie Zluta ponorka, Znojmo\nHidden Landscapes, Reich Steinhof, Poysdorf\n\n2007\nLife in Blue, Galerie Artistu, Brno\nHome Sweet Home, Galerie113, Bialystok\nLife in Blue, Home Sweet Home, Galerie Opera, Ostrava\nGypsies in Brno City, Galerie auf der Pawlatsche, Wien\nGypsies in Brno City, ONE WORLD documentary movies festival, Zlin\n\n2006\nWar?, GM Gallery, Pardubice, Galerie Artistu, Brno\n\n2004\nEcce Homo, Leica Gallery Prague, Prague\n\n2003\nEcce Homo, French Cultural Institute, Amman\nEcce Homo, Leica Gallery, Solms\nEcce Homo, Galerie Artistu, Brno\nEcce Homo, Summer Cultural Festival, Boskovice\n\n2002\nEcce Homo, Fiducia Gallery, Ostrava\nEcce Homo, Many Gallery, Tel Aviv\n\n2001\nEcce Homo, Velryba Gallery, Prague\nEcce Homo, MiO Gallery, Osaka\nEcce Homo, Das BildForum, 6. Internationale Fototage, Herten Ecce Homo, Aero Gallery, Prague\n\n2000\nSun and Shadow, Ambit Gallery, Praha\nEcce Homo, Zvíkov castle Gallery, Zvíkov\nEcce Homo, Fotogalerie Migros, Thun\n\n1999\nGypsies in Brno City - second chapter, Gallery Cpilar, Brno\nEcce Homo, FOMA Gallery, Brno\nEcce Homo, Moravian-Silesian National Theatre - Theatre of Jirí Myron, Ostrava\n\n1998\nGypsies in Brno City, New Town Hall Gallery, Brno\n\nCollections\nCollection of Union of Czech Photographers, Prague\nKiyosato Museum of Photographic Arts, Kiyosato\nMoravian Gallery, Brno\nMuseum of Decorative Arts, Prague\nMuseum of Fine Arts, Houston\nMuseum of Romany Culture, Brno\nNational Museum of Photography, Jindrichuv Hradec\nThe Olomouc Museum of Art, Olomouc\nSchool of Visual Arts, Osaka\nSilesian Museum, Opava\nprivate collections in Europe, Israel, Japan and USA\n\nSelected Group Exhibitions\n\n2012\nCivilised ilusions, Museum of Arts, Olomouc\nGRID 2012, International Photo Festival, Amsterdam\nSylt in Spigel zeitgenossischer Fotografie, Willy-Brandt-Haus, Berlin\nElement F, Moravian Gallery, Brno\n\n2011\nLens Culture International Exposure Awards 2010, San Francisco - New York - Paris\nRevival - ChoiceImages, Galerie G4, Cheb\n\n2010\nEscapes and returns, Moravian Gallery, Brno\nNoorderlicht 2010 Photofestival, Groningen\nPerception Meets Reality, Bruges\nPhotographers: Network selection 2010, Studio Thomas Kellner, Siegen\n\n2009\nCHOICE Choice, Fotografic Gallery, Prague\nHumor or Irony, Galeria 2piR, Poznan\nSecond Cities Photo Project, Fotogalerie in Grazer Rathaus, Graz\nContemporary Czech Photography, Space Gallery, Pittsburgh\nTschechische Fotografie des 20. Jahrhunderts, Kunst- und Ausstellunghalle der Bundesrepublik Deutschland, Bonn\nCzech It, Space Gallery, Pittsburgh\nFotoGrafia. Festival Internazionale di Roma - VIII edizione, Palazzo delle Esposizioni, Roma\n\n2008\nCzech Press Photo, Old Townhall, Prague\nContemporary Czech Photography, PDNB Burt Finger Gallery, Dallas\nKaunas Photo08, Kaunas\nSecond Cities, Kosice\nWho doesn't know history has no future, Leica Gallery Prague, Prague\n\n2007\nCHARTA77, Czech Centers, Budapest, (Budapest, Warsaw, Wien)\nSecond Cities - Photo Project, Ko1ice\nWe live here, House of Arts, Opava\n\n2006\nChoice, Puffin Cultural Forum, New Jersey\nCHOICE - photo agency, Month of Photography, Bratislava\n\n2005\nCzech Photography of 20th Century, Mestská knihovna, Galerie hlavního mesta Prahy, Prague\nBacklight05, Museum Center Vapriikki, Tampere\nNational Museum of Photography Collection, Congres Centre of Czech National Bank, Prague\n\n2004\nCity in Contemporary Czech Documentary Photography, Fotobienale / Month of Photography, Museum of Russian History,Moscow\nM.I.L.K. Exhibition, Las Vegas\n\n2003\nM.I.L.K. Exhibition, Waitemata Plaza, Auckland\nContemporary Czech Documentary Photography, Opera Gallery, Ostrava\n\n2002\nJunge tschechische Kunst, Kulturabteilung Bayer, Leverkusen\nPhotographs by the Next Generation: Young Portfolio, Kiyosato Museum of Photographic Arts, Kiyosato\nBeing Black, Archa Theatre, Prague\nCzech and Slovak photography of the 1980s and 1990s, Olomouc Museum of Art, Olomouc\nBacklight02, Museum Centre Vapriikki, Tampere\nCzech Documentary Photography, Leica Gallery, New York\n\n2001\nM.I.L.K. Exhibition, Vanderbilt Hall, Grand Central Station, New York\nTalentinum, Center of Czech Photography, Prague\nDas BildForum, 6. Internationale Fototage, Herten\nM.I.L.K. Exhibition, Museum of Science, London\nCzech Press Photo, Old Town Hall, Prague\n\n2000\nGypsies in the Czech republic, Brussels\nMiO Photo Award, MiO Gallery, Osaka\n\n1999\nAnother World?, House of Arts, Opava\nCzech Press Photo, Old Town Hall, Prague\n\n1996\nNew names, Prague House of Photography, Prague\nThe Studio of Jindrich Ctreit, Uherské Hradi1te, Cheb, Ko1ice, Cieszyn\nOn the Edge, Salzstadel Gallery, Regensburg, Ceský Krumlov, Augsburg\nContemporary Czech Documentary Photography, Fotogalerie Migros, Thun\n\nTeaching and Lectures\n\n2012\nFotofestival, Blatná, Czech Republic\nPrague House of Photography / City Gallery Prague, Czech Republic\n\n2011\nBlueSky Gallery, Portland, USA\nDOX - Centre for Contemporary Art, Prague, Czech Republic\nLeica Gallery, Prague, Czech Republic\n\n2010\nMuseum für Gegenwartskunst e.V., Siegen\nWorkshop on documentary photography, University of Ostrava, Atelier of Photography, Czech Republic\nWorkshop on new landscape photography, Cultural Centre Mikulov, Czech Republic\n\n2009\nSouth Moravia Photo Workshop, Lednice, Czech Republic\n\n2008\nsince 2008 - Masaryk University, Brno, Czech Republic - lectures on history of photography\nLeica Gallery Prague, Prague, Czech Republic\n\n2006\nUniverzita Tomase Bati, Atelier fotografie, Zlin, Czech Republic\n\n2005\nFAMU, Prague, Czech Republic - series of workshops on documentary photography \u0026amp; fiction\n\n2003\nLeica Gallery Prague, Prague, Czech Republic\n\n2002 - 2008\nteaching at the Institute of Creative Photography, Silesian University Opava, Czech republic - lectures on theory of photography, documentary portrait and documentary photography \u0026amp; fiction\n\n2001\nUniversity of Arts, Osaka, Japan\n\n2000\nSchool of Arts, Osaka, Japan\n\nsince 1997\nteaching at Fotoškola Brno, Czech Republic - workshops and lectures on documentary photography","user_id":714,"name":"Evžen Sobek","website":"evzensobek.com"},{"id":772,"bio":"Wiechowska has lived and worked in the Netherlands and Poland. She received an MFA from the Gerrit Rietveld Academy of Art and Design in Amsterdam, completed a fellowship at the Rijksakademie van Beeldende Kunsten in Amsterdam and participated in the International Studio and Curatorial Program (ISCP) in New York. She has received multiple grants from the Ministry of Culture in Poland and the Dutch Foundation: Fons voor Beeldende Kunsten. Exhibitions include When the blue moon rises… Gallery Fons Welters, Amsterdam; Somnambule, Centre for Contemporary Art in Warsaw; Solo, Fotohof, Salzburg; L’Effet de reel, Zacheta National Gallery, Warsaw; Polyphony of Images, Consulate General of Poland, New York; Icónica, Museo Patio Herreriano, Valladolid; Egocentric. Immoral. Outmoded, Zacheta National Gallery of Art, Warsaw; Contemporary identities, National Museum in Szczecin.","user_id":772,"name":"Monika Wiechowska","website":""},{"id":730,"bio":"Christer Strömholm is one of the great personalities of Swedish photography. Born in Stockholm, he discovered photography via graphic art in the late 1940s. His photographs from this period are hard black-and-white compositions featuring walls, shadows and minimalist settings. During his sojourns in Paris in the 1950s and 60s, he developed a style reminiscent of street photography, and this is also where he produced his famous portraits of transsexuals at Place Blanche. Strömholm also went on numerous photographic expeditions to places around the globe in the early 1960s, including Spain, Japan, India and the USA. Early in his career, he began teaching at Kursverksamheten in Stockholm, and his classes eventually became the legendary Fotoskolan, from which some 1,200 students graduated between 1962 and 1974. Strömholm’s photographs and methods have inspired many generations of Swedish photographers, but he did not become known to the broader public until 1986, with the major exhibition 9 Seconds in My Life at Moderna Museet.","user_id":730,"name":"Christer Strömholm","website":"www.stromholm.com"},{"id":755,"bio":"I was born and grew up in Athens, Greece. I received a BA in philosophy and classics from Boston University and went on to study photography, first at the International Center of Photography in New York and then at Goldsmiths College in London, where I received an MA degree in photography. In addition to my own photographic practice, I teach and curate exhibitions with a specific focus on occupying disused spaces.  Some of my recent projects can be viewed in the links below.","user_id":755,"name":"Jeff Vanderpool","website":"www.jeffvanderpool.com"},{"id":120630,"bio":"Andrey is a visual storyteller with an interest in people and their personalities, cultural background, and way of life. He creates books and online stories which focus on daily life in all its myriad detail. He has been a participant, jury member and reviewer of Russian and international photo festivals and portfolio reviews. In different years he gave master classes and creative seminars on photography at Multimedia Art Museum, Moscow, Leica Akademie Russia, Russian State University for Humanities and the Photojournalism Faculty of Moscow State University. Works and books by the photographer (Crossings, Quickgold, Playing With Time, Frozen Form and other) are in the collection of the Multimedia Art Museum, Moscow, and in private collections in Russia and abroad. \nhttp://gordasevich.ru\nhttps://instagram.com/gordasevich\n","user_id":120028,"name":"Andrey Gordasevich","website":"www.gordasevich.ru / www.time.gordasevich.ru / www.quickgold.ru"},{"id":600525,"bio":"","user_id":599941,"name":"Gerard Alís","website":""},{"id":744,"bio":"I'm a San Francisco-based photographer who's studied visual arts under Matt Kahn (Stanford University), Hildegard Abb (Foothill College), and Nancy Rubins (UCLA). I also have engineering degrees from MIT and Stanford and an MBA from UCLA.\r\n\r\nI have two current projects- Motion Blur, which is relatively mature, and Icescape, which is still being formulated. Motion Blur originates from the observation that when you're in a car going 80mph on the freeway, the motion of the car blends the elements of the landscape horizontally. The same effect can be reached by moving the camera left and right or up and down during a prolonged exposure. In this process, the scene plays the role of the brush and the film plays the role of the canvas. The camera motion \"paints\" the scene onto the film.\r\n\r\nIn the Icescape project my goal is to relate the surreal landscape of glaciers to the traditional subjects of landscape photography. Mountain peaks, sand dunes, and rolling hills- they are all there, but now they're made of ice.","user_id":744,"name":"Alfred Tom","website":"www.atomphotography.com"},{"id":747,"bio":null,"user_id":747,"name":"Pierre Torset","website":null},{"id":745,"bio":"","user_id":745,"name":"Kurt Tong","website":"www.kurttong.co.uk"},{"id":752,"bio":"Aleksandra Vajd, born 1971 in Maribor, Slovenia. Hynek Alt, born 1976 in Kutna Hora, Czech Republic. They both hold BA and MA in Photography from FAMU in Prague. Aleksandra holds as well a degree from the Faculty of Veterinary Medicine in Ljubljana from 1997. From 2004 to 2006 they were both recipients of the Fulbright Scholarship to study photography at SUNY, New Paltz, NY, where Hynek graduated the MFA program in 2006. Their work has appeared in numerous exhibitions in Europe (Futura and Josef Sudek Atelier in Prague, Modern Gallery, City Museum and City Gallery in Ljubljana) and the United States (Bard College and Samuel Dorsky Museum in New Paltz, the Czech Center in NYC, Museum of Contemporary Photography in Chicago, Center for Curatorial Studies, Bard College). They have received numerous grants and awards, among them the 2005 First Prize of the Frame005 Award, Brno, Czech Republic, in 2006 nomination for the Deutsche Börse Photographic Award, London, Great Britain, and were Finalists for the 2006 OHO Group Award, Ljubljana, Slovenia. In 2007 they received honorable mention at the Aperture, New York, USA. Since 2008 they are head of studio of photography at Academy of Arts, Architecture and Design in Prague. ","user_id":752,"name":"Aleksandra Vajd","website":"www.altvajd.com"},{"id":762,"bio":"My artworks are a reflection of my ongoing search for meaning.  I rely on beauty and the act of seeing to explore, question, and reinterpret the way that we perceive the world.\r\n","user_id":762,"name":"Jim Vecchi","website":"www.jimvecchi.com"},{"id":770,"bio":null,"user_id":770,"name":"Vera Weisgerber","website":null},{"id":771,"bio":null,"user_id":771,"name":"Matjaz Wenzel","website":null},{"id":775,"bio":"Eight Coloured Cards, Revolver, Berlin, Germany, 2013\nPresumed Reality, Hatje Cantz, Germany, 2011\nleporello#15, 2010\n“Out From Under”, Space Poetry, Copenhagen, 2007 · printedmatter.org - spacepoetry.dk\nManual til dansk kunst, Gyldendal, 2006\nAsterisk Nr. 29# v/m7 Newspaper edition, 2005\n\nMeanwhile Now, Space Poetry, Copenhagen, 2005 · printedmatter.org - spacepoetry.dk\n“Places to go, People to see”, Die Gestalten Verlag, Berlin, 2001\n“Exciting Comfort”, Space Poetry, Copenhagen, 2000 · printedmatter.org space poetry.dk\nCatalogue, “Picture Book”, Ny Carlsberg Glyptoteket, Copenhagen, 1995\n·\nRepresented in The Following Collections\nStatenskunstfond 2010, 2012\nThyssen-Bornemisza Contemporary Art Foundation, Vienna\nFoto Colectania Foundation, Madrid\nFalconer Gallery, USA\nDet Nationale Fotomuseum, Copenhagen, Denmark \nNy Carlsberg Fondet donation for Danish Cultural Institute, Beijing, China \nNykredit, Copenhagen, Denmark \nArt Foundation Mallorca\nStatoil Art Collection\n·\nEducation\n1995-99   Academy of Fine Arts, Prague.\n·\nGrants \u0026amp; Prizes\nStatens Kunstfond - 3 years workinggrant, 2010\nStatens Kunstfond, 2008\nBMW photography prize 2007\nParis Photo - shortlisted, 2007\nFogtdal Fotografipris, 2007\nStatens Kunstfond, 2007\nWorking Grant, Statens Kunstfond, 2006\nDanish Art Foundation, 2006\nDanish Art Foundation, 2005\nArtist-in-residence, Centro Cultural Andratx, Mallorca, 2004\nAage og Yelva Nimbs Hæderslegat, 2004\nRagnvald og Ida Blix Fond, 2004\nWorking grant, Statens Kunstfond, 2003\nTravelling grant, Statens Kunstfond, 2002\nÅrhus Municipality Art Scholarship, 1994","user_id":775,"name":"Ebbe Stub Wittrup","website":"www.ebbestubwittrup.net"},{"id":381657,"bio":"Larry Halff is a visual artist exploring how we perceive place through abstract images of virtual and physical environments. His work explores themes of perception, technology, and physicality.\n\nRaised by two cognitive research psychologists, he discovered photography as a way to connect with the outside world at the age of 6, a tool which still forms the basis of his artistic practice. He studied Sociology and Cultural Anthropology, with a focus on video ethnography, and then worked in social software as the Internet blossomed before pursuing art in 2017.\n\nHalff lives with his husband Randy and rescue dog Betty in the Washington, DC area where he was raised.","user_id":381073,"name":"Larry Halff","website":"www.larryhalff.com"},{"id":798,"bio":"Alixandra Fazzina (UK, 1974) focuses with her photography on under-reported conflicts and the often forgotten humanitarian consequences of war. Alixandra has an uncanny ability to work in the most difficult social and geographical environments and is recognized for her compassionate and empathetic approach towards the human condition, always fully aware of the bigger picture. Her photographs cut to the core but are never imposing with a luminous chiaroscuro aesthetic that is distinctly quiet, yet descriptive.\n\nStudying Fine Art, she began her career as a war artist in Bosnia. Since then, she has worked independently as a photojournalist throughout Eastern Europe, Africa, the Middle East and Asia. Her reportages have been widely published in the British and international press including The Sunday Times, The Guardian and Observer, The Telegraph and The Independent as well as TIME, Newsweek, The New York Times and Stern. She works regularly with UN agencies and NGO’s to document their work and produce advocacy campaigns.\n\nAlixandra worked over a period of two years to chronicle the exodus of migrants and refugees from Somalia to the Arabian Peninsula. The resulting book “A Million Shillings: Escape from Somalia” was published by Trolley (2010). The Arabic language version of the book was officially launched in Yemen by António Guterres; the UN High Commissioner for Refugees (2011).\n\nFor her work in Somalia, Alixandra was a finalist in the CARE Award for Humanitarian Reportage and the W. Eugene Smith Grant in Humanistic Photography in 2008. That same year, she was the recipient of the Vic Odden Award from the British Royal Photographic Society. “A Million Shillings: Escape from Somalia” was finalist for the POYi (Pictures of the Year International) Best Photography Book of the Year Award 2010.\n\nIn 2010 Alixandra was recognized as the winner of the highly prestigious UNHCR Nansen Refugee Award for her striking coverage of the devastating human consequences of war and because of her fearless and tireless dedication to humanitarian photography throughout her career.\n\nHer current new long-term project The Flowers of Afghanistan, documents the stories of Afghan children seeking refuge in Europe. The photographic investigation looks into the causes and effects of the increasing number of Afghan minors making the hazardous overland journey to apply for asylum in EU member states.","user_id":798,"name":"Alixandra Fazzina","website":"noorimages.com/photographer/fazzina"},{"id":51633,"bio":"Jeenah Moon is a photojournalist based in New York. She was born and raised in Seoul, South Korea. She came to the United States from Korea in 2007. She graduated from The International Center of Photography in 2014 where she was awarded the Down Jones Scholarship. In 2015 She honored to win 2015 Front Page Award in the category of best Photography Essay “The Watchman of New York.\" \n\n Her  works are characterized by a fascination and love for those who make choices they know will marginalize themselves in society. She finds their niches and show how these folks adapt and even thrive in circumstances most  people try to avoid.           \n\nShe experimented in capturing the overlooked humanity in various marginalized urban populations. She works on projects on dealing with  human rights and urbanization in local areas.             \n\nShe greatly admires photography which addresses pressing social issues and the capacity of this type of medium to capture the most meaningful,engaging and even impactful visual imagery. ","user_id":51638,"name":"Jeenah Moon","website":"www.jeenahmoon.com"},{"id":302934,"bio":"My passion with photography comes from having spent a lifetime admiring beautiful light wherever it falls and on whatever it illuminates. Nature’s spectacular show in the skies every morning and evening has fascinated me for as long as I can remember. Trying to capture what your eye sees is the real challenge. A great photograph can draw the viewer into that exact  moment, to feel the emotional power of the subject and to immerse your senses in the sights, sounds and story surrounding the image. Sometimes that shot is one in a million but even with those odds, the quest never gets old.","user_id":302332,"name":"Sue Kennedy Photography","website":"www.suekennedyphotography.com"},{"id":167752,"bio":"","user_id":167150,"name":"Nugroho Arif Prabowo","website":"www.flickr.com/photos/nugrohoarifprabowo"},{"id":1035,"bio":"\nBorn in Lisbon at 1986. \nGraduated in visual Arts.\nPhotographer since 2007.","user_id":1035,"name":"José Ferreira","website":"www.joseferreira-photographer.com"},{"id":1096,"bio":"","user_id":1096,"name":"Martina Bacigalupo","website":"www.agencevu.com/photographers/photographer.php?id=255"},{"id":303294,"bio":"Pro photographer for 30 years. Not much to say","user_id":302692,"name":"Mick Hicks","website":"fotomick222@gmail.com"},{"id":303458,"bio":"graduated 2 schools in Tokyo, Japan, such as Joshibi University of Art and Design, coconogacco, then 1 school in London, UK, such as graduate diploma course at Central Saint Martins college of art and design. I had a few photograph classes during my Fashion Studies, and when I have been working so far, I have a lot of chances to take and edit photos. For examples, during research processes, and for presentations. I liked photo shootings as my hobby so far, but now I want to improve my level and wish to become more professional level. ","user_id":302856,"name":"莉沙 三ツ井","website":"www.risamitsui.com"},{"id":1444,"bio":null,"user_id":1444,"name":"Diane Ducruet","website":"www.dianeducruet.com"},{"id":989,"bio":"Gerd Ludwig has worked primarily for National Geographic since 1989. His focus on environmental issues and the socio-economic changes following the dissolution of the Soviet Bloc resulted in a retrospective exhibition and book (2001), “Broken Empire: After the Fall of the USSR.” \n\nIn 2014, his 20-year retrospective photo book “The Long Shadow of Chernobyl,” was published by Edition Lammerhuber. His latest book, “Sleeping Cars,” will be published in spring 2016, also by Edition Lammerhuber. \n\nGerd Ludwig has won numerous photographic awards, including the IPA’s 2006 Lucie Award for International Photographer of the Year, the Dr. Erich Salomon Prize from the German Society of Photography in 2014, and the Honor Medal for Distinguished Service in Journalism from the Missouri School of Journalism in 2015.","user_id":989,"name":"Gerd Ludwig","website":"www.gerdludwig.com"},{"id":1443,"bio":"","user_id":1443,"name":"Denis Darzacq","website":"www.denis-darzacq.com"},{"id":381803,"bio":"Angellos I. Malefakis is a Greek-American photographer who was born in Pyrgos, Greece. Mr. Malefakis is a Gulf War veteran of the US Air Force who grew up in Jamaica, NY. His foray into the arts is in part the result of his upbringing in NYC. \n\nPhotography became a priority once again when he met Pulitzer prize winning composer David Del Tredici. The “pioneer” of the Neo-Romantic movement opened Angellos world as no one else has beore and since. Angello’s filmed David at every concert, every trip, every moment that they were together. End result, since that fateful meeting with David on New Years 2011, Angello’s pursuit of photography has grown to new heights and levels. ","user_id":381219,"name":"Angellos Malefakis","website":"angellosimalefakis.smugmug.com"},{"id":1455,"bio":"","user_id":1455,"name":"Erik Kesselskramer","website":"www.kesselskramerpublishing.com"},{"id":381735,"bio":"I am an amateur photographer from Zurich. My main focus is on details, colors, moods, structures. I love to travel and I take pictures where ever I am. People, landscapes, animals, architecture and abstracts are my favorite subjects.","user_id":381151,"name":"Karin Müller","website":"www.uneek.ch"},{"id":1202,"bio":"","user_id":1202,"name":"Patrick Taberna","website":"www.patricktaberna.com"},{"id":1225,"bio":"","user_id":1225,"name":"Ross Garrett","website":"rossgarrett.net"},{"id":1078,"bio":"Kadir van Lohuizen (The Netherlands, 1963) has covered conflicts in Africa and elsewhere, but is probably best known for his long-term projects on the seven rivers of the world, the diamond industry and migration in the Americas.\n\nBefore Kadir became a photographer he was a sailor and started a shelter for homeless and drug addicts in Holland. He was also an activist in the Dutch squatter movement.\n\nHe started to work as a professional freelance photojournalist in 1988 covering the Intifada. In the years following, he worked in many conflict areas in Africa, such as Angola, Sierra Leone, Mozambique, Liberia and the DR of Congo. From 1990 to 1994 he covered the transition in South Africa from apartheid to democracy.\n\nAfter the collapse of the Soviet Union, Kadir covered social issues in different corners of the former empire. He also went to North Korea and Mongolia. In 1997 he embarked on a big project to travel along the seven rivers of the world, from source to mouth, covering daily life along these lifelines. The project resulted in the book “Rivers” and “Aderen” (Mets \u0026amp; Schilt).\n\nKadir has received numerous prizes and awards in photojournalism. In 2000 and 2002 Kadir was a jury member of the World Press Photo contest and is currently on the supervisory board of the World Press Photo foundation.\n\nIn 2004 he went back to Angola, Sierra Leone and the DR of Congo to portray the diamond industry, following the diamonds from the mines to the consumer markets in the western world. The exhibitions that resulted from this project were not only shown in Europe and the USA, but also in the mining areas of Congo, Angola and Sierra Leone. The photo book “Diamond Matters, the diamond industry” was published by Mets \u0026amp; Schilt (Holland), Dewi Lewis (UK) and Umbrage editions (USA) and awarded the prestigious Dutch Dick Scherpenzeel Prize for best reporting on the developing world. The project was also recognized with a World Press Photo Award.\n\nIn that same year, Kadir initiated a photo project together with Stanley Greene and six other photographers on the issue of violence against women in the world.\n\nIn 2006 he launched a magazine called Katrina - An Unnatural Disaster, The Issue # 1, in collaboration with Stanley Greene, Thomas Dworzak and Paolo Pellegrin with an essay by Jon Lee Anderson.\n\nAfter hurricane Katrina destroyed New Orleans, he has made several trips to the USA to document the aftermath of the storm. In the summer of 2010, to mark the fifth commemoration of Hurricane Katrina, Kadir exhibited images of Katrina’s devastation and the aftermath in a truck-exhibition that drove from Houston to New Orleans, a project in collaboration with Stanley Greene.\n\nFrom 2011 to 2012, Kadir created Via PanAm; a striking visual investigation on migration in the Americas. In 12-months, he travelled along the Pan American Highway from Terra del Fuego in Patagonia to Deadhorse in Northern Alaska.\nVia PanAm is a unique social documentary multimedia project, which was originally made as an interactive application for the iPad. In 2013 Via PanAm was also made into a travelling interactive multimedia based exhibition and installation. With the publication of a book at the end of 2013 the project successfully came to an end having experimented with all possible publication outlets for photography today.\n\nKadir is a frequent lecturer and photography teacher; he’s a member and co-founder of NOOR picture agency and foundation and is based in Amsterdam.","user_id":1078,"name":"Kadir Van Lohuizen","website":"www.lohuizen.net"},{"id":19037,"bio":"Zelda Zinn was born with a crayon in her mouth and a book in her hand. She grew up drawing and dreaming. After studying the classics at St. John’s College, she received an MFA in photography at UNM, and taught photo for many years. She was awarded artist’s residencies to SFAI, Vermont Studio Center, Akron Soul Train, The Arctic Circle, and, recently, La Wayaka Current in Chile. All have had a profound impact on her art making. Zinn has shown her work nationally and internationally. She continues to be amazed by the worlds of nature and the imagination.\n\n\n","user_id":19037,"name":"Zelda Zinn","website":"www.zeldazinn.com"},{"id":1204,"bio":"Phillip Toledano (b. 1968) is a British photographer living and working in New York City. As an artist, he works across mediums from photography to installation. His conceptual themes are primarily socio-political. Toledano has three monographs published on his artistic practice, with the most recent, Days With My Father, being received to critical acclaim.","user_id":1204,"name":"Phillip Toledano","website":"www.mrtoledano.com"},{"id":1253,"bio":"For the last 25 years, Stanley Greene (New York, 1949) bore witness to births of new dawns, rising and falling empires, invasions of countries, liberations of others, mass migrations, deportations, displacements, famines, conflicts, wars and destructions. He worked on the five continents trying to document the human condition. “Sometimes I wonder if societies just lust for tragedies.”\n\nAs a teenager, he was a member of the Black Panthers, an anti-Vietnam War activist and later a founding member of SF Camerawork, an exhibition space for avant-garde photography in San Francisco.\n\nStanley studied at the School of Visual Arts in New York and at the Image Works in Cambridge, Massachusetts. An encounter with W. Eugene Smith turned his energies to photojournalism. Stanley began photographing for magazines and worked as temporary staff photographer for the New York Newsday.\n\nIn 1986 he moved to Paris and, by chance, he was on hand to record the fall of the Berlin Wall, making him a much-sought-after photojournalist. While working for the Paris-based photo agency Agence Vu in October 1993, he was trapped and almost killed in the White House in Moscow during a coup attempt against President Boris Yeltsin.\n\nStanley has covered the war-torn countries Nagorno-Karabakh, Iraq, Somalia, Croatia, Kashmir, Afghanistan, and Lebanon, amongst others. He’s won numerous awards, including five World Press Photo Award and the Eugene Smith Humanistic Grant. In 2013, Stanley was awarded the Aftermath Grant for his project “The Rise of Islam in the Caucasus.\" \n\nHe made a great impression with the photo book \"Open Wound: Chechnya 1994-2003\", published by Trolley. Also successful is “Black Passport”, photographed and lived by Stanley, compiled by Teun van der Heijden, was published in 2009 and published by Schilt Publishing, Amsterdam. \n\nIn the summer of 2010, to mark the fifth commemoration of Hurricane Katrina, Stanley exhibited images of Katrina’s devastation and the aftermath in a truck-exhibition that drove from Houston to New Orleans in collaboration with Kadir van Lohuizen.\n\nStanley continues to cover important world events and recently followed the trail of electronic waste to Nigeria, India, China and Pakistan; a project realized with the support of the Getty Images Grants for Editorial Photography, GEO France and exhibited at the international photojournalism festival Visa pour l'Image 2012.\n\nStanley's black and white silver prints are printed by Nathalie Lopparelli's Atelier Fenêtre sur Cour, in Paris. In her long career, Nathalie has printed for Brassaï, William Klein, Gérard Rondeau, was the personal printer of Sébastiao Salgado and has worked extensively for Magnum.","user_id":1253,"name":"Stanley Greene","website":"noorimages.com/photographer/greene"},{"id":1459,"bio":"","user_id":1459,"name":"Frederick C. Baldwin","website":null},{"id":1479,"bio":"","user_id":1479,"name":"Jonas Bendiksen","website":"www.magnumphotos.com/C.aspx?VP3=CMS3\u0026VF=MAGO31_10_VForm\u0026ERID=24KL53580A"},{"id":32770,"bio":"I am a photographer that lives and works in Alberta ","user_id":32775,"name":"Ted Ostrowski","website":"socialdocumentary.net/photographer/Tedostrowski"},{"id":107702,"bio":"Nguveren Ahua is an Abuja based visual storyteller working to document issues across the region with a sensitive and discerning perspective. Her particular point of view has led her to work with various reputable organizations and has seen her work published in several publications.","user_id":107100,"name":"Nguveren Ahua","website":"www.nguverenahua.com"},{"id":726989,"bio":"","user_id":726405,"name":"Ana Cachao","website":"www.instagram.com/ana_cachao"},{"id":726822,"bio":"","user_id":726238,"name":"Chris Close","website":""},{"id":726737,"bio":"Brielle Cardieri is a life-long New Yorker who spends her free time immersing herself in the city she loves. Her work aims to capture the essence, and energy, of the streets of New York in a way that can only be expressed by someone who spent her entire life wandering the streets and experiencing the beauty of the city. ","user_id":726153,"name":"Brielle Cardieri","website":""},{"id":1413,"bio":"Andy Freeberg was born in New York City where he learned at an early age to be a critical observer of the world and the people in it. After studying at the University of Michigan, he began his professional photography career in New York taking portraits for such publications as The Village Voice, Rolling Stone, Time, and Fortune, photographing the likes of Michael Jackson, Bill Gates, and Neil Young. Freeberg has recently emerged on the contemporary art scene as a wry commentator on the art industry itself. Long fascinated with the gallery and museum worlds, he often turns his camera on the dealers, gallery patrons, artists, museum guards, and their interplay with the works of art themselves. His project Guardians, about the women that guard the art in Russian museums, won Photolucida's Critical Mass book award and was published in 2010. Freeberg's work is in many public and private collections including the Museum of Fine Arts Boston, The Portland Art Museum, the George Eastman House, and the Museum of Fine Arts Houston.","user_id":1413,"name":"Andy Freeberg","website":"andyfreeberg.com"},{"id":1415,"bio":null,"user_id":1415,"name":"Andrzej Mitura","website":null},{"id":1427,"bio":"Beth Lilly’s projects engage viewers in narratives in innovative ways. Her cellphone/performance art project, “The Oralce@Wifi” was published by Kehrer Verlag in 2012 and was featured in “Noplaceness”, published in 2011. Recent exhibitions include solo shows at The Center for Fine Art Photography in Colorado, The Hagedorn Gallery and MOCA GA. Group shows Slow Exposure Photography Festival and New Mexico Museum of Art. Born in Charlotte North Carolina, Beth Lilly received an ABJ from the University of Georgia and an MFA from Georgia State University. She currently lives in Atlanta, Georgia.","user_id":1427,"name":"Beth Lilly","website":"www.bethlilly.com"},{"id":1428,"bio":null,"user_id":1428,"name":"Boris Mikhailov","website":null},{"id":1467,"bio":null,"user_id":1467,"name":"Helen Levitt","website":null},{"id":1470,"bio":"","user_id":1470,"name":"Hebe Robinson","website":"www.heberobinson.com"},{"id":382039,"bio":"Conceptual and portrait photographer from Finland","user_id":381455,"name":"Nina Karaush","website":"ninakaraush.com"},{"id":726709,"bio":"社会人をしながら、街をカメラに収めることを趣味にしている。","user_id":726125,"name":"Fumihiko Abe","website":""},{"id":1426,"bio":"Lives and works in Seoul, Korea\n\nPresent\tChairman of Geonhi Art Foundation\nProfessor, Department of Photography \u0026amp; Video, Kyungil University\n2008\tArt Director, Daegu Photo Biennale 2008\n2004\tGuest Professor, Pentiment, Hamburg Summer School\n1999-01\tProfessor of Photography, Kaywon College of Art and Design, Anyang\n1999\tVisiting Professor, Central Saint Martin's College of Art and Design, London\n1997\tInternational Fellowship, Stanley Picker Gallery, Kingston University, London\n1992\tGuest Professor, Pentiment, Hamburg Summer School\n1986-98\tPhotography lecturer, Chung-Ang University, Seoul\n1980-85\tDiploma Fachhochschule (Photography), Hamburg\n1971-75\tYonsei University (Business Administration), Seoul\n \nAWARDS\n\n2003\tGangwon Documentary Prize, Korea\n2000\tLee Myoungdong Prize, Korea\n \nSOLO EXHIBITIONS\n\n2013\t'The Interpretation of landscape', J - Hee Gallery, Gwangju\n \t'Happy memories', Ryugaheon gallery, Seoul\n2011\t‘Bohnchang Koo’, Kukje gallery, Seoul\n \t‘The Baptist’, Nuda gallery, Daejeon\n \t‘Snow, Jeju Island’ Trunk gallery, Seoul\n2010\t‘Plain Beauty: Korean White Porcelain / Photographs by Bohnchang Koo’, Philadelphia Museum of Art, Philadelphia\n¡®Masks¡¯, Duson Art Museum, Jeju\n2009\t¡®Vessel ¡¤ Soap ¡¤ Interiors¡¯, Galerie Camera Obscura, Paris\n¡®Purity¡¯, Galerie Raum mit Licht, Vienna\n¡®Pencil of Nature¡¯, Gallery Bow, Ulsan\n2008\t¡®In the Beginning¡¯, Trunk Gallery, Seoul\n¡®Coolness and Passion¡¯, MBC Gallery M, Daegu\n2007\t¡®Bohnchang Koo¡¯, Goeun Museum of Art, Busan\nGalerie 206, Berlin\n¡®Soap¡¯, Koyama Gallery, Tokyo\n2006\tHasted Hunt Gallery, New York\n¡®Vessel¡¯, Kukje Gallery, Seoul\n¡®Koo Bohnchang¡¯, Kahitsukan, Kyoto Museum of Contemporary Art, Kyoto\n2005\t¡®Portraits of Time¡¯, White Room Gallery, Los Angeles\n¡®La beaute endormie¡¯, Langon, France\n2004\t¡®Masks¡¯, ¡®White¡¯, Galerie Camera Obscura, Paris\n2003\t¡®Bohnchang Koo: Recent work¡¯, Ricco Maresca Gallery, New York\n¡®Masks¡¯, The Museum of Photography, Seoul\n¡®White¡¯, ¡®In the Beginning¡¯, Picture Photo Space, Osaka\n2002\t¡®Fragile Tremors¡¯, The Museum of Photographic Arts, San Diego, curated by Carol McCusker\n¡®Masterworks of Contemporary Korean Photography¡¯, Peabody Essex Museum, Messachusetts, curated by Clark Worswick\n¡®In the Beginning¡¯, Shadai Gallery, Tokyo\n2001\tBase Gallery, Tokyo\nPrinz Gallery, Kyoto\nSamsung Rodin Gallery, Seoul\nPatricia Sweetow Gallery, San Francisco\n2000\t¡®White Series¡¯, Ricco Maresca Gallery, New York\n¡®Good-Bye Paradise¡¯, Galleri Image, Aarhus, Denmark\n1999\t¡®Flow¡¯, Gallery Won, Seoul\n1995\t¡®In the Beginning¡¯, Gallery Ississ, Kyoto\n¡®Breath¡¯, Seomi Gallery, Seoul\n1993\t¡®Good-Bye Paradise¡¯, Seomi Gallery, Seoul\n1990\t¡®The Sea of Thought¡¯, Seomi Gallery, Seoul\n1988\t¡®Clandestine Pursuit in the Long Afternoon¡¯, Gallery Busan, Korea\n1987\t¡®One Minute Monologue¡¯, Gallery Wide, Tokyo\nPhoto Interform, Osaka\n1985\t¡®Twelve Deep Sighs¡¯, Hanmadang Gallery, Seoul\n1984\tFotogenes, Hamburg\n1983\tPine Hill Gallery, Seoul\n \nGROUP EXHIBITIONS\n\n2013\t'»çÁøÀÇ ÅÍ', Art Space J, Gyeonggi, Korea\n \t'Sakura', Tanakaya Gallery, Hirosaki, Japan\n2012\t 'Mega Seoul 4 decades', The Museum of Photography, Seoul, Seoul\n \t'Motherhood', Ewha Womans University Museum, Seoul\n \t'´ÞÇÏ ³ëÇÇ°õ µµ´Ù»þ ¾î±á¾ß ¸Ó¸®°õ ºñÃë¿À½Ã¶ó', Ilwoo space, Seoul\n \t'FOLD lll: USELESS / Upcycling in Art + Design', Art+Shanghai Gallery, Shanghai\n2011\t‘Korean Spirit ; six Photographers’, Goyang, Korea\n \t‘Books \u0026amp; Objects’, Shinsegae Gallery, Seoul\n \t‘òµü£’, Kokdu museum, Seoul\n \t‘Fold3’, Art+Shanghai gallery, Shaghai, China\n2010\t‘Korean Contemporary Art ? Plastic Garden’, Minsheng Art Museum, Shanghai\n¡®Chaotic Harmony: Contemporary Korean Photography¡¯, Santa Barbara Museum of Art, Santa Barbara\n¡®On the Line¡¯, Daelim Contemporary Art Museum, Seoul\n¡®Cycle, Recycle¡¯, Interalia Art Company, Seoul\n¡®Primavere del Bianco¡¯, Museum of Art Seoul National University, Seoul\n¡®Man Ray's Photography \u0026amp; His Heritage¡¯, Seoul Museum of Art, Seoul\n¡®Biennale internationale de l'Image a Luang Prabang¡¯, Laos\n¡®Eternal Blinking: Contemporary Art of Korea¡¯, The University of Hawaii Art Gallery, Hawaii\n¡®30th Anniversary of Young Korean Artist¡¯, National Museum of Contemporary Art, Korea\n¡®Seoul Photo 2010¡¯, COEX, Seoul\n¡®Him of Gyeonggi-do¡¯, Gyeonggi Museum of Modern Art, Ansan\n2009\t¡®The Face beyond Faces¡¯, Sungkok Museum, Seoul\n¡®Chaotic Harmony: Contemporary Korean Photography¡¯, MFAH, Houston\n¡®Met First, Yet Familiar, Korean Contemporary Photograph¡¯, 798 Space, Beijing\n¡®Art Road 77 - with art, with artist!¡¯, Lee \u0026amp; Park Gallery, Paju\n¡®The Face beyond Faces¡¯, Dong-gang International Photo Festival 2009,\nDong-gang Museum of Photography, Yeongwol\n¡®2009 Odyssey¡¯, Seoul Arts Center, Seoul\n¡®Made in Korea¡¯, Hannover Messe 2009, Hannover\n¡®Translated Celadon: The Five Different Stories¡¯, Haegang Ceramics\t Museum, Icheon\n¡®Three Photographers¡¯, Canon Plex, Seoul\n¡®Problem¡¯, Dr.Park Gallery, Yangpyeong-gun\n¡®Serotonin¡¯, Gallery Now, Seoul\n¡®Valentine's Day! Art for You!¡¯, 915 Industry Gallery, Seoul\n¡®Artists and Moon Jars¡¯, Gallery Hyundai Gangnam, Seoul\n2008\t¡®Gaze¡¯, Gallery Grimson, Seoul\n¡®Back to the Roots¡¯, Gallery Soheon, Daegu\n¡®Bohnchang Koo \u0026amp; Maggie Taylor¡¯, Verve Gallery of Photography, Santa Fe\n¡®Contemporary Korean Photographs 1948-2008¡¯, National Museum of Contemporary Art, Gwacheon\n¡®Inspired Simplicity: Contemporary Art from Korea¡¯, Seattle Art Museum\n¡®Treasures Within¡¯, Seoul Museum of Art, Seoul\n¡®Emotional Scenes¡¯, Blanca Berlin Gallery, Madrid\n¡®Today's Korean Art ¡¯, Seoul Arts Center, Seoul\n2007\t¡®Chuseok - Korean Harvest Festival¡¯, Gallery Talk ¡®The Korean Moon Jar¡¯,\nThe British Museum, London\n¡®Painterly Photos¡¯, Leehwaik Gallery, Seoul\n¡®Void in Korean Art¡¯, Leeum, Samsung Museum of Art, Seoul\n2005\t¡®Stilled¡¯, Gallery 339, Philadelphia\n2004\t¡®Water¡¯, FotoFest 2004, Houston\n¡®What happens between Art and Popular Culture¡¯, National Museum of Contemporary Art, Korea\n2003\t¡®Facing Korea¡¯, Foam Fotografiemuseum, Amsterdam\n¡®East of Eden¡¯, 14 Wharf Road, London\n2002\t¡®Two Korean Photographers¡¯, Photo-Eye Gallery, Santa Fe, New Mexico\n¡®KoreanContemporary Photography¡¯, Museum of Modern Art, Saitama,\nSendai Mediatheque, Japan\n¡®Floating¡¯, Art Center Silkeborg Bad, Denmark\n¡®Everyman: A Search for the Male Form¡¯, Camera Work, San Francisco\n2001\t¡®Awakening¡¯, Australian Centre for Photography, Sydney\n2000\t¡®Standing on the Threshold of Time¡¯, Odense Foto Triennale, Denmark\n¡®Contemporary Korean Photographers¡¯, FotoFest 2000, Houston\n¡®Moonlight Becomes You - A Thousand and One Nights of Peace on Earth¡¯,\nThe Center for Photography at Woodstock, New York\n1999\t¡®Phenomena¡¯, Friends of Photography, Ansel Adams Center, San Francisco\n¡®Fragments of Document and Memory¡¯, 3rd Tokyo International Photo-Biennale, Metropolitan Museum of Photography, Tokyo\n1998\t¡®Landscape and Man¡¯, Ostasiatiska Museum, Stockholm\n¡®Alienation and Assimilation¡¯, Museum of Contemporary Photography, Columbia College, Chicago\n1996\tA.O.I. Gallery, Santa Fe, New Mexico\n¡®Art at Home¡¯, Seomi Gallery, Seoul\n1995\tGwangju Museum of Modern Art, Gwangju, Korea\nSonje Museum of Contemporary Art, Gyeongju, Korea\n¡®Body or Gender¡¯, Gallery Nun, Seoul\n1994\tPima Community College Art Gallery, Tucson, Arizona\n1993\tQueensland Art Gallery, Brisbane, Australia\n1990\tRochester Institute of Technology, Rochester, New York\n1988\t¡®The New Wave of Photography¡¯, Walkerhill Art Center, Seoul\n1987\t¡®Lying Down as if Being Dead with Narrow Eyes¡¯, Hanmadang Gallery, Seoul\n \nCOLLECTIONS\n\nMuseum of Fine Arts, Houston\nSan Francisco Museum of Modern Art\nSanta Barbara Museum of Art, California\nSeattle Asian Art Museum, Seattle\nMuseum of Art and Craft, Hamburg\nKahitsukan, Kyoto Museum of Contemporary Art, Kyoto\nQueensland Art Gallery, Brisbane, Australia\nReykjavik Museum of Photography, Iceland\nNational Museum of Contemporary Art, Gwacheon\nSeoul Museum of Art\nMunicipal Museum of Art, Daejeon\nLeeum, Samsung Museum of Art, Seoul\nSonje Museum of Contemporary Art, Gyeongju\nThe Museum of Photography, Seoul\nThe Amore Museum, Seoul\nBusan Museum of Art, Busan\nFondation Herzog, Basel\nShadai Gallery, Tokyo\n \nPRIVATE COLLECTORS\n\nDancing Bear/ W.M. Hunt\nNewhouse Collection\nElena Ochoa Foster\nThe Buhl Collection\nThe Ock Rang Cultural Foundation\nSammlung Anne Maria Jagdfeld\n \nBIBLIOGRAPHY\t\n\n2009\t¡®Purity¡¯, Galerie Raum mit Licht, Austria\n2008\t¡®A Perspective on 1980s¡¯, Wow Image, Korea\n2007\t¡®Everyday Treasures¡¯, Rutles, Japan\n¡®Vessel¡¯ Rutles, Japan\n2006\t¡®Koo Bohnchang¡¯, The Kahitsukan, Japan\n¡®Deep Breath in Silence¡¯, Hangil Art, Korea\n¡®Revealed Personas¡¯, Hangil Art, Korea\n¡®Vessels for the Heart¡¯, Hangil Art, Korea\n2004\t¡®Portraits of Time¡¯, Homi, Korea\n¡®Koo Bohnchang: Mask', The Museum of Photography Seoul, Korea\n¡®Koo Bohnchang¡¯, Youlhwadang, Korea\n2003\t¡®Bohnchang Koo, Hysteric Nine¡¯, Hysteric Glamour, Japan\n1998\t¡®In the Beginning¡¯, WorkShop 9, Korea\n1994\t¡®Art Vivant¡¯, Contemporary Korean Artists, Sigongsa, Korea\n1992\t¡®The Sea of Thought¡¯, Hanglim, Korea","user_id":1426,"name":"Bohnchang Koo","website":"www.bckoo.com"},{"id":1424,"bio":null,"user_id":1424,"name":"Blake Fitch","website":null},{"id":1423,"bio":"Beth Dow is interested in how we shape and experience our environment, and how we use photography to mediate that experience. She has received many awards including McKnight fellowships, several Minnesota State Arts Board grants, and won Grand Prize in the Photography Book Now competition. Her photographs have been exhibited around the world and are in the collections of the Minneapolis Institute of Art, the Museum of Contemporary Photography, and the Portland Art Museum. She lives in Minneapolis. ","user_id":1423,"name":"Beth Dow","website":"www.bethdow.com"},{"id":726550,"bio":"","user_id":725966,"name":"Alex Yazlovsky","website":"www.ayimages.com"},{"id":726779,"bio":"Mein Name ist Tamara Sudimac. Ich lebe derzeit in Wien und fotografiere, male und tanze aus Leidenschaft.","user_id":726195,"name":"Tamara Sudimac","website":""},{"id":1439,"bio":"Fine art photographer exploring the relation between nature and culture from many different angles. Mans condition plays an important part in this. My images are shown in museums and galleries in my native country and internationally. My editions are very low and the images are collected both privately and in institutions. I also work by commission and give talks.\n\nContact\nchristian@soulfood.no\ncell: +47 92 45 16 57\n\n2012\nAltered Landscapes, Whatcom (museum of Washington) USA tour 2012\n\n2011\nOkurimono, Kunstparken, Risør\nUt med det, Rådhusgalleriet\nOkurimono, Oslo Photo\n\n2010\nMoksha Lykkehaven, Sandvika, collaberative\nBorder District, Haugar Kunstmuseum, collaberative\n7th Lane, Lilleaker, collaberative\nElementene, Akershus Kunstsenter, collaberative\nIn full color, Hosfelt Gallery, New York, collaberative\nNoe mer enn ingenting, Drammen, collaberative\nA-Laget Galleri A, Oslo, collaberative\n\n2009\nAntArctica, Haugar Kunstmuseum, collaberative\nNoe mer enn ingenting, Oslo Rådhus, collaberative\nThe coldest winter, Hosfelt Gallery, San. Fran, collaberative\nArctic technology/Barentsburg Hosfelt Gallery, San. Fran., solo\n\n2008\nBlå Kors Auksjonen Oslo, collaberative\nGallleri A Oslo, collaberative\nGalleri Semmingsen Oslo, collaberative\nGalleri A Oslo, collaberative\nArctic technology Hosfelt Gallery New York, USA, solo\nGardemoen Airport,10-year Anniversary Oslo, public\nTrondheim S. Rom for Kunst Tr.hjem, public\nOslo Sentral Station/Rom for Kunst Oslo, public\nPecha Kucha/Arctic Tech. Barentsburg Oslo, public\n\n2007\nYear Zero Tr.Torg, Trondheim, solo\nAnnual Grants exhibition Kunstnernes Hus, Oslo, collaberative\nAnnual grants exhibition Fotogalleriet, Oslo, collaberative\nArtBasel/Scout Gallery,London Miami, collaberative\nPhotoLondon Fair/Zebra Gallery London, collaberative\nEvolution, Galleri Semmingsen Oslo, collaberative\nDefence Ministry H.Q. Oslo, public\n\n2006\nYear Zero Festplassen, Bergen, solo\nYear Zero Byparken, Stavanger, solo\nTransition Galleri A, Oslo, solo\nAnnual Grants exhibition Oslo, collaberative\nZebra One London, collaberative\nSotheby's London, collaberative\nDefence Ministry H.Q. Oslo, public\nInnovation Norway/Arctic Tech. N.Y.U.S, public\nInnovation Norway/Arctic Tech. San.Fran., U.S, public\nInnovation Norway/Arctic Tech. Toronto, Canada, public\n\n2005\nYear Zero-on torture Råddhusplassen, Oslo, solo\nArctic Technology Scout Gallery, London, solo\nAngkor - a personal reflection Gallery 27, Oslo, solo\nSave the Children Oslo, collaberative\nParis Photo,Scout Gallery, London Louvre, Paris, collaberative\nGalleri A Oslo, Juni, collaberative\nPhotoLondon Fair/Scout Gallery London, Mai, collaberative\nHenie-Onstad Oslo, collaberative\nEkeberg Rest. Oslo, public\n\n2003\nKraft og bilder fra boken Fyrlyset, Oslo, solo\nAnnual grants exhibition Kunstnerenes Hus, Oslo, collaberative\nSnøhetta Oslo, collaberative\nUndereksponert Nationalteateret stasjon, Oslo, collaberative\nØkokrim Oslo, public\nEiendommspar Oslo, public\n\n2002\nAutumn grants exhibition Kunstnernes hus, Oslo, collaberative\n\n2000\nSola Det Gule Galleriet, Stavern, solo\nMantra Fotografiens hus, Oslo, solo\nMultivisjons show, solo\n\n1997\nTibet in exile Head On, Oslo, solo\nDeformatia Volapuk, Oslo, solo","user_id":1439,"name":"Christian Houge","website":"cargocollective.com/christianhouge"},{"id":1431,"bio":"In his work, Chien-Chi Chang makes manifest the abstract concepts of alienation and connection. “The Chain,” a collection of portraits made in a mental asylum in Taiwan, caused a sensation when it was shown at La Biennale di Venezia (2001) and the Bienal de Sao Paolo (2002). The life-sized photographs of pairs of patients literally chained together resonate with Chang’s jaundiced look at the less visible bonds of marriage. He has treated marital ties in two books—I do I do I do (2001), a collection of images depicting alienated grooms and brides in Taiwan, and in Double Happiness (2005), a brutal depiction of the business of selling brides in Vietnam. \r\n\r\nThe ties of family and of culture are also the themes of an ambitious project begun in 1992. For 20 years, Chang has photographed the bifurcated lives of Chinese immigrants in New York’s Chinatown, along with those of their wives and families back home in Fujian. A work in progress, “China Town” was hung at the National Museum of Singapore in 2008 as part of a mid-career survey, “Doubleness.” Chang’s investigation of the ties that bind one person to another draws on his own deeply divided immigrant experience. Born in Taiwan in 1961, Chang studied at Soochow University (B.A. 1984) and at Indiana University (M.S. 1990). Chang joined Magnum in 1995 and became a full member in 2001.","user_id":1431,"name":"Chien-Chi Chang","website":"www.magnumphotos.com/C.aspx?VP3=CMS3\u0026VF=MAGO31_10_VForm\u0026ERID=24KL53ZLJS"},{"id":1432,"bio":null,"user_id":1432,"name":"Chuck Close","website":"chuckclose.com"},{"id":1434,"bio":null,"user_id":1434,"name":"Claudia Eschborn","website":null},{"id":1438,"bio":"Bio\nCamilla Holmgren born in Denmark 1972.\nShe has a MFA from The Royal Danish Academy of Fine Arts, Denmark.\nHer work has been exhibited in Korea, China, US, Berlin, Denmark, Aries, Spain among others.\nLatest with the solo show MIRROR in Copenhagen, in relation to the publication of her book MIRROR.\nshe lives in Hong Kong.\n\nEducation\n\n2003 MFA Master of Fine Arts in Visual Art, The Royal Danish Academy of Fine Arts\n1997-2003 The Royal Danish Academy of Fine Arts, Copenhagen, Denmark\n\nExhibitions\n\n2010 The Object of Desire, RTR russiantearoom, Paris\nCROSSING, PIP Pingyao internationsl Photography Festival, Pingyao, Shanxi, China\nMIRROR, PROSPEKTO GALLERY, Vilnius, Lithuania.\n\n2009 MIRROR, solo exhibition, Photographic center, Copenhagen, Denmark\n#5 Peepshow, O Born Contemporary, Toronto, Canada\nwww.oborncontemporary.com\n\n2008 D-Turn, O Born Contemporary, Toronto, Canada\nwww.oborncontemporary.com\nNuit Blanche, (White Night), Paris, France\nLes Rencontres D'ARELS Photographe, EUROPEAN NIGHT 2008, Arles, France\nNordic Moods-Landscape Photography of our time, ARKEN, Museum of Modern Art, Denmark\nGrafic/Drawings on T-shirt, 5 styles w. Designer Michael Kaesan, Hong Kong\nAspekter af Dansk fotografi, Esbjerg Hovedbiliotek, Esbjerg, Denmark\n\n2007 New Adventures, Shancheng Gallery, Shanghai, China\nNew Photography from Denmark, Headquarters gallery, Houston Texas, USA\nNew Adventures, dArtex, The Danish cultural institute, Beijing, China\nAspekte Danischer fotografie, aus der samlung Lars Schwander, The Nordic Embassies Berlin, Germany\n\n2006 New Adventures - Contemporary Danish Photography and Video, Gallery Sejul, Seoul, Kora\nFOTO: New Photography, Scandiavian House, New York, NY\nDecade, Nordic House, Muesum of history of photography, Krakow, Poland\n\n2005 Selfdisicpline, Overgaden Institute of Contemporary Art, Copenhagen, Denmark\nScandinavian Photography 2, Faulconer Gallery, Iowa, USA\nDesire, Para-Site Art Space, Hong Kong\nIntimacy, CPH-MALMO-NEW YORK, Fotografisk Center, Copenhagen, Denmark\n\n2004 Don't Look Now, Solo exhibition, Galleri Image, Arhus, Denmark\nEye of the Beholder, Galerie Asbaek, Copenhagen, Denamrk\nDesnudos, Galerie Asbaek, Centro Cultural Andratx, Maliorca, Spain\nTwo Photographers, Imacon Center, Copenhagen, Denmark\nVisit Point, Mostings Hus, Frederiksberg, Denmark\n\n2003 Fall, Exhibition space Q, Copenhagen, Denmark\nGroup Exhibition, Le Pont Gallery, Aleppo, Syria\nSeventh International Photographic Gathering, Aleppo, Syria\nLangnortistand, Trane Exhibition, Gentofte, Denmark\nWomen2003 (www.women2003.dk), Billboard project, Copenhagen, Denmark\nwww.women2003.dk\n\n2002 Young Danish Photography, Fotografisk Center, Copenhagen, Denmark\nKonglomerat, Trapholt Museum of Art, Kolding,Denmark\nLandskabet bag doren, Albertslund Town Hall, Denmark\n\n2001 Golf Galerie Mikael Andersen, Copenhagen, Denmark\n\n2000 Forasudstilingen, Charlottenborg Exhibition Space, Copenhagen, Denmark\nEpisode, Gallerie Image, Aarhus, Denmark\n\n1998 Konichiwa, The Royal Danish Academy of Fine Arts, Copenhagen, Denmark\n\nCommissioned Work\n\n2009 Hand-drawn custom wallpaper, Maison Du Champagne, caraoke bar, Wan Chai, Hong Kong collaboration with architects John Lin, Joshua Bolchover\n2008 Drawing/Grafic work collaboration with Fashion designer Michael Kaesan, Hong Kong\n\nMonographs\n\nMIRROR, Camilla Holmgren, Monograph, Aristo publishing\n\nPublications/Articles\n\n2009 PERSPECTIVE, interiors, style, architecture, design October 09, Hong Kong\nThe Architectural review Arplus.com, 6/7/2009\nPolitikken, Newspaper article 15/3/2009, Copenhagen, Denmark\nKopenhagen interview 17/2/2009, Copenhagen, Denmark\nMorgenavisen Jyllands-posten, Newspaper article 9/3/2009, Denmark\n\n2008 NORDISKE STEMNINGER, Nordic Moods-landscape of our time catalogu, Arken MOMA Denmark\nASPECTS of DANISH PHOTOGRAPHY, ARTonline.dk/Esbjerg hovedbibliotek\nPassion for wood, dih publishers Denmark\n\n2007 Another kind of ADVENTURES-Contemporary photography and video art from Denmark, The Danish Cultural Institute, Beijing\n\n2006 En HVIDBOG, Photographic Center, Denmark\nIn The Air 2006, interior Design 12/1/2006, New York, USA\nKwartalnik Fotografia, nr 20/2006, Krakow, Poland\nNew Adventure, Catalogue, Korea\nQ magazine, interview, 20/11/06\n\n2005 Scandinavian Photography 2, Catalogue, Faulconer gallery, Iowa, USA\nCREAM Magazine, Interview and Editorial, Summer Edition 2005 Issue 01, Hong Kong\n\n2004 Danish Photography, From the Collection, book at ARTonline.dk\nApparatur 9 litteratur og visual kunstmagasin, Copenhagen, denmark\nKulturnyt, Danish Radio, Review of Solo Exhibition \"Don't look now\", Gallery image\n\n2003 Women2003, informatioins forlag, Copenhagen, Denmark\n\n2002 Virkelighedshunger - nyrealismen I visual optik, forlaget Tiderne skifter, Copenhagen, Denmark\n\nGrants\n\n2009 The Danish Arts Foundation, Working Grant\n2008 Palie Fogtdal Fotograf priser\nThe Danish Arts Foundation, working grant\nGroserer LF. Foghts Fond\n2005 The Committee for Visual Arts, grant Copenhagen, Denmark\n2004 The Danish Arts Foundation, working grant\nThe Committee for Visual Arts, grant Copenhagen, Denmark\n2003 The Danish Arts Agency, travel scholarshi\n2002 Ragnvald \u0026amp; Ida Blix' fond, travel scholarship\nFullbright Scholarship\n\nRepresented in Collections\n\nThe Danish Arts Foundation, Denmark\nPrivate collection; United States, Denmark, Hong Kong","user_id":1438,"name":"Camilla Holmgren","website":"www.camillaholmgren.com"},{"id":1437,"bio":"","user_id":1437,"name":"Chris Harrison","website":""},{"id":1442,"bio":"CHRISTIAN PATTERSON lives in Brooklyn, New York. His work is collected and exhibited internationally. His first monograph, Sound Affects, was published in 2008. His second monograph, Redheaded Peckerwood, was published by MACK in 2011 to international critical acclaim, nominated for the 2012 Kraszna-Krausz Book Awards and won the prestigious 2012 Recontres d’Arles Author Book Award. In 2013 he was awarded a John Simon Guggenheim Memorial Foundation Fellowship. Patterson is represented by Rose Gallery (Santa Monica) and Robert Morat (Hamburg/Berlin).","user_id":1442,"name":"Christian Patterson","website":"www.christianpatterson.com"},{"id":1504,"bio":null,"user_id":1504,"name":"Leopoldo Plentz","website":null},{"id":729635,"bio":"Musician, Singer/songwriter, and amateur photographer. I love taking pictures of birds, flowers, trees, and anything in Nature. I also love creating  art with my photography.","user_id":729051,"name":"Stephanie Woodford","website":""},{"id":1447,"bio":"Born in Hong Kong, China\r\nLives and works in Manchester, UK \r\n\r\nSolo Exhibitions\r\n\r\n2007 The Mother of All Journeys, 42 New Briggate, Leeds\r\n2007 Chronicle of a Dream Foretold, The Bigger Picture, Manchester\r\n2005 Age of Transition, BCA Gallery, Bedford       \r\n2005 As If I Were A River, Bury Arts Gallery \u0026 Museum\r\n2005 As If I Were A River, Mid Pennine Gallery, Burnley\r\n2005 As If I Were A River, Waterside Art Gallery, Manchester\r\n2004 Outside Are Our Dreams, Chapman Gallery, Salford\r\n2001 Treasured Island, An Tobar, Isle of Mull                                                                        \r\n\r\nGroup Exhibitions\r\n\r\n2007 Central Asian Project, Tashkent Biennale, Uzbekistan\r\n2007 Central Asian Project, Underground Hall, Bishkek, Kyrgyzstan\r\n2007 Central Asian Project, Tengri-Umay Gallery, Almaty, Kazakhstan\r\n2007 London Is The Place For Me, Rivington Place, London\r\n2007 Central Asian Project, SPACE, London\r\n2007 Central Asian Project, Cornerhouse, Manchester\r\n2006 3 UK Artists in Central Asia, Exhibition Hall, Almaty, Kazakhstan\r\n2006 In Exposed Areas, Kulturbunker, Cologne\r\n2006 Liminal Britain, University of Texas at San Antonio Art Gallery\r\n2005 The Mother of All Journeys, Victoria and Albert Museum\r\n2005 Liminal Britain, University of North Texas Art Gallery\r\n2005 Escaping: Fugitive Geography, Contact Foto Fest 05 Toronto                 \r\n2005 Open ev+a 2005, St. Mary’s Chapel, Limerick\r\n2004 Assembly, Liverpool Biennale\r\n2004 Art Forum, Berlin\r\n2004 Home, Blackburn Museum and Art Gallery\r\n2004 Family Stories, White Space 798, Beijing\r\n2004 Home, Artsdepot, London\r\n2004 Trace, Hirschl Gallery, London\r\n2004 Home, Peterborough Museum and Art Gallery\r\n2004 Home, Derby Museum and Art Gallery\r\n2004 Home, Chinese Arts Centre, Manchester\r\n2003 River Journeys, The Lowry, Salford\r\n2002 Ten Thousand Li, Open Eye Gallery, Liverpool\r\n2002 Ten Thousand Li, Photofusion, London\r\n2002 Ten Thousand Li, Impressions, York\r\n2002 Ten Thousand Li, Folly Gallery, Lancaster\r\n2002 Ten Thousand Li, Collins Gallery, Glasgow\r\n2001 Shanghai International Arts Fair\r\n\r\nCuratorial Projects\r\n\r\n2007 Make it a Better Place, Holden Gallery, MMU, Manchester \r\n2006 - 2007 Look 07, Artistic Programmer \r\n2002 - 2004 Home, Chinese Arts Centre, Manchester\r\n\r\nAwards \u0026 commissions\r\n\r\n2007 More Music for Morecambe Commission\r\n2006 Autograph ABP Commission\r\n2005 Arts Council of England Award\r\n2005 Necessary Journeys Award, Arts Council of England\r\n2003 Commissions in the Environment Award\r\n2000 Year of the Artist Award, Arts Council of England\r\n\r\nShortlist\r\n\r\n2007 Rencontres d’Arles Contemporary Photography Book Award\r\n2005 Santa Fe Prize for Photography\r\n2005 International Photography Research Network Commission to Malaysia\r\n2004 ACE decibel Visual Arts Awards\r\n2003 Photoworks Contemporary Photographers Monographs\r\n                                                                     \r\nResidencies\r\n\r\n2006 Artist Exchange Residency, Almaty, Kazakhstan\r\n2004 Bedford Creative Arts, Bedford\r\n2001 An Tobar Art Gallery, Isle of Mull, Scotland. \r\n2000 Year of the Artist Residency, Arts Council of England\r\n\r\nPublications\r\n\r\n2007 The Mother of All Journeys, by Dewi Lewis\r\n2005 Necessary Journeys, by Arts Council England in association with bfi\r\n2004 The Photograph as Contemporary Art, by Thames \u0026 Hudson\r\n2003 As If I Were A River exhibition catalogue, by CITE\r\n2002 Ten Thousand Li exhibition catalogue, by Open Eye Gallery                                        \r\n\r\nSelected Bibliography\r\n\r\n2007 Mark Sinclair, ‘The Mother of All Journeys’ Creative Review, p.70, Issue: June 07\r\n2006 Zoe Gray, ‘Father Land, Mother Tongue,’ Wasafiri, p.35 – 39, Issue: 48\r\n2005 Robert Clark, ‘Age of Transition,’ Guardian Guide, p.38, Issue: Nov 05\r\n2005 Edgar Allen Beem, ‘The Long Road Home,’ PDN Magazine, p92 - 95, Issue: Aug 05\r\n2005 P. Elaine Sharpe, ‘Geography,’ Dislocation Ezine, p.90 - 101, Issue: 15\r\n2004 Mariko Takeuchi, ‘Pick Up Photo,’ Ryuko Tsushin Magazine, p.124, Issue: Jan 04\r\n2003 Jane Griffths, ‘As If I Were A River,’ Flux Magazine, p.94 - 97, Issue: Aug 03\r\n2003 Rebecca Geldard, ‘Ten Thousand Li,’ Time Out, p.57, Issue: May 03\r\n2002 Greg Leach, ‘The Mother Of All Journeys,’ Next Level, p.60 - 69, Issue: 02\r\n2002 Sajid Rizvi, ‘Chinese Infusions,’ Eastern Art Report, p.36 - 37, Issue: 47\r\n2002 Mike Dawson, ‘Dinu Li,’ Flux Magazine, p.12, Issue: Feb 02\r\n2002 Robert Clark, ‘Ten Thousand Li,’ Guardian Guide, p.35, Issue: Feb 02 \r\n2001 Wing Fai Leung, ‘Ten Thousand Li,’ Point (Art \u0026 Design Research Journal), p.27 - 38, Issue: 12\r\n\r\nSelected Talks\r\n\r\nTate Modern\r\nVictoria and Albert Museum\r\nRivington Place, London\r\nPhotofusion, London\r\nExhibition Hall, Almaty, Kazakhstan\r\nSunderland University\r\nCornerhouse, Manchester\r\nPeterborough Town Hall\r\nGuangdong University of Foreign Studies\r\nOpen Eye Gallery, Liverpool\r\nManchester Metropolitan University\r\nShanghai University College of Fine Art\r\nDerby Museum and Art Gallery","user_id":1447,"name":"Dinu Li","website":""},{"id":1450,"bio":"","user_id":1450,"name":"Dana Popa","website":"www.danapopa.com"},{"id":1451,"bio":"David grew up outside of Detroit, Michigan and studied sociology at the University of Michigan. He then moved to Caracas, Venezuela in 2003, where he began to work as a freelance photographer.  While covering the entire region, his work appeared in newspapers and magazines, including The New York Times Magazine, Time, Newsweek, Stern, Rolling Stone, Le Monde Magazine and others.  David has also worked for a variety of NGOs and development organizations, including CARE, The Carter Center, UNHCR and the World Health Organization.\n\nIn 2008, he moved to Mexico City where he began working on the book Heavy Hand, Sunken Spirit, which examines the long-term costs and consequences of the country’s drug war (Dewi Lewis Publishing, October 2012).  For the past 4 years he has worked on a project about the global TB epidemic and recently developed the work into an educational website and curriculum for highschools, that teaches about TB and public health in the developing world (www.tbepidemic.org).  \n\nHe was named as one of of PDN’s “30 New and Emerging Photographers to Watch”, and has won awards from the National Press Photographers Association, The Pulitzer Center on Crisis Reporting, the World Health Organization, the Magenta Foundation and others.\n\nDavid is currently based in Port au Prince, Haiti.\n\nAwards \u0026amp; Exhibitions\n\n2012\n• Exhibit: \"ANTHOLOGY\", Southeast Museum of Photography\n• Exhibit: \"Heavy Hand, Sunken Spirit\", Blue Sky Gallery\n• Exhibit: \"Global Health in Focus\", Photographic Resource Center\n• Journalist in Residence, William and Mary University\n• Adjunct Professor, Corcoran College of Art and Design\n\n2011\n• Journalist in Residence, William and Mary University\n• Exhibit: \"EPIDEMIC: TB in the Global Community\", University of Michigan\n• Exhibit: \"Beyond Witness\", FotoWeek DC, Washington, D.C.\n• Exhibit: Fraction Magazine, Rayko Gallery, San Francisco, California\n• Exhibit: Beyond the Fence, Northlight Gallery, Tempe, Arizona\n• Exhibit: Lens Culture International Exposure Awards, Speos Gallery, Paris, France\n• Exhibit: Lens Culture International Exposure Awards, Gallery 291, San Francisco, California\n• Review Santa Fe, Selection\n\n2010\n• Exhibit: Frontera, Museum of Contemporary Photography, Chicago, Illinois\n• Exhibit:  Border 2010, Rubin Center for the Visual Arts, El Paso, Texas\n• Lens Culture International Exposure Awards, HM\n• Pulitzer Center Grant : TB in Moldova\n• Santa Fe Center Project Competition, HM\n• Anthropographia Human Rights and PhotographyAward, Shortlist\n• Exhibit: Anthropographia 2010: Human Rights and Photograph New York Photo Festival\n• Exhibit:  Anthropographia 2010: Human Rights and Photography, International Film Festival and Forum on Human Rights, Geneva\n• Julia Dean New Documentarian Award\n• Exhibit: Expo Fotoperiodismo 2010, Mexico City, Mexico\n\n2009\n• Exhibit:  EPIDEMIC: TB in the South African Gold Mining Community, Woodrow Wilson International Center for Scholars, Washington, D.C.\n• Stop TB Partnership’s Images to Stop TB Award\n• Alicia Patterson Foundation Fellowship, Finalist\n• Magenta Flash Forward Emerging Photographer\n• NPPA Best of Photography, Sports Feature HM\n• NPPA Best of Photography, Local Portrait HM\n• Pulitzer Center Grant : Human Smuggling in Mexico\n\n2008\n• International Reporting Project Fellowship at Johns Hopkins University \n• Photo District News’ “30 New and Emerging Photographers to Watch”","user_id":1451,"name":"David Rochkind","website":"www.davidrochkind.com"},{"id":1461,"bio":"Albert Merola Gallery, Provincetown, MA. June 2012. \r\n     ClampArt, New York, NY. February 2012.\r\n     John Cleary Gallery, Houston, TX. July 2008.\r\n     ClampArt, New York, NY. January 2006.\r\n     Gregory Lind Gallery, San Francisco, CA. December 2005.\r\n     Gregory Lind Gallery, San Francisco, CA. March 2004.\r\n     Albert Merola Gallery, Provincetown, MA. July 2003.\r\n     Sarah Morthland Gallery, New York, NY. January, 2003.\r\n     Galeria Emma Molina, Monterrey, Mexico. November, 2002.\r\n     Gregory Lind Gallery, San Francisco, CA. September 2002.\r\n     Albert Merola Gallery, Provincetown, MA. August 2001.\r\n     Rhubarb-Rhubarb Photo Festival, Birmingham, England. July 2001.\r\n     Blue Sky Gallery, Portland, OR. May 2001.\r\n     Houston Center for Photography, Houston, TX. March 2001.\r\n     Sarah Morthland Gallery, New York, NY. September 2000.\r\n     Centro Colombo Americano, Medellion Columbia. September 2000.\r\n     Sarah Morthland Gallery, New York, NY. February 1999.\r\n     Albert Merola Gallery, Provincetown, MA. July 1998.\r\n     Gomez Gallery, Baltimore, MD. February 1998.\r\n     Albert Merola Gallery, Provincetown, MA. August 1997.\r\n     Sarah Morthland Gallery, New York, NY. May 1997.\r\n     Albert Merola Gallery, Provincetown, MA. August 1996.\r\n     Robert Klein Gallery, Boston, MA. October 1995.\r\n     Gomez Gallery, Baltimore, MD. October 1995.\r\n     Cortland Jessup Gallery, Provincetown, MA. August 1995.\r\n     Photographic Image Gallery, Portland, OR. June 1995.\r\n     Agora'  Fotografia, Torino, Italy. March 1995.\r\n     Cortland Jessup Gallery, Provincetown, MA. August 1994.\r\n     Cortland Jessup Gallery, Provincetown, MA. August 1993.","user_id":1461,"name":"Frank Yamrus","website":"www.frankyamrus.com"},{"id":1476,"bio":"John Armstrong, who lives in Toronto, and Paul Collins, who lives in Paris, began a full-fledged collaboration in 2000. Armstrong and Collins both carry out all aspects of their collaboration: painting, writing, photography, and video. Since 2002, they have had over twenty exhibitions in Canada and France.\n\nIn 2002, Armstrong and Collins created a collaborative bookwork titled Jim ?, co-published by Coach House Books and the Art Gallery of Sudbury. The bookwork is comprised of 98 paired photographs taken in Canada and France, followed by a section of short narratives written by the artists in either English or French. Both the photographs and the texts document the artists’ responses to a list of 49 variously mundane or idiosyncratic subjects. A parallel exhibition of photographs, also titled Jim ?, was presented first in 2002 at the Robert Birch Gallery (now Birch Libralato), Toronto. The exhibition then traveled to the Art Gallery of Sudbury (2002); Artothèque de Caen, France (2003); Kunsthalle Erfurt, Erfurt, Germany (2003); Faux Mouvement, Metz, France (2003); Owens Art Gallery, Sackville, New Brunswick (2004); and the Museum of Canadian Contemporary Art, Toronto (2004). Jim ? was also exhibited at the Maison de la culture Côtes-des-Neiges as part of Image \u0026amp; Imagination, the international photography festival Le Mois de la photo à Montréal 2005.\n\nLakeshore, a series of painted photographs, has been shown at the following locations: Galerie l’Hôtel, Caen, March 2003; Truck, Calgary, November 2004; Platform Centre for Photography and Media Arts, Winnipeg, January 2005; La galerie ESCA, Nîmes, France, March 2006; Oakville Galleries, Oakville (November 2006); Sir Wilfred Grenfell College Art Gallery, Corner Brook, Newfoundland (November 2006); VAV Gallery, Montreal (May 2007). Each of these exhibitions is unique, comprised of recent and existing paintings and, time permitting, wall painting in combination with video projections. Lakeshore consists of over 100 works.\n\nToronto Scotiabank Nuit Blanche 2008 curator Gordon Hatt commissioned Armstrong and Collins to create an HDCAM video to project against the blank wall of a large downtown building. Armstrong and Collins regularly contribute texts to the periodical Papiers Libres Art Contemporain (Nîmes). The artists are included in Magenta Publishing's 2008 survey of contemporary painting in Canada, Carte Blanche: Vol. 2, Painting.\n\nArmstrong has exhibited his solo work in Toronto galleries such as YYZ, Cold City and Birganart. In 2003-04, his solo work was included in the Kunsthalle Erfurt's touring exhibition (described above) The Ironic Turn. A 1998 survey exhibition of his artwork from the 1990s, titled Sanguine, was organized by Cambridge Galleries, and toured to the Owens Art Gallery, Sackville, New Brunswick, and to Plug In ICA, Winnipeg.\n\nArmstrong was a member of the Board of Directors of Mercer Union from 1991 to 1997, and has curated exhibitions in Toronto for Mercer Union, The Museum for Textiles and Harbourfront Centre, in Peterborough for Artspace, and in Kingston for the Agnes Etherington Art Centre. He has published many reviews and articles for C International Contemporary Art; his writing has also appeared in ArtsAtlantic, BorderCrossings, Canadian Art and Parachute, as well as in The Globe and Mail.\n\nArmstrong has instructed in the studio division of the joint Sheridan and University of Toronto Art and Art History Program since 1982; additionally, he has taught on the Cultural Studies Program, Trent University (1982-87), and has served as an external assessor for the École régionale des beaux-arts Caen la mer (1996, 1989, 2008) and for the École régionale des beaux-arts de Rouen (1991). Armstrong holds an M.A. from Chelsea School of Art (London, UK) and a B.F.A. from Mount Allison University (Sackville, NB).\n","user_id":1476,"name":"John Armstrong","website":"www.johnarmstrong.ca"},{"id":1473,"bio":"INGAR KRAUSS\n\nLives and works in Berlin\n\nSOLO EXHIBITIONS\n\n2008 \tDavao, Showroom Hans-Christian Schink, Berlin, Germany.\n\tBirds of Passage, Goethe-Institute, Riga, Latvia.\n2007 \tBirds of Passage, Marvelli Gallery, NY.\n\tReminiscence, Galleria 3g arte contemporanea, Udine, Italy\n\tPortraits, Jackson Fine Art, Atlanta, GA\n2006 \tPortraits, Galleria Suzy Shammah, Milan, Italy.\n\tIn Persona, Fotoforum, Innsbruck, Austria.\n\tStorie Urbane, Settimana Europea della Fotografia, Reggio Emilia, Italy\n2005\tIngar Krauss, Marvelli Gallery, NY.\n2004\tIn a Russian Juvenile Prison, Marvelli Gallery, NY.\n\tVon den Kindern weiss man nichts, Fotoforum Innsbruck, Austria.\n\tWhy me?, Galleria Suzy Shammah, Milan, Italy.\n\tPortraits, Land Brandenburg Lotto, Potsdam, Germany.\n2003\tThe Cat’s Eye, Marvelli Gallery, New York, NY.\n\tVon den Kindern weiss man nichts, Kunsthalle Erfurt, Germany\n2002\tKatzenauge, Galerie Bodo Niemann, Berlin, Germany.\n\nGROUP EXHIBITIONS\n\n2008 Presumed Innocence, Decordova Museum, Lincoln, MA.\n\tPhotographs of the Collection agnès b., with Diane Arbus, Nan Goldin and others, C/O Berlin, Berlin, Gemany\n\tInternational Festival of Photography, Lodz Art Center, Poland.\n\tL’Arca, Galleria Bonomo, Bari, Italy.\n\tNostalgie. L’istante e la durata del tempo, with Craigie Horsfield,Hiroshi Sugimoto, William Kentridge and others, Museo d’Arte Contemporanea di Villa Croce, Genova, Italy.\n\tMale – work from the collection of Vince Aletti, White Columns Gallery, New York, NY.\n2007 \tPortraits, Jackson Fine Art, Atlanta, GA.\n\tPaesaggio con rovine, Quarter Relocated, Turin, Italy.\n\t14th Noorderlicht International Photofestival: Act of Faith, Groningen,Netherlands. \n\tContemporary Portrait Photography, Photographische Sammlung,SK Stiftung Kultur, Cologne, Germany.\n2006\tEcce Uomo: with Damien Hirst, Mona Hatoum, Anselm Kiefer and others, Spazio Oberdan, Milan, Italy.\n\tSettimana della Fotografia Europea: with Jitka Hanzlova, Walter Niedermayr, Martin Parr, Paul Seawright and others, Reggio Emilia, Italy.\n\tHandsome: with Annika Larsson, Ivan Pinkava, Sam Taylor Wood, Matt Saunders and others, Galerie Analix, Geneva, Switzerland.\n\tQuasi l’infanzia, with Nan Goldin, Maria Marshall and others, Palazzo Vecchio, Florence, Italy\n2005 \tThe Children’s Hour: Doug Aitken, Celine van Balen, Joel Sternfeld, Sally Mann, Rineke \n\tDijkstra and others, Museum of New Art, Pontiac, Michigan.\n2004\tAdoleszenz: Annabel Elgar, Steven Tynan, Evgeni Mokhorev, Marcelo Perocco and Ingar Krauss, Fotogalerie Wien, Vienna, Austria.\n\tHeranwachsend, Städtische Galerie Speyer, Germany.\n\tJe t’envisage: La disparition du portrait (Making Faces: The Death of the Portrait): Bill Armstrong, Roger Ballen, \n\tElina Brotherus, Rineke Dijkstra, Paul Graham, Shirin Neshat and Ingar Krauss, Musée de l’Elysée Lausanne, \n\tSwitzerland. Je t’envisage: La disparition du portrait (Making Faces: the Death of the Portrait), Hayward Gallery, London, England.\n\tSchweppes Photographic Portrait Prize, National Portrait Gallery, London, UK Rome Photography Festival 2004, Rome, Italy\n2003\tMoti Mentali – Mirroring Victorian and Contemporary Photography: Lewis Carroll, Julia Margaret Cameron,\n\tRineke Dijkstra, Hellen van Meene and Ingar Krauss, Marvelli Gallery, New York \n\tSchweppes Photographic Portrait Prize, National Portrait Gallery, London, England.\n2002\tPhotobiennale Moscow, Moscow House of Photography, Russia.\n\t10th John Kobal Photographic Portrait Award, National Portrait Gallery, London, England. \n\tDem Engel auf der Spur — Uebergangsphaenomene in Fotografie und Film, Nassauischer Kunstverein Wiesbaden, Wiesbaden, Germany.\n\tArt Forum Berlin, Berlin, Germany.\n2001\t5th Aenne-Biermann-Prize for Contemporary German Photography, Museum for the Arts, Gera, Germany\n\nAWARDS\n\n2004 \tLeica Prize, IV Grand Prix International de Photographie, Vevey, Switzerland\n2003\tGrant of the Kulturwerk Bild-Kunst, Bonn, Germany\n2002\tGrant of the Berlin Culture Senate for the Moscow House of Photography\n\nBIBLIOGRAPHY\n\n2008 \tPresumed Innocence. Decordova Museum and Sculpture Park. Massachusetts. January 2008. \n\tM., Peter. “Agnes B. – “Exhibition at C/O Berlin.” Berlinista, October 5, 2008.\n2007\tAletti, Vince. “Ingar Krauss.” The New Yorker, December 17 and 27-28, 2007.\n\tHaas, Stefan. “From Civil Servants to Professionals.” Exit 27 August/September/October 2007.\n\tHoltzman, Anna. “Ingar Krauss.” Eyemazing, Issue 04. 2007.\n\tMerritt, Ray. “Full of grace- a journey through the history of childhood.” PowerHouse Books, January 2007.\n2006 \tNattoni, Riccardo. “La Cenere Delle immagini” spazi della memoria luoghi della perdita April 2006.\n\t“Portraits, photographs by Ingar Krauss.” LensCulture. March 2006. \n\t“Books: Portraits by Ingar Krauss.” International Center of Photography. March 2006. \n\tDe Angelis Testa, Gemma, Risaliti, Sergio. “Ecce Uomo” Artisti Contemporanei Da Collezioi Private a Milano. \n\tMondadori Electa. 2006, p. 88 – 91.\n2005\tIngar Krauss: Portraits. Stuttgart: Hatje Cantz Verlag, 2005. texts by Vince Aletti and Ulf Erdmann Ziegler.\n\t“Ingar Krauss. ” Art on Paper. January/February 2005, Vol. 9, No. 3. \n\t“Russian Ark.” The New York Sun. September 7, 2005. \n\t“One to Watch: Ingar Krauss.” artkrush. November, 2005.\n2004\tMutti, Roberto. “Un reporter tra carceri e orfanotrofi.” La Republica, Milano: Fotografia, April 9, 2004.\n\tMolho, Renata. “Ingar Krauss: Ritratti dal Limbo.” Il Sole. April 11, 2004, No. Scimé, Giulana. “Imalinconici \n\tadolescenti di Ingar Krauss.” Corriere della Sera. April 14, 2004, p. 59. \n\tBattistini, Matilde. “Perche io? Perche tuttie noi?” Diario. April 23, 2004. \n\tAletti, Vince. “Shortlist Photo: Ingar Krauss.” The Village Voice. October 27, 2004.\n\tMeyers, William. “Photography Shows in Chelsea.” The New York Sun. Oct. 28, 2004.\n2003\tThe New Yorker. March 10, 2003, illustration Untitled (Sarah), p. 17.\n\tHalkin, Talya. “Arts and Letters, Gallery Going, Ingar Krauss.” The New York Sun, Thursday, March 13, 2003\n\tDodin, Lev. Vecherniy New York, March 14-20, 2003.\n\tThe New Yorker. “Photography.” Ingar Krauss, March 17, 2003.\n\tAletti, Vince. The Village Voice. March 19-25, 2003. Vol. XLVIII, No. 12. \n\tAletti, Vince. “Show World.” The Village Voice. October 22-28, 2003.\n\tJohnson, Ken. “Art Guide.” The New York Times. October 31, 2003. \n2002\tSchierz, Kai Uwe. “Von Der Kindern Weiss Man Nichts, Ingar Krauss Fotografie.” Exhibition Catalogue, \n\tKunsthalle Erfurt, Erfurt, Germany, 2002.\n\tBerg, Ronald. “Zwei Eeiten Jugend.” Der Tagesspiegel. May 25, 2002.","user_id":1473,"name":"Ingar Krauss","website":"www.marvelligallery.com/IK_01.html"},{"id":1494,"bio":null,"user_id":1494,"name":"Kate Nicholson","website":null},{"id":1497,"bio":null,"user_id":1497,"name":"Kiyoshi Suzuki","website":null},{"id":1488,"bio":"","user_id":1488,"name":"Jerzy Lewczynski","website":"www.czytelniasztuki.pl"},{"id":1502,"bio":"Education\r\n\r\n2009:        Master of Fine Arts in Photography with Distinction, University of Georgia\r\n\r\n1988:        Bachelor of Arts, Public Policy Studies, Duke University, Durham, NC\r\n\r\n1987:         Coursework in Modern British Literature, New College, Oxford University, \r\n                  Oxford, England\r\n\r\n\r\nSolo Exhibitions\r\n\r\n2013:         Seeing Beyond The Ordinary: Smoke Break, Ogden Museum of Southern Art, New Orleans, LA\r\n                  Withdrawn, Arnall Golden Gregory, Atlanta, GA\r\n\r\n2011:         Subject Matters, Spruill Gallery, Atlanta\r\n\r\n2010:         The Space Between, Mid-Career Artist Spotlight, Texas Photographic Society \r\n\r\n2009:         Stranger, Hunt Gallery, Oxford College at Emory University, Oxford, GA\r\n\r\n2007:         Fiction, Cecelia Coker Bell Gallery, Coker College, Hartsville, SC    \r\n\r\n2006:         Fiction, Gallery 1401, University of the Arts, Philadelphia, PA\r\n\r\n2005:         Fiction, Jackson Fine Art, Atlanta, GA\r\n\r\n2004:        Pure, University Center Gallery, University of Alabama, Huntsville, AL            \r\n                 Trace Contour, Performing Arts Center Gallery, Illinois Central College, Peoria, IL\r\n\r\n2001:        Alias America, Community College of Southern Nevada Fine Art Gallery, Las Vegas\r\n                 Alias America, ZONE VII Gallery, Dayton, OH\r\n\r\n2000:        Alias America, Callanwolde Fine Arts Center, Atlanta, GA\r\n                 Alias America, Southern Light Gallery, Amarillo, TX\r\n                 Alias America, Buckhead Gallery, Atlanta, GA\r\n\r\nSelected Group Exhibitions\r\n\r\n2013:          Traces of Myth: Chris Buck, Paul Hagedorn, Lisa Kereszi, Laura Noel and Landon Nordeman,\r\n                    Hagedorn Foundation Gallery, Atlanta, GA\r\n                    DIY: Photograpers \u0026 Books, Center for Book and Paper Arts, Chicago, IL\r\n                    It's A Thin Line Between Love and Hate, United Photo Industries, Brookly, NY\r\n\r\n2012:          DIY:  Photographers \u0026 Books, Cleveland Museum of Art, Cleveland, OH    \r\n                   Lust, Jennifer Schwartz Gallery, Atlanta, GA   \r\n                   Center Forward, Center for Fine Art Photography, Colorado Springs, CO\r\n                   Center Forward, Denver International Airport, Denver, CO\r\n              Center Forward, RayKo Photo Center, San Francisco, CA\r\n                   Looking at the Land, 21st Century American Views, RISDI Museum, projected exhibition\r\n                   Withdrawn, portfolio showcase, Davis Orton Gallery, Hudson, NY    \r\n\r\n2011:          Home, Photo Place Gallery, Middlebury, Vermont\r\n                   Home:  Spring Group Show, The Hagedorn Foundation Gallery, Atlanta, GA\r\n                   Brett Abbott Selects, Museum of Contemporary Art Georgia, Atlanta\r\n  \r\n2010:          POST-her, Contemporary Portraiture of Women, Jackson Fine Art, Atlanta\r\n                   Ones to Watch, Atlanta Celebrates Photography, Atlanta\r\n                   New Visions, Center for Fine Art Photography, Fort Collins, CO \r\n                   The American Dream, New Orleans Photo Alliance Gallery, New Orleans, LA\r\n                   Photography Invitational, Carolina Gallery, Spartanburg, SC\r\n                   Southern Women Photographers Past and Present, Mobile Museum of Art\r\n                   Humble Arts Foundation, Group Show 36, NY, NY (online)\r\n                   \r\n2009:         The Color of Light, Wynn Bulloch, Al Weber and Laura Noel, Lumière, Atlanta\r\n                   Participant in the Atlanta Celebrates Photography Public Art Project, Gifted,\r\n                   curated by artist Beth Lilly\r\n                   What's Happening Now: A Cell Phone Photography Project, Cherrylion\r\n                   Studios, Atlanta\r\n                   Breaking Boundaries II, Pingyao International Photography Festival, Pingyao, \r\n                   China\r\n\r\n2008:         LaGrange National XXV Exhibition, Lamar Dodd Art Center, LaGrange, GA\r\n                  16x16, Society For Photographic Education SE Regional Conference, Asheboro, NC\r\n                  Rooms for Tourists, Biggin Gallery, Auburn University, Auburn, AL\r\n                  Selections From The Studio Program, The Atlanta Contemporary Art Center\r\n                  Global Environments, The Spruill Arts Center, Atlanta, GA\r\n                  A Thousand Words, Composition Gallery, Atlanta, GA\r\n                  The Rural South: Real and Imagined, R.F. Strickland Building, Zebulon, GA\r\n                  Fashion Statement, The Big House, Atlanta, GA\r\n                  Selective Sun: Works in Regard to Latin America, Cinè, Athens, GA\r\n                  @ 600, mus-mus.org, November, (http://mus-mus.org/at600/mm_photos.htm)\r\n                  Typologies, Fraction Magazine, Issue 4, November 2008,\r\n                   (http://www.fractionmag.coml)\r\n                   Emerging Photographer Auction, Dan Cooney Fine Art/igavel.com, New York, NY\r\n\r\n2007:          Southeastern Photography Triennial Exhibition, Gregg Museum of Art and Design, \r\n                   Raleigh, NC\r\n                   Houston Center for Photography, Anne Wilkes Tucker Juried Show, Houston, TX\r\n                   Griffin Museum of Photography, 13th Annual Juried Exhibition,Winchester, MA        \r\n                   Photo Review 2007 Exhibition, Gallery 1401, University of the Arts, Philadelphia, \r\n                   Young Movers and Shakers of the Georgia Art Scene, MOCA GA, Atlanta, GA\r\n\r\n2006:         TransAtlantic 2006, Gallery 24, Berlin, Germany\r\n\r\n2005:         Contemporary American Photography, Internationale Fototage, Mannheim, Germany\r\n                  As They See It:  Georgia Photographers, Museum of Contemporary Art Georgia\r\n                        \r\n2004:         So Atlanta, Atlanta Contemporary Arts Center, Atlanta, GA\r\n                  Cultural Icons, Colorado Photographic Arts Center, Denver, CO\r\n                  Figure 8, Lee Gallery, Clemson University, Clemson, SC\r\n                  Flow, SunTrust Plaza Gallery, Atlanta, GA\r\n            \r\n2003:         Southern Pop, Five Atlanta Photographers View Culture, Art Walk at Lenox\r\n                  Modern Iconography, Morehead State University Gallery, Morehead, KY\r\n                  Continuity and Change in the New South, Herbert Institute of Art, Augusta, GA\r\n                  Extra-Ordinary, Galerie MC, Atlanta, GA\r\n    \r\n2002:          25th Annual Art on Paper, Maryland Federation of Art, Annapolis, MD\r\n                   Jerry Cullum Curates, Moving Spirits Gallery, Atlanta, GA\r\n                   Only in 2002, Jane Jackson curator, Atlanta Photography Group Gallery, Atlanta, GA \r\n                   The City, Rich Dietrich curator, Columbia Theological Seminary, Decatur, GA\r\n\r\n2001:          American Eyes, Gallery Eleven50, Atlanta, GA\r\n                   Fay Gold Selects, Atlanta Photography Group Gallery, Atlanta, GA\r\n                   Southern Color Photography, Fay Gold Gallery, Atlanta, GA\r\n                   Southern Exposure, Jean Caslin, curator, Atlanta Photography Group Gallery\r\n                    Fifth Annual Juried Exhibition, Nexus Gallery, Dana Miller, curator,\r\n                   Whitney Museum, NY, NY\r\n\r\n2000:          Photospiva 2000, George Spiva Center for the Arts, Joplin, MO\r\n                   Through the Viewfinder, Sarratt Gallery, Vanderbilt University, Nashville, TN\r\n                   Only in 2000, Jane Jackson curator, Atlanta Photography Group\r\n                   Artsextravaganza, Hunter Museum of American Art, Chattanooga, TN\r\n\r\n1999:          Out of the Ordinary:  A Survey of Works by Atlanta Based Photographers, High \r\n                   Museum of Art, Atlanta (group slide show and lecture), Atlanta, GA\r\n                   National Exposure, ARC Gallery, Chicago, IL\r\n            \r\n1997:         The Unguided Tour, with photographer Sylvia Plachy, Backdrop Gallery, \r\n                   Atlanta, GA\r\n\r\nSelected Awards and Grants\r\n\r\n2012:        Art on the Beltline grant to create The Enchanted Forest of  Books\r\n\r\n2011:        Indie Book Library's Best Books of 2011 for Law \u0026 Order Gets Me Through the Night\r\n                 Finalist Art Takes Miami \r\n\r\n2010:        Best in Show, Carolina Gallery Photography Invitational, Spartanburg, SC\r\n                 Emory Office of University-Community Partnerships grant to produce a documentary book on\r\n                 City of Refuge, an organization providing social services to Atlanta's most impoverished \r\n                 neighborhoods\r\n\r\n2009         Coca Cola Foundation Artist in Residence, Emory University\r\n\r\n \r\n2008:        Merit Award, LaGrange National XXV\r\n                 Third Place, Slow Exposure\r\n\r\n2007:         Second Place, Photo Review 2007 competition\r\n                   Honorable Mention, Southeastern Triennial Exhibition, Gregg Museum of \r\n                   Art and Design, Raleigh, NC\r\n\r\n2003:        Selected as a Nexus Studio Artist at the Atlanta Contemporary Art Center\r\n\r\n2002:        First Place, Jerry Cullum Curates, Moving Spirits Gallery, Atlanta, GA\r\n\r\n1999:        Honorable Mention, National Exposure, ARC Gallery, Chicago, IL\r\n\r\n1998:        Named to the \"Top 100 Photographer\" list by the Ernst Haas Awards Committee\r\n                 in 1995 and 1998, administered by Maine Photographic Workshops\r\n\r\nBibliography \r\n\r\nPrint            Hotshoe International, Laura Noel, Withdrawn, October - November, 2012, pg. 30-39\r\n                     Groundstory, exhibition catalog, published by Agnes Scott College, Graceland, pg. 57\r\n                     South X Southeast, November 2011 \r\n                     \"Discoveries of FotoFest,\" PHOTONEWS (Germany), May, 2010  \r\n                    \"2007 Competition Issue,\" The Photo Review\r\n                    \"Photography Now 2007\", Photography Quarterly\r\n                    \"Year in Culture,\" Creative Loafing, December 5, 2006\r\n                   \" It’s A Wash,\" Creative Loafing, January 1, 2005\r\n                    \"Extra-Ordinary\" Atlanta Journal Constitution, January 2, 2005\r\n                    \"Southern Pop,\" Creative Loafing, September 25, 2003\r\n                    \"Alias America,\" Amarillo News Globe, March 5, 2000\r\n                    \"Sliver of Truth,\" Creative Loafing, October 28, 2000\r\n\r\nWeb        \r\n                    La Lettre de la Photographie, March 2012, www.lalettredelaphotographie.com/archives/\r\n                    by_date/2012-03-03/5581/laura-noel-smoke-break\r\n                    aCurator, March 2012, http://acurator.com/blog/\r\n                    Oitzarisme, March 2012, http://www.oitzarisme.ro/2012/03/12/\r\n                    lauranoel-smoke-break/ (Romania)\r\n                    One One Thousand, http://oneonethousand.org/photography/noel/\r\n                    F-stop Magazine, Latin America Issue, www.fstopmagazine.com/groupexhibition.html \r\n                    Arts Critical ATL, http://www.artscriticatl.com/2011/04/photographer-laura-noel-at-hagedorn-\r\n                   foundation-gallery-perfects-sideways-glance/\r\n                   1000 Words, 2011, http://1000wordsphotographymagazine.blogspot.com/  \r\n                   Artdaily.org, Sunday, August 24, 2008 (http://www.artdaily.org/index.asp\r\n                   ?int_sec=2\u0026int_new=22903)\r\n                   Lensculture.org, 2008 (http://www.lensculture.com/noel.html)\r\n                   Lost and Found, 2008 (http://photosdie.typepad.com/lostandfoundblog/\r\n                   2008/05/laura-noel-deli.html)\r\n                   Typologies, Fraction Magazine, Issue 4, November 2008\r\n                   (http://www.fractionmag.coml)\r\n                   @ 600, mus-mus.org, November,\r\n                   (http://mus-mus.org/at600/mm_photos.htm)\r\n                   Emerging Photographer Auction, Dan Cooney Fine Art/igavel.com,\r\n                   New York, NY\r\n                   Flak Photo, http://www.flakphoto.com/archives/6333_1646490288/338864, 2009 \r\n                   Artist A Day, http://www.artistaday.com/?p=5629, 2010\r\n                   Pictory, http://www.pictorymag.com/showcases/summer-jobless/\r\n\r\n\r\nBooks      \r\n                    Withdrawn, published by Aglu Books and Photographs, Scotland, 2013\r\n                    Free Fall 01.Noel.01- 04.Noel.04, Four Volume set issued by Fall Line Press, 2011-2012\r\n                   Fading Light, issued by Open to Interpretation \r\n                   Summer Atlanta 1996, edited by Alex Harris, former editor of  DoubleTake, and \r\n                  Gudmund Vigtel, Director Emeritus, High Museum of Art, Atlanta\r\n                  One Glorious Summer:  A Photographic History of the 1996 Centennial Olympic\r\n                  Games, edited by John Glenn, director of photography, Atlanta Constitution\r\n                  Atlanta:  The Right Kind of Courage, Towery Publishing\r\n\r\nCollections   \r\n                  The George Eastman House\r\n                  The Ogden Museum of Southern Art\r\n                  Museum of Contemporary Art Georgia\r\n                  American Securities Collection\r\n                  Robert Yellowlees Collection\r\n                  Greenberg Traurig Collection\r\n                  King and Spaulding Collection\r\n                  Womble Carlyle Collection\r\n                  Pike Historic Preservation Collection (curated by John Bennett)\r\n                  Gregg Museum of Art and Design, Raleigh, NC\r\n                  Paul R. Jones Collection, University of Alabama\r\n                  Indie Photobook Library\r\n                  International Center of Photography Library\r\n                  Cleveland Institute of Art Library    \r\n                  Selected Private Collections\r\n\r\nLectures       \r\n                  Pure: An Artist Talk, University of Alabama in Huntsville, University Center Gallery, \r\n                   6/1/04\r\n                  Love and Rockets, Image-maker Presentation, Society for Photographic\r\n                  Education, Regional Conference, Asheboro, NC, 11/8/08\r\n                  Thoughts on Documentary Photography, Emory University, Emory Global\r\n                  Health Institute, 2/18/08\r\n                  Photographer as Stranger:  Traditions in Photography, Artist Talk, Oxford\r\n                  College at Emory University, 3/26/09\r\n                  Strategies for Picture Making, Emory Global Health Institute, Emory\r\n                  University, 4/1809 \r\n                  Love and Rockets, Artist Talk, Lumière, 7/18/09\r\n                  Greenhouse, Invited Presenter, Atlanta Celebrates Photography, June 28, 2010","user_id":1502,"name":"Laura Noel","website":""},{"id":1503,"bio":null,"user_id":1503,"name":"Leandro Piñeiro","website":null},{"id":222419,"bio":"I work seven days a week at my craft, day and night. I can’t read, view, shoot or print enough. And I watch my vision evolve- seeing more and more clearly the picture that’s waiting to be taken. I love the technical aspects of photography and I love holding a beautiful print that I just printed in my hands. And I love sharing my work and my social values with larger and larger audiences. I have found the perfect way to express who I am- aesthetically and spiritually. In a few short years I have grown more than I could have imagined. I have forged my own vision and its interplay with my values.\n","user_id":221817,"name":"Richard Dweck","website":"www.rdweck.com"},{"id":1605,"bio":"","user_id":1605,"name":"asa aa","website":""},{"id":1505,"bio":"I am a Brazilian artist based in Montreal, Canada. I been working mostly in erasing people from photos and keeping them just for me, in this little jewelry box that is called memory. I use various techniques as computer interferes, seam and needlework. My career started in 2005, in Brazil, when I was doing my BA in design. I happen to cross the way of some marvelous individuals that would influence the rest of my life. They gave me the first taste of contemporary art; they taught me and inspired me. Back in those days, in a free period between the ending of university and a working period in design, I created the series The Absence of All Colors, where I would scan and interfere in pictures from my family with the help of my computer. The technique used in this new series, called The Album, in the contrary of the previous one, has as base real photographs, German ones from the 50’, from which I dissemble the images of people, using needlework. Needlework is a technique that has been a part of Brazilian culture for centuries now and is passed from grandmother, to mother and daughter. With this work I am only repeating a natural gesture of perpetuating of tradition. In both series, the contact with the person’s image (by cutting or perforating) makes me get in touch with details of them, people that sometimes I knew and sometimes I don’t. That creates an intimate connection with the person, transforming the process in an experience extremely intense and emotional. My work talks about disappearance, emptiness, and how we deal, or not, with it. The work also discusses the question of photography as a mean to connect to memory. And how we treat this object, now full with significance. I made exhibitions in Brazil, Lithuania and Germany. I won prizes and my work figures in private and institutional collections like the one from the Museum of Modern Art from Rio de Janeiro.","user_id":1505,"name":"Ludmila Steckelberg","website":""},{"id":1509,"bio":"","user_id":1509,"name":"Marcus Bleasdale","website":"www.marcusbleasdale.com"},{"id":1508,"bio":"MICHELLE BATES\n \nTelephone:  206.528.0855\nEmail:  michelle@michellebates.net\nMailing address:  P.O. Box 593, Vashon Island, WA 98070\n \nSOLO EXHIBITIONS\n\nSoho Photo Gallery, \"20 Years of Toying with Creativity,\" New York, March 2011\nRayko Photo, Featured artist during Plastic Camera Show, San Francisco, CA, Feb 2011\nUniversity of Portland Buckley Gallery, \"On the Road,\" Portland, OR, Aug-Sep 2010\nBenham Gallery, \"Exquisite Decay,\" Seattle, WA, Nov-Dec, 2009\nCameraworks Gallery, Portland, OR, Sep-Oct 2009\nCreative Center for Photography, \"Toying with Creativity\", Los Angeles, CA, Feb-Apr, 2007\nGallery 070, Vashon, WA, June 2005\nBlue Heron Arts Center, \"After the Fire,\" Vashon, WA, October, 2001\nLelavision Gallery, \"Celebration of Fire,\" Seattle, June, 2001\nOdeum Gallery, Pioneer Square, Seattle, April 2000\nTake 2 Gallery, \"New Plastic Camera Work by Michelle Bates,\" Seattle, May, 1997\nAbarbanel Gallery, \"Through a Plastic Lens,\" Tel Aviv, Israel, October, 1996\nLuna Gallery, \"Views of the World,\" Pioneer Square, Seattle, March, 1996\n\nMUSEUM EXHIBITIONS\n\n\"Nine Photographers to Watch from the Pacific NW\" Whatcom Museum, Bellingham, WA, Dec 2007-Apr 2008 - 26 pieces in large group show.\n\nGROUP EXHIBITIONS\n\n\"Holga Inspire,\" Michigan, Interlochen School of the Arts, Dec 2012\n\"Holga Inspire,\"Chicago Photo Center, Oct 2012\n\"Holga Inspire,\" San Francisco, Photobooth, Sep-Oct 2012\n\"Holga 30th Anniversary Exhibition\" at Center for Alternative Photography, New York, September 2012 \n\"Holga Inspire,\" Durango, CO, Open Shutter Gallery, summer 2012\n\"Holga Inspire,\" Soho Photo Gallery, New York, March 2012\n\"Holga Inspire,\" Center for Fine Art Photography, CO, fall 2011\n\"Low Tech/High Art,\" Business of Photography Center, CO, fall 2011\n\"Holga Inspire,\" Gallery at The Icon, Los Angeles, March 2011\n\"PCNW Faculty Exhibition,\" Photographic Center Northwest, Seattle, WA, Oct 2010\n\"Holga Inspire,\" Brooks Institute of Photography, Santa Barbara, CA, Sep 2010\n\"Holga Inspire,\" Gallery at Hallmark Institute of Photography, MA, May 2010\n\"Carnival,\" Newspace Photo, Portland, OR, Feb 2010\n\"Holga Inspire,\" Umbrella Arts, New York, NY, Dec 2009-Jan 2010\n\"Moisture Festival 2005-2009,\" Hale's Brewery, Seattle, Nov-Dec 2009\n\"Holga Inspire,\" TCC Photo Gallery, Longview, TX, Sep-Oct 2009\n\"Curious Camera,\" ArtsEye Gallery, Tucson, AZ, May-July 2009\n\"Holgagraphie,\" Atelier Freier Fotographen, Berlin, Germany, May 2009\n\"Range of Possibilities,\" Penland Gallery, North Carolina, Mar-May, 2009\n\"Holga Inspire,\" Photo Imaging Expo, Bangkok, Thailand, March 2009\n\"Only in Washington,\" WA State Convention Center, Seattle, October 2008-May 2009\n\"From the Playa to City Parks...BRAF Paves the Way!\" Black Rock Arts Foundation @ McKinley Arts \u0026amp; Cultural Center, Reno, NV, Oct-Nov 2008\n\"21 Days of Black Rock City,\" Creator's Equity Foundation @ Marin French Cheese Factory, Petaluma, CA, June-July 2008 --18 large-format prints created at artist residency; 9 photographers total.\n\"Abstractions in the Landscape,\" New Orleans Darkroom: May-September, 2008\n\"Krappy Kamera X,\" Soho Photo Gallery, New York, March 2008 - 1st Place\n\"Elements of Photography,\" John Jellico Gallery, Art Institute of Colorado, Denver, March 2008\n\"Cheap Shots - The Low Tech of High Art\" Photographic Center Northwest, Seatte, November 2007\n\"Toy Joy\" London Hair Company, Houston, TX, March-April 2006\n\"City TTL,\" Caffe al Teatro, Prato, Italy, July 2003\n\"Toy Stories,\" Orange County Center for Contemporary Art Santa Ana, CA, Nov. 1998-Jan 1999\n\"The Fun Show,\" Blue Heron Arts Center, Vashon, WA, January 1998, 4 artist exhibition\n\"Plastic Fantastic,\" E3 Gallery, New York, September-October 1997\n\"artsEdge,\" Seattle Center, Seattle, June 1997, Festival for emerging \u0026amp; innovative art\n\"Reverse Technology\" Benham Gallery, Seattle, June, 1997\n\"Contemporary Vision with the Plastic Camera,\" PhotoCentral, Hayward, CA, May 1997\n\"Four Women Photographers\" Moss Bay Gallery, Kirkland, WA, December 1996\n\"SHOTS Show\" Afterimage Gallery, Dallas, Texas, August, 1996, Best of SHOTS Magazine\n\"The Holga Show.\" Photographic Center Northwest, Seattle, March 1995\n\"Holga Works\" International Center of Photography bookstore gallery, New York, August, 1994\n\nAWARDS, PUBLICATIONS \u0026amp; HONORS\n\nFreestyle Photographic, Inc, member Advisory Board of Photographic Professionals, 2003-current\n\"Holga Inspire,\" Featured photographer on website published by Holga Limited, Hong Kong, 2009-current\nLomographic Society's online Magazine, June 2012 \nTEDxRainier, Seattle, speaker, Nov 2011 \u0026amp; 2012\n\"Exposure,\" Magazine of the Society for Photographic Education, feature article, Winter 2011\n\"Plastic Cameras: Toying with Creativity\" (Focal Press), authored Second Edition, October 2010\n\"Photo Media Magazine,\" 2-page portfolio and article, Winter 2010 issue\n15' x 60' Banner on 42nd St, Times Square, NY. Images of Flaming Idiots for New Victory Theater run, Dec 2009\n\"Moisture Festival 2005-2009,\" Book of images from Seattle festival (one of 3 photographers), Nov 2009\n\"Shutterbug Magazine,\" Reader's Corner feature about my website, Oct 2009\nLight Leaks Magazine, images included in several issues\nKrappy Kamera Competition: Soho Photo, NY, First Place image, March 2008\n\"Plastic Cameras: Toying with Creativity\", Authored book on toy cameras published by Focal Press, October 2006\n\"Elements of Photography,\" Angela Faris-Belt, Focal Press, 2008. 4-page spread with images \u0026amp; text.\n\"Photographic Possibilities,\" Robert Hirsch, Focal Press, 2008\nPhotographic Center Northwest Faculty \u0026amp; Student book, 2008\nSilvershotz, International Journal of Fine Art Photography: featured artist, November, 2005. 6 pages, 13 images.\n\"Creative Vision: Digital \u0026amp; Traditional Methods for Inspiring Innovative Photography,\" Jeremy Webb, AVA Publishing, 2005. 3 pages, images \u0026amp; text\nEyecaramba, featured artist on web magazine, May, 1999: www.eyecaramba.com\nArtist Trust GAP Grant Recipient, 1998, one of 3 photography grants given in Washington State\nCalumet Photographic: Photographic Artist's Catalog \u0026amp; Newsletter, Featured artist in 1998\nThe Ernst Haas/Golden Light Awards, Maine Photographic Workshops, Rockport, ME\n   1997 First Place, Humor Category, Second Place, Holga Category, Print Competition\n   1996 Third Place, Print Competition, Holga Category\n   1995-98, 2003 Named one of The Top 100 Photographers in competition\nFirst Light Photographics Award, PhotoCentral, Hayward, CA, May, 1997\nCachet Photographic web site, featured article \u0026amp; 10 images in Artist's Corner, 1997\nForm and Magic, Contemporary Vision with the Plastic Camera, published 1997 by PhotoCentral, CA\n\"Alternate View,\" Researched \u0026amp; featured in publication by the Maine Photographic Workshops, 1997\n\nTEACHING, GUEST LECTURING\n\nPhotographic Center Northwest, Seattle, workshop teacher, faculty, 1998-current\nNewspace Photo, Portland, OR, workshop instructor 2008-current\nRayko Photo, San Francisco, CA, workshop instructor, ongoing\nAcademy of Art: San Francisco, regular guest lecturer, 1996-current\nInterlochen School of the Arts, Michigan, 2012\nPenland School of Crafts, North Carolina, workshop instructor, 2009 \u0026amp; 2012\nPhotoNOLA, New Orleans, workshop instructor, December 2010\nPhoto Plus Expo, New York, Seminar presenter, October 2010\nProject Basho, Philadelphia, workshop instructor, October 2010, 2012\nSociety for Photographic Education National Conference, March 2010\nf295 Symposium, Pittsburgh, presenter \u0026amp; workshop instructor, 2009\nB\u0026amp;H Photo, New York, speaker \u0026amp; workshop instructor, 2009\nSF Camerawork, San Francisco, CA: Guest lecturer, 2008\nMaine Photographic Workshops, Rockport, ME: Workshop instructor, 2008\nJulia Dean Workshops, Los Angeles: Workshop instructor, 2007-9 \nNew Orleans Photo Alliance \u0026amp; ASMP Foundation, New Orleans: Workshop instructor \u0026amp; guest lecturer, 2008\nFoundry Arts Center, St Charles, MO: Workshop instructor, exhibition juror, 2008\nInternational Center of Photography: New York, workshop instructor, guest lecturer, 2007\nCreative Center for Photography, Los Angeles, CA: Guest lecturer, 2007\nSociety for Photographic Education, NW Regional Conference: presenter, October, 2005\nArtist Trust EDGE program for Professional Development for Visual Artists: presenter, 2005 \u0026amp; 2006\nSanta Fe Workshops, Santa Fe NM (workshop scheduled)\n\nOTHER PHOTOGRAPHIC EXPERIENCE\n\nMichelle Bates Photography: photographic services for visual and performing artists,1995-present\nJennifer Loomis Photography: Seattle \u0026amp; San Francisco, photographer of pregnant women \u0026amp; families, 2005-present\nThe Stranger, Seattle Weekly, EastsideWeek, The Writing Self, contributing photographer 1995-2000\n\nARTS MANAGEMENT \u0026amp; COMMUNITY ARTS INVOLVEMENT\n\nNew Old Time Chautauqua: Board of Directors, 2010\nVashon Allied Arts: Vashon, WA, Board of Directors, 2000-2004\nVashon Island Arts Council: Steering Committee Member, 2000-2004\nIslewilde! Performance Festival: Vashon, WA, Steering Committee Member, 1997-2003\nBlue Heron Gallery, Vashon Allied Arts: Visual Arts Coordinator, 1997 – 2000\nTake 2 Photo Gallery: Fremont, Gallery Manager, 1997 (gallery closed)\n\nEDUCATION\n\nBrandeis University, Waltham, MA, Bachelor of Arts in Biology,\nUniversity of Stirling, Scotland, Junior Year Abroad\nMaine Photographic Workshops, Maine, Work-study\nPhotographic Center Northwest \u0026amp; Coupeville Arts Center, WA, Photo Workshops 1993-2008","user_id":1508,"name":"Michelle Bates","website":"www.michellebates.net"},{"id":1517,"bio":"","user_id":1517,"name":"Michael Grieve","website":"www.michaelgrieve.co.uk"},{"id":1518,"bio":"","user_id":1518,"name":"Myoung Ho Lee","website":null},{"id":1516,"bio":"Education\nMaster of Fine Arts, Parsons School of Design, New York, NY\nBachelor of Arts, Boston University, Boston, MA \n \n \nHonors \u0026amp; Awards\nJuror Award, South Shore Art Center,  Cohasset, MA, 2012\nSpeaker, SPE National Conference, Atlanta, GA, 2011 \nArtist in Residence, Byrdcliffe Arts Colony, Woodstock, NY, 2007\nShowcase Award, Center for Fine Art Photography, Fort Collins, CO, 2007 \nJuror Award, Perkins Center for the Arts, Moorestown, NJ, 2007\nJuror Award, Positive Focus, Brooklyn, NY, 2005  \n \n \nSolo Exhibitions\n2011\nMelissa Fleming: Sea Change, The Arts at CIIS, San Francisco, CA \n2010\nMelissa Fleming: Sentient, SFO Museum, San Francisco, CA\n2003\nMelissa Fleming: Wax Flora, Soho Photo Gallery, New York, NY\n \n \nSelect Group Exhibitions\n \n2013\nNature: Inspired Moments, MBPO, New York, NY\nAll Natural, Markeim Arts Center, Haddonfield, NJ\n \n \n2012\nRegarding the Third Dimension, South Shore Art Center, Cohasset, MA\nPut a Tree on It, Houston Center for Photography, Houston, TX\n \n \n2011\nThe Travel + Leisure Global Bazaar, Park Avenue Armory, New York, NY\nPhotography: Alternative Processes, Mills Pond Gallery, St. James, NY\n \n \n2010\nInspired by Nature, Calumet Gallery, New York, NY\nUrban Utopia, Pop Up Space, New York, NY\n \n2009\nKaunas Photo Festival: Recycled,  Kaunas, Lithuania\nObjective Affection, BOFFO Gallery, Brooklyn Heights, NY\nIt's Still Life, RayKo Photo Center, San Francisco, CA\nFigment Arts Festival, Governors Island, NY\nScience Rocks, The Art Gallery at the Rockefeller State Park Preserve, Sleepy Hollow, NY\n \n2008\nCollectible, Wall Space Gallery, Seattle, WA\nLandscape, Other: Views Outside Convention, RayKo Photo Center, San Francisco, CA\nDescubrimientos PHE08, Photo España, Madrid, Spain\nScience Rocks, New York Hall of Science, Queens, NY\nTopography of Nature, Taste of Art Gallery at Kaufmann Arcade, NYC\nGrace, Peer Gallery, NY, NY\n \n2007\nWoodstock Biennial, Kleinert-James Arts Center, Woodstock, NY\nKaunas Photo Festival 2007, Kaunas, Lithuania\nAbstractions, The Center for Fine Art Photography, Fort Collins, CO\nPhotography 26, Perkins Center for the Arts, Moorestown, NJ\n \n2006 \n(t)here, Peer Gallery, NY, NY\nFlorida Gold, Capitol Gallery, Florida State House, Tallahassee, FL\nPhoto NY (Art Fair), Peer Gallery Booth, NY, NY\nHow to Love a Ready-Made, A Temporary Space, Williamsburg, NY\nParsons MFA Thesis Exhibition, Peer Gallery, NY, NY\nExperimental, Dam-Stuhltrager Gallery, Williamsburg, Brooklyn, NY\nPhotography 25, Perkins Center for the Arts, Moorestown, NJ\n \n2005\nEye Witness, Lobby Gallery, Durst Corporation, NY, NY\nVernissage, Cornell Museum of Art, Delray Beach, FL\nThe Secret Garden, Steinhardt Gallery, Brooklyn Botanic Garden, NY\nThe Handmade Print, Cork Gallery at Lincoln Center, NY, NY\nLuxe, Owen Lawrence Gallery, Atlanta, GA\n \n2004\nDe Norte a Sur, Museo de la Fotografia, Rafaela, Argentina\nPoint of View, Poughkeepsie Art Museum, Poughkeepsie, NY\nNY in Motion, Chelsea Market Gallery, NY, NY\n \n2003\nContemporary Women Artists, The Gallery, Stamford, NY\nI Love Manhattan, Lobby Gallery, Equity Building, NY, NY\nAll Photography Invitational, Atlantic Gallery, NY, NY\n \n2002\nPoint of View, Westbeth Gallery, NY, NY\nEmerging Artists, Savacou Gallery, NY, NY\n \n \nPermanent Collections \nUniversity of Colorado at Boulder, Boulder, CO \nThe James Hotel Collection, New York City, NY\nMuseo de la Fotografia, Rafaela, Argentina\nFederal Reserve Bank of New York, NY, NY\n \n \nPublications\n \nCatalogue, \"Regarding the Third Dimension\", SSAC, November 2012 \nRandall Babtkis, \"Double Helix\", Mission at Tenth, CIIS Inter-Arts Journal, Spring 2012\nCatalogue, \"Recycled\", Kaunas Photo Festival, September 2010\nCatalogue, Objective Affection, BOFFO, September 2009\nJuan Caller, \"Melissa Fleming: La Visibilidad de lo Intangible”, Tertulias Fotograficas, October 2008\nJim Casper, \"Beyond the Visible: Two Works with Water\", Lens Culture, September 2008\nElizabeth Randolph, “Faculty Notes: Melissa Fleming”, Pratt Gateway, September 2008\nRobert A. Schaefer, Jr., “Beyond the Visible in Nature: An Interview with Melissa Fleming\", Double-Exposure, August 2008\nCatalogue, Descubrimientos PHE, Photo Espana, June 2008\nRobert A. Schaefer, Jr., “FotoFest”, Double-Exposure, May 2008\nRobert Baxter, “Worth Another Look”, Courier-Post, January 2007  \nCatalogue, Point of View, Poughkeepsie Art Museum, March 2004","user_id":1516,"name":"Melissa Fleming","website":"www.melissafleming.com"},{"id":493747,"bio":"fotógrafo freelance jubilado","user_id":493163,"name":"Urbano Suárez Fernandez","website":"www.urbanosuarez.com"},{"id":1606,"bio":"Jeremy Underwood’s work embodies our complicated relationship with the environment and the contemporary landscape, focusing on the tension between nature and culture shaping these physical spaces. ","user_id":1606,"name":"Jeremy Underwood","website":"www.jeremyunderwood.com"},{"id":185888,"bio":"Christina Price Washington’s work has been exhibited in venues, including the High Museum of Art in Atlanta; Nexus Contemporary Art Center; Slow Exposures, curated by Brett Abbott and Julian Cox––former curators of photography at the Paul J. Getty Museum; Art Basel Miami, FL. In 2016, Lisa Sutcliffe, curator of photography at the Milwaukee Art Museum, chose her for the Portfolio Show at the Atlanta Photography Group; Works on Paper curated by Leslie Jones, Curator of Prints and Drawings at the Los Angeles County Museum of Art (LACMA), \nHer photographs are in the High Museum of Art and private collections. \n","user_id":185286,"name":"ChristinA price Washington","website":"christinapricewashington.com"},{"id":1528,"bio":null,"user_id":1528,"name":"Masao Yamamoto","website":"www.yamamotomasao.jp"},{"id":1529,"bio":null,"user_id":1529,"name":"Mimi Youn","website":null},{"id":1524,"bio":"Marco Vernaschi is an Italian visual artist and producer celebrated for his evocative photography and motivational campaigns. His extensive portfolio spans portraiture, documentary, and contemporary art, frequently merging artistic expression with activism.\n\nIn 2024, Marco launched Macondo, a project delving into the confluence of magical realism and climate resilience in Colombia’s Caribbean region. Between 2021 and 2022, he produced Ahícito Nomás, followed by Warmi, an editorial campaign promoting indigenous women's rights and exploring the nexus of ancestral and modern feminism in the Andean Altiplano. In 2019, with Gaucha, he played a key role in Apple’s global #ShotOnIphone campaign, celebrating the gaucho matriarchs of Argentina.\n\nFrom 2015 to 2019, Marco worked as an external advisor to Argentina’s Chief of Staff Office, contributing to social development and strategic initiatives in the Northwestern region, especially the Quebrada of Humahuaca in Jujuy.\n\nIn 2015, he produced SEEDS for LIFE, a compelling campaign to highlight the detrimental effects of pesticides in Argentina. This initiative, supported by Coldplay’s Chris Martin, resulted in significant regulatory reforms concerning agrochemical use.\n\nA milestone in Marco’s career came in 2011 when he was selected to participate in the 54th Venice Biennale. His autobiographical project, Placebo, praised by David Lynch as “a monumental break in photography,” further established his reputation as a disruptive artist and was also showcased at the Museum of Contemporary Art of Rome (MACRO), Paris Photo, and the Karl Bulla Museum in St. Petersburg.\n\nIn 2012, Marco unveiled Biophilia at the Noorderlicht Festival, Terra Cognita. This project, exploring humanity’s inherent need to reconnect with nature, was later exhibited at the Tokyo Institute of Photography, Paris Photo, and the Festival Internacional de Fotografia de Belo Horizonte.\n\nAs a Pulitzer Center grantee, Marco produced Narco State, investigating narco-terrorism in Guinea-Bissau; Dying For Treatment, focusing on maternal health in West Africa; and Child Sacrifice, examining organ trafficking in Uganda.\n\nMarco’s work has earned numerous accolades, including the World Press Photo Award. \nHe became a member of The Photo Society in 2015.","user_id":1524,"name":"Marco Vernaschi","website":"www.marcovernaschi.com"},{"id":1551,"bio":"","user_id":1551,"name":"Robert Frank","website":""},{"id":1534,"bio":"Nadav Kander is a London based photographer, artist and director, known for his portraiture and landscapes. His work is included in the collections of the National Portrait Gallery, the Victoria and Albert Museum and other galleries and museums.\n\nHis father flew Boeing 707s for El-Al but lost his eye and was unable to continue flying. His parents decided to start again in South Africa and moved to Johannesburg in 1963. Kander began taking pictures when he was 13 on a Pentax camera. After being drafted into the South African Air Force, Kander worked in a darkroom printing aerial photographs. He moved to London in 1986, where he still resides with his wife Nicole and their three children.\n\nKander's best known images include Diver, Salt Lake, Utah 1997, in which a lone women peers out into the vast lake, and his 2009 portrait of Barack Obama photographed for \"The New York Times Magazine\" as a cover feature. Diver, Salt Lake, Utah, 1997 was also the cover image for Kander's monograph, Beauty's Nothing.\n\nOn 18 January 2009 Nadav Kander had 52 full page colour portraits published in one issue of \"The New York Times Magazine\". These portraits (from a series titled Obama's People) were of the people surrounding President Barack Obama, from Joe Biden (Vice President) to Eugene Kang (Special Assistant to The President). The same issue also included a series of cityscapes of Washington DC also taken by Kander. This is the largest portfolio of work by the same photographer \"The New York Times Magazine\" has ever showcased in one single issue.\n\nKander published his first monograph, Beauty’s Nothing (Arena Editions) in 2001. He followed up the book with a catalogue of nocturnal landscapes entitled Nadav Kander – Night which accompanied his exhibitions at the Yancey Richardson Gallery, New York and Shine Gallery, London. Flowers Gallery published Obama's People to accompany the solo exhibition. Yangtze - The Long River was published by Hatje Cantz in September 2010. Bodies: 6 Women,1 Man, was published as a limited edition monograph by Hatje Cantz in February 2013.\n\nIn October 2009 Kander was announced as the winner of the prestigious Prix Pictet 'Earth' 2009 for his Yangtze - The Long River series. He was chosen from a shortlist of 12 nominees that included Ed Kashi, Andreas Gursky and Naoya Hatakeyama. The award was presented in Paris at the Passage de Retz by Kofi Annan, Honorary President of the Prix Pictet.\n\nHe was named International Photographer of the Year at the 7th Annual Lucie Awards in 2009 and has also received awards from Art Director’s Club and IPA in the USA, from the D\u0026amp;AD and the John Kobal Foundation in the UK and Epica in Europe. He was awarded the Royal Photographic Society’s ‘Terence Donovan’ Award in 2002 and was nominated for the Schweppes Photographic Portrait Prize in 2003. In 2008 he was awarded the Silver Photographer of the Year at the Lianzhou International Photo Festival in China.\n\nHe won the 2011 London Awards for Art and Performance, photography.","user_id":1534,"name":"Nadav Kander","website":"www.nadavkander.com"},{"id":726876,"bio":"","user_id":726292,"name":"Pamela Bortey","website":""},{"id":1531,"bio":"Neil Chowdhury thinks in images.\r\n\r\nHe uses the camera to explore the relationships between individuals, their societies, and environments. Since 2001 he has concentrated his creative efforts on documenting and interpreting the process of discovering his Indian heritage.\r\n\r\nMr. Chowdhury is an assistant professor and director of the photography program at Cazenovia College, Cazenovia, New York. He has taught a study abroad course to India through the University of Connecticut, was a full time assistant professor of photography at Zayed University, Dubai, The United Arab Emirates; and has taught classes at Light Work Community Darkrooms, Syracuse, NY; the College for Creative Studies, Detroit, Michigan; and at the University of Washington, Seattle, where he earned an M.F.A. in photography.\r\n\r\nIn addition to an active local, national and international exhibition record, Chowdhury has attended a number of notable juried artist in residency programs, including Saltonstall, Ithaca New York; The Hungarian International Artist Residency Program, Budapest, Hungary; and Galichnik Art Colony, Galichnik, Macedionia.\r\n\r\nChowdhury also worked for several years as an industrial photographer for Ford Motor Company, and accepts freelance travel, editorial, and commercial photography assignments in addition to his work as a fine artist and educator.\r\n\r\nRecently reunited with the long-lost large format negatives of portraits he made of itinerant street workers in Mumbai, summer 2008, and inspired by the opportunity to teach a class in alternative process photography, his most recent major work is a non-silver portfolio entitled Lost and Found in Bombay, produced for exhibition in the 2012 The Other New York Everson Museum Biennial Exhibition at ArtRage Gallery in Syracuse, NY. He is currently exhibiting this work in a solo exhibition at the Anne Felton Multi-Cultural Center Gallery at Onondaga Community College in Syracuse. In July 2012, his street photography and digital photomontage work was exhibited and shortlisted in three separate award categories, Documentary Series, Experimental Photo, and Best Moment at the Kolga Tbilisi Photo Awards, Tbilisi, The Republic of Georgia. In 2011 he earned the 37th Annual Light Work Grant in Photography for his series of digital photomontages, Waking from Dreams of India.\r\n\r\nHis work has been featured in many international survey exhibitions featuring Indian and Indian diaspora artists, including Radiate, The Gallery 400, The University of Illinois, Chicago; the FotoFreo Festival in Fremantle Australia, 2012; This is Not That, Gallerie Duboys, Paris, France, 2011; Sampling India: Of Blind Men \u0026 Elephants at the Empty Quarter Gallery in Dubai, the United Arab Emirates, 2011; and three years consecutively in the Erasing Borders Exhibition of Contemporary Art of the Diaspora, 2009-11.\r\n\r\nThis March, University of Connecticut Art Professor Kathryn Myers presented a lecture Chowdhury wrote on his position an “outsider” photographing in India at the South Asian Studies Association Annual Conference, Claremont Graduate University, Claremont, CA. Chowdhury is often invited to speak about his art in prominent venues, including his first lecture in India at the Attic Art Center in New Delhi, December 2011. He has given peer reviewed lectures on his art, teaching practice, and the photo scene in Dubai, at the Society for Photographic Education National Conferences in Miami in 2007, and in Portland, OR, 2005, where he earned the first Gary Fritz Imagemaker Award. He has also spoken at ArtRage Gallery; The Jorgensen Galllery, University of Connecticut; Stone Quarry Hill Art Park, Cazenovia, NY; The Warehouse Gallery, Syracuse, NY; XL Projects Gallery, Syracuse, NY, Hungarian Multicultural Center Budapest Artist in Residence Program; the New York State Summer School of the Arts in Oswego, and many others. He has also curated the Society of Photographic Education Multi Cultural film and video festival in 2011, 2012, and is currently working on the 2013 program.\r\n\r\nNeil Chowdhury’s photographs and digital video works can be found in the collections of Contemporary Museum of Photography in Chicago; the William Benton Museum of Art at the University of Connecticut; The Light Work Collection; the National Gallery of Macedonia; the US State Department Art on Loan Program; Tasveer Arts Foundation, Bangalore, India; and in many other private collections.\r\n\r\nChowdhury’s work has been featured in numerous prominent photography and arts publications and blogs, including Contact Sheet: The Light Work Annual 2012, Photo, Indian Vogue, Stone Canoe, Lens Culture, Mrs. Deane, Dodge \u0026 Burn, Conscientious, L’agenda, Tasveer Online, and recently in the cover story of the August-September 2012 Andpersand Magazine.","user_id":1531,"name":"Neil Chowdhury","website":"neilchowdhury.com"},{"id":1537,"bio":null,"user_id":1537,"name":"Nicolas Righetti","website":null},{"id":1607,"bio":"Sara Marie Ramsøe's main interest in the field of photography is documentary. She is not afraid to take on challenges and her enthusiasm and curiosity allow her to apply herself to difficult tasks. Sara is very concerned with human values; how different cultural and social conditions of lives intertwine. She has taken a number of courses in areas such as cultural differences, conflict resolution and value based leadership. She is a student at Bilder Nordic School of Photography, and feels very lucky to have Marcus Bleasdale as her mentor.","user_id":1607,"name":"Sara Marie Ramsøe","website":"www.sararamsoe.com"},{"id":1538,"bio":"Odette England (1975, South Australia) has participated in exhibitions across Europe, the USA, and Australia including solo exhibitions at Light House, Wolverhampton, UK; Three White Walls Gallery, Birmingham, UK; and Durham Art Gallery, Durham, UK; and group exhibitions at KLOMPCHING GALLERY, New York, NY; Photographic Resource Center, Boston, MA; Philadelphia Photo Arts Center, Philadelphia, PA;  Center for Fine Art Photography, Fort Collins, CO; Host Gallery, London, UK: and Newspace Center for Photography, Portland, OR. \r\n \r\nShe is a two-time UK winner of the Magenta Foundation Flash Forward Emerging Photographers competition and has achieved wins and honorary mentions in the Px3 De La Photographie Paris competition; the London International Creative competition; and the International Photography Awards. \r\n \r\nMost recently, she is the recipient of the Hotshoe Photofusion Award (2011) and the CENTER $5000 Project Launch Award (2012), juried by Virginia Heckert, Associate Curator, J. Paul Getty Museum.  An exhibition of her award winning series Thrice Upon A Time was shown at the New Mexico Museum of Art, Santa Fe, NM.\r\n \r\nEngland graduated with Honors from the Rhode Island School of Design (MFA Photography) in 2012.  She is represented in the US (east coast) by KLOMPCHING GALLERY.","user_id":1538,"name":"Odette England","website":"www.odetteengland.com"},{"id":1542,"bio":"Born in Rhuddlan, Wales, Philip Jones Griffiths studied pharmacy in Liverpool and worked in London while photographing part-time for the Manchester Guardian. In 1961 he became a full-time freelancer for the London-based Observer. He covered the Algerian War in 1962, then moved to Central Africa. From there he moved to Asia, photographing in Vietnam from 1966 to 1971.\r\n\r\nHis book on the war, Vietnam Inc., crystallized public opinion and gave form to Western misgivings about American involvement in Vietnam. One of the most detailed surveys of any conflict, Vietnam Inc. is also an in-depth document of Vietnamese culture under attack.\r\n\r\nAn associate member of Magnum since 1966, Griffiths became a member in 1971. In 1973 he covered the Yom Kippur War and then worked in Cambodia between 1973 and 1975. In 1977 he covered Asia from his base in Thailand. In 1980 Griffiths moved to New York to assume the presidency of Magnum, a post he held for a record five years.\r\n\r\nGriffiths' assignments, often self-engineered, took him to more than 120 countries. He continued to work for major publications such as Life and Geo on stories such as Buddhism in Cambodia, droughts in India, poverty in Texas, the re-greening of Vietnam, and the legacy of the Gulf War in Kuwait. His continued revisiting of Vietnam, examining the legacy of the war, lead to his two further books ‘Agent Orange’ and ‘Vietnam at Peace’.\r\n\r\nGriffiths' work reflects on the unequal relationship between technology and humanity, summed up in his book Dark Odyssey. Human foolishness always attracted Griffiths' eye, but, faithful to the ethics of the Magnum founders, he believed in human dignity and in the capacity for improvement\r\n\r\nPhilip Jones Griffiths died at home in West London on 19th March 2008","user_id":1542,"name":"Philip Jones Griffiths","website":"www.magnumphotos.com/C.aspx?VP3=CMS3\u0026VF=MAGO31_10_VForm\u0026ERID=24KL535HON"},{"id":1544,"bio":"Paolo Pellegrin was born in 1964 in Rome. He studied architecture at L'Università la Sapienza, Rome, Italy before studying photography at l'istituto Italiano di Fotografia, in Rome.\r\n\r\nBetween 1991 and 2001 Pellegrin was represented by Agence VU in Paris. In 2001 he became a Magnum Photos nominee and a full member in 2005. He was a contract photographer for Newsweek for ten years.\r\n\r\nPellegrin is winner of many awards, including ten World Press Photo awards and numerous Photographer of the Year awards, a Leica Medal of Excellence, an Olivier Rebbot Award, the Hansel-Meith Preis, and the Robert Capa Gold Medal Award. In 2006, he was assigned the W. Eugene Smith Grant in Humanistic Photography. He lives in London.\r\n\r\nHis books include: 100 Photos of Paolo Pellegrin for Press Freedom (Reporters Sans Frontières, France, 2013); Paolo Pellegrin (Kunstfoyer der Versicherungskammer Bayern 2012); Dies Irae (Contrasto, Italy, 2011); Photo Poche (Actes Sud, France, 2010); As I Was Dying (Actes Sud, France, 2007); Double Blind (Trolley, 2007); Kosovo 1999-2000: The Flight of Reason (Trolley, USA, 2002); L'au delà est là (Le Point du Jour, France, 2001); Cambogia (Federico Motta Editore, Italy, 1998) and Bambini (Sinnos, Italy, 1997)","user_id":1544,"name":"Paolo Pellegrin","website":"www.magnumphotos.com/C.aspx?VP3=CMS3\u0026VF=MAGO31_10_VForm\u0026ERID=24KL535Y9H"},{"id":1555,"bio":"Photographer and book artist based in Warsaw, Poland. He graduated from Academy of Fine Arts in Katowice, Poland and Institute for Creative Photography in Opava, Czech Republic where he currently lectures. For more than 10 years he has been working on transition issues in Russian speaking countries and CEE region. This work resulted with the monographs “7 Rooms” (Kehrer 2011) and “Black Sea of Concrete” (self-published 2013). In 2012 Czytelnia Sztuki Gallery published the book “In the Car with R” the record of Rafal’s travel with writer Huldar Breiðfjörð around Iceland. Rafal’s work has been exhibited in C/O Berlin, Zacheta National Gallery of Art and MoCA Shanghai. In 2007 Rafal took part in World Press Photo Joop Swart Masterclass. Within next few years he received grants from Magnum Foundation, Polish Ministry of Culture and European Cultural Foundation. His pictures and books have been awarded with World Press Photo, Pictures of the Year International, Magnum Expression Awards, Photography Book Now and New York Photo Festival awards.Works in collections of Kiyosato Museum of Photographic Arts in Japan, Gliwice Museum and CO Berlin.\n\nIn 2006 together with 10 other Central Eastern European photographers, Rafal created a photo collective Sputnik Photos, to document, promote and spread knowledge on transition issues in CEE countries. Rafal was also the curator of such book projects as “Private property” (IKW 2012), “Rough cut” (IKW 2011), “25/25” and “Don’t mess with Texas” (2011) within Photomonth in Krakow.\n\n","user_id":1555,"name":"Rafal Milach","website":"rafalmilach.com"},{"id":1595,"bio":"Michelle Norris graduated from the University of Georgia with a BFA in Photography. She has shown at galleries throughout the East Coast, as well as having a piece in the permanent collection of the Georgia Museum of Contemporary Art. Her work deals primarily with color as a device to create surreal environments. ","user_id":1595,"name":"Michelle Norris","website":"www.michellenorrisphotography.com"},{"id":1556,"bio":"","user_id":1556,"name":"Richard Misrach","website":""},{"id":4017,"bio":"","user_id":4017,"name":"Alessandro Imbriaco","website":"www.alessandroimbriaco.com"},{"id":1554,"bio":"Robert Lyons lives and works in Berlin, Germany and Western Massachusetts. \n\nHe has taught extensively in the USA and Europe at various institutions including: Emily Carr College of Art \u0026amp; Design, University of Washington, Photographic Center Northwest, International Center of Photography, and the Ostkreuzschule in Berlin. He received an M.F.A. from Yale University in 1979. \n\nLyons has received numerous awards for his work including: NEA Survey Grant, Ford Foundation Grants, and most recently a MacDowell Residency 2009. \n\nHis work has been widely exhibited in the United States and Europe and is represented in numerous permanent collections including: The Metropolitan Museum, Seattle Art Museum and the University of Washington–Henry Art Gallery, Microsoft Corporation, Hallmark Collection of Photography, Nelson–Atkins Museum, and Beth Hatefutsoth Museum of the Diaspora, Tel Aviv, Israel.\n\nHis published books include: Egyptian Time, Doubleday – 1992, Another Africa, Bantam Dell Doubleday– 1998, The Company of Another, – Galerie Michael Schultz Berlin – 2003, and Intimate Enemy: Voices and Images from the Rwandan Genocide – Zone Books 2006.","user_id":1554,"name":"Robert Lyons","website":"www.robertlyonsphoto.com"},{"id":726634,"bio":"","user_id":726050,"name":"Rebecca Ramos","website":"www.RebeccaRamosPhotography.com"},{"id":730125,"bio":"I am an interior designer, mom and wife but have always enjoyed photography. It takes me to places i would otherwise not go. I find beauty and interesting subjects everywhere.  The camera separates them from their context and lets the viewer make their own conclusions about what's happening.  I hope they see the interest and beauty that i do.","user_id":729541,"name":"Trish Puckett","website":""},{"id":1565,"bio":"Although Edward Steichen exhibited some of Saul Leiter’s color photographs at the Museum of Modern Art in 1953, for forty years afterwards they remained virtually unknown to the art world. Leiter moved to New York in 1946 intending to be a painter and through his friendship with the abstract expressionist Richard Pousette-Dart he quickly recognized the creative potential of photography. Though he continued to paint, exhibiting alongside Philip Guston and Willem de Kooning, Leiter’s camera became — like an extension of his arm and mind — an ever-present interpreter of life in the metropolis.\n\nThe semi-mythical notion of the ‘New York street photographer’ was born at the same time, in the late-1940s. But Leiter’s sensibility — comparable to the European intimism of Bonnard, a painter he greatly admires — placed him outside the visceral confrontations with urban anxiety associated with photographers such as Robert Frank or William Klein. Instead, for him the camera provided an alternative way of seeing, of framing events and interpreting reality. He sought out moments of quiet humanity in the Manhattan maelstrom, forging a unique urban pastoral from the most unlikely of circumstances.\n\nNone of Leiter’s contemporaries, with the single and partial exception of Helen Levitt, assembled a comparable body of work in color. The lyricism and intensity of his vision come into fullest play in his eloquent handling of color: to the rapid recording of the spontaneous unfolding of life on the street, Leiter adds an unconventional sense of form and a brilliantly improvisational, and frequently almost abstract, use of found colors and tones. Leiter’s visual language of fragmentation, ambiguity and contingency is evoked in Saul Leiter: Early Color by one hundred subtle, painterly images that stretched the boundaries of photography in the second half of the twentieth-century.\n( source : steidl )\n","user_id":1565,"name":"Saul Leiter","website":""},{"id":1560,"bio":null,"user_id":1560,"name":"Susan Bein","website":null},{"id":1568,"bio":null,"user_id":1568,"name":"Shigeichi Nagano","website":null},{"id":1569,"bio":"","user_id":1569,"name":"Sandy Nicholson","website":"www.sandynicholson.com"},{"id":1564,"bio":"","user_id":1564,"name":"Syoin Kajii","website":"kajii.icca.jp"},{"id":1575,"bio":null,"user_id":1575,"name":"Sinisa Vlajkovic","website":null},{"id":1577,"bio":"Born in Marosvásárhely, Romania, 1981. Currently based in Budapest, Hungary. Work as a photo editor for the monthly Képmás magazine (Hungary) and freelancer journalist, photographer.\r\n\r\nExhibitions (Selection)\r\n\"Dream about Motherland\" (Solo exhibition), Fotografevi Gallery, Istanbul, Turkey, 2013.11., (upcoming)\r\n\"In the path of Arminius Vambery\" (solo exhibition), Hungarian Museum of Trade and Tourism, Hungary, 2013.09. (upcoming)\r\n\"Motherland\", (group outdoor exhibition, organized by Noorderlicht), Drenthe, Netherlands, 2013.06., (upcoming)\r\n\"Bozgor\" (Solo exhibition), Hungarian House of Photographers, Budapest, Hungary, 2011.\r\n\"Co-existence\" (group exhibition); Kossuth square, Hungary , 2011.\r\n\"Attention\" (group exhibition); Art-Bázis, Hungary , 2011.\r\n”Untitled”, (group exhibition); Trace Gallery, United Kingdom, 2010.\r\n”The Pursuit of Happiness”, Noorderlicht International Photofestival, (group exhibition); The Netherlands, 2009.\r\nXXV. Hungarian Press Photo (group exhibition); Hungary, 2007.\r\n\"Faces\" Raiffeisen Gallery (solo exhibition); Hungary, 2006.\r\n\"Dialogue\" (group exhibition); Hungary, 2005.\r\n\r\nPublications (selection)\r\nVision magazine, China, 2011.\r\nBooooooom: http://www.booooooom.com/2011/05/11/photographer-tamas-paczai/\r\nPrivate - International Review of Photographs, Italy, 2010.\r\nLa Zona Numero 15., Mexico, 2010.\r\nLensculture.com, France, 2010.\r\nThe Pursuit of Happiness – a photoalbum, Noorderlicht, the Netherlands, 2009.\r\nEduardo Rózsa-Flores: ”Collection of Piggeries”, illustrations for the book, Hungary, 2003.\r\n\r\nPrizes\r\nPrize for the best portfolio, Photoport International Portfolio Review, Hungary, 2010.\r\nPrize for the best portfolio, Raiffeisen \"Dialogue\" competition, Hungary, 2005.","user_id":1577,"name":"Tamas Paczai","website":""},{"id":1610,"bio":"Benjamin Ziggy Lee works mainly in video and photography. His photography works have been exhibited in South Korea, United Kingdom and China. His inaugural short film won the ‘Originality Award’ at the Very Shorts International Film Festival, Singapore Edition. On top of that, he was awarded a grant in which he undertook a six-month internship in New York City. He has just finished his final year thesis project exploring identity and capitalism in post-colonial Singapore. In his work, he often appropriates found photographs or footage and recontextualize their meaning, seeking to reveal the multi-faceted nature of identity. He studied at Nanyang Technological University, School of Arts, Design, Media.","user_id":1610,"name":"Benjamin Ziggy Lee","website":""},{"id":1602,"bio":"Sergey Shubkin is a freelance photographer based in Moscow, with a focus on current sociological and ethnic topics in modern Russia. He studied photojournalism at Moscow State University 2009-2010 and graduated from Moscow School of Visual Arts in 2011.\n","user_id":1602,"name":"Sergey Shubkin","website":"www.flickr.com/photos/serjshubkin/sets/72157626841728835/with/5848287981"},{"id":1603,"bio":"I am an Italian young men graduated in Business Administration and Finance. When I left my country to move to London I didn't know that decision would have changed my life and I would have found the reason of my life and my future photography career.\r\n\r\nI have been in London for almost 5 years and I am currently studying the third year of my BA in Photography at University of East London.\r\n\r\nWorking as a photographer and achieving some good results with my personal projects it's just a joy despite what my family wanted me to be. \r\n\r\nWhen I hold a camera I feel fulfilled and satisfied, It's the perfect way I can express myself, my ideas and feelings.\r\n\r\nNowadays we are surrounded by photographs; in the digital era it is so easy to waste pictures. That is the reason why I usually carry an analogue camera with me; to think more about the subjects, the feelings I have in that moment and I want to express.","user_id":1603,"name":"Daniele Pintore","website":"danielepintore.tumblr.com"},{"id":1584,"bio":null,"user_id":1584,"name":"Walid Raad","website":null},{"id":1586,"bio":"1956\tborn in Ludwigshafen/Rhein\r\n1977-79\tBavarian State School of Photography in Munich\r\n1979-84\tTechnical High School in Dortmund by Prof. Hans Meyer-Veden\r\n1985\t\"Otto Steinert - Fellowship\" of the DGPh (German Society of Photography)\r\nsince 1986\tCoorganisator of Gallery Lichtblick in Cologne\r\n1994\tMember of the DGPh\r\n1997\tMember of the DFA (German Photographic Academy)\r\n1998\tBoard of Directors of the DFA\r\n2001\tWorkshop \"berlin-project\" with students of the academy in Berlin and Karlsruhe\r\n2003\tWorkshop at the University of Arts, Berlin\r\nsince 2003\tWorkshops at the Technical University, Braunschweig\r\n2005-08\tTeaching assignment at the University of Arts, Bremen\r\n\tWorkshop in the school of the Fondazione Studio Marangoni, Florence\r\n2005/06/09\tGuest professorship at the University of Arts, Bremen\r\n2006\tWorkshop at the Summer Photoschool in Liptovsky Mikulas, Slovakia\r\nsince 2007\tSeminars at Neue Schule für Fotografie, Berlin\r\n2008\tGerman Photo Book Award 2008 for Drift\r\n\tWorkshops at Fotografie Forum International, Frankfurt\r\n\tWorkshops at Reiss-Engelhorn-Museum in Mannheim\r\n2009\tGuest professorship at the University of Arts, Berlin\r\n2009/10\tWorkshops at Haus der Fotografie, Deichtorhallen, Hamburg\r\n2010\tLaunch of Lichtblick School in Cologne\r\n\r\nWolfgang Zurborn lives in Cologne\r\n\r\nExhibitions\r\n\r\n1986\tAmusementparcs Bavarian State School of Photography, Munich\r\n1987\tPeople Pictures - Picture People Museum Folkwang, Essen\r\n1988\tPeople Pictures - Picture People Fotogallery in Wedding, Berlin\r\n\tAmusementparcs and other pictures 1981-1984\r\n\tLandesbildstelle Hamburg\r\n1991\tPhotographs 1986-1991 Fotomuseum im Münchner Stadtmuseum, Center of Industrial Culture Nürnberg\r\n\tHigh School for Graphic and Art of Book, Leipzig ( catalogue )\r\n1993\tPhotographs 1986-1991 Blue Sky Gallery, Portland, USA (catalogue)\r\n1994\tIn the Labyrinth of Signs ACC Gallery, Weimar\r\n\tPhotographs 1986-1993 Museet for Fotokunst, Odense, Danmark and Gentofte Kunstbibliotek, Kopenhagen - Hellerup\r\n1995\tIn the Labyrinth of Signs R(h)einblick, Cologne;\r\n\tState Gallery Moritzburg, Halle ( leporello )\r\n1997\tAu Centre de la Vitesse Centre Régional de la Photographie Nord, Pas de Calais, Douchy les Mines ( book )\r\n\tART NTC Neurological Therapie Center, Cologne\r\n1998\tdressur real Int. Meetings of Photography in Plovdiv, Bulgaria\r\n\tAu Centre de la Vitesse Fotomanifestatie Eindhoven\r\n1999\tIn the Labyrinth of Signs Museum für Kunst und Gewerbe,Hamburg and Fotografie Forum international, Frankfurt\r\n2000\tdressur real Monreal \u0026 Poppen, art consulting, Bonn\r\n\tIn the Labyrinth of Signs Psychoanalytic working group, Cologne\r\n2001\tdressur real Schaden.com, Cologne; Galerie Lichtblick, Cologne; Photography Now, Berlin; L’Usine Galerie, Brussels\r\n\t6. Internationale Fototage Herten\r\n2002\tdressur real Alte Feuerwache, Mannheim; \r\n\tGalerie Coiffeur Burg, LE-Musberg\t\r\n\tTerra Incognita Bielefeld City Theatre\r\n2003\tdressur real Galeria FF, Lodz, Poland; Galerie Schulgasse 18 Eibelstadt by Würzburg, Germany\r\n\tDokument 03, BildensHus, Sundsvall, Sweden\r\n\tTerra Incognita Reger Forum, Munich, Germany\r\n2004\tTerra Incognita L’Usine Galerie, Brussels, Belgium\r\n2005\tdressur real Prospekto Gallery, Vilnius, Lithuania\r\n2006\tDrift Hexgalleries, Heks, Belgium\r\n\tdressur real Kulturhaus Osterfeld, Pforzheim\r\n\tIn the Labyrinth of Signs Meeting with the Middle East/ \r\n\t9th International Photography Gathering /Aleppo, Syria\r\n2007\tDrift Blue Sky Gallery, Portland, Oregon, USA\r\n\tPhotographs Do Not Bend Gallery, Dallas, Texas, USA;\r\n\tGalerie Lichtblick, Cologne; Third Lianzhou International Photo Festival 2007, China\r\n2008\tChina! Which China? V8 Galerie, Cologne\r\n\tDrift FSM Gallery, Firenze\r\n2009\tDrift – Photographs 1980 – 2006 \r\n\tHaus der Photographie, Deichtorhallen Hamburg\r\n\tDrift Loris, Galerie für zeitgenössische Kunst, Berlin\r\n2010\tDrift Uno Art Space, Stuttgart\r\n\tTerra Incognita Fotofestival in Warschau, Poland\r\n\tSo Far, So Close Galerie Ruhnke, Potsdam\r\n\tIm Zentrum der Geschwindigkeit Galerie Villa Ruh, Zingst\r\n\r\nGroup Exhibitions\r\n\r\n1980/81\tEdition rAuslöser in Osnabrück and Münster\r\n1982\t52 Young German Photographers Gallery Gaiser, Weißenhorn\r\n\t( catalogue )\r\n1985\tThe Secret of the 11 000 Virgins Stadttheater Frankfurt\r\n1985/86\tFor Example Photography buk-Gallery, Dortmund; Technical High School Cologne: Museum for Photography, Braunschweig; Brunswiker Pavillon \tKiel; House of Theater, Stuttgart ( catalogue )\r\n1986\t50 Years Modern Colour Photography Photokina Cologne (catalogue)\r\n1986/87\t3 und 1 im Sinn with Susanne Brügger, Ingo Taubhorn and Piet Wessing, Gallery Lichtblick,Cologne and PPS. Gallery F.C.Gundlach, Hamburg\r\n1989\tCarnival Gallery Lichtblick, Cologne\r\n\tCologne - Vienna Photogallery Vienna ( catalogue )\r\n\tProspect Photographie Frankfurter Kunstverein ( catalogue )\r\n1990-92\tChildren in Photography 150 Years Dalhousie Art Gallery, Saldy Bronfman Centre, Memorial University Art Gallery, Winnipeg Art Gallery, Koffler Art Gallery, Art Gallery of Hamilton, Vancouver Museum and Edmonton Art Gallery ( catalogue )\r\n1993\tTATA OST Globus Gallery Leipzig ( catalogue )\r\n1995\tKÖLNKUNST 4 BBK, Köln\r\n\tLocal Studies Fototage Herten\r\n\tGame Gallery Article, Cologne\r\n\tRalph Bageritz-11 Years Ehrenstr, and Surroundings\r\n1996\t20 Years Blue Sky Gallery Augen Gallery, Portland, USA\r\n\tCollision Gallery Article, Cologne\r\n\t10 Years Lichtblick - Mission Photographique Transmanche – In the Middle of the Speed DuMont Kunsthalle, Cologne\r\n1997\tOtto Steinert - Fellowship - Winners Fototage Herten\r\n\tPhotoszene Cologne, FM Schwarz Gallery\r\n1998\tConstructions of Images Deutsche Fotografische Akademie Leinfelden-Echterdingen (German Photographic Academy)\r\n\tL.Fritz Gruber-Hommage for his 90th birthday lichtblick downtown and Hoppers Hotel, International Photoszene Cologne ( book )\r\n\tOtto Steinert-Fellowship-Winners Rheinterrassen , International Photoszene Cologne ( book )\r\n1999\tCrossborder Print Workshop Galleri Aneny, Göteborg and Röda Sten, Göteborg, Sweden\r\n\tPaysage Urbains École d'Architecture de Lille\r\n\tKommen Sie nach hause by Steff Adams, Cologne\r\n\tcome home John Doe Gallery2, New York\r\n2000\tvenha para casa Porto Alegra, Brasilien\r\n\tCrossborder Print Workshop Gallery Article, Cologne\r\n\tIst die Photographie am Ende? - Aktuelle Photo- und Medienkunst International exhibition and symposion of the German Society of Photography in Halle (catalogue)\r\n\t100 Years School of Photography in Munich (catalogue)\r\n\t(in)realidados Encontros da Imagem, Braga, Portugal\r\n\tMissing Pictures German Hygiene-Museum in Dresden\r\n \t Luoghi Come Paesaggi \r\n\tGalleria degli Uffizi, Biblioteca Magliabechiana Florence, Italy;\r\n\tL'Ospitale, Rubiera, Italy\r\n\t160 ans de photographies \r\n\tMusée des Beaux Arts et de la Dentelle a Calais\r\n2001\tSplit View Projektraum M 54, Basel\r\n\tLuoghi Come Paesaggi Museo di Fotografie Contemporanea,\r\n\tMilano, Itaien; L’Ospitale, Rubiera, Italy (catalogue)\r\n\tMissing Pictures Museum Dr. Guislain, Gent, Belgium;\r\n\tWilly-Brandt-Haus, Berlin\r\n\tCome home 3 by Steff Adams, Int. Photoszene Cologne\r\n2002\tVorOrt Galerie der Künstler, Munich\r\n\tMissing Pictures Moscow House of Photography;\r\n\tKunsthalle Villa Kobe, Halle\r\n\tUnsolid Icons International Meetings of Photography Plovdiv,\r\n\tBulgaria\r\n2003\tOn the Body and Other Things-\r\n\tGerman Photography of the 20th Century\r\n\tCity Gallery Prague; Deutsches Historisches Museum, Berlin\r\n\timages against war Galerie Lichtblick, Colgne; Technical University, Berlin; L’Usine Galerie, Brussels, Belgium\r\n\tMissing Pictures ZDF Mainz. Meistermann-Halle\r\n\tCome Home 4 by Midori Mitamura in Tokyo, Japan\r\n\tCome Home 5 by Steff Adams, Cologne, Germany and Mark Met, Amsterdam\r\n\tFloor Shots Kunstbunker Tumulka, Munich, Germany\r\n\tAcquisitions 1997– 2003\r\n\tof State Gallery Moritzburg, Halle, Germany\r\n2004\tOn the Body and Other Things- German Photography of the 20th Century The Museum Moscow House of Photography and Museum Bochum \r\n\t5xLu – Five Photographers looking at Ludwigshafen \r\n\tKunstverein Ludwigshafen, Germany\r\n\tImages against War Kunstencentrum Belgie, Hasselt, Belgium\r\n\tBest of 5 L’Usine Galerie, Brussels, Belgium\r\n\tMissing Pictures Künstlerforum, Bonn\r\n2005\tDrift Fotonoviembre 2005, Tenerife, Spain\r\n\tÜppige Askese with Kapitel 2, Alte Feuerwache, Cologne\r\n\tCome home 7 by Steff Adams, Cologne\r\n\tCome home 6 by Harvey Benge, Auckland, New Zealand\r\n\tImages against War and L.Fritz Gruber, a Photographic Homage Internationale Fototage Mannheim/Ludwigshafen\r\n\tNew German Photography Edition Gallery Lumas by the festival Rencontres d’Arles\r\n\tUnforeseen Vuokala 05, Savonranta, Finland\r\n\tMarks of Honour – A striking Library FOAM and Gallerie van Zoetendaal, Amsterdam\r\n\tEscaping Toronto Photography Festival\r\n2006\tKommen und Gehen German Photographic Academy, Echterdingen\r\n\tAmsterdam in the exhibition Twin Pics # Tausend Bar, Cologne\r\n\tAusser Haus Schloss Burgau, Düren\r\n\tcome home 7 by Frederic Lezmi in Beirut, Lebanon \r\n2007\tUnivers Industriel - Un parcours dans la collection du CRP\r\n\tgalerie de L'ancienne poste, Douchy-les-Mines and l’Université de Valenciennes, France\r\n\tAbgebrannt Zephyr – Raum für Fotografie, Mannheim\r\n\tcome home 8 by Steff Adams, Cologne\r\n\tMistigris – Contemporary German Photography Gallery at University of Texas at Arlington\r\n2008\tHow to Hang a Book - Six Case Sudies Fotografie Forum international, Frankfurt\r\n\tWestern Eye on East Fotofetiwal 08, Lodz, Poland\r\n\tPixelprojekt Ruhrgebiet Wissenschaftspark Gelsenkirchen\r\n\tIn Memoriam Dr. Reinhold Mißelbeck galerie skala, Cologne\r\n\tCome Home 9 by Steff Adams, Cologne\r\n2009\tWho is a Foreigner? – Contemporary German Photography Musrara Mix art festival, Jerusalem, Israel\r\n\tMitten im Westen – A Journey of Discovery in the Rhein-Sieg-Area Galerie Lichtblick, Cologne; Pumpwerk Siegburg\r\n2010\tChina Stories Athens Photo Festival, Esplanade Building\r\n\tStreet Photography Now  Third Floor Gallery, Cardiff, Wales;\r\n\tTrail Show in street facing windows in Paris; Contributed – Studio for  the Arts, Berlin; Galerie Lichtblick, Cologne\r\n\tT.I.M.P. – Kunst im Etablissement  former hotel Timp, Cologne\r\n\t10 Years School for Art Photography Düsseldorf \r\n\tfiftyfifty-Galerie, Düsseldorf\r\n\tRegionale 2010  Wilhelm-Hack-Museum, Ludwigshafen\r\n\tIm Glanze dieses Glückes II  Kunsthaus Rhenania, Cologne\r\n\tMitten im Westen  Projection Thrown at the Wall, \r\n\tPhotoireland Festival 2010, Dublin\r\n\tPixelprojekt_Ruhrgebiet  Wissenschaftspark Gelsenkirchen\r\n\tCome home 11  by Steff Adams, Cologne\r\n\tÜberTage – Pixelprojekt Ruhrgebiet, Kunstmuseum Mülheim\r\n\r\nCollections\r\n\r\nMuseum Folkwang, Essen\r\nPPS. Galerie F.C.Gundlach\r\nFotomuseum im Münchner Stadtmuseum\r\nKupferstichkabinett Dresden\r\nMuseet for Fotokunst, Odense, Danmark\r\nStaatliche Galerie Moritzburg, Halle\r\nMuseum für Kunst und Gewerbe, Hamburg\r\nPortland Art Museum\r\nMuseum Ludwig, Cologne\r\nArchive of the German Phoptographic Academy, Leinfelden-Echterdingen\r\nGaranti Bank Istanbul, Turkey","user_id":1586,"name":"Wolfgang Zurborn","website":""},{"id":1594,"bio":"Domenico d'Alessandro was born in 1985 in Foggia, Italy. Before graduating in 2012 in postcolonial anthropology at l'Orientale of Naples, he traveled to Germany and studied at Hamburg Universitaet where he first became interested in photography. He studied in the masters program of photojournalism and reportage at Scuola Romana di Fotografia.","user_id":1594,"name":"Domenico D'Alessandro","website":"www.domenicodalessandro.com"},{"id":1588,"bio":"I’m an interaction and service designer at IDEO Mumbai. In 2012, I graduated from the Copenhagen Institute of Interaction Design (CIID) with a Master’s level degree. As part of my time there, I have worked on conceptualizing products and strategies with companies such as Volvo, Novo Nordisk and VELUX.\n\nWhere I come from\nI have a background that is both practice-based as well as in the social sciences. On the one hand, I have worked in film-production and documentary photography, which makes me particularly attuned to the power of storytelling in visual mediums as well as detail oriented micro-level production. My personal photographic work, which has been exhibited and published in India and abroad, explores the contemporary urban context of post-industrialised landscapes. Professionally, I have worked for Indian and international publications such as Tehelka, Elle, Le Monde and Wallpaper.\n\nOn the other hand, my undergraduate education was in economics and the liberal arts at Bard College in the United States. It instilled in me the need to think critically and the desire to understand the complexities that underlie socio-cultural systems. In 2009, I spent a year at the Centre for the Study of Culture and Society (CSCS) in Bangalore with the aim of refining my understanding of South Asian social and critical theory.\n\nThe kind of design I like to do\nI think that my strength is my versatility in adapting to different contexts and a willingness to explore unchartered territory and learn from it.\n\nSome of my projects include:\n\nDesigning the experience of a potential in-car messaging service with Volvo\nGenerating concepts for new digital grieving practices\nA tangible music player that allows you to scrub through your listening-history (Shortlisted for the IXDA Interaction Design Awards ’13)\nConcepting a tool to smoothen the transition phase for people freshly diagnosed\nwith type 2 diabetes with Novo Nordisk\nAn exploration through storytelling into what it means to live more closely with nature in an urban context for VELUX.\nDesigning solutions for improving local governance in Mumbai.\nMy approach is whole-heartedly people-centred  and I enjoy rapid and early testing out of ideas through probes and prototypes. I am comfortable with the different stages of the design process such as concept generation and development, user research and documentation, tangible user interface (TUI) and graphical user interface (GUI) design, time-based prototyping in various forms, scenario building and creating compelling narratives to achieve proof of concept and to communicate value.\n\nMy point of view on design\nDesign today is not just about problem solving, but a way of “prototyping the possible”. Designers can and should act as technology brokers, mediators and interpreters for the near future; foreseeing innovation opportunities, creating meaningful relationships between people and artifacts and communicating that value in the marketplace.\n\nWhere do I want to go?\nI tend to think of myself as perpetually in beta, and I’m interested in learning from industry peers and developing myself as a versatile and empathetic designer. I am particularly interested participating in the design discourse in India as it makes its way into the 21st century. In my opinion, India cannot merely inherit a foreign model of design but will have to fashion its own blueprints based on local cultural contexts.\n\nOther interests\nI am a fan of new wave science fiction by writers such as JG Ballard, William Gibson and China Mieville. Bruce Sterling has also greatly influenced my thinking. When I’m not working, I like to spend my time tinkering with music. I’m currently fascinated by analogue synthesisers and ’80s new wave bands.","user_id":1588,"name":"Zubin Pastakia","website":"www.zubinpastakia.com"},{"id":1608,"bio":"Mindaugas Azusilis has been working as fine art photographer since 2005. He has participated in group exhibitions in Lithuania, United States of America, China, France, Germany, United Kingdom, Belgium, Portugal, Poland, Russia, George. Mindaugas was awarded in several international photography competitions, and his first photo book \"Happiness in Lithuania\" was published in 2012. ","user_id":1608,"name":"Mindaugas Azusilis","website":""},{"id":1634,"bio":"Born August 30, 1863, died September 27, 1944. He was a Russian chemist and photographer. He is best known for his pioneering work in color photography of early 20th-century Russia.","user_id":1634,"name":"Sergei Mikhailovich Prokudin-Gorskii","website":""},{"id":400798,"bio":"A native Bronx resident for 72 years, married with two grown children. He is recently retired from teaching photography for 33 years, the last 24 at the High School of Art \u0026amp; Design in Manhattan. Along with his teaching duties Ira built up the schools’ internship program to be one of the most successful high school internship programs in New York City.  Before teaching he worked as a free - lance photographer associate at the Dena Photography Agency in the late 1970’s and early 1980’s and also as a videographer for the Health and Nursing Program at Lehman College in the Bronx.  He has been a recipient of five individual artist awards in photography from the Bronx Council on the Arts and has received grants for photography projects including documenting the residents of the Amalgamated Cooperative (the oldest housing co-op in the nation) during their 85th anniversary year.  Ira also participated as one of the photographers for the borough wide Bronx Artist Documentary Project .","user_id":400214,"name":"Ira Merritt","website":"ira merritt.net"},{"id":215413,"bio":"\nIn my photos the human figure has an essential, fundamental role, but it is an instinctive photograph, almost never reasoned.\nIn February 2016 I attended the \"Bottega della luce\" course in Cagliari, continuing my studies with the Intermediate course and with the Advanced course.\n\u0026nbsp;\u0026nbsp; 19/20 November 2016 street photography workshop with Angelo Ferrillo.\n\u0026nbsp; 18/19 February 2017 portrait workshop with Alessandro Galimberti.\nTrade shows\n\u0026nbsp; June 2016: Collective Show \"The Sight of the Soul\" of Students of the Bottega della Luce (exArt- Piazza Dettori - Cagliari)\nJanuary 2017: Collective Show \"Over the Look\" of the students of the Bottega della Luce (Ghetto degli Ebrei - Cagliari)","user_id":214811,"name":"Rita Bacchiddu","website":""},{"id":2882,"bio":"Nickerson makes photographs that examine identity and the physical and psychological effects of living within a specific environment.\n\nHer first body of work, FARM, was made over a three-year period from 1997 to 2000 in rural locations all over southern Africa. It concentrates on how individual identity is made through improvisation. This was published by Jonathan Cape in September 2002 and was followed by a German edition entitled  ‘Leben Mit Der Erde’ published by Frederking and Thaler (2002) and a French edition, ‘Une Autre Afrique’ published by Flammarion (2002). \n\nIn 2007 Steidl/MACK published ‘Faith’ with a French edition under the title ‘Fides’. \n\nHer most recent work, Terrain,  revisits eastern and southern Africa and focuses on labor and how the exertions of labor leave psychic and material traces on people and the environment.  \n\nJackie Nickerson was born in the USA, grew up in England and now divides her time between Ireland and southern Africa. Her work has been exhibited at the Museum of Modern Art, Salzburg; Palais des Beaux-Arts, Brussels; Mudam Musee d’Art Moderne, Luxembourg; Galleria d'Arte dell'Istituto Portoghesi, Rome; National Portrait Gallery, London; Irish Museum of Modern Art, Dublin; Nerman Museum of Contemporary Art, Kansas; Santa Barbara Museum of Art; Sunderland Museum; Harn Museum, Gainesville; Vatican Museums, Rome; Hereford Museum, UK; Abdijdmuseum Ten Duinen, Belgium; Benaki Museum, Athens.\n\nHer work is held in many collections including MoMA, NY; Irish Museum of Modern Art, Dublin; Nerman Museum of Contemporary Art, Kansas; Pier 24, San Francisco; Vatican Museums, Rome; Martin Z. Margulies Collection, Miami; Rubell Collection, Miami; Santa Barbara Museum of Art; Progressive Art Collection, Cleveland; National Gallery of Ireland. In 2008 she was the winner of the AIB prize and has been short listed for the Deutscher Fotobuchpreis award (2008) and the John Kobal Prize (2003). In 2007 she was selected to be part of Le Mois de la Photo in Paris showing at the Centre Culturel Irlandais. She is the recipient of Culture Ireland awards and several Visual Art Bursaries from the Irish Arts Council.\n\nShe is represented by Jack Shainman Gallery in New York.\n\nHer work can be found on the following websites:\nhttp://www.nytimes.com/2014/01/24/arts/design/jackie-nickerson-terrain.html?_r=0\n\nhttp://www.newyorker.com/arts/events/art/jackie-nickerson-shainman\n\nhttp://timelightbox.tumblr.com/post/74093463241/photograph-by-jackie-nickerson-jack-shainman\n\nhttp://www.lightwork.org/archive/jackie-nickerson-terrain/\n\nhttp://www.anotherafrica.net/art-culture/jackie-nickerson-our-daily-bread?utm_source=rss\u0026amp;utm_medium=rss\u0026amp;utm_campaign=jackie-nickerson-our-daily-bread\n\nhttp://tmagazine.blogs.nytimes.com/2014/01/17/on-view-a-photographers-artful-images-of-african-agriculture/?_php=true\u0026amp;_type=blogs\u0026amp;module=BlogPost-Title\u0026amp;version=Blog+Main\u0026amp;contentCollection=On+View\u0026amp;action=Click\u0026amp;pgtype=Blogs®ion=Body\u0026amp;_r=0\n\nhttp://www.anothermag.com/current/view/3188/Jackie_Nickersons_Terrain\n\nhttp://modernfarmer.com/2013/11/become-part-grow-photographing-ag-africa/\n\nhttp://www.fototazo.com/2011/08/image-jackie-nickersons-gate.html","user_id":2882,"name":"Jackie Nickerson","website":"www.jackienickerson.com"},{"id":215469,"bio":"\n","user_id":214867,"name":"Emmanuelle Sian Bach","website":"www.ayoxoya.com"},{"id":7269,"bio":"","user_id":7269,"name":"Mischa Keijser","website":""},{"id":3461,"bio":"","user_id":3461,"name":"Otto Snoek","website":"www.ottosnoek.com"},{"id":184835,"bio":"Researcher and photographer by passion: to me research is discovering and discovering is photographing. ","user_id":184233,"name":"Francesco Sarracino","website":"www.flickr.com/photos/135509165@N05"},{"id":1938,"bio":"","user_id":1938,"name":"Maja Forsslund","website":"majaforsslund.com"},{"id":1993,"bio":"After graduating from Wellesley College with a degree in the History of Art, Parker began her career as a painter, and became involved in photography in 1970.  Mostly self-taught she makes ephemeral constructions to photograph and experiments with the endless possibilities of light.  She has had more than one hundred one-person exhibitions in the United States and abroad, and her work is represented in major private, corporate, and museum collections, including the Art Institute of Chicago, the Museum of Modern Art in New York, the Museum of Fine Arts, Boston, and the International Museum of Photography at George Eastman House in Rochester, New York.  Portfolios of her work have been published in Art News, American Photographer, Camera, Camera Arts, The Sciences and numerous other magazines in the United States, Europe, and Japan.  There have been three monographs of Parker’s work:  Signs of Life (Godine, 1978), Under the Looking Glass (New York Graphic Society, 1983), and Weighing The Planets (New York Graphic Society, 1987).  She has lectured and conducted workshops extensively both in this country and abroad.  In 1996 she received a Wellesley College Alumnae Achievement Award.  Residencies include Dartmouth College in 1988, The MacDowell Colony in 1993 and The Isabella Stewart Gardner Museum in 1997. Currently she is working on Still and not so Still Life that comprises images of both the expected and the unexpected.","user_id":1993,"name":"Olivia Parker","website":"oliviaparker.com"},{"id":726920,"bio":"","user_id":726336,"name":"豊貴 齊藤","website":"toyoki.myportfolio.com/street"},{"id":2008,"bio":"These  photographs are from three recent series by Michael Jacobson-Hardy, focusing on factories, public schools and prisons and on the people whose lives are shaped by these environments. Extending the documentary tradition of such photographers as Walker Evans, Jacobson-Hardy employs a strong aesthetic vision to present his observations on some fundamentally important aspects of contemporary society. The Changing Landscape of Labor, for example, contrasts the workplaces of such traditional industries as paper mills and foundries with newer high-technology industries such as computer manufacturing. By emphasizing the people at work in these factories, Jacobson-Hardy places sweeping industrial change in the context of its effect on individual human beings. Similarly, by depicting children in dilapidated public schools with outdated books and crumbling chalkboards, photographs from the series, Facing Education, underline the connection between reduced educational spending and an erosion of equitable educational opportunities. Finally, in his most recent series, Behind the Razor Wire, Jacobson-Hardy turns to prison environments and inmate populations to examine, again through a portrayal of people in their enforced everyday surroundings, the relationship between social class and incarceration.\nAlthough most of these photographs were made in New England, they reflect troubling national social trends and raise questions of national importance and concern. By combining in this exhibition images from three different series, we hope to examine the interconnections between our society's various institutions; the factories about to close, the neglected schools and the overflowing prisons are not unrelated phenomena as Jacobson-Hardy's compelling images make clear.\nMichael Jacobson-Hardy lives in Northampton, Massachusetts; his work has been shown in numerous exhibitions, both in New England and nationally. Some of the photographs included in this series have been published in The Changing Landscape of Labor: American Workers and Workplaces (text by Bruce Laurie, John Cumbler and Robert Weir, University of Massachusetts Press and Behind the Razor Wire: Portrait of a Contemporary American Prison System (text by Angela Davis, John Edgar Wideman and James Gilligan, M.D., New York University Press).\nAn exhibition of approximately 40 photographs is is available for travel accompanied by an illustrated catalogue with introductory essays on the social context of the images presented and on the history and nature of documentary photography. For further information, contact Michael Jacobson-Hardy:","user_id":2008,"name":"Michael Jacobson-Hardy","website":"people.umass.edu"},{"id":2270,"bio":"","user_id":2270,"name":"Assaf Pocker","website":"www.assafart.com"},{"id":171619,"bio":"Tamara Saade is a Lebanese photographer and journalist based in Beirut. She has bylines with international and local outlets such as Vice, Al Jazeera, the Delacorte review, and Megaphone. Her work focuses on human rights, social stories, and the relationship[ between space and conflict. ","user_id":171017,"name":"Tamara Saade","website":"www.tamarasaade.com"},{"id":689234,"bio":"","user_id":688650,"name":"Alex F Buchholz","website":"www.afb-photography.net"},{"id":382839,"bio":"ABOUT\nAntonio Boalis is a documentary and wedding photographer from Spain with almost twenty years of experience, with a previous background in Fine Arts.\n\nHis stage name is a tribute to Lisbon (Lisboa in Portuguese), where he learned the fundamentals of photography as a teenager. The decision was made years later, while becoming a wedding photographer in Malaga, after discovering that his birth name, Antonio Moreno, was very common. You can read the full story here.\n\n\nEDUCATION\n+ He has received classes from:\n2004 - Alberto García-Alix · 1999 Spain's National Prize.\n2004 - José Manuel Navia · Agence Vù, Paris.\n2014 - Samo Rovan · multiawarded wedding photographer.\n\n+ He has attended conferences from:\nMiguel Trillo, Ben \u0026amp; Erin Chrisman, Sean Flanigan, Pedro Etura, Victor Lax, Ross Harvey, Dylan Howell and Fer Juaristi.\n\n\nPUBLICATIONS\n2008 - Faith · LemArt Group, Italy · 2,500 copies sold worldwide.\n\n\nAWARDS\n2008 - 1st Prize - 4 Seasons Madrid.\n2010 - 3rd Prize - RENFE (Spain's National Railway).\n2018 - \"Right on!\" - Fearless Awards mention.\n\n\nCAREER\n2000 to 2004 - Advertising photographer.\n2005 to 2010 - Personal essays.\nSince 2009 - Wedding photographer.\nSince 2015 - Wedding photographer exclusive to Malaga, Spain.\n","user_id":382255,"name":"Antonio Boalis","website":"visura.co/boalis"},{"id":2251,"bio":"Arno Rafael Minkkinen is a Finnish-American photographer. Minkkinen was born in Helsinki, Finland in 1945 and emigrated to the United States in 1951. A graduate of Wagner College with a Bachelor of Arts in English Literature, he began taking self-portraits in 1971 while working as an advertising copywriter on Madison Avenue in New York. Studying later with Harry Callahan and Aaron Siskind at Rhode Island School of Design, he earned his Master of Fine Arts degree in photography in 1974. Over the past four decades, Minkkinen has been engaged as a teacher, curator, and writer while continuing to devote his photographic research and energies to the self-portrait: unmanipulated images of the human figure in the natural landscape.\n\nWorks\nPublished and exhibited worldwide, Minkkinen’s work can be found in the collections of the Museum of Modern Art in New York, the Museum of Fine Arts, Boston, the Addison Gallery of American Art in Andover, Massachusetts, the Centre Pompidou and Musée d’Art Moderne in Paris France, the Musée de l'Élysée in Lausanne Switzerland, the Center for Creative Photography in Arizona, the Finnish Museum of Photography, and the Tokyo Metropolitan Museum of Photography among many others.\n\nSeven solo monographs on his work have been published: Frostbite (1978), Waterline (1994, winner of the 25th Rencontres d’Arles Book Prize), Body Land (1999), SAGA: The Journey of Arno Rafael Minkkinen, 35 Years of Photographs (2005), Homework: The Finnish Photographs (2008), Swimming in the Air (2009), and Balanced Equation (2010). The retrospective survey SAGA premiered at the DeCordova Museum in Lincoln, MA, in 2005. The 120-print retrospective toured to Romania, Slovakia, Finland, Italy, China, and Canada.\n\nTeaching activities\nProfessor of Art at the University of Massachusetts Lowell, Minkkinen also serves as Docent at Aalto University of Art \u0026amp; Design Helsinki. Earlier in his teaching career he served as Assistant Professor at M.I.T., Visiting Artist at Philadelphia College of Art (now University of the Arts (Philadelphia)), the École d’Arts Appliqués in Vevey, Switzerland, and as graduate faculty at Maine Media College in Rockport, Maine. Since joining UMass Lowell in 1987, Minkkinen has taken students to Europe, in particular, Finland and Russia (1988), and Czechoslovakia (1989). In 1996, in a collaborative UMass Lowell/Lahti Institute of Design (Lahti, Finland) exchange program called Spirit Level, thirty Finnish, American, and Swiss students toured through Finland, Russia, and Eastern Europe for three weeks with Minkkinen and photo department head at Lahti, Timo Laaksonen. Among the students at the time was Mark Eshbaugh who later became an adjunct professor at UMass Lowell. Seven years after the first Spirit Level, together with Timo Laaksonen and Mark Eshbaugh a professor at Umass Lowell at that time, Tuscany in Italy (2003) and Oaxaca, Mexico (2007) were added to the program. The first three workshops resulted in the publication of a book commemorating those first three experiences. More recent Spirit Level workshops organized by Minkkinen include collaborations with Aalto University in Helsinki, Finland and the Foundation Studio Marangoni in Florence, Italy (2010) as well as the Bilder Nordic School of Photography in Oslo and the École Supérieure d’Arts \u0026amp; Medias de Caen/Cherbourg in France (2012) for an American Road Trip to the studio farmlands of American photographer Sally Mann.\n\nMinkkinen has taught workshops worldwide, particularly at the Maine Photographic Workshops (now Maine Media Workshops), Maine Media College (as part of the graduate faculty), the Art Institute of Boston at Lesley University, Anderson Ranch in Colorado, Santa Fe Workshops in New Mexico, the Friends of Photography in Carmel, California, and in Europe at the Rencontres d’Arles in Arles, France, the Toscana Photographic Workshops in Tuscany, Italy, as well as workshop programs in Finland, Norway, Luxembourg, and China. Minkkinen is serving a second four-year term as national board member of the Society of Photographic Education (2008 to 2016).\n\nRecent work\nSince 2009, Minkkinen has developed a growing interest in feature filmmaking and screenwriting. In 2010, he received a first round of support from the Finnish Film Foundation for a screenplay he had written and will be directing. To be shot in Finnish Karelia and Finntown, Brooklyn, the feature-length project signals the beginning of a new filmmaking career. The demo preview of The Rain House was screened at the Film Society of Lincoln Center’s Elinor Bunin Munroe Film Center in connection with the Dance Films Association’s 41st Dance on Camera Festival (2013).\n\nMinkkinen was conferred the First Class Order of the Lion of Finland Medal of knighthood by the Finnish government in 1992, and awarded the Finnish State Art Prize in Photography in 2006.","user_id":2251,"name":"Arno Rafael Minkkinen","website":"www.arno-rafael-minkkinen.com"},{"id":209999,"bio":"I'm an Argentinian photographer based in Barcelona, where I finished my studies last year at the IEFC. ","user_id":209397,"name":"Juan Genco","website":"www.juangenco.com"},{"id":2245,"bio":"Antoinette is an internationally renowned photographer and published author.\n\nBorn in South Africa to German parents, Antoinette personally witnessed the injustices of apartheid. She went on to live and work in three continents before her 22nd birthday.\n\nHer first experience within the media industry was at Germany’s foremost newspaper, Die Welt am Sontag, where Antoinette’s passion for photography was recognised and nurtured. From here, Antoinette studied design and art direction at Hamburg’s renowned Fachoberschule.\n\nIn New York, Antoinette was an intern at SSC\u0026amp;B Lintas advertising agency, and at Time and Life magazines. Meantime, she pursued her studies and training at the New York School of Visual Arts.\n\nIn 1984, Antoinette arrived in London – then a magnet for ambitious photographers and other practitioners in the visual arts. Here she worked as an art director and creative director at advertising agencies for six years. Along the way, Antoinette learned technique from the photographers she worked with.\n\nSo much so that when an actor friend and model took some of Antoinette’s shots to a photography agency, they recommended she exploit her natural talent through a career in photography. This led to work shooting models from international agencies including Premier and Storm.\n\nIn 1990, following Nelson Mandela’s release from prison, Antoinette returned to South Africa intending to live there. She worked regularly for model agencies, fashion magazines and advertising. Shocked by the still prevalent racism, and disillusioned by her home country’s conservative approach to the photographic arts, she returned to London a year later.\n\nWhen her son Nikolas was born, Antoinette continued to pursue her career as a fashion photographer, even taking the infant to castings. Shoots at The Face, Time Out and Dazed and Confused led to premier European magazines including Attitude, Irish Tatler and Just 17 featuring her pictures.\n\nParenthood, and the emotional journey of overwhelming love and a dependant infant, inspired Antoinette’s first book “Motherhood”, published in 2000. This was an emotive series of portraits of women and their children from around the world, combined with each subject’s own moving account of being a mother. It entails contributions from, and photos of, celebrities including Nigella Lawson, Greta Scaachi, Solange Azagury Partridge, Jane Goldman, Lucy Ferry, Anastasia Cook and Lisa Butcher.\n\n“Motherhood”, and an accompanying exhibition at London’s Proud galleries, were sponsored by De Beers and Mappin \u0026amp; Webb to much critical acclaim. Titles to feature the book included The Observer’s Life magazine (which ran a seven-page story including cover shot), Metro, Evening Standard, Daily Telegraph, Junior magazine, The Guardian guide, Amateur Photographer, Sunday Express, The Independent and The Scotsman.\n\nAntoinette next embarked on her project Reflections on Nelson Mandela: Icon of Peace. Between 1998 and 2002, Antoinette had unique access to Mandela and this resulted in a series of insightful and emotive portraits of the South African president. Antoinette’s long-standing association with The Nelson Mandela Children’s Fund UK led to the book’s first edition, published in May 2010. Featured in print and online titles including Readers Digest, Pride magazine and L.A Flavorpill, the publication of “Reflections” was accompanied by an exhibition at London’s Proud Central gallery.\n\nThe second edition, published by Titan Books was launched in the USA and worldwide 17 January 2012.\n\nReflections on Nelson Mandela: Icon of Peace combines Antoinette’s portraits of Mandela with this book also explores the impact that his philosophy made on western attitudes by recording the responses in words and images of ordinary and extraordinary people. All give their responses to the question “What do you think society, mankind and humanity can learn from Nelson Mandela’s values and virtues?”\n\nAmong the contributors – many of whom have their own portraits included – are Kevin Spacey, Barbra Streisand, Archbishop Desmond Tutu, Diana Ross, Naomi Campbell, Kate Moss, Richard Branson, Celine Dion, Whoopi Goldberg, Steven Fry, Dennis Haysbert, Arnold Schwarzenegger, and professors Padraig O’ Malley, Cornel West and AC Grayling. The resulting text and images create a moving and revealing portrait of how Nelson Mandela has shaped attitudes and expanded hearts and minds throughout the world.\n\nAntoinette currently specialises in photo-portraiture and works regularly with musicians, artists and actors worldwide.","user_id":2245,"name":"Antoinette Haselhorst","website":"www.antoinettehaselhorst.com"},{"id":3478,"bio":"Paul Salveson was educated at Bard College, New York (BFA Photography) and the University of Southern California (MFA thesis on toothbrush design). His work has been exhibited at MoMA PS1, Swiss Institute, New York, and Actual Size, LA.","user_id":3478,"name":"Paul Salveson","website":"www.paul-salveson.com"},{"id":2539,"bio":"David Pollock is a photographer and printmaker from Victoria,B.C.,Canada .\nHe studied Art with an emphasis on Photography at Concordia,Montreal then Ryerson University and Ontario College of Art in Toronto.","user_id":2539,"name":"David Pollock","website":"www.davidpollockphotography.com"},{"id":430859,"bio":"Angela Boehm is a lens based artist who works on long-term projects. She is known for her exploration of generations; teenagers, midlife and seniors. In building these projects her emphasis is on creating empathy for those she collaborates with and their stage of life, quietly exposing what it is like to be in their world.\nDuring the time of Covid, Boehm turned her focus to a different kind of portraiture, with forest as subject, documenting their recovery after fires. This work,, “The Giving Trees” is currently in solo exhibits in Canada.  Her work has been exhibited in solo and group exhibitions internationally.\nIn 2021 Boehm was the recipient of Exposure Festival - Emerging Photographer Award; InFocus Film Festival, Landscape Award; and London Photo Festival, Landscape Competition Award. \nBoehm grew up on a farm in Saskatchewan and holds a degree in Business. After retiring from a successful career in business and philanthropy, she turned to photography. Although Boehm has travelled the globe, her images largely focus on her immediate daily surroundings of home, family or the landscape of Alberta and British Columbia.\n","user_id":430275,"name":"Angela Boehm","website":"angelaboehm.ca"},{"id":216501,"bio":"BA Media ART\nMSc Strategy and Innovation\nAssociate Professor Organization and Social Media  @\nNHL-Stenden University of Applied Science/School of communication and creative business.\nPhD candidate @Radboud University Nijmegen\nI''m passionate about science,  art and media, combining all three seems to be the perfect infinite adventure.","user_id":215899,"name":"Deike Schulz","website":""},{"id":303728,"bio":"Hello,\n\nI am a Lighting Artist Junior for video games and I love to take photographs in my spare time, it allows me to collect color palette and various shapes and compositions. I love a lot of different styles in photography. I love to play with randomness, I take a lot of pictures then I choose the ones I get attached to. In my photos I like when the composition feels natural and not too much designed, just a bit like if the frame of the picture has defined itself.","user_id":303126,"name":"Andriana Portailler","website":"miamfool.tumblr.com"},{"id":727049,"bio":"","user_id":726465,"name":"PRAMOD PATHAK","website":""},{"id":2812,"bio":"It probably would not be much of an exaggeration to say that the artist and writer Harvey Lloyd has been everywhere, seen everything and done everything. The Indiana Jones of adventure photographers, Lloyd has hung out of helicopters doing the “Dead-man’s Curve over ice peaks, glaciers, deserts and cities in Alaska, Patagonia, Istanbul, Israel, Antarctica and Ayer’s Rock. He’s flown “aerobatics” in helicopters over The Panama Canal, Hong Kong, Tahiti, Rio, and seven seas.\nOn the lookout for new adventures, new visions and exotic journeys, Lloyd survived eye-to-eye encounters with five full-grown lions in Kenya scratching the tires of his open land rover and an angry mother elephant with her baby in South Africa. He endured the nightmare of a near engine failure in a light plane in pitch darkness over the crags and needles of Canyonlands National Park. His revolutionary new BREAKING THE LIGHTdigital camera made abstract images (so named by friend and artist Ivana Lovincic) dare to confront the establishment of traditional photography with visions of the future. MOONLIGHT SONATAS create a new canvas of abstract digital camera moon paintings never before seen\nLloyd roams the world creating new art projects, trashing didactic conformity in the arts, and looking forward to a second half century of creative iconoclastic fury. He embraces the new art of digital photography as the wildly free and opportunity filled future of the art. His picture book AERIAL PHOTOGRAPHY (1990) was the first book on the practice and technique of the art. His recent book FIRE IN MY HAIR is about reinventing the art of photography in the digital age.\nThe globe circling artist, director, writer, poet and photojournalist has traveled over a million and a half miles during photo missions on the seven continents. His 2009 shoots went around the world vertically and horizontally from Antarctica to Alaska, from Istanbul to Singapore and in 2010 to Costa Rica, the Danube, Rhine, Seine in Europe and the Volga and Neva in Russia. Aerial photography in 2009 covered “YELLOWSTONE: The Devil’s Volcano” project, “The DEAD SEA MIRAGES,” in Israel and Arizona and Utah National Parks on the Colorado Plateau.","user_id":2812,"name":"Harvey Lloyd","website":"www.harveylloyd.com"},{"id":401779,"bio":"I'm a practicing geologist, and find that my studies of the earth, it's various processes and resultant forms, influences much of my image-making. I'm drawn to explore the relationship between natural  and cultural landscapes. I've been a student of photography for over 25 years, having started in the darkroom with film and medium format cameras, but I have now transitioned to digital. ","user_id":401195,"name":"Jim Geitgey","website":"jgeitgeyphotography.com"},{"id":2828,"bio":"Henrik Spohler, born in 1965, studied at the Folkwang School / University of Essen. Since 1992 works as a freelance photographer, he and implemented their own projects. Spohler award-winning work is represented in public and private collections. Since 2009 he has been a \nProfessor in the Photography Department of Communication Design at HTW Berlin. Henrik Spohler lives in Hamburg.\n\n\nSolo Exhibitions\n \n2014        \n\"The Third Day\" Robert Morat Gallery, Hamburg\n\n2013        \n\"The Third Day\" Alfred Ehrhardt Foundation, Berlin\n\n2009        \n\"Global Soul\" Robert Morat Gallery, Hamburg\n\n2006        \n\"0/1 Data Flow\" Gallery Stamach, Krakow\n\n2004        \n\"0/1 Data Flow\" Museum for Communication Frankfurt\n\n2006        \n\"0/1 Data Flow\" Gallery Stamach, Krakow\n\n2003       \n\"0/1 Places of data flow\" Museum of Arts and Crafts, Hamburg\n\n1995   \n\"Transformations\" The Photographers Galery, London\n\n1994  \n\"Transformations\" Museum of Work and Technology, Mannheim       ","user_id":2828,"name":"Henrik Spohler","website":"www.henrik-spohler.de"},{"id":727005,"bio":"","user_id":726421,"name":"Alexander Ehret","website":""},{"id":4630,"bio":"","user_id":4630,"name":"Erwin Blumenfeld","website":"www.erwinblumenfeld.com"},{"id":3232,"bio":"Lydia Panas’ photographs have been exhibited internationally and are held in major public collections including the Museum of Fine Arts, Houston; Brooklyn Museum; Museum of Contemporary Photography, Chicago; Museum of Photographic Arts, San Diego; MoMA Shanghai, and the Allentown Art Museum among others.\n\nShe has won numerous awards and honors including First Prize for the Singular Image Award at CENTER, Santa Fe in 2009. She was one of nine artists selected by Houston Fotofest curators for the International Discoveries Exhibit in 2007, and twice selected for the Taylor Wessing Photographic Portrait Prize Exhibition.  Most recently her work was honored by the Print Center in Philadelphia for their 100th Anniversary Celebration. She was a nominee for Prix Pictet 2013. Lydia was twice included in the top fifty for the Critical Mass Book Awards. She has received a Puffin Foundation Grant, a John Anson Kittredge Educational Grant and six grants from the PA Council on the Arts, among others.\n\nLydia’s work has been exhibited in museums, galleries and festivals around the world. Recent venues include the National Portrait Gallery in London, the Scottish National Portrait Gallery in Edinburgh, the Phillips Collection and the Corcoran Gallery of Art in Washington, DC, and the Allentown Art Museum. \n\nLydia’s photographs have been featured in The New York Times Magazine, Photo District News, Popular Photography, San Francisco Chronicle, Philadelphia Inquirer, Rain Taxi Review of Books, Wall Street Journal Blog, GEO Science, and many others.\n\nShe has been invited to lecture at the International Center of Photography, Houston Center for Photography, The Print Center in Philadelphia, and the Athens House of Photography in Athens, Greece. Lydia has taught at numerous institutions including the Museum of Modern Art, Maine Media Workshops, Vermont College MFA Program, Muhlenberg, Moravian and Lafayette College, and Kutztown University among others.\n\nLydia has degrees from Boston College, School of Visual Arts, New York University / International Center of Photography and a Whitney Museum Independent Study Fellowship.\n\nHer first monograph The Mark of Abel was released by Kehrer Verlag and named one of Photo District News’ Books of 2012 as well as a best coffee table book by the Daily Beast.\n","user_id":3232,"name":"Lydia Panas","website":"www.lydiapanas.com"},{"id":3276,"bio":"Born 1940, Leigh, Lancashire,England\nB. A. Fine Art, Hornsey College of Art, 1971.\nAssociation, Royal College of Art, 1971-2\nSocial Anthropology, University College London, 1976-7.\nMA. Course Goldsmiths College 1979-80.\nM. A. Photographic Studies, Derby College, 1989\nExhibitions\n1963-79\nPenwith Group - Penwith Gallery, St.Ives, Cornwall\nJohn Player Biennale - Midland Group Gallery, Nottingham\nINNO 70 - Hayward Gallery, London\nMarie Yates:The Field Workings - Arnolfini Gallery, Bristol\n(Including Field Working Performances with David Toop and\nPaul Burwell)\nMarie Yates:Recent Field Workings - Midland Group Gallery\n(Including Field Working Performances with David Toop and\nPaul Burwell)\nSummerstudio - I.C.A. London\nAn Element of Landscape - Arts Council Touring\nArtists Over Land - Arnolfini Gallery\nTime Words and the Camera - British Council Touring\nun certain art anglais - Artists Space, New York.\nBoth Sides Now - Artemisia, Chicago.","user_id":3276,"name":"Marie Yates","website":"www.marieyates.org.uk"},{"id":3280,"bio":"1947 Born in Havana, Cuba (U.S.Citizen)1960Leaves Cuba and settles in Miami, FL1971 Begins career as freelance photojournalist for national and international publications1979-1981 Owner/Director, Gallery Exposures, Coral Gables, FL1985 Individual Florida Artist Fellowship. Florida Arts Council1989 Cintas Foundation Fellowship in Photography, Institute of Education, United Nations, New York, NY1991 The South Florida Cultural Consortium Visual Arts Fellowship, sponsored by the NEASAF Artist Fellowship, sponsored by the NEA1992 National Endownment for the Arts (NEA) Fellowship in Photography Coca-Cola role model celebrating 500th anniversary of the discovery of America","user_id":3280,"name":"Mario Algaze","website":"www.marioalgaze.com"},{"id":726889,"bio":"","user_id":726305,"name":"fang liu","website":""},{"id":7450,"bio":"","user_id":7450,"name":"Michael Rathmayr","website":"www.michaelrathmayr.com"},{"id":191180,"bio":"Fotógrafo de Emociones y Obras de Arte. Foto Fija y de rodaje en Cine y publicidad \nFotógrafo Colaborador y Reconocido por el CAAC Museum (Centro Andaluz de Arte Contemporáneo) \nFotógrafo, Periodista, licenciado en Publicidad y Relaciones Públicas con postgrado en Literatura y cultura francesa. Comencé a trabajar en Medios de Comunicación como reportero gráfico en 1995.","user_id":190578,"name":"César Llerena","website":"www.cellesar.com"},{"id":3423,"bio":"Nicholas Sinclair is a British born photographer, now living and working in Berlin. His career began by accident in 1982 when working as a musician in a Moroccan circus where he started to take photographs on a borrowed 35mm camera.  These photographs were published in the British Journal of Photography in 1983 and first exhibited at the University of Sussex in the same year. Since then his work has been extensively exhibited and published and in 1996 his first monograph, The Chameleon Body, was published by Lund Humphries.  Six monographs of his work have been published to date and in 2003 he was made a Hasselblad Master.","user_id":3423,"name":"Nicholas Sinclair","website":"www.nicholassinclair.com"},{"id":608167,"bio":"I am an emerging artist having completed my Bachelor of Fine Arts majoring in photography and printmaking with distinction recently at RMIT and completing a Diploma, and the Advanced Diploma.\nI have recently successfully, self-published a street photography book of the Carlton area.\nI have participated and had success in photographic competitions, winning a portrait prize with a solarised image shot and developed on film. Also, a finalist in the National Portrait Photographic Prize, and other Australian-based competitions.\nI have exhibited every year over the past ten years in galleries in my own right and in group exhibitions. My photography and paintings are in private collections. I have an ongoing practice.  \n","user_id":607583,"name":"Margot Sharman","website":"margotsharman@blogspot"},{"id":15404,"bio":"Dallas based designer, fine artist and photographer.\n\nBorn in Dallas, Texas in 1968, I received my BFA in Visual Communications from The University of North Texas in 1993.","user_id":15404,"name":"Christopher Scott Richey","website":"www.chrisrichey.com"},{"id":3565,"bio":"","user_id":3565,"name":"Raphaël Dallaporta","website":"www.raphaeldallaporta.com"},{"id":172357,"bio":"I'm a streetphotographer from Copenhagen. I mainly do portraits on the streets because I love getting a glimpse of peoples stories. ","user_id":171755,"name":"Jón Bjarni Hjartarson","website":"www.Jonbjarni.com"},{"id":384898,"bio":"","user_id":384314,"name":"Juliet Evans","website":"julietevansphotography.com"},{"id":21408,"bio":"","user_id":21408,"name":"Adam Marlow","website":""},{"id":385599,"bio":"ian campo is a guatemalan freelance architectural photographer based in the usa\n\nhe specializes in shooting brutalist architecture and the concrete structures that define the style, often following the movement’s traditional black-and-white approach. his broader work includes a wider array of architecture and a series shot entirely in color. he has been featured in online art-and-design magazines and has been a finalist in several photo award competitions\n\nin the future, ian has his eyes set on photographing latin america’s brutalist buildings and bringing to life a brutalism-inspired fashion line\n\nian is also a published poet and author","user_id":385015,"name":"Ian Campo","website":"www.iancampophoto.com"},{"id":3852,"bio":"Traer Scott is an award winning fine art and commercial photographer and author of five books. Her work has been featured in National Geographic, Life, Vogue, People, O, The New York Times Lens Blog and dozens of other national and international publications. Recent exhibitions of her work have been held at Blue Sky Gallery in Portland, Center for Photographic Art in Carmel, CA and the International Photographic Arts Festival in Shanghai. Traer has been the recipient of the Rhode Island State Council for the Arts Photography Fellowship Grant.  She resides in Rhode Island with her family.","user_id":3852,"name":"Traer Scott","website":"www.traerscott.com"},{"id":226338,"bio":"","user_id":225736,"name":"Karen Smul","website":"karen-smul.squarespace.com"},{"id":120624,"bio":"Australian photojournalist, Asanka Brendon Ratnayake works with The New York Times, Associated Press, Getty Images and Reuters specialising in news, sport and reportage throughout Asia and Australia. \n\nHaving built the foundation of his career working in the demanding and unpredictable Asian region; Asanka has established a reputation as an attentive, ethical and diligent reporter with the versatility and experience suited for International news publications and agencies.\n\nHe is also an accomplished documentary travel photographer, represented by Lonely Planet/Getty Images.\n\nAsanka Brendon is currently located in his hometown of Melbourne Australia and is available for commissioned editorial, sport, reportage, documentary, humanitarian/NGO \u0026amp; commercial work worldwide. He is also a member of the Frontline Freelance Register.\n\nYou can view tearsheets and published work here www.abrfoto.com/p/published","user_id":120022,"name":"Asanka Brendon Ratnayake","website":"www.abrfoto.com"},{"id":698380,"bio":"I am Jimmy Astruc and I am a French expatriate in Shanghai. My journey in photography started in 2014 only to take pictures of the place I was visiting. My interest in street photography only began in 2021 and it is only in June, after 2 years without a camera that I decided to start to photograph what my eyes were already photographing. Inspired by the current street photographers as well as the great photographers of the XXth century, I have been wandering the streets with my camera ever since, chasing the fleeting moments of everyday life.","user_id":697796,"name":"Jimmy ASTRUC","website":"jimmy-astruc.com"},{"id":388974,"bio":"My enthusiasm in photography started in India two years ago, when I was invited to attend an international conference by the Sathya Sai International Organization(SSIO) to assist the media team. I had no DSLR camera at then and all those I asked to lend me one failed before my departure. I spoke to an old friend \"Vicky\" in Mumbai who promised to help me get one when I arrive. We went to a canon shop and got a new canon 700d on my arrival. Vicky died few days after from dengue.\n\nDuring the conference, I had the chance to shoot alongside great photographers from around the world and they really inspired me. Being very talented, I used the skills acquired from these famous photographers to my composites and produced captivating photos which were featured on many sites right after the conference. ","user_id":388390,"name":"Vell Marty","website":""},{"id":304601,"bio":"I am African, by Nigerian ethnicity and based in London and pursuing my art and moving image work. I have a young son and I want him to see that there are beautiful intoxication, visual memories to capture and frame in the everyday.\n\nMaking my art is a form of reference for my headspace and thoughts, it relives a sense of capture within. My art has led me into photography, film art, dance on screen and movement choreography, painting, and galleria. My intention is to explore the aesthetics of visual stimuli with the intended narrative gestures,  these visual Galeria. All of these are interwoven with this interdisciplinary activity: colours, text, sound photography, installation, prints, performance, and composition.","user_id":303999,"name":"Steven Gb-yega Fajana","website":"foundwork.art/artists/stevengb-yegafajana"},{"id":131290,"bio":"","user_id":130688,"name":"Kay Bradfield","website":"www.beastsandblossoms.com"},{"id":6593,"bio":"","user_id":6593,"name":"Fred Hüning","website":"fredhuening.de"},{"id":121196,"bio":"","user_id":120594,"name":"Reza Lor","website":"www.rezaphotos.net"},{"id":121247,"bio":"","user_id":120645,"name":"Benjamin Lindner","website":""},{"id":6767,"bio":"I am Torsten, 37 Years, from Austria / Europe. I like to take photos when i am travelling around.The most of my Pictures were taken on my journeys.","user_id":6767,"name":"Torsten Muehlbacher","website":"www.clickpix.eu"},{"id":6833,"bio":"","user_id":6833,"name":"Peter Marshall","website":"re-photo.co.uk"},{"id":120693,"bio":"Originally from Spain, I now live in Australia where I work as a dermatologist. I am a self taught photographer with a main interest in street, travel and portraiture photography.  Photography provides me with a creative outlet in my otherwise very busy professional life. \n\n","user_id":120091,"name":"Alfonso Perez De Velasco","website":"www.alfonsoperezdevelasco.com"},{"id":7923,"bio":"B.F.A. photography student at California State University Long Beach.","user_id":7923,"name":"Jesse Lubben","website":"www.jesselubben.com"},{"id":120625,"bio":"Visual and tattoo artist\nAmateur photographer","user_id":120023,"name":"Ciocnadi Bogdan Alexandru","website":"cbogdana.blogspot.com"},{"id":846974,"bio":"raspo-concept|Descubra uma experiência única de apostas esportivas, jogos de cassino ao vivo e slots emocionantes com bônus exclusivos e pagamentos rápidos Marca: raspo-concept Site:https://vipbet.br.com Endereço:R. Padre João Manuel, 401 - Cerqueira César, São Paulo - SP, 01411-001, Brazil Número de telefone: +55 (19) 9860-4990 Email: raspo-concept@gmail.com Hashtag: #raspo-concept#raspo-conceptgnames #raspo-conceptlogincom #raspo-conceptwebsite #raspo-conceptcasino\"","user_id":832818,"name":"Raspo-Concept Raspo-Concept","website":"vipbet.br.com"},{"id":757788,"bio":"Eric is a French photographer whose work in fine art nudes has earned multiple awards. For more than twenty years, he has dedicated his practice to exploring the beauty, strength, and individuality of the female form. His pictures are created primarily in Germany, Hungary, and Croatia.\n\nThroughout his artist career, his work has been published in respected magazines, books, and catalogues, and presented in five exhibitions. These milestones reflect his active engagement within the international photography community. His development has been shaped by long-term collaborations with his muses, which form the emotional and conceptual foundation of his work. Equally influential were his early training with German photographer Arboulan and his continued refinement under Hungarian artists Szeni Jung and Sandor Benkoe, who still accompanies his journey as a mentor.\n\nEric's pictures are not about nudity for its own sake. Instead, the female body becomes a vehicle for narratives - a medium through which character, presence, and emotional nuance are expressed. In recent years, his style has evolved toward a form of visual storytelling built on a balance between revealing and concealing, where sensuality serves a broader intention.\n\nCentral to his process is the creation of a shared space with the model that is built on trust and respect. Within this environment, photographer and model develop ideas together, allowing genuine expression to emerge.\n\nAlthough nudity and suggestive poses may appear in his compositions, they function as elements within a visual language focused on narrative depth. His work seeks to celebrate feminine presence while transcending conventional eroticism.\n\nHaving worked with more than one hundred amateur models from different countries, Eric has developed a signature style that merges technical precision with emotional truth. His pictures reflect a continuous pursuit of artistic growth and a commitment to his craft.\n\nHis passion is best expressed in the words of Richard Avedon: “If a day goes by without my doing something related to photography, it’s as though I’ve neglected something essential to my existence, as though I had forgotten to wake up.”\n","user_id":752772,"name":"Eric Brunelle","website":"www.venusonearth.com"},{"id":120620,"bio":"I am 59 years old, photography is my hobby since I was a 15. The technology was entirely changed, but the magic has still existed. My passion is for social photography. I wish I will more time to capture social subjects.","user_id":120018,"name":"Oran Lavon","website":"www.oranlavon.com"},{"id":120809,"bio":"Caroline M Bailey is a German-American documentary photographer and analogue enthusiast. She grew up moving throughout North America, Asia and Europe. From these experiences, she developed a passion for travel. She hopes to see and experience as much as she can of the world with the many people with whom we share it. This is her greatest source of inspiration. Her work consists mostly of portraits, which explore the various facets of the human experience and thereby help her gain a deeper understanding of humanity. Her photographs aim to evoke sympathy and understanding between people. Her award-winning work has been exhibited in numerous juried group exhibitions and has been recognized by Photographer’s Forum, the International Photography Awards and FotoFilmic. \n\nBailey is a graduate of the Savannah College of Art and Design, having recently recieved her BFA in Photography.","user_id":120207,"name":"Caroline Bailey","website":"www.carolinembailey.com"},{"id":186182,"bio":"","user_id":185580,"name":"Geraldina Bellipario","website":"www.geraldinabellipario.com"},{"id":309472,"bio":"geboren 29.08.1963 in Ludwigsburg\nseit 1973 - Analoge Fotografie\nab 2005 - Preise, Veröffentlichungen und Ausstellungen im Bereich Fotografie \n2014 - Gründung des Büros für Architektur und Fotografie\n\n2015 - Shortlist Brita Kunstpreis 2015 -  Ausstellung im Kunsthaus Wiesbaden - April bis Mai 2015\n2015 - Wiesbadener Fototage 2015 – heimat X - Ausstellung im Kunsthaus Wiesbaden -  Juni bis Juli 2015\n2015 - 'Die Verschenkte Zeit' – offenes Fotoprojekt\n2015 - Schömberger Fotoherbst 2015 - '\n2015 - 2016 - Staatsministerium Stuttgart 'Natur als wertvolle ökonomische ressource im Wandel' \n2015 - 2016 - beArt Galerie Heidelberg -  ora 23 \n2016 - 'Holy Space' -  Trinitatiskirche Mannheim\n2016 - 5. Art Schwetzingen \n2017 / 2019 - gARTen Schwetzingen\n2018 - Einzelausstellung REMEMBER Sousol Unterwegstheater Heidelberg \n2018 - Zauber der Verwandlung / Zweillicht - Villa Streccius, Landau - \n2019 - Europäischer Architekturfotografiepreis Frankfurt DAM\n","user_id":308870,"name":"Oliver Mezger","website":"www.heidelbergerstadtfotograf.de"},{"id":7116,"bio":"Born in Eskimo village\nRaised on an ice floe\nSuckled by polar bear as an infant\nbut not really sure if that's a myth or not, don't remember a thing","user_id":7116,"name":"Robert Wynn","website":"www.eskimo.com"},{"id":120951,"bio":"Annabel Oosteweeghel (1969) is a photographer who lives in Noordwijk. She graduated from the Academy St. Joost in Breda where she studied Audio-visual arts. Because of her film background her photos are more then an image. They tell a story.\nHer commercial work focusses on lifestyle and people. Annabel has been commisioned by a wide variety of advertising agencies and magazines. Besides her commercial work she always continues to work on personal photography projects. ","user_id":120349,"name":"Annabel Oosteweeghel","website":"www.annabeloosteweeghel.nl"},{"id":149643,"bio":"Listening what i heard,Photographing what i saw.","user_id":149041,"name":"Xi Ren","website":""},{"id":7265,"bio":"","user_id":7265,"name":"Stephen Mayes","website":""},{"id":7411,"bio":"Maarten Boswijk b. 1988, Rotterdam, NL. Received his BDs in Documentary Photography from the Utrecht School of the Arts in 2012. His work consists of long-term social documentary projects in which he explores deviating communities. In an attempt to put the western standards in perspective, he seeks places where people have a very distinct relationship with their environment. His projects are often self-published in the form of a book. His work has been exhibited in the Netherlands and published online and offline in various magazines. He was selected for New Dutch Photography Talent 2013 and won second prize at the 2013 Bratislava European Month of Photography portfolio reviews. Maarten currently resides in Utrecht, The Netherlands.","user_id":7411,"name":"Maarten Boswijk","website":"www.maartenboswijk.com"},{"id":209907,"bio":"Born to an American father and Spanish mother in Myrtle Beach, South Carolina in 1969. I graduated from Savannah College of Art and Design in 1991 with a B.F.A. major in Photography and minor in Art History. Then relocated immediately to New York City where I resided until 2000. Since then have been living and working in Madrid, Spain. My experience is broad, have published in many magazines, including a still existing long term collaboration with El Pais Semanal in Spain, and Marie Claire magazine. Exhibitions include two solo shows in PhotoEspaña and at the gallery Mad is Mad and Pepe Pisa in Madrid, and many group shows in Spain and the USA. \nAwards include  Female in Focus with The British Journal of Photography, Prix de la Photografie Paris, ICP, and American Photography. Archive represented by Redux Pictures in New York.","user_id":209305,"name":"Ana Nance","website":"www.ananance.com"},{"id":727037,"bio":"","user_id":726453,"name":"qing liu","website":""},{"id":209900,"bio":"","user_id":209298,"name":"Yel Legaspi","website":"www.yellegaspi.com"},{"id":210089,"bio":"l reside in Melbourne Australia and studied 2 years of the Advanced diploma of photography @ Photography studies collage in Melbourne.\nPhotography for me is more about a creative visual art. Finding the ordinary and then turning it into a visual beauty enjoyed by my audience.  \nFor me, getting out on a new adventure looking for that particular landscape, tree, rock formation or abandoned properties (is what l seem to get drawn too) then create what I envisioned in my mind, sometimes dark or eerie but also capturing the beauty before me.\nWhen I'm not out and about I'm in my home studio gathering flowers that are starting to wilt and decay, and by carefully creating and placing individual pieces in a time capsule' to show that although their beauty is fading, they still produce such vibrant colours tones and textures to enjoy.","user_id":209487,"name":"Melissa Jane","website":""},{"id":659971,"bio":"is a documentary photographer focused on a deep reverence for community, stories, and life.\nNatosha currently resides in her hometown of Louisville, Kentucky.  ","user_id":659387,"name":"Natosha Via","website":"www.natoshavia.com"},{"id":7984,"bio":"","user_id":7984,"name":"Olivier Christinat","website":"www.olivierchristinat.com"},{"id":727040,"bio":"I'm an artist and photographer from Edinburgh, Scotland. I mostly make abstract photographic images from digital and 35mm. I like reflections and images which have an unreal quality to them.","user_id":726456,"name":"Callum Robinson","website":""},{"id":727086,"bio":"\n\n","user_id":726502,"name":"Alex Cassels","website":"www.alexcasselsphotography.com"},{"id":210078,"bio":"Ik heb mijn opleiding fotografie gevolgd aan academie Noord in Brasschaat en heb in 2016 mijn getuigschrift van de hogere graad gehaald. \nMijn interesse gaat vooral uit naar documentaire foto's. \nAan de andere kant maak ik ook graag foto's bij schemering waar ik het natuurlijke licht dat er nog is aanvul met kunstlicht om zo alledaagse zaken anders weer te geven.","user_id":209476,"name":"Ann Lens","website":""},{"id":47736,"bio":"Synesthete fascinated by human and nature.","user_id":47741,"name":"Julia Potocka","website":"juliahpotocka.tumblr.com"},{"id":11688,"bio":"\n\n","user_id":11688,"name":"Colin Gray","website":""},{"id":214482,"bio":"Pier Andrea Perini began taking photographs as a young boy during family trips and studied photography as an adult. His inspirations include Cartier-Bresson, Frank, Parr, Koudelka, Erwitt, Larrai, as well as Park and Stuart. However, his greatest love remains Gianni Berengo Gardin. A Venetian, he lives at Lido with his dog Churro and he escapes to all corners of the world whenever he can. His most recent trip was to Gujarat, India, in 2023.","user_id":213880,"name":"Pier Andrea Perini","website":"pierandreaperini.com"},{"id":172375,"bio":"","user_id":171773,"name":"Gili Reich","website":""},{"id":7667,"bio":"Mark Mason was born in 1965 in the Detroit area of Michigan and currently lives in South Florida. His work has been featured in various publications, exhibitions and has achieved a number of awards.\n\nArtist Statement\nThe aim is to express nature in my photographs. Be it a place in time, people, inanimate objects or an abstraction. The purpose is to realize a connection that re-minds us of our essential self. I take photographs to see what is already there.\n\n","user_id":7667,"name":"Mark Mason","website":"www.markmasonfineart.com  markmasonphotography.bigcartel.com"},{"id":8828,"bio":"Benedict’s projects center on the role that landscape plays in the human experience. In the 1980’s Benedict worked as a graphic designer for the natural history Museum of Northern Arizona and for the National Park Service’s Natural History Associations. The experience of working with scientists and writers influenced her to combine art and science to create series centering on our contradictory relationships with the environment. \n\nPhotographer Robert Adams description of landscape as our primal foundation for making sense of the world and our place in it influences her approach to image making. Her focus is on unrecognized yet important elements of the natural world. Her earlier projects, range from memory landscapes; to electrical towers in the American Western; to a child playing in natural history dioramas. Her recent work, Hidden Waters combines art and science envisioning the impact of climate change and overuse on endangered arid-land springs in the West. \n\nHer work is at Fidelity Art Boston; Center for Creative Photography, Tucson; Florida Museum of Photographic Arts; New Mexico Museum of Art; Decordova Museum of Art and Sculpture; Harvard's Fogg Museum; and George Eastman Museum. \n\nSolo exhibitions include Florida Museum of Photographic Arts; Griffin Museum of Photography at Stoneham; Texas Woman’s University, Denton, TX; and Philadelphia Print Center. Boston City Hall, Mayor’s Gallery.  Hidden Waters archive resides in the Museum of Art \u0026amp; Environment, Reno, Nevada.","user_id":8828,"name":"Bremner Benedict","website":"www.bremner-benedict.com"},{"id":7738,"bio":"","user_id":7738,"name":"Gregoire Cheneau","website":"gregoirecheneau.com"},{"id":7741,"bio":"","user_id":7741,"name":"Nelly Rodriguez","website":"www.nellyrodriguez.ch"},{"id":120895,"bio":"Peter Spurgeon is a documentary photographer based in Bristol, UK. His work has been exhibited at PHOTOMASTERS MA Exhibition, Encontros da Imagem, Discovery Award collective projection and ESPY Photography Award. He was nominated for the PhotogrVphy Grant (Conceptual), shortlisted for the ESPY Photography Award and selected for Source MA Graduate Photography Online. His Decoy project has been published in the Encontros da Imagem Discovery Award catalogue and in Source Magazine Graduate Photography.","user_id":120293,"name":"Peter Spurgeon","website":"www.peterspurgeon.photo"},{"id":7772,"bio":"Educated in painting/sculpture/audio visual art, now use photography as medium of expression.","user_id":7772,"name":"Tina Sejbjerg","website":"tinasejbjerg.wix.com/tinasejbjerg"},{"id":713639,"bio":"I have a profound desire for intimacy along with an equally strong urge to remain 15 paces away. The camera acts as a one-way glass; dually concealing and revealing. I take photos to bond people to shared and truthful moments. I was here. I saw you. We were not alone. \n\nI am a truth seeker, a beauty hunter, a mother, a friend, an artist. ","user_id":713055,"name":"Echo McIntyre","website":"www.EchoMaylee.com"},{"id":15413,"bio":"Working Artist and Photography Facilities Technician/Assistant, The School of the Art Institute of Chicago\n\nBachelor of Fine Arts, The School of the Art Institute of Chicago, May 2013","user_id":15413,"name":"Dana West","website":"www.danawestphoto.com"},{"id":179727,"bio":"Photographer from Chile living in Barcelona.","user_id":179125,"name":"Edo García","website":"1984.cat"},{"id":210126,"bio":"Mark Williams Hoelscher is a photographer and documentary filmmaker, based in Washington, DC. He is currently a cinematographer and photographer for The Brookings Institution. \n\nMark studied Art Photography at Syracuse University, College of Visual and Performing Arts.\n\nHis work strives to tell meaningful stories in creative ways. ","user_id":209524,"name":"Mark Hoelscher","website":"www.mwhphoto.com"},{"id":210121,"bio":"Thank you for looking my facebook. \nI am Japanese photographer \u0026amp; Digital photo artist. \n\nMy photographs are like Japanese paintings.\nJapanese have been expressing emotions and spiritual feeling through landscapes for hundreds of years.\nI hope my landscape photography can heal people and lead them to harmony.\nI challenge myself to capture emotions with my camera and convey peace and tranquillity to people that will stay in their mind. \n\nExhibition:\n2016.12: Salon de Société National Des Beaux Arts à Carrousel du Louvre Official invitation\n\n2017.12: Salon de Société National Des Beaux Arts à Carrousel du Louvre\n\nSNBA Gold Award at Salon SNBA, Carrousel du Louvre, Paris(2016).\n","user_id":209519,"name":"Hidenobu Suzuki","website":"www.hidenobu.jp"},{"id":113782,"bio":"Slovakian self taught photographer, Stanislav Gic working on long-form projects about the Slovakian condition. His practice links social documentary and street photography.\n\nHe has been recording the daily life in the Roma Gypsy villages of the Slovakia in his project “No children, no happiness!“, concentrate on the current and changing state of the life in their natural environment.","user_id":113180,"name":"Stanislav Gic","website":""},{"id":7857,"bio":"I'm a freelance photographer...\n\nMy camera is an extension of my mind and imagination, it captures moments that I can look back on and reflect. In my opinion photos should invoke a mood or feeling. It can be positive or negative, reflective or thought provoking. If you love what you do it shines through, no matter what your job is.\n \nI am influenced by my surroundings. I love anything unique or capturing something in a way that is not expected. I don’t believe I follow the style of any particular photographer but I am inspired by known and unknown photographers as well as artist.","user_id":7857,"name":"Laszlo Kovacs","website":"www.laszlokovacs.net"},{"id":7858,"bio":"","user_id":7858,"name":"Milos Bicanski","website":"www.milosbicanski.com"},{"id":216288,"bio":"Self-Taught photographer based in Tokyo, Japan. Snapping memories one frame at a time.","user_id":215686,"name":"Florian TURGEON","website":"www.flickr.com/photos/florianturgeon"},{"id":15409,"bio":"","user_id":15409,"name":"Cannon Bernaldez","website":"www.cannonbernaldez.com "},{"id":216279,"bio":"Soy diseñadora gráfica de profesión, recientemente empecé a involucrarme en el mundo de la fotografía a un nivel mas profesional y me gusta los resultados que he logrado hasta ahora. Para mi la fotografía se trata de sentir y hacer sentir, de conectar y generar un cambio consciente o inconsciente; creo en el poder del arte para cambiar a las personas y hacer un mundo mas humano. ","user_id":215677,"name":"Sheyla Josabel Torres López","website":"www.flickr.com/photos/sheylatorres"},{"id":303733,"bio":"My Name is Jennifer and I´m working as a photographer based in Cologne, Germany. In my work, I mainly focus on capturing people. Furthermore I'm a part-time employee at Cologne Cathedral, where I especially document the monument preservation as well as individual work-pieces and exhibitions. Besides shooting pictures, I'm also dedicated to impart her knowledge to children and young adults in schools and welfare institutions.","user_id":303131,"name":"Jennifer Rumbach","website":"www.jennifer-rumbach.de"},{"id":210136,"bio":"","user_id":209534,"name":"Axel Fassio","website":"www.fassiophoto.com"},{"id":270692,"bio":"Student of Institute of creative photography by the Silesian University in Opava, the Czech Republic","user_id":270090,"name":"Renata Hurychova","website":""},{"id":600507,"bio":"","user_id":599923,"name":"Ya Kuang","website":""},{"id":210079,"bio":"Architetto e fotografo svolge la libera professione come progettista architettonico. Si laurea alla Facoltà di architettura di Palermo con un progetto di architettura del paesaggio sul sito preistorico di Mursia sull’isola di Pantelleria (TP). \nCo-fondatore del collettivo GROUNDACTION con il quale ha realizzato installazioni artistiche e fotografiche. Ha lavorato con l’Associazione LANDWORKS SARDINIA  per la realizzazione di laboratori internazionali sul paesaggio delle miniere in disuso della Sardegna. E’ membro dell’associazione artistico-curatoriale DIMORA OZ con la quale ha partecipato numerose manifestazioni artistiche e fotografiche.","user_id":209477,"name":"francesco cucchiara","website":"divisare.com/authors/2144813921-francesco-cucchiara"},{"id":216374,"bio":"","user_id":215772,"name":"Bob Phelps","website":"www.saatchiart.com"},{"id":216480,"bio":"I am a 54-year old amateur photographer. My photography is mainly focused on my own life, the places I visit, the people I love. I particularly like images that can be understood \"universally\", no matter where or when they were taken, images that need no explanation or context, images that speak for themselves. I search to capture moments of time suspension or universal feelings, pieces of human common understanding. ","user_id":215878,"name":"Marta Pinho de Almeida","website":"takenbylight.com"},{"id":7996,"bio":"Rachel was born in Bilbao (Spain). She graduated with honors and distinction in Philosophy from the University of Deusto (Spain) and Lancaster University (England). Later she studied Photography in the prestigious school IDEP (Barcelona). Rachel´s pasion is traveling the world, specially third world countries. Up to now she has traveled 24 countries in Africa and Asia and most of them several times.\n\nShe is interested in travel documentary photography. She loves documenting people daily life in the places she visits, specially street life.\n\nRachel is contributor to Getty Images . She never joined a photo contest, because she thinks photography is not a competition just a personal way of seeing the world\n\nHer images have been published in press, books, magazines, websites etc. around the world.\n\nPublications and Clients featuring and publishing her work:\n\nThe Washington Post, The Guardian, The Huffington Post, Al Jazeera, The Times Group (Bennett Coleman \u0026amp; Company), Morgan Atkinson, Microsoft Multimedia Publishing, Motivate Publishing, Tamedia Publication Romandes, Financial News, Fadaat Media, Rtl Nederland Interactief B.V, Spice Dergisi, ESPN, Oxford University Press, Capstone Press, Helmut Fleischer Consulting, MC Ediciones, Agrupación de Servicios de Internet y Prensa (ASIP), Editora Ática, Saraiva Sa Livreiros Editores, Ramdom House Mondadori S.A, Cosmopolitan France, Glamour France, Grazia Magazine France, Condé Nast, Red Bull Media House, Fabulous Magazine News International, Hearst Magazines, ACP Magazines Limited, Iberia, Nulle Parts Ailleurs Productions, Viacom Media Network, Leonhardt Multimedia, Webnovias, Fridaymagazine, Letsbonus, Active Ingredients, Littlewoods Shop, Smarter Travel, Aol.com, Ask.com, 121clicks.com, The Travel Photographer blog, Life Force Magazine, APF Magazine Street Photography etc.\n","user_id":7996,"name":"Rachel Carbonell","website":"www.rachelcarbonell.com"},{"id":210129,"bio":"","user_id":209527,"name":"Paulo Anton Tabernero","website":"www.pauloanton.com"},{"id":8215,"bio":"","user_id":8215,"name":"Hugo Ribes","website":""},{"id":8099,"bio":"","user_id":8099,"name":"Lina Hashim","website":"Www.linahashim.com"},{"id":8111,"bio":"David Jakelic (b. 1965) lives and works in Split, Croatia. He has participated in numerous international photography exhibitions and festivals. His work has been awarded at PX3 – Prix de la Photographie Paris, International Photography Awards and The Pollux Awards, among others. His first photobook, \"Split Perspectives\", has been awarded at the FotoWeekDC 2012 Festival in Washington, DC, and was also selected for the Brighton Photo Biennale 2012 photobook show.","user_id":8111,"name":"David Jakelic","website":"photo.davidjakelic.com"},{"id":159718,"bio":"","user_id":159116,"name":"Olivier Thao","website":"www.flickr.com/photos/olivier-thao/albums"},{"id":600519,"bio":"","user_id":599935,"name":"Xinxin Chen","website":""},{"id":8135,"bio":"Melissa Taub is a native New Yorker currently residing in Israel and recent graduate from BFA Photo at the School of Visual Arts (SVA). She is a documentary photographer who creates images that educate the global community. Memory, as well as the aftermath of trauma, is an continuous overarching theme in her work. With survivor grandparents, the memory of the Holocaust was a constant presence in her home while growing up. Melissa’s work speaks about both the collective and individual histories that must never be forgotten. ","user_id":8135,"name":"Melissa Taub","website":"melissataubphotography.com"},{"id":210113,"bio":"","user_id":209511,"name":"Leonie Dratwa","website":"www.leoniedratwa.com"},{"id":8161,"bio":"I qualified in 1990 at the Royal Academy of Visual Arts (The Hague) and did internships with Dutch, international renowned  photographers Erwin Olaf and Paul de Nooijer. My work is represented by Galerie Baudelaire (Belgium). My photographs can be found in the collections of photographer Erwin Olaf, choreographer Hans van Manen, the University of Pennsylvania, Roy Kahmann, art collector and owner of Kahmann Gallery (Amsterdam) and Henrik Barents art collector and gallery owner .\n\n2012 \tNominated  Black and White Spide Award 2012 1x category nude\n2013 \t1xcategory nude 2x category abstract.\n\tNominated Blue Diamond Award 2013\nTeacher at the FOAC (photoacademy Amsterdam) since 1995\nArtistic director of multi-media theatregroup ‘Vendetta’ from 1993-2002\n","user_id":8161,"name":"Peter Day","website":"www.peterday.nl"},{"id":386582,"bio":"My name is Daniel and I'm a Deaf traveler who loves photography. I enjoy taking photos, visiting photography exhibitions, and exploring the world to discover new things.","user_id":385998,"name":"Daniel Bochynski","website":"www.dennisbolex.com"},{"id":216203,"bio":"Born and grown up in East-Germany, I worked as a teacher and social worker. I am a self-taught photographer but also I took photography classes with Ute Mahler (Ostkreuz Photo School Berlin). In 2008, I moved to the small town of Bemidji in northern Minnesota, USA,  where I lived for 16 years. I taught photography and photojournalism at Bemidji State University (adjunct), and freelanced for Minnesota Public Radio News, the Audubon Society and other clients before moving back to Germany in summer 2023. A photographic focus in my work is on people in their environment as well as people’s impact on the natural environment.  ","user_id":215601,"name":"Monika Lawrence","website":"www.monikalawrencephotography.com"},{"id":216277,"bio":"\nJeannette Gregori studied photography at Indiana University in Bloomington, US, and the School of Decorative Arts in Strasbourg, France, where she lives today. Since 2009 she has been documenting Romani families and the loss of their lifestyles. \nChance and curiosity led to her getting to know a group of Romani families settled along a departmental road in Alsace, France. Her work since has sought to depict the engaging characters she came to know from these families and the humanity she saw in these people in the face of prejudices. \nShe currently writes life stories of the Romani people she got to know.\nHer photography gradually opens to other society topics over the course of her experiences. \n","user_id":215675,"name":"Jeannette Gregori","website":"www.jeannettegregori.com"},{"id":8228,"bio":"Paweł Siodłok ( b.1991) - documentary photographer. Student of Academy of Fine Art in Katowice, Poland.","user_id":8228,"name":"Pawel Siodlok","website":"www.siodlokessays.blogspot.com"},{"id":8207,"bio":"","user_id":8207,"name":"Barak Kassar","website":"www.bkwpartners.com"},{"id":8256,"bio":"Rob Stephenson’s work has been exhibited at numerous galleries and museums including The Brooklyn Museum of Art, the Jen Bekman Gallery, and The Museum of the City of New York. In 2011 he was awarded the Design Trust for Public Space Photo Urbanism fellowship and a darkroom residency at the Camera Club of New York. His book, From Roof to Table, documenting the urban agriculture movement in New York City, was published in 2012. He lives in Brooklyn, NY","user_id":8256,"name":"Rob Stephenson","website":"www.robstephenson.com"},{"id":8272,"bio":"Antoine Bruy (1986) is a french photographer graduated from the Vevey School of Photography in Switzerland in 2011. His work studies people and their relationship to privacy, their physical environment, and to the economic and intellectual conditions that determine them. His work has been shown in group shows internationally – Los Angeles, New-York, Paris, Dhaka, Barcelona, Seoul, Angkor. Bruy has been awarded LensCulture Emerging Talent Awards, Getty Images Emerging Talent Awards, Critical Mass 2014 and PDN's 30 in 2015. His photographs have been featured in numerous publications worldwide including The New Yorker, The Washington Post, The Guardian, WIRED, Slate, The Huffington Post and Le Monde. He is currently based in Lille, France.\n\nEDUCATION \n\n2009-2011 School of Applied Art of Vevey, Switzerland.\n2007-2008 Ecole nationale supérieure des arts visuels de La Cambre , Bruxelles, Belgium.\n\nSHOWS\n\n2016\nMusée de la photographie, Charleroi, Belgium.\nBredaPhoto International Photo Festival, Breda, Netherlands (with catalogue).\nThe Kitchen Sink, PondyPHOTO 2016, Pondicherry, India.\nTerramadre Homeland, Menotrentuno 2016, Sardinia, Italy (with catalogue).\nFuture Tense, 516 ARTS, Albuquerque, USA.\nTransphotographique, Tripostal, Lille, France.\nRencontres de la Jeune Photographie Internationale, Villa Pérochon, Niort, France (with catalogue).\nRencontres de la Jeune Photographie Internationale, Villa Pérochon, Niort, France (with catalogue).\nPour une poignée de degrés, Gare St Sauveur, Lille, France.\nJeune Création, Progress Gallery, Paris, France.\nJeune Création, Galerie Thaddaeus Roppac, Paris, France.\nEmerging Talents, Leica Store Firenze, Florence, Italy.\n\n2015\nFotografia, festival internazionale di Roma, Rome, Italy.\nGuatePhoto International Festival of Photography, Antigua, Guatemala.\nLianzhou Photo Festival, Lianzhou, China (with catalogue).\nDelhi Photo Festival, New Delhi, India.\nPour une poignée de degrés, Galerie Les Bains Révélateurs, Roubaix, France.\nDocumentary Photography Days in Turkey‏, Istanbul, Turkey.\nDali International Photography Festival, Dali, China.\nBlack Mirror, Aperture Gallery, New-York, USA.\nA Global View of New Photography, Center for Contemporary Arts, Santa Fe, USA.\nEmerging, Annenberg Space for Photography, Los Angeles, USA.\nChobi Mela VIII: Intimacy, Dhaka, Bangladesh (with catalogue).\nFORMAT Festival: Evidence, Derby, UK (with catalogue).\nBourse du Talent, Maison de la Photographie, Lille, France.\nSolo Exhibition, Atelier/Galerie L'Abat-Jour, Lyon, France.\n\n2014\nBourse du Talent, Bibliothèque Nationale de France, Paris, France.\nUP Editions, Pop Up Exhibition, FotoFever, Paris, France.\nLensCulture Emerging Talent Awards, Valid Foto, Barcelona, Spain (with catalogue).\nAngkor Photo Festival, Angkor, Cambodia.\nSeoul Lunar Photo Fest, Seoul, South Corea.\nArchiFoto 14, Les Couleurs de l'Architecture, La Chambre, Strasbourg, France.\nEncontros da Imagen, Braga, Portugal (with catalogue).\n6th International Photography Festival Organ Vida, Zaghreb, Croaltia (with catalogue).\nGuernsey Photography Festival, Guernsey, UK.\nManifesto festival d'image, Toulouse, France (with catalogue).\nDocumentary, Annual Photography Exhibition, Photographic Center NW, Seattle, USA.\nSummer Open, Aperture Foundation, New-York, USA.\nThe Kiernan Gallery, Lexington, Virginia, USA (with catalogue).\nFreelens Award, Festival for Young Photojournalism, Hanover, Germany (with catalogue).\nGrand Prix Fotofestiwal 2014, Art Inkubator, Lodz, Poland (with catalogue).\nEWZ Selection, Photobastei, Zurich, Switzerland.\nNuits Photographiques de Pierrevert, Pierrevert, France.\nSee.Me Exhibition Space, New-York, USA.\nGalerie Quai 26, Lille, France.\n\n2013\nInflexions, Journée photographique de Bienne, Photoforum Pasqu'art, Suisse.\n\n2011\nPółnoc, Festival Transfotografia, Galerie Pionova, Gdansk, Poland.\nFabulous Tiny Reward, Exposition de diplôme, CEPV, Vevey, Switzerland.\nNORD[S], Festival Transphotographique, Palais Rameau, Lille, France.\n","user_id":8272,"name":"Antoine Bruy","website":"www.antoinebruy.com"},{"id":150944,"bio":"","user_id":150342,"name":"Max Rempe","website":"www.maxrempe.de"},{"id":216452,"bio":"Photography is the most important aspect of my life and it allows me to show people the world through my eyes.   Currently living in Malmö, southern Sweden  after spending several years living in Italy and England.\n I prefer analogue cameras and I love the whole process of shooting with film and  printing.  Travel photography is what I am really  interested in. The past years I've tried fine art photography and found it very interesting and challenging.  ","user_id":215850,"name":"Monica Forss","website":"approachingnowhere.tumblr.com"},{"id":8360,"bio":"Tamas Dezso (Hungarian, b.1978, lives in Budapest) is a fine art documentary photographer working on long-term projects focusing on the margins of society in Hungary, Romania and in other parts of Eastern Europe. His work has been exhibited and published worldwide. ","user_id":8360,"name":"Tamas Dezso","website":"www.tamas-dezso.com"},{"id":386908,"bio":"Born in Osaka, January 1986. His family runs a portrait photo studio in Takatsuki, Osaka since 1924. After graduating from Yoru no Shashin Gakkou organised by Masato Seto, currently he is based in Osaka creating own photo works.\n\nSolo exhibition\n2013 \n\"Before The Dawn Of The Dreamlike Affectedness\" at  M2 gallery(Tokyo) \n2018 \"331 Cherry Blossom 2816 Akutagawa\" at mole music(Osaka)\n2019 Feb  \"Short Hope\"  at Ruins of mole music(Osaka)\n2022.Aug  \"The Expired Landscapes Is  Echoing Somewhere\" at JITSUZAISEI(Osaka)\n\nGroup exhibition\nFeb.2019\nQUOZ ART FEST GPP PHOTO WEEK(NEW JAPAN PHOTO LAUNCH EXHIBITION)\n\nApr.2019\nKYOTOGRAPHIE KG+ special exhibition \"JAPAN PHOTO AWARD EXHIBITION\"\n\nJun.2019\nI NEVER READ art book fair Basel (Einstein Studio booth)\n\nSep.2019  NY ART BOOK FAIR (Einstein Studio booth)\n\nNov.2019 fotofever at Paris (Einstein Studio booth)\n\nOct.2020\nExperimental Photo Festival online Exhibition\n\nOct .2022  Unknown Asia 2022\nNov.2022  Unknown Asia Extra 2022\n\n\nPublished\nAeonian Magazine issue 2\n\nAnalog Foever Magazine special issue\n\"22 Instant Film Photographers You Need to Know\"\n\nCarpark Magazine issue14\n\nTIED TO LIGHT vol.1\n\nAward\nOct. 2022 Unknown Asia 2022(sponsor award)\nDec. 2022 Watowa Art Award\n","user_id":386324,"name":"Koichiro Kojima","website":"www.koichirokojima.com"},{"id":93516,"bio":"Irene Becker is a  travel editorial photographer. Focusing on human interest stories, she combines photojournalism and fine art photography.","user_id":93017,"name":"Irene Becker","website":"linktr.ee/irenebecker"},{"id":210108,"bio":"Fotografo freeance","user_id":209506,"name":"Martí Albesa Castañer","website":"www.martialbesa.com"},{"id":387188,"bio":"I read pictures like a novel\nI write down my feelings in pictures.\nSometimes near, sometimes far away, sometimes drawing yourself.\nI want to be a photographer.","user_id":386604,"name":"광진 김","website":"www.art750.creatorlink.net"},{"id":100344,"bio":"Ali Agharabi was born in Tehran. He began his passion for photography in 1991 and started working professionally in the press in Iran in 1997. He went to work as a photographic reporter in various Iranian newspapers and in cooperation with the Iranian News Agency. From 2009 until the present, he has worked as a freelance photographer. ","user_id":99742,"name":"Ali Agharabi","website":"instagram.com/aliagharabi"},{"id":101135,"bio":"I am a multidisciplinary artist who mainly uses visual arts such as photography, video art or performance. It is for me an exploration, a quest to capture abstract elements of everyday life. Before taking a photo, I spend long periods thinking and learning about natural light, colors, shapes, textures and movements in a defined geographical area. It is through this process of discovery that I identify the subject and abstract qualities that I want to focus on. I use a good camera, my iPhone or any digital camera that falls into my hands.\nI am also a writer of screenplays, plays, poetry and storytelling.\n","user_id":100533,"name":"Antoine Therrien Chevalier","website":"www.antonknightpictures.com"},{"id":250360,"bio":"1950-\nSusan Goldstein was born in Indianapolis, Indiana and moved to Colorado in 1968. In 1978 she began working for Westword newspaper, eventually becoming the staff photographer. She pivoted from journalism to fine art in 1999.\nGoldstein is described by Denver’s art critics as a multifaceted artist working in photography, collage and installation. Her collage work including the photo based series, Bending Time, unites her love of collecting with collage. \n\nThe pandemic forced Goldstein to find a new way of working with existing materials in her studio and led to the  The COVID-19 Inside Out Series.\n\nThe body of work includes more than 50 images.\n\n\n","user_id":249758,"name":"Susan Goldstein","website":"susangoldsteinstudio.com"},{"id":8688,"bio":"I grew up in the Midwest and started taking pictures at a young age.  I got my first digital camera when I was 16 and from there really started experimenting with photography.  I met Jesus while attending Bradley University and now I live for Him.  ","user_id":8688,"name":"Paul Votaw","website":"500px.com/votawgrapher"},{"id":447525,"bio":"Studied Fine Art at Hornsey Art College, London 1970-73. Have since traveled widely playing music, and more recently rediscovered my passion for photgraphy.\n\n","user_id":446941,"name":"Sean Marony","website":"No website"},{"id":210111,"bio":"Seit 1985 lebe ich als freischaffender Fotograf auf der kanarischen Insel Fuerteventura.","user_id":209509,"name":"Rainer Müller Hilmer","website":"www.fotoventura.com"},{"id":387458,"bio":"I was born in 1973 in Israel. I'm Married with 3 beautiful children.\n\nPhotography was always a hobby of mine but in the past few years it became more of a passion. I decided to take it a step forward and deepen my knowledge while improving my equipment. One can say it is now my desire to bring out unique photos that can be printed and decorate offices and living rooms. There is no greater pleasure than seeing my photos printed at large on canvas, wood or other materials.  \n\nI enjoy photographing the sky - Sunrise and sunset, Moonrise the milky way and star trails. I also enjoy scenic photography and especially long exposures of streams and waterfalls. I'm using the techniques of long exposure to show things that cannot be seen regularly painting with the sensor of my camera to bring out something that is out there but not everyone can see.","user_id":386874,"name":"Amir Ehrlich","website":"www.amirehrlich.com"},{"id":8843,"bio":"I was born in Hungary, raised in New York and have grown old in the Pacific Northwest.  I've been doing black and white fine art photography for about 30 years, following a misspent middle life as a physician. My wife and I about 6 months a year in Oaxaca, Mexico where I do the bulk of my work.","user_id":8843,"name":"Tom Feher","website":"www.tomfeherphotography.com"},{"id":143614,"bio":"Ryotaro Horiuchi was born in Tokyo in 1969.\nWhen he was a teenager, he started to work at the furniture studio as an assistant. During his time at the studio, he was asked to take photographs of furniture as its records.\nAnd that was the first time he felt his intention to focus on a thing in front of his eyes “Through The Lends”.\nAnd that “intention” turned him into “photo-holic” by realizing the potential of photographs.\nSince then, he has been working on his works from Osaka University of Arts and while he was in Germany and till now.\nNow he is working with “Descendants of Samurai” and “Roma Gypsy” by taking their portraits.\nTo do so, he keeps focusing on “the identity” of them and himself.","user_id":143012,"name":"Ryotaro Horiuchi","website":"ryotarohoriuchi.com"},{"id":437313,"bio":"Once a journalist, now just with time to look for what touches my soul. My memories or my impressions","user_id":436729,"name":"Flavia Sampaio","website":"www.fs_ph0t0.com"},{"id":8973,"bio":"","user_id":8973,"name":"AF Luna","website":""},{"id":209862,"bio":"","user_id":209260,"name":"eugenio lofoco","website":"eugeniolofoco.jimdo.com"},{"id":537931,"bio":"Ted \u0026amp; Nune are a couple in life and art. Their backgrounds in International Affairs and Russian Literature feed their art. With a shared vision and a male-female point of view, they seek out a spiritual dimension in human construction and the natural world. Since 2015, their collaboration has produced several internationally-recognized projects, including: Individuum, 1st place, IPA 2019 Abstract Architecture; Spiritual Japan, 1st place, IPA 2017 Historic Architecture; UAE Design and Desert Agreement, 1st place, TIFA 2016 and 2017, respectively, Architecture. Their recent project, Crawlspace, was part of Exlab 2021 and exhibited in NYC's Foley Gallery in July 2021","user_id":537347,"name":"Ted and Nune","website":"www.tedandnune.com"},{"id":433828,"bio":"","user_id":433244,"name":"Anne-Woltera van Wijk","website":"www.anne-woltera.nl"},{"id":210145,"bio":"대한민국 홍익대학교대학원에서 사진을전공하고있읍니다.","user_id":209543,"name":"연서 이","website":""},{"id":9058,"bio":"Zbigniew Kosc, born 1951 (Poland), Ph.D. in social psychology.\nHe was active in research both at the universities of Warsaw and Amsterdam. He absolved secondary studies in photography and graduated from the Gerrit Rietveld Academie, Amsterdam. \nHis work can be found in private homes as well as in public collections on both sides of the Atlantic.","user_id":9058,"name":"Zbigniew Kosc","website":"www.zbigniewkosc.nl"},{"id":9081,"bio":"Alessandro Penso studied clinical psychology at Rome's La Sapienza University. In 2007, he received a scholarship to study photojournalism at the \"Scuola Romana di Fotografia\". \n\nSince completing his studies, his work has won several awards, including the PDN Photo Student Award, the PDN Photo Annual Award, Px3, the Project Launch Award in Santa Fe 2011, and the Terry O' Neill TAG Award 2012. \n\nAlessandro is deeply committed to social issues, and in recent years he has been focusing on the issue of immigration in the Mediterranean. During this time, he has produced work on detention centres in Malta, the situation of migrant workers in the agricultural sector in the south of Italy, and young people stuck in limbo in Greece. \n\nMotivated by the desire to raise awareness of situations of injustice at Europe's margins, Alessandro intends to continue working on this issue in the months and years to come. Alessandro is also keenly aware that the difficult social and economic conditions in Mediterranean countries are providing an outlet for the phenomena of cultural closure, xenophobia and violence, which represent, for migrants, an insurmountable obstacle to their enjoyment of even the most basic human rights. \n\nIn 2012, he witnessed a brutal attack on a group of migrants in Corinth, Greece, in which one young man, Mostafa, was hit by a car. This experience has further motivated Alessandro to continue his work on this issue, also in an effort to raise awareness of and to help combat xenophobia and race-related violence. He hopes his work will also help fight the dehumanization and stereotyping of migrants which can take place in public discussion, sometimes for political gain. \n\nAlessandro's work has appeared in numerous publications.","user_id":9081,"name":"Alessandro Penso","website":"www.alessandropenso.com"},{"id":335626,"bio":"","user_id":335024,"name":"Michele Iadevaia","website":""},{"id":9131,"bio":"Primarily a writer, now finding my way to also tell stories through my photographs.","user_id":9131,"name":"Robert Hamilton","website":"www.blipfoto.com/identity"},{"id":9166,"bio":"Documentary and Commercial photographer based in London - UK.","user_id":9166,"name":"Cesare De Giglio","website":"www.cesaredegiglio.com"},{"id":139572,"bio":"Biography and Motivation\nDan Voellinger grew up in Rochester, New York and was involved with photography at a young age.  He made his own pinhole camera which used polaroid film and also used cameras passed down when relatives upgraded to new ones.  Since many of his relatives worked for Eastman Kodak, or Xerox, photography was a popular discussion topic and activity.  He also worked for Eastman Kodak as an Intern during his last year of High School. As an employee of the Kodak Marketing Education Center he received free film and developing, before the digital age. The experience of using film cameras through the years following the internship at Kodak had given him a greater understanding about planning and composing a shot since you didn't want to waste any film or incur the cost of developing bad shots.\n\nHe has been working for the Navy for over thirty five years and had the opportunity to travel the world, with his camera always in hand.  Japan had been his base for most of those years. ","user_id":138970,"name":"Dan Voellinger","website":"www.danvoellingerphotography.org"},{"id":217280,"bio":"My Mom put a camera in my hands as I child, and I find purpose and passion behind the camera.  I love capturing moments and am open to learning as much as I can to take the leap and add photography as a viable work stream. Your time and honestly is very much appreciated. Thank you for this opportunity to help guide me with my photography. ","user_id":216678,"name":"Shelly Murphy","website":"www.flickr.com/photos/shellyde/with/50047355736"},{"id":9220,"bio":"Anne Lamb graduated with a degree in Photography from the School of Visual Arts. She has been published in Dear Dave Magazine, Der Greif, and Juxtapose. ","user_id":9220,"name":"Anne Lamb","website":"www.annelamb.com"},{"id":213661,"bio":"A freelance photo and video journalist. Video creator at Facebook and YouTube","user_id":213059,"name":"Sherbien Dacalanio","website":"lensculture.com/sherbien-dacalanio"},{"id":727167,"bio":"","user_id":726583,"name":"Germano Tornese","website":"www.germanotornese.com"},{"id":9368,"bio":"","user_id":9368,"name":"Andrea Roversi","website":"www.andrearoversi.it"},{"id":234746,"bio":"Through my eyes... my deepest Emotions!\nI'm a marketing manager (b.1975) with a great passion, conceptual photography .\nI am a very sensitive woman, looking for continuous new mental spaces! \nMy free spirit leads me to always want to discover new situations and to look for new vibrations and energies.  With my photos I want to show how I see the limits of people and their possible rebirth.  \n\nwww.facebook.com/ilaria.p.photographer\nhttps://www.instagram.com/ilaria.39","user_id":234144,"name":"Ilaria Pisciottani","website":"www.facebook.com/ilaria.p.photographer"},{"id":690857,"bio":"Prior to photography, I had a long career as an industrial engineer in the travel and transportation industry, and traveled extensively in Europe and South America.   I stopped working once I became a mother and stayed at home to raise my children. Throughout this time, I maintained my passion for photography and documented my children, family travels, and the neighborhood.  Over the past few years, my interest in visual stories grew and I began to use photography as form of self-expression and a tool for exploration.","user_id":690273,"name":"Giovanna Rosselli","website":""},{"id":167445,"bio":"Blogger for ten years in the Faroese language spoken by 50,000 people in the North Atlantic.","user_id":166843,"name":"Birgir Kruse","website":"birkblog.blogspot.com"},{"id":713642,"bio":"","user_id":713058,"name":"Jeremy Simonson","website":"www.lean2studio.com"},{"id":173045,"bio":"architecture and engineering student\narchitecture, photography and sport lover","user_id":172443,"name":"Guido Tarantola","website":"www.guidotarantola.wix.com/guitar"},{"id":388044,"bio":"Olivia Lavergne (France, 1979) studied photography and multimedia, and the theory and practice of contemporary art and media at the University of Vincennes in Saint-Denis, and at the Ecole du Louvre. Her work has received the LensCulture Emerging Talent Award (2014), the Moscow International Foto Award (2015) and the Lauréate du prix Coup de coeur ARTE Actions Culturelles (2013).","user_id":387460,"name":"Olivia Lavergne","website":"www.olivialavergne.com"},{"id":9582,"bio":"Joel Stevenett (Born Niagara Falls, ON Canada 1980) is a photographer based in Berlin, Germany whose work explores local patterns and themes.","user_id":9582,"name":"Joel Stevenett","website":"www.jstevenett.com"},{"id":240268,"bio":"","user_id":239666,"name":"Trevor Nicholson Christie","website":""},{"id":160879,"bio":"My father introduced me to photography when I was 16 as a way to prevent me from venturing into a wayward life. I couldn't possibly be more grateful. Today, photography is a personal passion that invigorates and recharges my soul. It is also a bridge to the memory of my dad, and the countless nights we spent together in our home darkroom.","user_id":160277,"name":"Rob Linsalata","website":"www.thenocturnalist.com"},{"id":189031,"bio":"\n","user_id":188429,"name":"Jane Prior","website":"www.janepriorphotography.co.uk"},{"id":9745,"bio":"","user_id":9745,"name":"Dong Yoon Kim","website":"www.dykim.com"},{"id":9763,"bio":"I live in rural New Zealand. My work has been oriented towards everyday surroundings that go unremarked. I've worked partly in street and documentary genres, but my largest body of work has been documentary landscape.\n\nMy work has been exhibited in the Auckland area.","user_id":9763,"name":"Richard Smallfield","website":"richardsmallfield.com"},{"id":505323,"bio":"","user_id":504739,"name":"Jason Audain","website":"jasonaudain.com"},{"id":186492,"bio":"retired physician attempting to awaken any creative instinct i might harbor.","user_id":185890,"name":"Madhu John","website":""},{"id":216502,"bio":"My name is Zhoovan Rezaei. I am a passionate  Iranian photographer and graphic designer, who has been performing photography for the past eleven years. After years of work, I have learned that I am able to ground my work in my ability to see and capture everything from my own perspective. \n\nMy style in photography is currently involved in the Fine Art. ","user_id":215900,"name":"Zhoovan Rezaei","website":""},{"id":600544,"bio":"GMPSA,GPSA,ARPS,AFIAP","user_id":599960,"name":"Danlei Ye","website":""},{"id":600531,"bio":"","user_id":599947,"name":"Lung-Tsai Wang","website":""},{"id":600537,"bio":"","user_id":599953,"name":"Obi Uwakwe","website":""},{"id":121122,"bio":"An Art Graduate. Bachelors with honours in Contemporary art practice and Photography. I have a passion for photography and enjoy darkroom photography as well as digital. I love to create interesting images which have a story. The subjects behind my work are very personal and could be viewed as taboo. ","user_id":120520,"name":"Lindsay Chalmers","website":"www.viewbug.com/member/lindsaychalmers"},{"id":120897,"bio":"Josee Schryer was born and raised in rural Québec, Canada. She currently lives\nand works in Montreal. She obtained her BFA at Concordia University and\nrecently received her MFA from the University of Hartford's limited residency program. She is a co-founder of the Photobook Club Montreal. Her work has been exhibited internationally.\n","user_id":120295,"name":"Josee Schryer","website":"www.joseeschryer.com"},{"id":120845,"bio":"","user_id":120243,"name":"juan pablo minguillón gonzález","website":"www.masqueunafoto.es"},{"id":449174,"bio":"摄影爱好","user_id":448590,"name":"LIE ZHANG TONG","website":"tongtong11378@gmail.com"},{"id":10063,"bio":"Born in Marquette, Michigan, William Rugen spent 20 years working as a fisheries oceanographer.  After making a clean break in 2007 he has made a living working as a photo assistant, producer and photographer, most recently with Motofish Images in Seattle. In 2008 he hit the road with 3 cameras, one month of free time and absolutely no plans other than to stay off the interstate and avoid chain restaurants and motels.  This trip was the impetus of his first fine art project, “Western Dioramas”, a continuing survey of the American West. Since then William has pursued a wide variety of fine art projects, most of which were conceived while on the road working on “Western Dioramas”. The look and process for each project is driven by the subject matter with the use of color and strong graphic elements being the only common thread.  All projects are open-ended and hopefully will never be finished.","user_id":10063,"name":"William Rugen","website":"www.williamrugen.com"},{"id":10077,"bio":"My photography focuses on environments and spaces, whether that be celebrating the hidden and untold or documenting change at all levels. I'm fascinated by the memories and stories that inhabit places and the residual associations and emotions left behind.\n\nI've been celebrating the hidden, untold and underdog aspects for over 20 years. I use photography to document my view of the world and to make sense of what crosses my path. I try to articulate the underlying feelings of locations, that exist beyond the usual and the well documented.\n\nA flaneur by nature, I document my journeys small and large, capturing people, places and spaces along the way.\n\nI've studied at Central Saint Martins in London, alongside a lengthy career in design and advertising. I'm slowly working my way through my archive, and shooting new stuff along the way. ","user_id":10077,"name":"Rik Moran","website":"rikmoranphoto.com"},{"id":10095,"bio":"","user_id":10095,"name":"Nils Johan Foyn","website":""},{"id":8945,"bio":"Debby Besford is an internationally acclaimed documentary photographer whose work has been exhibited across the UK and Europe. Her photography has been featured in leading national newspapers, magazines, and online platforms worldwide. Debby’s publications and accolades include her new book 'Inside the Burlesque Boudoir,' published by Blurring Books NYC and features with The Telegraph Magazine, Creative Boom and many editorial publications. Debby’s visual storytelling captures extraordinary moments with authenticity and depth. For commissioned work, please get in touch. \n\nPublications include, Glorious Sport, Creative Boom, Telegraph Magazine, Conde Nast Traveller Magazine, Cambridge University, The Guardian, The Independent, The Observer, Channel 4, BBC, Arts Council of Great Britain, Amos Trust, The Wellcome Trust, Millennium Picture Library, Getty Images.\n \nDebby has worked in the industry for over twenty-five years and also teaches as an Associate lecturer in universities and mentors to photographers at all stages of their career.\n","user_id":8945,"name":"Debby Besford","website":"www.debbybesfordphotography.co.uk"},{"id":209264,"bio":"50 yr old. Have been a photographer for 10 yrs. Before that I was a carpenter.\nToday I work as a freelance photojournalist half time. Travel whenever I can. Next stop will be Jordan in October doing a documentary on Refugee Utility Project helping Syrian refugees both in urban areas and in tent camps in the desert. ","user_id":208662,"name":"Ole Christian Eklund","website":"www.oceklund.com"},{"id":210104,"bio":"My name is Hanoch Grizitzky, born in 1962, married +3, lives in Israel, professional stills photographer. I studied at Hadassah College in Jerusalem. With an extensive background in PhotoShop\nCustomer: theaters, public relations firms, communication and so on.\n","user_id":209502,"name":"Hanoch Grizitzky","website":"www.cameriapro.com"},{"id":265666,"bio":"I'm a Norwegian photographer who is about to open up my extensive archive of around 30,000 images. It will be launched through my new website, which will go live at the end of this year.  To this date, all my images have been safely tucked away in my studio in Rindal, Norway.","user_id":265064,"name":"Morten Gåsvand","website":"mortengasvand.no/eng"},{"id":210153,"bio":"I’m a Dutch photographer based in Amsterdam but at home on the road, where I uncover beauty in ordinary situations while witnessing the continuous change of natural and man-altered landscapes.\n\nWith a focus on belonging and our connection to place, I immerse myself in communities and spaces where I discover how our dreams, desires and personalities are reflected in the environments we shape around us. I thrive by traveling to outer reaches for sustainable travel experiences and developments that benefit local and indigenous populations directly.\n\nWith a newfound curiosity I discover my immediate surroundings, where I'm currently working on a long-term project about the perception of home in a place that faces an uncertain future on the back of social, pollution and climate issues.\n\nIn my assigned work in architecture and design photography, with a specialization in heritage, I catch intricate, tangible elements that render an intimate look into the characteristics and expressions of their creators and inhabitants. \n\n\nSelected clients and publications\n\nCentraal Museum Utrecht/Rietveld Schröderhuis, Museum Dr8888, Museumvereniging, Rijksdienst voor Cultureel Erfgoed, Comité 4 \u0026amp; 5 mei Amsterdam, Lojel, Airbnb, Expedia, De Volkskrant, The Financial Times, M Le Monde, British Journal of Photography, Condé Nast Traveller, Suitcase Magazine, Geo Magazin, Voyageurs du Monde, Looms, Ignant, C41 Magazine\n\n2022 - Field Notes 054 - La Manga del Mar Menor, Another Place Press, UK\n\n\nSelected awards and exhibitions\n\n2025 - Fonds Bijzondere Journalistieke Projecten, project stipend\n\n2024 - Museo di Civici, Fotografia Europea (group), Reggio Emilia, IT\n2024 - Fotodok Talent Embassy 2024\n\n2023 - No Distinction group show at Rocket Gallery, London, UK\n2023 - Harpo Mag vol II, Spain\n2023 - IPE 165 shortlist, Royal Photographic Society, UK\n2023 - Portrait of Humanity vol 5, British Journal of Photography, UK\n\n2022 - And Then There Was Us, Annual Print Magazine, UK\n\n2021 - The Seventh Day (Albania), Kunsttraject (solo), Amsterdam, Netherlands\n2021 - La Manga del Mar Menor, Piet de Gruyter (solo), Amsterdam, Netherlands\n\n2020-2021 - Eyes on Main Street Photography Festival, Eyes on Main Street Gallery, Wilson, NC, USA\n\n2019 - Eyes on Main Street, Artist in Residence, Wilson, NC, USA\n2019 - HOPE group show, Boxpark Shoreditch, London, UK","user_id":209551,"name":"Mark Rammers","website":"www.markrammers.com"},{"id":216528,"bio":"Narnia Elizabeth Brooks was born in Chicago, Illinois. The child of writers, she has traveled, lived, and worked globally since a young age. Brooks attended Simon's Rock of Bard Early College and Emerson College, both in the United States. \n\nBrooks's photographic work focuses on large-scale portraiture and projects documenting societal issues. She primarily works in natural light and unstaged environments, and uses a range of equipment from vintage to iPhone to full-frame.  Brooks is currently working on a multi-year project focused on criminal justice reform. ","user_id":215926,"name":"Narnia Elizabeth Brooks","website":"www.brooks.photo"},{"id":302186,"bio":"\"I photograph, therefore I am\".  Currently a Colombian art student that tries to express her deepest reflections and emotions about the world through art, but mostly through photography. ","user_id":301584,"name":"Juliana Cuellar Bejarano","website":""},{"id":10374,"bio":"","user_id":10374,"name":"Marc Erwin Babej","website":"www.marcerwinbabej.com"},{"id":705216,"bio":"","user_id":704632,"name":"Jürgen Bubeck","website":"www.juergenbubeck.de"},{"id":17106,"bio":"","user_id":17106,"name":"Edie Bresler","website":null},{"id":727213,"bio":"Treasure the random moments. Snapshots. Memories. Based in Taiwan. From Hong Kong. Studied and worked in Japan.","user_id":726629,"name":"Chi Kin Chan","website":"www.thetimecrafts.com"},{"id":117349,"bio":"I tell stories.\n\nI started my working life in regional newspapers reporting on everything from pub brawls to golden weddings. It was there that I learned the power of a story and how everyone has a story to tell.","user_id":116747,"name":"Nicola Albon","website":"www.nicolaalbon.com"},{"id":13939,"bio":"","user_id":13939,"name":"Robert","website":"www.robertwiddicombe.com"},{"id":322363,"bio":"","user_id":321761,"name":"thanos laitsas","website":""},{"id":159744,"bio":"Jamie Jackson began photography in 2003 taking classes at the Morean Art Center and Dunedin Fine Art Center. In 2007, he began taking international workshops lead by photographers; shortly after he free lanced for American Photo and Pop Photo Magazines. Jamie has won and was published in Photo District News “Faces” portrait competition in 2009 and 2019. He has also served on the Board of the Florida Museum of Photographic Arts as both a member and Vice Chair where he created “One Day Tampa Bay” which has found its permanent home at the Morean Arts Center and in its tenth year. ","user_id":159142,"name":"Jamie Jackson","website":"www.jamiejacksonphotography.com"},{"id":12942,"bio":"Mateusz Palka (born 1985) photographer and critic. A PhD at the Institute of Philosophy. He prepared a dissertation on the aesthetics of Walter Benjamin. His research interests focus on the aesthetics and history of photography. He deals with large-format photography. He is interested in issues of time, memory and all the paradoxes and antinomian nature of the photographic image. Participant of several individual and collective  exhibitions: Presence among the absent (2012), Eastreet - Street photography from Eastern Europe (2013), Obsession (2014, 2016). \nA member of The Union of Artist Photographers of Poland (which is a member association of The Federation of European Professional Photographers). \n\nAcademia profile: https://wroc.academia.edu/MateuszPalka\nBlog address: mateuszpalka.blogspot.com","user_id":12942,"name":"Mateusz Palka","website":"mateuszpalka.blogspot.com "},{"id":185533,"bio":"Allison, a graduate of Rochester Institute of Technology, has won various awards for her outstanding photography. These include ASMP photographer of the year, American Photography(AI-AP) awards, NPPA awards, Boston Press Photographer’s gold awards, and many others. Allison’s passion for going deep below the surface of a story has led her to photograph across the globe. Her passion lies in bringing life to what we all miss in the everyday through photography. \nAllison's work has been a part of various solo and group exhibitions. Some of her clients include Consumer Reports, Wall Street Journal, Ritz Carlton Hotels, The Washington Post, Delta Sky, ZUMA Press, Associated Press, Agence France Presse, Getty Images, Bloomberg, The New York Times, The Wall Street Journal, and many others.","user_id":184931,"name":"Allison Dinner","website":"www.allisondinner.com"},{"id":13436,"bio":"Foremost a painter , but also works with drawings ,printmaking, sculpture and photographs.","user_id":13436,"name":"Carl Fredrik Schultz","website":"www.carlfredrikschultz.com"},{"id":10611,"bio":"","user_id":10611,"name":"Daniel Winter","website":""},{"id":121152,"bio":"Aggelos Barai is a documentary photographer. He was born in Fieri, Albania (1994) and in 1998 he migrated with his family to Greece, where he grew up. He has studied photography and art history in Athens. His work focuses mainly on social issues, such as human rights and migration movements in the Balkans. He has been awarded several prizes in Greece and abroad, including from the Educational Foundation of the Journalists’ Union of Macedonia \u0026amp; Thrace Daily Newspapers and the International Organization for Migration (IOM). He is a member of the Foreign Press Association of Greece and a brand ambassador for FujiFilm in Greece. Since 2012 he has been working as a freelance photographer, collaborating with non-governmental organisations as well as with Greek and international newspapers and magazines. He has been awarded the Stavros Niarchos Foundation Artist Fellowship by ARTWORKS (2022).","user_id":120550,"name":"Aggelos Barai","website":"www.aggelosbarai.com"},{"id":121194,"bio":"Sofia is interested in photography that has a performative edge but derives from the documentary heritage. This performative edge is drawn from the empathic relationship that she shares with her subjects. Even if she never appears in the photographs, the work is always referring to her, not only through texts but also through this relationship. She is interested in the actions they do for her camera. A lot of her work revolves around intimacy and themes emerging from it, keeping the necessary link of art and life. Trying to explain her existential and psychologically journey, while she also explores the thin line between memories, fiction, time and space.","user_id":120592,"name":"Sofia Ayarzagoitia","website":"www.sofiaayarzagoitia.com"},{"id":10683,"bio":"","user_id":10683,"name":"Christos Ilias","website":"www.christosilias.com"},{"id":121491,"bio":"Photographer, Based on Misawa city, Japan.","user_id":120889,"name":"Kiyoshi Yamaguchi","website":"www.lensculture.com/kiyoshi-yamaguchi"},{"id":713641,"bio":"I'm Lily and live in Chicago. I'm a NICU RN by night \u0026amp; a wanderlusting amateur photographer by day. My love of travel has taken me to 5 continents, 29 countries, 155+ cities \u0026amp; counting . I hope to continue my travels to continue photographing the beauty the world has to offer ","user_id":713057,"name":"Liliana Ornelas","website":"IG @soylily_a_wanderluster"},{"id":10710,"bio":"My passion and experience in photography is driven by my love of using large format cameras predominately 4x5 and now 8x10, shooting mainly in black \u0026amp; white. This is complemented by an extensive background in music, commercial and industrial photography, which includes photographing at many music festivals and concerts throughout the UK and Europe. I have over 25 years experience within the photographic industry, which equips me with the technical knowledge and practical skills to complete any project. In addition to that I work as Technical Demonstrator in Photography at the University of Northampton’s Photographic Department providing key skills to students and staff of all levels.\nI have exhibited at several solo and collaborative exhibition throughout the UK.","user_id":10710,"name":"Stephen Godfrey","website":"www.stephengodfrey-photography.co.uk, www.phototerragrams.co.uk"},{"id":10753,"bio":"","user_id":10753,"name":"Photo Saint Germain Des Pres","website":"www.photo-saintgermaindespres.com"},{"id":10750,"bio":"","user_id":10750,"name":"Annenberg Space For Photography","website":"annenbergspaceforphotography.org"},{"id":10771,"bio":"","user_id":10771,"name":"Christine Szeredy","website":"www.szeredy.com"},{"id":142148,"bio":"Orjan jakobsson\nA photographer and hairstylist\nWork a lot with portrait, weddings and editorials","user_id":141546,"name":"orjan jakobsson","website":"www.orjanjakobsson.com"},{"id":389600,"bio":"I am an Humanitarian Photographer born in the Midwest, but constantly traveling with a camera attached to the hip and a notebook in my pocket. I love capturing human stories and meaningful portraits. \n\nI focus my work on powerful stories that can help motivate change, bring awareness to a cause or elevate a mission. ","user_id":389016,"name":"Tara Shupe","website":"www.tarashupephotography.com "},{"id":10810,"bio":"(André Lützen (*1963) studied visual communication at the Academy of fine arts Hamburg and at the International Center of Photography New York. \n\nHis work has been shown in exhibitions, such as in the Haus der Photographie/Deichtorhallen Hamburg, the Krefelder Kunstmuseen, the Hamburger Kunsthalle, the Noorderlicht Photo Gallery Groningen, and at the New York Photo Festival. \n\nAndré Lützen´s pictures got featured in several international publications like Neue Zürcher Zeitung, Mare, Lettre, LFI Magazin, Art or Newsweek Japan. His last books „Before Elvis there was nothing“ and „Public Private Hanoi“have been published at Kehrer Publishing House, Heidelberg. \n\nHe teached photography at the Folkwang University in Essen and at the Muthesius Art School in Kiel and gave workshops in different countries like the Netherlands, Ivory Coast, Burkina Faso, Sudan, Russia or New Zealand.\n\n","user_id":10810,"name":"Andre Luetzen","website":"www.andreluetzen.de"},{"id":17166,"bio":"","user_id":17166,"name":"John Davis","website":""},{"id":172416,"bio":"I am a street photographer based in London,capturing the people,moments and streets I live in.","user_id":171814,"name":"Christian Cross","website":""},{"id":389695,"bio":"I am a photographer based in Bronzeville, Chicago. Very simply, I love the environment around me, and my camera helps me to notice it and capture moments as I encounter them. This broad, dynamic, stunning city I live in provides me loads of inspiration via its people, its structures, and its detail. I am grateful to have had my work featured at WithINSight Gallery in Chicago, Praxis Gallery in Minneapolis, and Black Box Gallery in Portland, Oregon.","user_id":389111,"name":"Whitney Bush","website":"www.whitneybush.com/photography.html"},{"id":10876,"bio":"Working in an advertising agency as the head of Film Production , takes me to \nexotic locations and my passion for photography drives me further to capture my favourite subject WILDLIFE . ","user_id":10876,"name":"Porus Khareghat","website":""},{"id":391043,"bio":"I have had the good fortune to travel extensively for work and for vacations, and often extend work travel for a few days of sightseeing. I tend to photograph things (urban architecture and landscapes) more than people. Photography is a long-term interest and hobby for me, going back to age 7, when I received a Brownie Hawkeye as a birthday present (which I still have). I still have a tendency to shoot digital photos as if they were film shots that cost money to develop and print. I often shoot famous tourist attractions, especially in distant locations, e.g., Bhutan and Tibet, but in general I photograph whatever catches my eye.","user_id":390459,"name":"Tony Wasserman","website":"www.flickr.com/photos/tony_wasserman"},{"id":10917,"bio":"My photography reflects how I view the world: as one huge creative playground where I try to capture bits and pieces to share with others. I’m not constrained by certain themes; rather I continually try new subjects as I find them or borrow them. They build on one another and I find that the story is evolving. Other artists work with a mix of media; I do the same, changing techniques and cameras as the situation dictates. ","user_id":10917,"name":"Dennis Hodges","website":"www.dennishodges.com"},{"id":10958,"bio":"MARIAM MEDVEDEVA (b. 1985, Russia) began her artistic career in music. Feeling a natural progression towards photography she moved to New York in 2010 to work on her new creative language. In 2012, she moved to Paris, graduating from a master program at the Speos Photographic Institute. Following exhibitions in Moscow and Paris, she received an award for young photographers at the 2013 Bièvres International Photo Fair, and was the recipient of two IPA Honorable Mentions for her projects Ichthys and Anticipation, in 2015 selected as Foam Talent  by Foam magazine.  She lives and works in Paris.\n ","user_id":10958,"name":"Mariam Medvedeva","website":"www.mariammedvedeva.com"},{"id":365014,"bio":"","user_id":364412,"name":"Ben Carroll","website":"www.bencarrollphotographs.com"},{"id":713022,"bio":"","user_id":712438,"name":"Lindsay Leslie","website":""},{"id":289704,"bio":"","user_id":289102,"name":"francisco ubeda llorente","website":"www.ubedallorente.com"},{"id":11087,"bio":"Van Lieu Photography is located on Nantucket Island. Photographers Dirck and Sharon Van Lieu specialize in landscapes and documentary work. They also offer architectural and commercial photography through their business – Nantucket Architectural Photography. Dirck and Sharon are year-round islanders and share a passion for photographing the island of Nantucket and capturing its fragile beauty. Their documentary erosion work has been on the front page of the Boston Globe, in a program about beach erosion on NECN, and has been used by educators, engineers and scholars and presented in professional seminars around the country.\n\nPortfolios are available upon request.","user_id":11087,"name":"Dirck and Sharon Van Lieu","website":"www.vanlieuphotography.com"},{"id":297054,"bio":"I define myself as a portraitist and streetphtographer, very attracted by feelings and emotions.","user_id":296452,"name":"Liuzzi Angelo","website":""},{"id":192316,"bio":"Passionate photojournalistic photographer focused on foreign and/or marginalized communities to highlight human commonality and promote understanding across cultures. Photographed in all 50 of the United States of America, in 54 countries over 5 continents, and in hundreds of cities, towns, and territories.\n\nIntrepid. Immersed. Inspired.\n","user_id":191714,"name":"David Taffet","website":"www.invisibleman.photography"},{"id":120461,"bio":"Molly Harris is an Australian documentary photographer. She has a strong interest in community, culture and marginalisation. ","user_id":119859,"name":"Molly Harris","website":"www.mollyharris.com"},{"id":135694,"bio":"20 years experience as a professional wedding and portrait photographer. Fellow of NZIPP\nBachelor of Fine Arts (Auckland University) Photography Major","user_id":135092,"name":"Phillipa Karn","website":"www.phillipakarn.co.nz"},{"id":148072,"bio":"The Maison de l’Amérique latine is an exceptional and privileged place of receptions and meetings  for the cultural and diplomatic Latin American community in Paris. \n\nIt has the ambition of being a place of encounters and exchanges, where all artistic expressions meet. The Maison de l’Amérique latine includes conference rooms, an auditorium, and lounges that open onto a wide park.\n\nIt is equipped with all the infrastructure necessary to aid in the organization of events and receptions of quality.","user_id":147470,"name":"La Maison de Amerique Latine","website":"www.mal217.org/en"},{"id":154277,"bio":"Sara Rubinstein is photographer based in Minneapolis, Minnesota. She graduated from Carleton College in 1998 with a degree in Biology and a minor in German, it took a brief stint as a computer programmer before she found commercial photography. She has been shooting campaigns for a diverse client roster for more than 16 years. \n\nWhen not on set, you will find Sara with a manual Leica rangefinder, still creating images for her personal works series including images of her family, haunted islands, and the low country of South Carolina where she was raised. ","user_id":153675,"name":"Sara Rubinstein","website":"www.rubinsteinphoto.com"},{"id":173751,"bio":"I was based in Palestine for many years during which my practice incorporated long-term personal projects, photojournalism and participatory photography with young refugees. I have exhibited work widely around the world and my work has been recognised in awards including the Sony World Photography Awards, Humanity Photography Awards and Travel Photographer of the Year.\nAfter returning to the UK I won the St Highs Foundation Arts Award (2017) and also received Arts Council England Grants to the Arts awards to restructure my practice around long-form collaborative documentary projects and develop my current collaborative project with a Syrian family rebuilding their lives in the north on England. In early 2020, supported by ACE, I was commissioned by Impressions Gallery to expand this project towards a new touring exhibition - 'In Which Language Do We Dream?' - which launched in August 2021 at Impressions Gallery, Bradford, UK. IWLDWD? has been recognised in the 2021 Global Peace Award and also was among winners of the BJP's Portrait of Britain award.","user_id":173149,"name":"Rich Wiles","website":"www.richwiles.com"},{"id":721692,"bio":"I am perceiving moments as unique frames which I memorize by pressing shutter button.","user_id":721108,"name":"Kacper Kasperkiewicz","website":""},{"id":11270,"bio":"","user_id":11270,"name":"Olya Ivanova","website":"www.olyaivanova.com"},{"id":727255,"bio":"","user_id":726671,"name":"Luigi Forlenza","website":""},{"id":143934,"bio":"","user_id":143332,"name":"Kirsten Utzon Popov","website":"www.kirstenutzonpopov.com"},{"id":19644,"bio":"","user_id":19644,"name":"Yiorgos Kordakis","website":"www.yiorgoskordakis.com"},{"id":11345,"bio":"Joshua is a commercial portrait photographer based in Brampton and Toronto, Ontario. Joshua has recently completed his Bachelor of Fine Arts at OCAD University in Toronto. Since picking up guitar at the age of 15, music has become a large part of Joshua's life and because of this, his work is heavily influenced by and involved with musicians in and around the Greater Toronto Area.","user_id":11345,"name":"Joshua Qubti-Andrews","website":"www.joshuaqubti.com"},{"id":221088,"bio":"I'm a chemical engineer, I love travelling around the world and taking pictures.","user_id":220486,"name":"Roberto Dessi","website":"www.facebook.com/roberto.dessi.37"},{"id":226048,"bio":"Ishay (Jesse) Lindenberg is a photographer based in Berlin.","user_id":225446,"name":"Ishay Lindenberg","website":"www.ish.li"},{"id":11438,"bio":"","user_id":11438,"name":"Chris Dewhurst","website":"www.christopherdewhurst.com"},{"id":185172,"bio":"","user_id":184570,"name":"Mathieu Andrieux","website":"www.mathieuandrieux.format.com"},{"id":719707,"bio":"My initial interest in photography lead me to shoot travel and sports photography, but the restrictions on events and travel have focused my mind on crafting a unique narrative voice and application of complex studio lighting. It's all just an enjoyable work in progress though, which I hope you like. ","user_id":719123,"name":"Justin McKie","website":"www.justinmckie.com"},{"id":11424,"bio":"My story started with a roll of film.","user_id":11424,"name":"Refugee Phan","website":"monokromestudio.com"},{"id":11422,"bio":"","user_id":11422,"name":"Akkara Naktamna","website":"www.akkaranaktamna.com"},{"id":11489,"bio":"","user_id":11489,"name":"Guillermo Srodek-Hart","website":"www.srodekhart.com"},{"id":218464,"bio":"I'm 31 years old. Trained as a legal advisor, went on to do seasonal retail jobs and used the winter season for traveling. I leaned about photography during my student years in law school 10 years ago. After some time I realised law wasn't going to satisfy my curiosity over the world and to this day I seek to explore through photography.","user_id":217862,"name":"Razvan Rosca","website":"www.razvanrosca.ro"},{"id":11596,"bio":"Michaël Zumstein, French-Swiss photographer was born in 1970. He graduated from the Ecole Supérieure de Photographie de Vevey (Switzerland).\n\nWhether working on commission for the French or International press or on his personal projects, Michael Zumstein’s photographic work follows an heritage of photojournalism and objective observation, which allows him to honestly render situations and to go beyond stereotypes.\n\nWhile following the conflicts in the Democratic Republic of the Congo, the Ivory Coast, and Sudan, he chooses to focus his photography on the « ambiguous relations between Africa and the West ».\n\nIn 2014, he carried out a large report about the Crisis in Central African Republic, in three parts.\n\nAlong with his work on the African continent, Michaël Zumstein covers French political and social news. For nearly two year, he has covered a series of stories on the Cité des Courtilières in Pantin, one of Paris’ hottest suburbs. Witnessing the tensions between the youth and the police, he was of the first to cover the violent demonstrations of 2005 in Paris’ suburbs of Villiers-le-Bel or Clichy-sous-Bois.\n\nLe Monde newspaper gave him the 2007 coverage of the presidential election and he has continued, since then, to follow current social and political events for different newspapers who rely on him to produce reportages where the use of where sensibility and rigor are indispensable.\n\nBesides his photography, Michaël Zumstein also runs photographic workshops in Africa for World Press Photo  and work on the African continent with several NGOs (Médecins Sans Frontières - MSF) and organisations (UNICEF).\n\nIn September 2014, he exhibited his work « Terror and Tears in the Central African Republic » at the Festival Visa pour l’Image in Perpignan.\n\nRead more, watch more or listen more on Michaël Zumstein's work :\n\n- https://www.facebook.com/zumsteinmichael\n- http://www.france24.com/en/20140905-visa-pour-limage-photojournalism-festival-perpignan-central-african-republic-zumstein-terdjman/\n- http://cnnphotos.blogs.cnn.com/2014/02/02/a-country-spiraling-out-of-control/\n- http://www.rts.ch/emissions/religion/faut-pas-croire/5546888-centrafrique-la-spirale-de-la-haine-interreligieuse.html\n- http://www.rfi.fr/afrique/20140908-michael-zumstein-photojournalisme-centrafrique-information-medias/\nhttp://tempsreel.nouvelobs.com/photo/20140829.OBS7627/centrafrique-le-sang-n-est-pas-la-preuve-que-la-photo-est-bonne.html","user_id":11596,"name":"Michaël Zumstein","website":"www.michael-zumstein.com/fr"},{"id":727297,"bio":"I first picked up a camera in college where a friend taught me how to develop and print black and white film. From the start, I was interested in street photography and have pursued it for almost 35 years. ","user_id":726713,"name":"Paul Smolinsky","website":""},{"id":11516,"bio":"Andrea Wallace is the Artistic Director of Photography and New Media at Anderson Ranch Arts Center. She received her MFA from the University of Colorado at Boulder. Before coming to the Ranch, she worked as Assistant Professor at Lake Forest College and Willamette University. Her film, Rochell and Brian, a documentary about teenage pregnancy, premiered at the New York International Independent Film Festival. She exhibits nationally and internationally with numerous shows throughout the Americas, Europe, China and the Middle East. ","user_id":11516,"name":"Andrea Wallace","website":"www.andreawallace.com"},{"id":727262,"bio":"","user_id":726678,"name":"Pedro Andrade","website":""},{"id":390418,"bio":"Ich bin von Beruf Bankkaufmann, habe aber bereits von Jugend auf immer wieder fotografiert. Seit 2016 beschäftige ich mich nebenberuflich mit der Fotografie mit den Schwerpunkten Landschaft- und Reisefotografie. Ich möchte hierbei verstärkt die Fineart-Fotografie einbeziehen.","user_id":389834,"name":"Jörg Hoffmann","website":""},{"id":153135,"bio":"","user_id":152533,"name":"Sara Pinilla","website":""},{"id":11644,"bio":"Born in 1971 in Italy.\nDuilio Bechini is passionate about Fine Art photography:\n\" I love the many forms of expression it offers. To take pictures, I use  analog or digital cameras in terms of what I represents. I currently prefer  the square format composition that gives greater linearity to my vision  and creates a bond with my analog photography. \nFor analog photography I personally work on development and printing.\"","user_id":11644,"name":"Duilio Bechini","website":"duiliobechini.weebly.com"},{"id":380857,"bio":"I am currently a student at the University of Arts in Poznań. He tries various photographic techniques, but everything has one common goal, to get to know and understand the other essence ... to find yourself.","user_id":380273,"name":"Daria Bielienkov","website":""},{"id":727316,"bio":"","user_id":726732,"name":"Viorel Munteanu","website":""},{"id":11712,"bio":"Joshua Dudley Greer (b. 1980 Hazleton, PA) received his BFA from the Maryland Institute College of Art in 2002 and his MFA, with distinction, from the University of Georgia in 2009. His photographs have appeared in publications such as The Collector's Guide to New Art Photography Volume 2, Flash Forward 2010, Le Monde, and Oxford American, where he was named one of the New Superstars of Southern Art in 2012. He has been awarded grants from the Maryland State Arts Council and Tennessee Arts Commission and has been featured online at sites such as NPR, Conscientious, Petapixel, Los Angeles Times, Flak Photo and Fototazo. His photographs have been shown in recent exhibitions at the Knoxville Museum of Art, West Virginia University, Catherine Edelman Gallery and the Ogden Museum of Southern Art. He is currently living in Johnson City, Tennessee where he is a visiting assistant professor of photography at East Tennessee State University.","user_id":11712,"name":"Joshua Dudley Greer","website":"www.jdudleygreer.com"},{"id":176836,"bio":"Amateur photographer who rarely picks up his camera due to having a young family ","user_id":176234,"name":"Noel Peries","website":""},{"id":11742,"bio":"Michael JP Hall is an image-maker based in Vancouver, BC.  His images have won awards and been presented  both in Canada and internationally. His most current work seeks to engage audiences on issues of environmental sustainability. ","user_id":11742,"name":"Michael J.P. Hall","website":"www.entanglement.ca"},{"id":11737,"bio":"Born (1970) and raised in Sydney, Australia, Murray Fredericks studied politics and economics at Sydney University. Following his undergraduate degree, he spent five years traveling in the Middle East and in the Himalaya. The experience of spending large amounts of time in these 'powerful' locations provided the basis for his approach to his photography.\n\nEssentially self-taught in photography, Fredericks undertook and completed a Masters of Art and then his MFA at the College of Fine Arts, University of New South Wales some years into his 'exhibiting' career.\n\nFredericks's work is derived from a perspective that views culture as something that cannot be wholly accounted for through social construct. It's a view that sees some values as derived from a 'time-less essence'. The work attempts to represent the experience when thought is temporarily suspended and the mind encounters 'other'.\n\nFrom the start of his career Fredericks process has involved prolonged solo journeys to remote and often extreme locations.\n\nAdventure and endurance have never been goals in themselves and neither have the journeys been 'spiritual' or 'monastic' undertakings. By their very nature, though, the locations are difficult to access and require large amounts time spent in them to move the compositions past the 'surface exotic'.\n\nMurray Fredericks is represented by Hamiltons Gallery in London and Arc One Gallery in Melbourne. His works have been exhibited internationally including at the Louvre as part of Paris Photo, in Shanghai and around Australia. His work sits in major public and private and corporate collections including the National Gallery of Victoria, National Portrait Gallery, Elton John, Valentino, ABN Amro and Macquarie Bank Collections.\n\nMurray Fredericks first documentary film 'Salt', where he was cinematographer and co-director, won twelve major international awards, played over 50 festivals and was screened on the ABC and PBS in the USA.","user_id":11737,"name":"Murray Fredericks","website":"www.murrayfredericks.com.au"},{"id":818178,"bio":"As an architectural photographer, my shutter bridges profession and passion. I seek fading urban textures beneath internet fame’s noise. Born on the Jialing River in a Third Front factory zone. Childhood echoes with ferry horns, diesel smoke—the tin ferry between Dongyang and Beibei, riverside teahouses. These fragments shaped my water-and-land city. Moving north revealed rigid city symmetry, contrasting my hometown’s organic cliff growth. Returning later: Chaotianmen Pier’s trade gone, alleys filled with selfie tourists, the cableway now scenic. A stranger home. Then I knew—photography transcends documentation; the lens must bridge time/space. Cities drown in consumerist spectacle images. Capital condenses Chongqing into curated icons. I see it as mountain-water architecture—a container of human bonds. Urbanization needs human presence. Overlooked alley individuals resist urban smoothing. Three years of imaging fieldwork. Preserved life traces: miniature figures against vast backdrops let Third Front memories converse with consumer landscapes.","user_id":803916,"name":"Tu Ximeng","website":""},{"id":206911,"bio":"Paul was born in Plymouth, MA in 1965. He received his AA from Quincy College and his AS degree in Sound Engineering from Full Sail University in Winter Park, FL. Although he holds no degrees in Photography, his deep passion for making photographic art has won him several accolades in various gallery shows throughout the U.S. including David Orton Gallery’s 7th Annual Group Show and Internationally at PH21 Gallery in Bulgaria, to name a few. He has been published internationally in Shots Magazine and Photographers Without Boarders Journal. Currently he is authoring his first photography and poetry book due this spring. His art, like his life, is a practice in everyday mindfulness and deep poetic insight.","user_id":206309,"name":"Paul David Shea","website":"www.pauldavidshea.com"},{"id":121677,"bio":"","user_id":121075,"name":"Manos Fikaris","website":"www.manosfikaris.com"},{"id":149741,"bio":"","user_id":149139,"name":"Roberto Alcaraz Oviedo","website":"www.instagram.com/benidorm_dreams/?hl=es"},{"id":13671,"bio":"Camille Renée Devid graduated from the Artemis Styling Academie in Amsterdam. It was there that she discovered the power of image, where she found and nurtured a passion for creating her own trend books and images. In the end she decided to follow her passion: she enrolled at the Foto Academie Amsterdam, graduating at the end of 2013. In September 2014, her first book My Other Side (Grey Matters 5) was published by Schilt Publishing. In November 2014 she got selected as one of the New Dutch talents of 2015.  And in June 2015 she joint the Preto Collective.\n\nCamille’s work is influenced by her international background and experience, having lived in Curacao, France and Spain. Currently she is based in Amsterdam","user_id":13671,"name":"Camille Renée Devid","website":"www.camilledevid.com"},{"id":45095,"bio":"Born in Soviet Georgia, Arza Rose Steinmetz  lives in Sao Paulo. Has artistic education in  free courses of art,  theater of objects, curating and photography. Develops authorial photography projects that include stage photography,  extreme, women, street, , current and decadent. Inspired by literature and cinema.","user_id":45100,"name":"Arza Rose Steinmetz","website":""},{"id":731123,"bio":"","user_id":730485,"name":"Florian Schumacher","website":""},{"id":731136,"bio":"\n","user_id":730497,"name":"le mat -","website":"le-mat.com"},{"id":390995,"bio":"I am an aspiring, Brooklyn-based photographer with a business, marketing and studio art background and a love for all things art and design. I'm constantly looking for new adventures to enjoy [and photograph!]. From international travel to touring my local neighborhood, finding inspiration in the everyday keeps me going. \n\nBy day, I am the Media + Communications Associate for Good Word PR, a Brooklyn-based media relations firm working with a wide range of brands to help define the modern lifestyle. To date, I've worked with brands across industries including consumer products, fashion, hospitality, interior design and lifestyle. ","user_id":390411,"name":"Amanda Carpenter","website":""},{"id":11857,"bio":"Clyde Heppner is a fine art photographer who largely focuses on depicting the landscape and is attracted to subject matter that has historical depth. His training in Psychology and a lifetime interest in Eastern art greatly influences how he configures the environment for the viewer. Although much of his photographic knowledge is self-taught, he furthered his education by studying under known photographers. Clyde began showing his photography in 2011 and has been included in several exhibits since at venues such as the Center for Fine Art Photography and the San Francisco International Exhibition. His recent portfolio, The Ancients’ Views, was featured in a 2014 solo exhibit at the Griffin Museum of Photography. His images are included in several private collections.\n\nA native of North Dakota and Minnesota, Clyde developed a passion for travel, which now takes him to places far different from where he spent his early years. Today, he lives in Missouri with his wife and a number of four-legged creatures.","user_id":11857,"name":"Clyde Heppner","website":"www.clydeheppner.com"},{"id":24148,"bio":"Born in Marosvásárhely, Romania, 1981. Photo editor for the monthly Képmás magazine (Hungary), freelancer journalist, photographer.\n\n\nExhibitions (Selection)\n\n\"In the path of Arminius Vambery\" (solo exhibition), Cafe Analogue, Budapest, Hungary, 2014-15.\n\n\"In the path of Arminius Vambery\" (solo exhibition), Kelet Café and gallery, Szatyor Bár gallery, Budapest, Hungary, 2014.\n\n\"In the path of Arminius Vambery\" (solo exhibition), Danube Museum, Esztergom, Hungary, 2014.\n\n\"In the path of Arminius Vambery\" (solo exhibition), Hungarian Museum of Trade and Tourism, Hungary, 19.09.13.-27.10.13.\n\n\"Extraordinary\", (group outdoor exhibition, organized by Noorderlicht), Drenthe, Netherlands, 08.06.13.-11.08.13.\n\n\"Bozgor\" (Solo exhibition), Hungarian House of Photographers, Budapest, Hungary, 2011.\n\n\"Phodar Biennal' 11\" (Group exhibition), Pleven, Bulgaria, 2011.\n\n\"Co-existence\" (group exhibition); Kossuth square, Hungary , 2011.\n\n\"Attention\" (group exhibition); Art-Bázis, Hungary , 2011.\n\n\n\n\n","user_id":24148,"name":"Tamas Paczai","website":"tamaspaczai.com"},{"id":170399,"bio":"","user_id":169797,"name":"Brynja Dögg Friðriksdóttir","website":"www.brynjadogg.com"},{"id":579875,"bio":"After recovering from 4 strokes and a heart attack, and being in a coma for 3 weeks, I enrolled in a local college with a wonderful instructor that lit a fire inside of me.  When I hold a camera to my eye,  all my troubles and all the issues of the world dissolve and I am completely submersed in what I see in the camera. I use it to escape and see things from a different point of view.","user_id":579291,"name":"Ray Asiala","website":"rayasiala.myportfolio.com"},{"id":11985,"bio":"29 years (date of birth: 6 august 1986)\nfreelance photographer, photo editor, teacher of photography","user_id":11985,"name":"Nikita Evdokimov","website":"nikitaevdokimov.com"},{"id":11924,"bio":"","user_id":11924,"name":"Marcus Haydock","website":"www.marcushaydock.co.uk"},{"id":17510,"bio":"","user_id":17510,"name":"Laura Young","website":"www.laurayoung.net"},{"id":292862,"bio":"","user_id":292260,"name":"Dana Reed","website":""},{"id":11978,"bio":"It has just been about two years since I started  taking pictures, but I have always been fascinated by the power of lens. Each time I get a chance to hold a camera, I feel I'm doing what is right for me. I feel so at peace.  It's like  a chance for me to capture the beauty of this world, the strong feelings and expressions, and the realities of life and in a way,  hopefully, be able to  inspire others.","user_id":11978,"name":"ALEXANDER DELA CRUZ","website":""},{"id":131804,"bio":"Born 1972 in Bremen. After studying journalism and Slavonic studies photographer's apprenticeship at Lette Verein Berlin.\nSince 1995 freelance photographer with focus on portraits, reportage and travel.\nSince 2003 photographer at laif Photo Agency.","user_id":131202,"name":"Katja Hoffmann","website":"www.katjahoffmann.de"},{"id":600586,"bio":"","user_id":600002,"name":"Haiyan Huang","website":""},{"id":727293,"bio":"Miembro activo del colectivo de fotógrafos Caminata Fotográfica.","user_id":726709,"name":"Moises Arenas","website":""},{"id":173198,"bio":"I was born and raised in Colombia :)","user_id":172596,"name":"Carolina Pizano","website":"www.criptolina.com"},{"id":108594,"bio":"The artwork I create I call “Color Scapes.” They are original photographic compositions that reflect the fluid nature of light, color, shape and line when stripped of their original form. They invite the public to consider other possibilities of the visual structure of our world and to inspire a more expansive way of perceiving reality, form, and color by highlighting what we see with what can be imagined. The process employed is an in-camera\ntechnique, using a single exposure and natural directional light (no\nphotoshop is used.) The captured moments reveal a parallel universe in which reality and possibility commingle playfully. In this world, the opposites, color/tone, line/shape, light/dark, and push/pull, merge and clash to create dynamic tensions that resolve into peaceful, life affirming, harmonic images.","user_id":107992,"name":"Louis Henri Pingitore","website":"www.colorscapestudio.com"},{"id":391382,"bio":"Mo Ji-woong (1985~) is a photographer who looks at reality and ideals at the same time with two eyes. Born in Seoul, he has been a photographer for a fashion magazine and is currently crossing between commercial and documentary work based on media.\nPersonal experiences, memories, daily emotions, worries, and reflections are used as materials for photography work, and photographs are taken using various forms. he want the work of photography to be directed at new interpretations and reproductions of reality, not just at the level of personal and confidential self-confession. He is interested in psychology and oriental philosophy, and is also interested in exploring human values.","user_id":390798,"name":"Jiwoong Mo","website":"woonge.net"},{"id":165124,"bio":"Documentary, Fashion and Portrait Photographer \nbased between  East Africa and Europe.","user_id":164522,"name":"Daniel Kempf-Seifried","website":"www.danielkempfseifried.de"},{"id":146578,"bio":"","user_id":145976,"name":"Kirsten Scully","website":"www.kirstenscullyphotography.com"},{"id":21107,"bio":"Nick is a Toronto based advertising and editorial photographer. He holds a Bachelors of Design from the Alberta College of Art \u0026amp; Design and has shot for various clients such as TD Bank, Air Canada: EnRoute Edition Magazine \u0026amp; Runner's World Magazine. ","user_id":21107,"name":"Nick Wong","website":"www.nickwongphoto.com"},{"id":641527,"bio":"","user_id":640943,"name":"Kremmy Dimitrova","website":""},{"id":12052,"bio":"","user_id":12052,"name":"Alberto Montagna","website":""},{"id":391612,"bio":"","user_id":391028,"name":"Enzo Memoli","website":""},{"id":12200,"bio":"KIM insook is the artist who makes her work mainly with photography and video through interactions with people. For her, the work is ‘an act of connecting’. \n\nShe’s working consistently for 14 years with the concept that is ‘ordinary’ in ‘unordinary’ things. And there is also special moment if you focusing on ‘ordinary’ days through private history of the people. The trace of ‘the meeting’ is visualized with installations of photos, videos and objects. \n\nKIM insook thinks their identity is exposed by their private history with the succession of ordinary days. This is why she’s paying attention to ‘ordinary’ days and ‘private history’. \nKIM insook is the artist who has interest in identity. Especially, the identity of the people who is put on something between. The interest comes from her own Identity as the third generation of ZAINICHI, Koreans in Japan. She was born in Japan. And working as an artist in Korea for 11 years from 2003. \nThe process of seeking her own identity made a chance to start the work. (* In this text, ZAINICHI means not just Koreans live in Japan. It means the people who moved to Japan from Korean peninsula in the Japanese colonial period and their descendants. From 1910 to 1945, in the Japanese colonial period, about 200 million people moved to Japan for seeking better life and compulsory manpower mobilization.)\n\nKIM insook had a number of solo exhibitions, including Gwangju Museum of Art, National Museum of Modern and Contemporary Art Changdong Residency. She was also presented in many group exhibitions that include the 16th Festival Month of Photography FOTOFO(Slovakia), Hong Kong International Photo Festival, Donggang International Photo Festival(Korea), Daegu Photo Biennale(Korea) among others. And She exhibited many Museum group exhibitions(Korea and Japan). \nKIM insook was selected as an artist in excellence in a 'Photo Review' programs at Seoul Photo Festival (2011), Daegu Photo Biennale (2012), and MIO PHOTO AWARD PRIME (2013). \nIn 2012, KIM insook’s 47 frame work has been acquired by Ha Jung-Woong Collection (Gwangju Musem of Art) in Korea.\n\n\n\nCV\n \nBorn in 1978, Osaka Japan. Currently based in Seoul.\n \n \n\nEducation\n \n2005 M.A. in Painting, Photography \u0026amp; images, HANSUNG UNIVERSITY, Graduate School of Arts, Korea\n\n2002 studied in Photography, VISUAL ARTS COLLEGE OSAKA, Japan\n\n2000 B.A. in Fashion, OSAKA SHOIN WOMEN'S UNIVERSITY, Japan\n \n \n\nSolo Exhibitions\n \n2014 Retelling Tales of the Cherry Blossoms, MIO PHOTO AWARD PRIME, Osaka, Japan\n\n2013 Retelling Tales of the Cherry Blossoms, Canon plex Gallery, Seoul, Korea\n\n2013 Continuous Way, National Art Studio Changdong of the National Museum of Contemporary Art, Korea\n\n2008 SAIESEO: between two Koreas and Japan, Gallery ILLUM, Seoul, Korea\n\n2008 sweet hours,Gwangju Museum of Art, Gwangju, Korea\n\n2005 sweet hours, Art space HUE, Seoul, Korea\n\n2004 lettertoYou, STUDIOEARKA, Osaka, Japan\n\n2002 Chang - 窓window, 唱song, 蒼blue - , Konica PLAZA, Tokyo, Japan\n \n \nGroup Exhibitions\n \n2015 Go-Betweens, Okinawa Prefectural Museum \u0026amp; Art Museum / THE MUSEUM OF ART, KOCHI, Japan\n\n2015 I Don't Belong, GALLRY H., Taipei, Tiwan\n\n2014 Go-Betweens, MORI ART MUSEUM(Tokyo) / Nagoya City Art Museum, Japan\n\n2014 JeokJaeJeokSo 積材積所, MMCA(National Museum of Modern and Contemporary Art) Residency\n\n2014 Haikou International Youth Experimental Arts \nFestival, Haikou Reflection, Hainan, China\n\n2014 Daegu Photo Biennale, Photo review encounter'12 Finalist exhibition, Korea\n\n2014 HELLO STRANGERS, space K Daegu, Korea\n\n2014 Korea8 KIM insook \u0026amp; MATSUMOTO Ruri exhibition, Atelier am Eck, Dusseldorf, Germany\n\n2014 KT\u0026amp;G SangSagnMadang ChunCheon Opening Exhibition, Chun Cheon, Korea\n\n2014 INTRO, National Museum of Modern and Contemporary Art Seoul, Korea\n\n2014 Five Views from Korea, Nooderlicht Photo gallery, The Netherlands\n\n2013 SOCIAL ART, Daejeon Museum of Art, Korea\n\n2013 12th DONGGANG INTERNATIONAL PHOTO FESTIVAL, Youth Collection, DongGang Museum of photography, Yeongwol, Korea\n\n2013 The national network of municipal art museums Art of Prayers - Special exhibition of Ha Jung -woong collection, Seoul Museum of Art / Gwangju Museum of art, Korea\n\n2013 Artist's Portfolio, SAVINA MUSEUM OF CONTEMPORARY ART, Seoul, Korea\n\n2013 Sajin Bipyong (Photography Criticism) Award the past winners Exhibition, Succeeding, TOPOHAUS ART CENTER, Seoul, Korea\n\n2012 HONG KONG INTERNATIONAL PHOTO FESTIVAL Parallel Visions: Japan and Korea Contemporary photography exhibition, Pao's Galleries, Hong Kong Arts Centre, Wanchai\n\n2011 Seoul Photo Festival Special ExhibitionII - Photo review Finalists Exhibition, Seoul Museum of Art, Seoul, Korea\n\n2011 U.K.I.E: VER, AM gallery, Brighton, UK\n\n2011 Time without borders, Art space HUE, Paju, Korea\n\n2009 The Trace of Time -10 Years of Sajin Bipyong Awards, Seoul Museum of art, Seoul, Korea\n\n2009 Asian Age project 2009 exhibition SISIBIBI, ALTERNATIVE SPACE GEONHI, Seoul, Korea\n\n2009 Art in Busan: Inter-city, Busan Museum of Art, Busan, Korea\n\n2008 Art Court Frontier 2008 #6, ARTCOURT Gallery, Osaka, Japan\n\n2006 16th Festival Month of Photography 2006 FOTOFO Contemporary Korean Photography: Korea New Days, DOME Umenia(exhibition hall), Bratislava, Slovakia\n\n2005 Seoul Exhibition of Young Artists, SEOUL MUSEUM OF ART, Seoul, Korea\n\n2005 Asian Age Project 2005 - Photo movie \u0026amp; Talk live Age2, Gyeonggi Cultural Foundation, Suwon, Korea\n\n2004 6th Sajin Bipyong (Photography Criticism) Award winners exhibition, DELIM CONTEMPORARY ART MUSEUM, Seoul, Korea\n\n2003 THE MONTH OF PHOTOGRAPHY TOKYO 2003, IN \u0026amp; OUT, Tokyo Metropolitan Museum of Photography, Japan\n \n \nAwards\n \n2013 MIO PHOTO AWRD, Selection Committee KASAHARA Michiko (Chief Curator, Tokyo Metropolitan Museum of Photography), Japan\n\n2012 Daegu Photo Biennale Photo review encounter'12 Finalists, Korea\n\n2011 Seoul Photo Festival Photo review Finalists, Korea\n\n2004 6th Sajin Bipyong (Photography Criticism) Award Prize, Korea\n\n2003 Konica Photo Premio New Generation of 24's Photographers, Japan\n \n \nCollections\n\n2012 Ha Jung-woong collection , Gwangju Museum of Art, Korea\n \n \nFund\n\n2008 Culture and art promotion found, Arts Council Korea, Korea\n \n \nResidency program\n \n2014 Residency Studio by the Cultural Office of the City of Dusseldorf, International exchange artist, Germany\n\n2014 MMCA(National Museum of Modern and Contemporary Art) Residency Goyang, Korea\n\n2013 MMCA(National Museum of Modern and Contemporary Art) Residency, community art project Artist, Korea","user_id":12200,"name":"KIM Insook","website":"www.kiminsook.com"},{"id":391407,"bio":"Rui Pereira – 1976, Sines Portugal. Degree in Architecture from Universidade Lusófona in Lisbon. Various training courses in photography at the Portuguese Institute of Photography, Lisbon. He has developed street, architectural and conceptual photography, and has taken part in several group exhibitions. In recent years, Rui has focused on authorial projects, where he reflects on everyday issues, characteristics of the territory, identity and tradition. He also develops projects on a more conceptual level in which explores the poetic, the spiritual, the banal, the moment, the relationship with time… 2024 Exhibition at BF 24-Photography Biennial, Vila Franca de Xira. 2025/4 Three exhibitions with the project, ‘As This Moment Slips Away’ held in  in Porto, Lisbon and Sines is home town. 2024 Photographic mentoring programme run by Pauliana Valente Pimentel, where he developed author projects. 2023 ‘Feeling the Street’ | Photography and Music | with Rini Luykz and Rita Ramos | M.A.R. (Street Arts Exhibition, Sines) 2022 Contributed photographs to António Chocolate's book of poems, ‘Sines Varanda do Oceano’ 2019 Group exhibition: ‘Mundividências’ at the Sines Arts Centre 2018 Solo exhibition ‘Reflections of Light and Shadow’ at the Emmerico Nunes Cultural Centre in Sines 2017 Group exhibition: ‘Local Impressions’ at the Sines Arts Centre 2012-2016 Architectural photography for an international company 2008-2011 Various training courses at Portuguese Institute of Photography","user_id":390823,"name":"Rui Pereira","website":"www.instagram.com/rppereira_inspiration"},{"id":12221,"bio":"Italian amateur photographer.\nPhotography as landing on a remote intimacy.","user_id":12221,"name":"Zaputin *","website":""},{"id":12261,"bio":"","user_id":12261,"name":"Lotte Floe Christensen","website":"www.lottefloe.com"},{"id":409481,"bio":"I am architect with a passion for photography, graphics and travelling.","user_id":408897,"name":"Lenka Vidot Mandelová","website":""},{"id":391530,"bio":"Omar Brest grew up in a slum in the city of Buenos Aires. As a boy he used to walk aimlessly through the city, capturing with his eyes everything that caught his attention. He used to take these walks with a toy camera playing photographer. When he grew up and was finally able to buy a real camera, he saw that he continued with his game that he had paused. He studied on his own, reading the few books he could get. \nOmar is now 32 years old and continues to explore photography as he did as a child. He recently published his first book called \"MUGRE\" with his collection of images of the City of Buenos Aires, its people and the footprint they leave behind.","user_id":390946,"name":"Omar Brest","website":""},{"id":391910,"bio":"Flavio Spedalieri is an award winning Australian Accredited Professional Photographer (APP) based on Sydney's Northern Beaches with strong interests in Science and Technology and a love of landscapes that has carved and influenced his style for capturing unique and captivating images.\n\nFrom a young age, Flavio developed strong interests and backgrounds in the fields of electronics, optics and LASERS, which to this day he continues to practice as an integral part of his professional work in the medical field of Ophthalmology. As a service \u0026amp; support engineer, Flavio works on specialised cameras to image the eye for diagnostic detection and identification of eye disease. ","user_id":391326,"name":"Flavio Spedalieri","website":"www.flaviospedalieriphotography.com.au"},{"id":727345,"bio":"","user_id":726761,"name":"Nad Sorensic","website":""},{"id":391588,"bio":"Vivre libre et caresser de mes yeux les beautés de ce monde, rencontrer des gens et partager l'unique, essayer de trouver la vérité dans la suspension du temps, je m'appelle Benjamin BOUHOURS, bienvenu dans mon monde","user_id":391004,"name":"Benjamin BOUHOURS","website":""},{"id":12498,"bio":"","user_id":12498,"name":"Stefan Schmeling","website":"www.paralaxis.com.br"},{"id":184623,"bio":"","user_id":184021,"name":"Ruben Meyer-Ebert","website":""},{"id":391704,"bio":"For the past decade, I’ve dedicated myself to capturing the essence of urban life through street photography. My work is characterized by vibrant colors, strong shadows, and compelling compositions that reflect the dynamic energy of the streets. Through my lens, I aim to tell the stories of everyday moments, transforming the ordinary into the extraordinary. My latest project, “Echoes of the Urban Pulse,” continues to explore these themes, showcasing the interplay of light and shadow in urban environments.","user_id":391120,"name":"Ayhan Canatan","website":""},{"id":391725,"bio":"Tianqi Fu is a Chinese Photographer, Born in Nanning China 1992,\n\ncurrently working in Paris \u0026amp; Tokyo \u0026amp; China\nEmail: ttftq36@gmail.com\nInstagram: xypxftq\n2nd Instagram:Img_tenki\n\nFormation\n2011-2015 Guangxi art institute, China, Oil Paiting\n2016-2018 L'école des beaux-arts de Rennes, France, option ART\n2018-2019 Spéos institute photographic Paris, France\n\nAWARDS\n\n2018\u0026nbsp;\n——Installation of the sound work displayed in the exhibition 'Paysage (s) Sonore (s)', Fougère, France.\n——3 installations are exhibited at EESAB in the 'View from the 6th floor' exhibition, Rennes, France.\n2019\n——Tokyo Foto Awards Honorable mention, Fine Art category. Tokyo, Japan.\n\n——OUT OF FOCUS Ambigüe organized ISPVA second place, Vanities Gallery, Paris, France.","user_id":391141,"name":"Tianqi FU","website":"www.tianqi-fu.com"},{"id":88804,"bio":"I became a photographer in the US Air Force in 1966 serving in South East Asia and England for 4 years.  I then stayed in England after my discharge and worked in Fashion, BBC and a variety of news agencies.  \n\nUpon returning to the US I became a Commercial / Industrial photographer for the last 45 years.  I am now semi retired and still work every day with my love of photography.","user_id":88351,"name":"Deane Ingram","website":""},{"id":391796,"bio":"I am an American photographer \u0026amp; writer who is heavily influenced by the history and landscapes of Northern California, where I was born \u0026amp; raised.","user_id":391212,"name":"Phoenix Kanada","website":"www.phoenixkanada.com"},{"id":49275,"bio":"Brett Canét-Gibson has a 35-year career as an image maker, Creative Director, writer and communicator in portrait, still life and landscape commercial and editorial photography, graphic design and visual arts. He has worked extensively in the print media, design and entertainment industries, and has received many international, national and local portrait and editorial awards.\n\nHis portraits are typically of people he has encountered on the street, taken using natural light and a portable backdrop. He says that he uses the city as his casting agency and the sidewalk as his studio. \n\nOver the past five years alone, Canét-Gibson’s work has been exhibited in major international photographic competitions including the PX3 Prix de la Photographie Paris (where he received the Gold Award); the fine art/still life category of the IPA International Photography Awards in New York (third prize); the International Fine Art Photography Award, London (second prize); the Kuala Lumpur International Photoawards (finalist) and the London Photo Festival Abstract and Fine Art Photography Competition (second runner-up).  \n\nAcross Australia, his work has been chosen for four exhibitions of the National Photographic Portrait Prize of the National Portrait Gallery, Canberra. In 2017, unusually, two of his portraits were chosen for exhibition. Remarkably, one, Mastura, was the judges’ runner-up and the other, Trevor, was the people’s choice winner and later acquired for the Gallery’s permanent collection. In 2015, Canét-Gibson’s image was the people’s choice at Sydney’s hotly contested Head On Photo Festival; the exhibition later showed in New York and Hyderabad. He has won Queensland’s DUO Percival Photographic Prize and been chosen as a finalist in Victoria’s Bowness Photography Prize and New South Wales’s Olive Cotton Award. \n\nIn Western Australia, Brett has won the City of Swan Art Award and been chosen as a finalist in the Mandorla Art Award and CLiP (Contemporary Landscapes in Photography). He has exhibited at the Office of Multicultural Interests at Elizabeth Quay, and in SCARP – The Alternative Archive Exhibition, a collaboration with Curtin University and the State Government in Dwellingup. His work is included in the State Library’s Permanent Archives Pictorial Collection, which aims to cover and preserve all aspects of WA's history and stories. \n\nOver 2020-2021 two of his portraits – of Spinifex man Trevor Jamieson; and of Ian Thorpe, taken at the World Swimming Championships in Perth in 1998 – are touring Victoria, Queensland and New South Wales in the National Portrait Gallery exhibition The Look, comprising the most arresting images from its collection of contemporary photographs. ","user_id":49280,"name":"Brett Canet-Gibson","website":"www.twineideas.com"},{"id":12571,"bio":"I am predominantly a landscape photographer, based in Suffolk, UK.\n\nI am particularly interested in the texture and colour of the landscape in different light and how the landscape changes with the impact of human activity.\n\n","user_id":12571,"name":"John","website":"johnmartynphotography.com"},{"id":297104,"bio":"Robin de Puy graduated from the Fotoacademie Rotterdam in 2009. She subsequently won the Photo Academy Award  In 2009. It doesn’t take long for the Netherlands to spot the talent of De Puy. In 2013, she receives the Dutch Photographic Portrait Prize for a portrait of fellow photographer An-Sofie Kesteleyn. The assignments keep stacking up and her career begins to take off. In 2015, she travels across America on a motorcycle. During this trip, an intimate portrait emerges in text and image of both herself as of the persons portrayed. This leads up to the exhibition ‘If This is True…’ in the Fotomuseum The Hague and a book (2016) named similarly. ","user_id":296502,"name":"Robin de Puy","website":"www.robindepuy.nl"},{"id":12620,"bio":"Amateur photographer.","user_id":12620,"name":"Geir Drange","website":""},{"id":391829,"bio":"Lavinia Nitu is a Romanian documentary photographer based in Modena, Italy. She’s an award-winning photographer.\n\nHer photography revolves around human nature and its interconnection.\nWith an approach that mixes an old fashioned war photographer's style to the contemporary  paparazzi boldness she concentrates her body of work in short term stories about individuals that make her curious enough to sit down and listen.\n\nHer work it’s a silent cry for help, knowing that most of the things she grew up with, in terms of society, habits and basic knowledge will disappear in less than 50 years.\n\nEach photo is a mirror and the viewers are encouraged to recognize the pattern of their own life in it. They are left to find their own emotion in other people’s routine.","user_id":391245,"name":"Lavinia Elena Nitu","website":"lavinianitu.com/en"},{"id":304228,"bio":"TomaszKawecki is a photographer. He completed courses at the Faculty of Architecture at the Cracow University of Technology. His works have been exhibited and published internationally, recognised by photography awards in the US, Poland, Japan and Italy among others.\n\nTomasz’s work is inspired by various manifestations of nature. Using elements of performance and installation, Kawecki’s practice explores the intersections of fiction and reality, resulting in quasi documentary outcome., whilst the dualism present in nature and man is a leitmotif in his work. He is interested in old legends and myths.","user_id":303626,"name":"Tomasz Kawecki","website":"www.tomaszkawecki.com"},{"id":25199,"bio":"","user_id":25204,"name":"Zuzanna Jeglorz","website":""},{"id":12765,"bio":"Deanna is a documentary photographer based in Singapore. Born and bred in Singapore, she believes that there's more to her country than the glitzy image that's often portrayed in the media. ","user_id":12765,"name":"Deanna Ng","website":"www.deannang.com"},{"id":297632,"bio":"Originally hailing from Tulsa, OK, Kent Meister is a commercial and editorial portrait photographer based in Brooklyn, NY. His early background as a theater and film actor deeply inform his approach to portrait photography, using the still moment to reveal subtle layers of personality and character. Apart from his commissioned assignments, Kent is working on several long form personal projects. He is an alumnus of the University of Tulsa and the School of Visual Arts with a Masters in Digital Photography.","user_id":297030,"name":"Kent Meister","website":"www.kentmeisterphotography.com"},{"id":602617,"bio":"I bought my first mirrorless camera (a Samsung NX300) in 2014 but for three years, I had no clear idea of what to photograph. In early 2017, a friend of mine posted a portrait of a girl carrying a mannequin on her Instagram. She had met the girl in the city and took only one shot of her. This portrait appealed to me much more than all her other - more staged - portraits.\nI asked myself how this kind of photography might be called and suddenly the term 'street photography' popped up in my head. When I googled it I saw all the stunning pictures of the genre and instantly knew what I wanted to do...\n \nI started to do some black and white pictures. But in May 2017, I went on a trip to New York City. Since I wanted to catch the unique colours of the city I turned to colour photography and I sticked to this focus since. \n\nI am based in Düsseldorf and many of my pictures are made here. Apart from my hometown so far I also enjoyed photographing in Hamburg, Berlin, London, NYC, Tel Aviv and Jerusalem, Bangkok and Chiang Mai.\n","user_id":602033,"name":"Jonas Grauel","website":"www.jonasgrauel.net"},{"id":15433,"bio":"Sheryl Anaya is a Puerto Rican artist who currently resides in Dallas, Texas. She graduated with BFA’s in both photography and sculpture from Texas Woman’s University. Her work explores themes related to identity, personal experience, and memory by way of installation and self portraiture. Sheryl has exhibited in venues such as the Washington Street Art Center, the Dallas Public Library, K Space Contemporary and the Rockport Center for the Arts.  She is a current member of 500X Gallery in Dallas, Texas. \n\nSheryl is also the editorial assistant of Light Leaked, an online photography magazine that creates dialogue about photographic creation, both conceptually and in business.\n","user_id":15433,"name":"Sheryl Anaya","website":"www.sherylanaya.com"},{"id":12851,"bio":"","user_id":12851,"name":"Chip Thomas","website":"www.jetsonorama.net"},{"id":167185,"bio":"I am an amateur street photographer who stumbled onto the street photography genre in 2011 and quickly realised that this was in essence one of the purest and most timeless sides to photography there is.  It continues to intrigue me to this day.","user_id":166583,"name":"Damien Sass","website":"www.flickr.com/photos/damien_sass"},{"id":179088,"bio":"Atoosa Alebouyeh (b. 1993, Tehran) is a photographer and fine art printing expert. she has received her BFA in Photography from the Islamic Azad University central branch of Art and Architecture and her Photoshop certificate from the Tehran University of Art. She started her art career in 2012, participating in several group and solo exhibitions. She has been working in the Tehran Image Works since 2016. Atoosa lives and works in Tehran.","user_id":178486,"name":"Atoosa Alebouyeh","website":"atoosa.alb@gmail.com"},{"id":297823,"bio":"Saša Ćetković was born in Zagreb, where he graduated from School of Applied Arts and Design at the Department of Photography. He is a member of the Croatian freelance artists association.\nIn Croatia, he participated in 50 exhibitions of which 15 are independent.\nPrizes:\n2023. BLACK \u0026amp; WHITE SPIDER AWARDS, special recognition, CA, USA\n2022. COLOR AWARDS, special recognition, USA\n2020. MONOVISIONS, special mention, London \n2019. HFC finalist, special award, PORTRAIT 2019 Zagreb, Croatia\n2018. PX3, Bronze, Paris\n2018. FAPA, finalist, London\n2017. PHOTODAYS, finalist, 3rd place Rovinj, Croatia\n2016. FPC, Gold Medal, Bishkek / Kyrgyzstan\n2016. CULTURE IN FOCUS, First Prize, Koprivnica, Croatia\n","user_id":297221,"name":"Sasa Cetkovic","website":"www.fotocetkovic.com"},{"id":297939,"bio":"","user_id":297337,"name":"Jerome Courenq","website":"www.jeromecourenq.com"},{"id":297838,"bio":"В прошлом морской инженер. Фотографией увлекаюсь со школы.  В последние годы почти все свободное время посвящаю фотографии. Художественного образования не имею.\nЛюблю современное искусство.","user_id":297236,"name":"Aleksander Malafeevski","website":"www.facebook.com/malafeevski"},{"id":12950,"bio":"I am an amateur photographer with an interest in documentary photography.","user_id":12950,"name":"Paul","website":""},{"id":297988,"bio":"Bill is an \"outsider\" photographer from outstate Minnesota. \nHis home on the web is www.billkrumholz.com\nemail bill@squirrelstock.com","user_id":297386,"name":"Bill Krumholz","website":"www.billkrumholz.com"},{"id":391892,"bio":"I am a LA-based fine arts photographer/content creator.\nI've always been surrounded by photos and cameras ever since I was a child because my father was also a photographer. However, my parents strictly opposed my path of becoming one too because they viewed art as a hobby. Having graduated from college with an intention of going to nursing school, due to family pressure, I dropped everything and picked up my camera again. Despite the fact that I've been taking photos since I was in middle school, I only started doing professional work this year. Everything I've learned until now is self-taught, but I am excited to share my world of art with others. ","user_id":391308,"name":"Catherine Han","website":"bit.ly/3rumhXv"},{"id":567331,"bio":"I am a Photographer. \nBorn and raised in Brazil, currently live in Rome, Italy.\n\nMy works turn around Fashion, Beauty Portraiture and Still Life Photography. I love shoot Editorials and Advertising Campaigns. I also do Creative Direction and Retouching. \n","user_id":566747,"name":"Stella Bonatto","website":""},{"id":216589,"bio":"Andrii Mur is Ukrainian photographer, \nwho moved to Tallinn, Estonia from Kyiv, Ukraine (in 2015)\nHis works are focused on personal explorations of Inner and Outer Worlds through Photography.\nAndrii is an active member of both Ukrainian and Estonian Street Photography communities \u0026amp; curator of local On The Edge photo festival.\nHis photographs won MSPF Miami Street Photography People's Choice Award 2019, 1st PLACE Documentary Family Awards in Environmental Portrait Category 2019, ISPF Italian Street Photography Festival Finalist 2022, and were exposed on numerous international and local photography festivals...  \n\n\"It’s not what you look at that matters, it's what you Feel. \nWake Up, we will look into each other's Eyes\"\n– Andrii Mur","user_id":215987,"name":"Andrii Mur","website":"andriimur.com"},{"id":13005,"bio":"I was born February 3, 1976 in Havana, Cuba.\nI studied Visual Arts at San Alejandro Art Academy in Havana City, and later at the \"Instituto Superior de Arte. (ISA)\"  During the first year of higher studies at ISA in 1995, I immigrated to the U.S. and continued studying and working within different art disciplines, principally, Printmaking and Photography. \nIn the U.S., I received a BACHELOR OF FINE ARTS from New World School of the Arts in 2002 and a MASTERS OF FINE ARTS at the University of Miami in 2008. \n\nI currently reside and work in Miami, Florida.","user_id":13005,"name":"Liliam Dominguez","website":"www.liliamdominguez.com"},{"id":121238,"bio":"I work freelance as an photographer, my passions are storytelling and craftsmanship. My stories are based on real life events, stories we read in the newspaper or we see on TV, parts of this information I turn into fictional and theatrical versions if my own. I get inspired by comic books and illustrations the way thy tell stories in a traditional way helps me to gif my stories shape. My vision about craftsmanship is that each image I select has to be carefully taking through the post-prodcution process, to give the image that almost tactile effect. Creation a story takes time and patience, its a continuous search for the right elements to come together. \n\nGraduated  Bachelor Degree  AKV st Joost Photography NL\n Graduated School for photography Photonica NL \n\nClients: Highlights\n\nStudio Job \nChamber New York \nFontys International \nHP de Tijd \nDesign 2 Chill \n\nGallery: \n\nwww.galerienastyalice.nl \nEindhoven, The Netherlands ","user_id":120636,"name":"Loek Blonk","website":"www.loekblonk.com"},{"id":88860,"bio":"Joseph Romeo is an international award winning architectural and fine art photographer.\n","user_id":88406,"name":"Joseph Romeo","website":"www.josephromeophotography.com"},{"id":216725,"bio":"Pierluigi Giorgi, a professional freelance photographer, takes on social issues, in particular problems liked to war conditions, post-war conditions and marginalized groups. He has always combined his work as report photographer with the search for new expressive possibilities in the language of photography, experimenting with various communicatives codes.\n\nPierluigi Giorgi, fotografo professionista, si occupa di temi sociali e in particolare delle problematiche legate a condizioni post-belliche e di emarginazione. Pierluigi Giorgi coniuga il lavoro di reportagista con la ricerca di nuove possibilità espressive del linguaggio fotografico, sperimentando diversi codici comunicativi e materiali.","user_id":216123,"name":"Pierluigi Giorgi","website":"www.pierluigigiorgi.com"},{"id":13074,"bio":"Amber Hall was born in 1985 in Seymour, Texas. She received her BFA in Photography from the University of Texas in Arlington and is currently pursuing a MFA in Photography at Texas Woman's University in Denton.","user_id":13074,"name":"Amber Hall","website":"www.art-illuminated.com"},{"id":13261,"bio":"","user_id":13261,"name":"Adrian Graham","website":"adriangraham.com"},{"id":222774,"bio":"I am currently an enthusiast photographer and have been so for most of my life.  Held captive in the corporate technology world by career, photography allows me to explore my need for a creative outlet.  An avid woodworker as well, I have recently begun to frame and mount my images in custom-designed frames.","user_id":222172,"name":"Gary Greenberg","website":"www.g2isite.com"},{"id":13115,"bio":"I am a San Francisco Bay Area-based artist and photographer specializing in Portraiture, Editorial, Fine Art and Experimental Photography. ","user_id":13115,"name":"Esther Sadeli","website":"www.esthersadeli.com"},{"id":58811,"bio":"I am a freelance reportage and documentary photographer with a love of street photography who is based in London, working on a regular basis for a variety of international publications and NGO's ","user_id":58816,"name":"Andy Hall","website":"www.andyhallphotographer.com"},{"id":13105,"bio":"","user_id":13105,"name":"Haley Morris-Cafiero","website":"www.haleymorriscafiero.com"},{"id":216718,"bio":"corso annuale presso CFP Bauer (Milano)\ncorso annuale di Fotogiornalismo presso Fondazione Studio Marangoni (firenze)","user_id":216116,"name":"alice lisi","website":"aliesidstudio"},{"id":537125,"bio":"I was born and grew up in Inner Mongolia, a self-taught filmmaker and photographer currently based in Singapore. My projects aim to promote diversity and non mainstream cultures that are usually been not known to the public. ","user_id":536541,"name":"Mandula B","website":"www.tamirgol.com"},{"id":584385,"bio":"","user_id":583801,"name":"Walerija Weiser","website":"fotografie-findet-stadt.de"},{"id":142591,"bio":"","user_id":141989,"name":"Isabel Rottiers","website":"www.isabelrottiers.be"},{"id":124901,"bio":"","user_id":124299,"name":"Bruno Ohanian","website":"bruno-o.book.fr"},{"id":561167,"bio":"I'm a freelance photographer, journalist and podcaster. ","user_id":560583,"name":"Suchandrika Chakrabarti","website":"www.suchandrika.com"},{"id":703488,"bio":"I'm from little town on the Uruguay coast, I'm traveler and decided live in Tauranga a city on new Zealand. \nI started on the photography in the beginning of this year, I love landscape photography, I trade to take photos of landscape","user_id":702904,"name":"Guille Rodriguez Baraibar","website":""},{"id":13266,"bio":"","user_id":13266,"name":"LensCulture FotoFest Paris","website":"www.fotofest-paris.com"},{"id":298418,"bio":"After movies and audiovisual studies, I devoted myself to writing and making short movies that have been inspired by living realities during my different trips (Canada, Africa, Australia, Cuba, India, Central Europe, East Europe, Middle East).  Photography is my lifemate and is becoming my logbook, day after day. It's my way of transmission about society realities. \n","user_id":297816,"name":"Lauranne SIMPERE","website":"www.lauranne-simpere.com"},{"id":13350,"bio":"Graduate of the Film Studies at the Jagiellonian University and Academy of Photography in Cracow. She looks at spaces and objects combining personal stories with documentary form. Careful and unhurried observation is important in her work. Photography is not a simple reflection of reality, but rather its transformation and interpretation. It refers more to the imagination than to visual perception. Gabriela Kaszycka has exhibited in Poland, France and Switzerland. She is one of the laureates SFR Jeunes Talents 2013 - Paris Photo.","user_id":13350,"name":"Gabriela Kaszycka","website":"www.gabakaszycka.blogspot.com"},{"id":121305,"bio":"\n'Conceptual Photography \u0026amp; Identity Exploration' Sonalika Vakili is an internationally recognized visual artist specializing in conceptual photography that deconstructs modern identity constructs. Her work explores the fluid boundaries between socially imposed identities and authentic self-expression, she strives to shed light on the fluidity and ever-evolving nature of who we are. . 'Nature as a source of inspiration' Conceptual Photography Interweaving Natural Phenomena \u0026amp; Human Perception Dialectical Interplay: Natural Elements \u0026amp; Human Consciousness  Through this dialectical Interplay, she invites viewers to contemplate their own perceptions of self and the world around them.","user_id":120703,"name":"sonalika vakili","website":"www.sonalikavakili.com"},{"id":13407,"bio":"I was born in Plovdiv in 1969. Since 1993 I work as a graphic designer in a private-owned company. In 2006 I graduated AMDA (Academy for Music, Dance and Art) with a Master Degree in Photography. Since 2008 I teach professionally of photography in the AMDA in Plovdiv. I participated in numerous joint photo exhibitions and I have three independent exhibitions.","user_id":13407,"name":"Mariana Kamburova","website":"www.marianakamburova.com"},{"id":660850,"bio":"Irish photographer with a fascination with portraits","user_id":660266,"name":"Vincent Corcoran","website":"vincentcorcorandcu.wordpress.com"},{"id":13388,"bio":"Calé has been a editorial and commercial photographer for the last 16 years, having contributed to publications such as National Geographic, Newsweek, Vogue, GQ, NY Times among others.\n\n In the last 3 years he has been dedicating more time to his art work, part of a big life change he have gone trough. His work looks into the universe of his inner experiences and the questions love, sexuality, identity and spirituality arise.\n His photos have been seen in galleries, museums and festivals in Denmark, Russia, Ireland, Argentina, Bolivia, Brazil and USA.\n\nHe recently won the XIII Marc Ferrez Prize in Brazil, a U$ 22.000,00 grant. He has also won the Iberoameicanos Award, Best Porfolio in Encuentros Abiertos Argentina and a Mention of Honor in Porto Seguro Prize 2002.\n \nArt Work\n2014             Exhibition of the series Seekers at Flash Forward Festival, Boston.\n2014             Exhibition of the series Seekers at Fotofest, Houston.\n2013             Winner of Marc Ferrez Prize 2013 with the series Bond.\n2013             Exhibition of the series Bond and #ProtestaRio in ParatyemFoco Festival.\n2013             Solo exhibition of the series Bond and Seekers at Galleri Image, Denmark, curated by Beate Cegielska and Jens Friis.\n2013             Collective exhibition and book Cotidiano Latino/US , Editoral RM, with photos of the series Seekers. Curated by Claudi Carreras.\n2013             Solo Exhibition of Seekers at Atelie da Imagem, curates by Angela Magalhães and Nadja Fonseca Peregrino.\n2013             Exhibtion of #ProtestaRio and lecture at FestFoto POA.\n2013             Exhibition of the series Seekers at the Foto 13 Festival, Brazil.\n2012             Exhibition of the series Seekers at Photovisa Festival, Krasnodar, Russia.\n2012             Exhibition of the series Seekers and Tá de Caô at Encontros Abiertos – Festival de La Luz, Argentina.\n2012             Collective exhibition Post with photos of the series Seekers,  Ireland, curated by Peg Amison.\n2012             First Prize at the III Prêmio Iberoamericanos de Fotografia with the series Seekers, collective exhibition at the Centro Cultural de España in La Paz.\n2012             Exhibition of the series Seekers and Tá de Caô? at the Encontros da Luz Festival in Buenos Aires, projection at Centro Cultural Recoleta.\n2011             Solo Exhibition  of the series Ta de Caô ? at the Centro Cultural da Justiça Federal, FotoRio Festival.\n2011             Exhibition of the seires Ta de Caô ? at FestFoto Porto Alegre, projection at the Instituto Santander Cultural.\n2011             Lecture and slide show at Ateliê da Imagem’s Sexta Livre project, Rio de Janeiro.\n2005             Solo Exhibition of the serires Eleven Uncommon Portraits in Rio at IBEU Gallery, FotoRio Festival.\n2003             Collective Exhibition of the series Absent Code at FotoRio Festival, in the show Da Pele Que Quer Ser Vista Ao Sentido do Invisível. The exhibition was also shown at Arte X Arte gallery, Argentina, and at the 3rd Festival de Fotografia de Miraflores, Peru.\n2002             Honorable Mention  at the Prêmio Porto Seguro de Fotografia, with the series Código Ausente, collective exhibition in São Paulo.\n \nPhotos in Collections:\n-       Arte X Arte Gallery Colection, Buenos Aires, Argentina.\n-       AECID Collection, Government of Spain.\n-       Gallery Image Collection.\n \n \n \n \nComercial and Editorial\n \n2005 – 2012  Freelance Photographer, based in Rio de Janeiro  has had his photos in main publications in Brazil and the world, such as National Geographic, Newsweek, NY Times, Vogue, GQ, BIG, Veja, Época, Trip, among others. Has several fashion and comercial clients like Cachaça Leblon, Antonio Bernardo, Banco Icatu, Leeloo, etc…        \n2007             Director of Cinematography at the brazilian set of french independent movie Chrysalid, directed by Jeanne Romana.\n2007             Director of the music vídeo Esse Sujeito, from brazilian singer Zanna.\n2007             Director of video recording of the pocket Ópera Solo, from composer Jocy de Oliveira.\n2003 – 2005  Freelance Photographer based in New York represented by the agency Polaris Images. Published in Newsweek, The New York Times, The Fader, Trace, RES, The Village Voice, Bloomberg News, Business Week, Corriere de la Serra, Paris-Match among others\n2004             Co-Director of the music video Percão, from  American DJ Diplo.        \n2003             Correspondent in Rio de Janeiro for Polaris Images e Bloomberg News.       \n2000-2003    Photo Editor at Quem Acontece magazine office in Rio de Janeiro.\n1997-2003    Freelance Photographer  for main publications in Brazil like IstoÉ, Época, Valor, Trip, Diálogo Medico, Carta Capital among others.\n1997-2000    Staff Photographer of IstoÉ Dinheiro magazine.\n \nAcademic Studies\n1991 -1997   Studied Architecture at FAU-USP, unfinished.","user_id":13388,"name":"Photographer Calé","website":"www.cale.art.br"},{"id":167596,"bio":"Altaf Qadri, b. 1976 is a Kashmiri photojournalist presently based in New Delhi. \n\nAltaf studied science at Kashmir University and began his working life as a computer engineer before he took photography as a profession. \n\nIt was not long before Altaf gained his first freelance assignment and, in 2001, he became a staff photographer on a local newspaper. \n\nIn 2003, he joined the European Pressphoto Agency, for which he provided extensive coverage of the conflict in Kashmir till May 2008. \n\nAltaf joined The Associated Press in September 2008 and was based in northern Indian city of Amritsar for nearly four years before moving to New Delhi in August 2012. \n\nBesides Kashmir conflict, he has covered news and feature stories from Afghanistan, Myanmar, Nepal, Libya, Saudi Arabia, Cambodia, Thailand and numerous provinces of India. \n\nAltaf's work has appeared in almost all the major newspapers and news magazines around the globe and his work has been exhibited in several cities like, Los Angeles, Washington DC, San Francisco, Santa Fe, Siem Reap, Houston, New York, Beijing, France, New Delhi, Ahmedabad and Mumbai.\n\nAwards\n\n2015: Photo Story of the Year by WE journalism Awards.\n2014: First place in People/ Portraiture Award by The Atlanta Photojournalism Seminar.\n2013: Documentary Award by UNESCO/ Humanity Photo Awards.\n2013: Best Feature Photo Story by APME.\n2013: Silver prize in General News category from China International Press Photo Contest.\n2013: Award of Excellence for International News Picture Story from National Press Photographers Association.\n2013: Honorable Mention in Contemporary Issues Stories from World Press Photo.\n2012: Third place in General News category from The Atlanta Photojournalism Seminar.\n2011: First place in People in News category from World Press Photo.\n2011: Second place in General News category from Media Federation of India.\n2011: Finalist in the World Understanding Award category from Pictures of Year International (POYi).\n2011: Award of Excellence in General News category from Pictures of Year International (POYi).\n2010: Third place in the feature photography from National Headliner Award.\n2008: First place in General News Story category from India Press Photo Contest\n2008: Best Published Picture Story category from National Press Photographers Association (NPPA).\n2008: The Paola Biocca International Reportage Award from International Journalism Festival, Italy.\n2007: Winner of the All Roads Photography Program from the National Geographic Society.\n2007: Nominated for the 11th International Festival of Photojournalism, Spain.\n2007: Bronze prize in War \u0026amp; Disaster News category from China International Press Photo Contest.\n2007: Special Jury Prize at the DAYS JAPAN International Photojournalism Awards.\n2007: First Prize in \"One Weeks Work\" category by Pictures of Year International (POYi).\n2007: Honorable Mention for the Nature \u0026amp; Environmental News Story from China International Press Photo Contest.\n2006: First prize in Sports Action \u0026amp; Feature category from India Press Photo Contest.\n2006: Outstanding Award in Spot News from China International Press Photo Contest.\n2006: Outstanding Award in General News from China International Press Photo Contest.\n2005: Second prize for International News Pictures Story Category from National Press Photographers Association.\n2005: Best Photo Story in General News category from Mumbai Press Photo Contest\n2005: Second prize in General News singles category from Mumbai Press Photo Contest.\n2005: Third prize in Sports Action singles category from Mumbai Press Photo Contest.\n2005: Third prize in People in the News singles category from Mumbai Press Photo Contest.\n","user_id":166994,"name":"Altaf Qadri","website":""},{"id":269323,"bio":"©rubicon \nYou never get the whole picture. \n\nIn all my pictures and projects I try to  capture  the synchronicity of happenings on different levels at the same time. I have several ongoing and concluded projects, of which some  have been shown  at the \"Kunstmarkt\" 2016 and 2017 in Basel, Switzerland. 'The Audience ' has been submitted as a portfolio at the Urban Foto Awards 2017 and was shown at the Trieste airport, Italy, in August 2017. \n\nPeople, portrait and music are my main photographic subjects.\n\nI live and work in Basel, Switzerland. ","user_id":268721,"name":"Ruth Angelillis","website":"angelillis.com"},{"id":56463,"bio":"Alessandro Lacchè grew up in Rome where he studied International Relations and Diplomatic Sciences. In meanwhile he experienced working in the social as well as with disadvantaged groups. During this period he started taking pictures, realizing that photography could be the genuine link between his studies and his interests.","user_id":56468,"name":"Alessandro Lacchè","website":"www.alessandrolacche.it"},{"id":76468,"bio":"I try to sculpture my photography and life, always looking for myself and a way to show people something with an abstract feeling. Searching for a word, resulting in an image. I go with the light without lots of technique. I never know what will come, a surprise, mix of emotions, ideas and the present.","user_id":76168,"name":"Marjan Verschraegen","website":"marjanverschraegen.wix.com/marjanverschraegen"},{"id":13441,"bio":"Jefferson Smith studied BA Fine Art at Middlesex University, followed by a Postgraduate Diploma in Photography at LCP. Jefferson specialises as an architectural and interiors photographer for UK and international editorial and commercial clients.","user_id":13441,"name":"Jefferson Smith","website":"www.jeffersonsmithart.co.uk"},{"id":100762,"bio":"After a bachelor in journalism studies I decided to turn away from this form of report and enter the photojournalism field. An image is worth a thousand words... \n\nMy photojournalism projects are exclusively about animal rights while my more personal projects revolves around identity (my own, my family, my close ones).\nI also do some still photography work especially in cinema.\n","user_id":100160,"name":"Caroline Vincent","website":"www.carolinevincent-photography.com"},{"id":13502,"bio":"Amateur","user_id":13502,"name":"Cristian","website":"www.mitographia.com"},{"id":181769,"bio":"Lorenzo Catena is a photographer and architect based in Rome, Italy. Author of the book Mareterno (Eternal Sea) published by Eyeshot in 2021.\n\nThe Roman photographer captures moments of everyday life, working towards complex and evocative compositions, assembled with harmony through vibrant colors and play of natural and artificial light. His photographic approach connects situations that are apparently unrelated to each other in a new personal and emotional vision, creating unexpected narratives.\n\nIn 2018 he was among the honorable mentions of the Sony World Photography Exhibition and his work was exhibited at Somerset House. In 2018 he won first prize at the London Street Photography Festival (London category). In 2019 Lorenzo was among the winners of the \"Summer heat\" competition curated by Magnum Photos. In 2021 his work was selected by Martin Parr among the winning photos of the Street Photography category for The Independent Photographer Platform.","user_id":181167,"name":"Lorenzo Catena","website":"www.lorenzocatena.com"},{"id":727373,"bio":"Fotografo aficionado  desde 1970 , autodidacta, he realizado fotos de casi todos los estilos, Tambien me gusta el retrato con luz natural. ","user_id":726789,"name":"Jose Cava Lumbreras","website":""},{"id":842398,"bio":"522bet-brl.br.com offers exquisite gourmet recipes and culinary experiences, elevating your dining with rich flavors and expert cuisine insights for food enthusiasts.\nBrand: 522bet\nWebsite: https://522bet-brl.br.com\nAddress: R. Augusta, 2500 - Consolação, São Paulo - SP, 01305-100, Brazil\nPhone: +55 (07) 9430-7942\nEmail: 522bet-brl@gmail.com\nHashtag: #522bet-brl #522bet-brlfood #522bet-brlrecipes #522bet-brlculinary #522bet-brldining","user_id":828241,"name":"ff azbhg","website":"522bet-brl.br.com"},{"id":434692,"bio":"","user_id":434108,"name":"Wojciech Witkowski","website":"wwitkowski.pl"},{"id":298871,"bio":"I am a photographer and image manipulation from Thailand , my passion is in the field of surreal and futuristic to reflecting on environmental crisis.because of i love my  working of photographing and image manipulation since analog era...and now  time come for the digital world where we feel  about the perception was changed. It seem like a blending of reality and fantasy image. Which i'm trying to convey these message as a storytelling of the tale.","user_id":298269,"name":"Dansoung Fotodokkma","website":""},{"id":13613,"bio":"","user_id":13613,"name":"Sandy Kroopf","website":""},{"id":542519,"bio":"Jestem artystą plastykiem. Ukończyłem Akademię Sztuk Pięknych w Łodzi, w Polsce.\nOd wielu lat penetruję obszary między zjawiskami i koncepcjami na polu sztuki. Było to m.in. badanie możliwości zachowania treści w sztuce abstrakcyjnej  („między znaczeniem a bełkotem” – cykl abstrakcyjnych akwareli/gwaszy połączonych z rysunkiem, powstałych pod wpływem konkretnych przemyśleń filozoficznych) czy penetrowanie obszaru między figuratywnością a abstrakcją (cykl skanowanych portretów grafizowanych w stopniu powodującym ich abstrakcyjność w zależności od dystansu oglądania). \n„Wertykalny horyzont” to projekt, w którym wykorzystuję przestrzeń między twórcą a rzeczywistością jako ekran projekcyjny, na którym pojawiają się graficzne, subiektywne komentarze. ","user_id":541935,"name":"Zbigniew Bogatko","website":"zbyllu.blogspot.com www.flickr.com/photos/39311516@N05"},{"id":13734,"bio":"An Australian fine art photographer based in London, my work varies from staged portraiture and self-portraiture inspired by light, colour, locations, characters, props and costumes, through to recording my fascination with natural and urban landscapes and details, creatures, and death.\n\nAlong with two solo exhibitions in Melbourne, Australia – ‘alternate worlds’ (2007) and ‘simulacrum’ (2010) – my work was shortlisted for the Corangamarah Art Prize in 2008, 2009 and 2010; Williamstown Festival Contemporary Art Prize 2010; and I was a finalist in the Toyota Community Spirit Artist Travel Award 2009.\n\nI undertook a one-month artist residency at Hospitalfield in Arbroath, Scotland, in 2011 to complete my series, ‘interior / exterior’, and develop new work, including my current series in progress, ‘metanoia’.","user_id":13734,"name":"Bronwen Hyde","website":"www.bronwenhyde.com"},{"id":13754,"bio":"Marco Maria Zanin was born in Padua in October 1983.\nAn eclectic humanist, he first took a degree in Literature and Philosophy, and then in International Relations, obtaining a Master’s degree in psychology. At the same time he developed his artistic career, and travelled widely in different parts of the world, putting into practice the “displacement” so essential for a critical analysis of social contexts, and to fuel his research aimed at identifying the common spaces of the human community.\nMyth and archetype as the submerged matrices of modern behaviour are the focus of his enquiry, which is based on observation of the relationship between man, territory and time.\nHis instrument of choice is photography, which is often used combining different techniques and transcending the borders of other artistic disciplines.\nHe lives and works between Padua and São Paulo, Brazil.","user_id":13754,"name":"Marco Maria Zanin","website":"www.marcomariazanin.com"},{"id":121322,"bio":"I'm a photographer and folk artist.  I'm self-taught other than a period of time where I studied photography with Martin U. Waltz and then with Ed Kashi.\n\nPerhaps you have stared at something or someone too long and they taunt out with, \"Why don't you just take a picture?  It'll last longer!\"  So that's what I do.\n\nI am particularly fascinated with fringe cultures and continuing to document the redlight district of Tijuana, a project I began in 2015.","user_id":120720,"name":"Lily J Noonan","website":"www.americalifornia.com"},{"id":121722,"bio":"\n","user_id":121120,"name":"Adrien Huntzinger","website":"www.adrienhuntzinger.com"},{"id":13787,"bio":"I am a London-based artist using photography, I graduated from LCC (UAL) MA Photography in 2015, previously having a background in design with a degree from Central St Martins. ","user_id":13787,"name":"Julia","website":"juliabiro.co.uk"},{"id":13874,"bio":"","user_id":13874,"name":"Akis Detsis","website":"www.akisdetsis.com"},{"id":392303,"bio":"Young Sool Cheon\n\nIt is because I realized the meaning of my name (which is destiney)  33 years after I was born , I could luckily experience many things in the other field that is not related to art.  I lived in Canada, Spain, Panama, Colombia for total 13 years. I had rice ball restaurant business and used to work in LG Electronics for 4 years as expat. I studied political science in the university. \n\nMy name 'Young'  means comfortable and 'Sool' means Create.  So ever since I realized the meaning of it, I bought my first camera and decided to take photography until I die. ","user_id":391719,"name":"Young Sool Cheon","website":"www.cheonyoungsool.com"},{"id":392454,"bio":"Kathleen has had a love of art and nature from an early age and graduated with a degree in journalism with an emphasis in photojournalism from the University of Georgia in 2000.  After graduating, she moved to Chattanooga and worked as a staff photojournalist for the Times Free Press for seven years, winning numerous state and regional awards, as well as being nominated for a Pulitzer Prize in 2002.\nFor the last 15  years she has worked as a freelancer and continues to receive international recognition and awards for her work. She is currently working on projects relating to mental health and the Covid-19 pandemic. \nKathleen lives in Tennessee with her husband, Jay, and their two children. ","user_id":391870,"name":"Kathleen Greeson","website":"www.kathleengreeson.com"},{"id":14069,"bio":"","user_id":14069,"name":"Cheryle St. Onge","website":"www.cherylestonge.com"},{"id":13930,"bio":"I am a professional photographer in Sydney mainly specialised in corporate portraits. I've now developed a strong interest in art photography and am very interested to see what others are doing and to share on all aspects of photography.","user_id":13930,"name":"Mark Gordon","website":"corporatephotographysydney.com.au"},{"id":122015,"bio":"I'm an industrial designer, trends forecaster and ethnographer turned photographer and filmmaker - craving new lenses, filters and stories: in other words looking for new ways to make sense of what is happening around us. https://vimeo.com/141772408\n\nI'm the founder of TheOverworld, a London creative consultancy. I was born in Argentina, and live in London since I was awarded a scholarship from the British Council to study for an MA in Design Strategy and Innovation. After graduating I worked at the design and innovation consultancy Seymourpowell for twelve years, where I was Head of Ethnographic Research Director of Futures.\n\nI have travelled the world researching people’s everyday lives uncovering insights that lead to the creation of successful products and services. I'm keynote speaker at international events about research, design, media and the arts.\n\nAs an artist I work with photography and film. In 2015 I exhibited at the Duolun Museum of Modern Art, Shanghai.","user_id":121413,"name":"Paula Zuccotti","website":"www.paulazuccotti.com"},{"id":18217,"bio":"I'm a fine art photographer whose projects concern the effects of change on people and landscapes and how they cope and continue. Disruption is a frequent theme of my work. I'm drawn to the aftermath of upheaval, be it ecological or social, momentary or spread over millennia.","user_id":18217,"name":"Patricia Galagan","website":"www.patriciagalaganphotography.com"},{"id":392246,"bio":"Eadweard r. York (b. Omaha, Nebraska - Twentieth Century) is an American-born photographer, film-maker, artist and visionary most noted for his compelling, iconic images of a society on the verge of destruction.\n\nEadweard has constantly pushed the boundaries of conceptual, avant-garde art as an infamous, underground outsider whose distinctive, surreal, pop-punk-dada style is easily recognizable, very powerful, and quite visionary. Eadweard’s legendary art, public-reaction performances, and installations have been quite influential, sometimes confrontational, always at the forefront in the art world.\n\nHis powerful street photographs documenting the disenfranchised are in stark contrast to the numerous celebrities, bands, musicians and models who have appeared in front his lens, but whether affluent or impoverished, the images are stripped of all pretense and not easily erased from the mind - the work of one keenly aware of the essence of his subject matter. \n\n","user_id":391662,"name":"Eadweard R York","website":"www.eadweardyorkfoundation.com"},{"id":447697,"bio":"James Onaka is a Congolese born photographer based in Manchester. He holds a degree in Film and Media having studied at Manchester Metropolitan University. Having taken up photography as a creative hobby, a passion for the art has sparked from within which he plans to purse full time.","user_id":447113,"name":"James Onaka","website":"jayonaka.tumblr.com"},{"id":13969,"bio":"","user_id":13969,"name":"Hui-chun Lee","website":""},{"id":14010,"bio":"I am currently a 3rd year graduate student in the studio art program at the University of Alabama.  I moved to Tuscaloosa from Flint, Michigan in the Fall of 2013 with my partner and two children just after graduating from the University of Michigan Flint with my BFA in Photography to pursue my MFA degree. ","user_id":14010,"name":"Sarah Ann Austin","website":"www.SarahAnnAustin.com"},{"id":116533,"bio":"Chriss Clark is a photographic artist who seeks to expand the scope of the African Diaspora through layered depictions of personal and collective narratives. Interweaving autobiography with history, her images look to bring the experience of the contemporary African American into focus through appropriation, portraiture, and documentation. Unleashing a raw exploration of afrofuturism, selfhood, and gender. \n\nA Detroit native currently residing in Atlanta, Clark’s interest in African American narratives was sparked during her time at Spelman College where she graduated from in 2012 with a Bachelors of Art in Philosophy. She is currently pursuing her Masters of Fine Art in Photography at Savannah College of Art and Design.  \n","user_id":115931,"name":"Chriss Clark","website":"www.chrissclark.com"},{"id":121775,"bio":"MSc. of Civil Eng. Highway and Transportation\nFreelance Photographer\nI started photography since 2010\nparticipated in some of national \u0026amp; international  photography exhibition.","user_id":121173,"name":"Mostafa Roshani","website":""},{"id":121744,"bio":"I'm an italian professional BW mountain photographer. I shoot B/W usually, mostly analog, medium format.  Throughout my childhood, formative years and into adulthood I’ve always been surrounded by rocks, woods, rivers, waterfalls and snow-capped peaks. I was lucky enough to grow up in the very heart of the Dolomites, in Cortina d'Ampezzo. My father was a climber, a writer and a filmmaker; from my very earliest years I closely followed him along seemingly endless mountains paths and tracks. I’ve lived and continue to live them today. I’ve written about them and told their stories through words and photographs. I’ve been shaped by mountains. My destiny as a photographer couldn’t have gone any other way. ","user_id":121142,"name":"Alberto Bregani","website":"www.albertobregani.com"},{"id":75312,"bio":"I love Art since I have memories. I am passionate of all artistic expressions: photography, poetry, music, painting, sculpture, literature, visual arts, theater. I am fascinated by the wonderful ability of human beings to express themselves through images, words, notes, frames, stage representations. This passion was further strengthened by the study of the History of Italian Art in the years of the classical high school.\n\nI have studied the approaches to the image of the Great Photographers of the past and keep myself updated by following the proposals of the new lines of contemporary photography.\n\n \n","user_id":75012,"name":"Alessandra Trischitta","website":"www.altricuori-di-alessandra-trischitta.com"},{"id":143668,"bio":"I was born in South Germany during the wild eighties and originally studied automotive engineering. Being serious about photography didn´t start during my childhood. During my first longer stay in Brazil it hit me really hard and since then it didn´t let me go again. Obsession and passion about photography made me read a lot, practice even more and finally quit my job as an engineer to do what I love full time.  \n\n","user_id":143066,"name":"Alexander Wunsch","website":"www.alexwunsch.com"},{"id":14264,"bio":"As a prolific photographer for House Beautiful, Better Homes and Gardens, Architectural Digest, and Sunset magazine, Maynard L. Parker (1900–1976) was a pioneer in documenting residential spaces and landscapes for postwar America. His extensively published, sun-kissed brand of photography made him a critical contributor to domestic design culture from the 1940s into the 1960s. Parker's lens revealed the homes and lifestyles of affluent Americans and celebrities, including Judy Garland, Clark Gable, and Bing Crosby, as well as the interiors, gardens, and built works of Samuel Marx, Frank Lloyd Wright, Thomas Church, and Cliff May, offering an alluring template for living in a new consumer age.","user_id":14264,"name":"Maynard Parker","website":""},{"id":289941,"bio":"\nSimon Gasquet\nFrance \n\nLive and work in Paris, France. \n_____\n\nGRANT \n\n• 2021: Winner - Polaka Magazine X Kickstarter Open call - First book project - Series: Shadow of Doubt / L'Ombre D'Un Doute.\n\n• 2019: Freelens – New Storytelling award - shortlisted - 10 best photo films - Series: Japanese Night / Yoru\n\n• 2019: Imago Festival Lisboa - Shortlisted 20 best portfolios for the open call Imago 2020.\n\n• 2018: Photography Grant - Urban category - shortlisted -\nSeries: Japanese Night\n_____\n\nPhotography Education\n\n2015/2016 - EFET Paris, School of photography \n\n2011 - Magnum Agency workshop - under photographer Bruce Gilden - Format Festival - Derby, UK\n\n2009 - Master in Applied Arts\n","user_id":289339,"name":"Simon Gasquet","website":"www.simongasquet.com"},{"id":727490,"bio":"La photographie est depuis de nombreuses années entrée dans ma vie sous différents aspects mais ce n est que ces dernières années que je me suis plus concrètement orienté vers la photo de la rue….Mon temps disponible s’étant agrandi j’essaye en autodidacte de découvrir la finesse du genre et ses nombreuses subtilités.","user_id":726906,"name":"Christian VAN HECKE","website":""},{"id":14316,"bio":"Photographer, blogger and visual producer living in Mexico City","user_id":14316,"name":"Melvin Lara","website":"www.melvinlara.com"},{"id":392476,"bio":"I am a semi-professional selftought photographer who was earning money with interior-photography but as a hobby love many terrains like urbex, portrait, studio, fantasy, landscape, streetphotography and interior/exterior-photography.\n\nMy background is a draftsman/engineer with a furniture-manufacturer where I make technical drawings. Got my degree in interior-design and construction.\n\nHad my own studio for a few years which gave me chance to do cool projects.\n\nI love shooting outdoors or at cool locations. It never bores me.","user_id":391892,"name":"Dick Carlier","website":"www.carlierphotography.com"},{"id":836465,"bio":"Studying Level 3 Photography at College","user_id":822203,"name":"Archie Pethybridge","website":""},{"id":138635,"bio":"Social landscape; portraits; nature.","user_id":138033,"name":"Peiyao Liu","website":"peiyaoliu.com"},{"id":27072,"bio":"","user_id":27077,"name":"Ginny Stewart","website":"ginnyrosestewart.com"},{"id":392592,"bio":"I am Mechanical engineer with hobby of photography","user_id":392008,"name":"Rajesh Dadi","website":""},{"id":727509,"bio":"London based Photographer","user_id":726925,"name":"Peter Lally","website":""},{"id":14496,"bio":"Alison Nordström is an independent scholar, specializing in photographs of all kinds. She is known for her writing, speaking, and curating and for the administration of photographic projects both in the US and internationally. Recent publications include \"On Becoming an Archive\" in Reading Magnum; Disappearance of Darkness: Photographs by Robert Burley; New Topographics; and Nature as Artifice: New Dutch Landscape in Photography and Video Art.  She currently serves as Consulting Curator for International Programs at the Griffin Museum of Photography, and as Artistic Director of the Lodz (Poland) Fotofestiwal. In the fall of 2015 she will be Scholar-in-Residence in the Graduate Department of Photography, Lesley University.\n\nFrom 2004-2013, Nordström was Senior Curator of Photographs at George Eastman House, the oldest and largest museum of photography in the United States. From 1991 to 2002, she was the Founding Director and Senior Curator of the Southeast Museum of Photography in Daytona Beach, Florida. She has curated over 100 exhibitions of photography including the popular biennial series Fresh Work, and major surveys of landscape, portraiture, travel photographs and journalism. At George Eastman House, she curated Paris: Photographs by Eugene Atget and Christopher Rauschenberg; Why Look at Animals?; Know War;  Found: Photographs by Gerald Slota; Truth/Beauty: Pictorialism and the Photograph as Art 1845-1945; and Lewis Hine, shown at Eastman House, ICP and five major European museums. Nordström holds a BA in English Literature, an MLS with museum emphasis, and a PhD in Cultural and Visual Studies.\n","user_id":14496,"name":"Alison Nordström","website":""},{"id":268400,"bio":"I am currently working as a studio photographer in Brunswick, Ohio.","user_id":267798,"name":"John Earl Brown","website":"johnearl.wixsite.com/jebphotography"},{"id":18189,"bio":"","user_id":18189,"name":"J Mark Griffith","website":"www.jmarkgriffith.com"},{"id":18212,"bio":"","user_id":18212,"name":"Michal Iwanowski","website":"www.michaliwanowski.com"},{"id":168446,"bio":"I am an amateur photographer that is passionate about traveling and experiencing new people and cultures. ","user_id":167844,"name":"Azadeh khoshkam","website":"aziphotography.zanoos.com"},{"id":216727,"bio":" I have been traveling the world now for 25 years, but only picked up a camera  5 years ago. I prefer to photograph people its what makes me happy.","user_id":216125,"name":"marklan fleshman","website":"marklanf.com"},{"id":216788,"bio":"Born In Melbourne, completed  a Bachelor of  Arts in  Commercial photography.                                                                                                                              I followed my passion for London 190s  underground MOD scene  (1960`s music revival .)  In  London.I spent 9 years  working in the editorial and music industry.\nI`m now  based in Melbourne , I love art , people . I adore  portraits!","user_id":216186,"name":"Kim Tonelli","website":"www.kimtonelli.com"},{"id":14575,"bio":"","user_id":14575,"name":"Jesseca Ferguson","website":"www.museumofmemory.com"},{"id":392576,"bio":"Paul Peach has been a self-taught photographic practitioner for over fifteen years. His interests lie in exploring cultural curiosities as well as in both digital and film photography. Paul gained his MA in Photography in 2018 at Falmouth University U.K. and an MSc in Strategic I.T. Management in 2012 at the University of Derby in the U.K. Paul has worked for the British Broadcasting Corporation (BBC) as an IT specialist for eight years. He has extensive knowledge of various media platforms and has worked alongside creative departments in television and radio. Before he joined the BBC, he had a decade of extensive media practice in the newspaper industry. Paul employs his rich knowledge of computer science, digital and media method into the art of photography, to explore contemporary lifestyle in a cultural context through his lens. His original creative reportage and authentic photographic production experiments form the basis of his work.\n\n","user_id":391992,"name":"Paul Peach","website":""},{"id":14627,"bio":"","user_id":14627,"name":"Julia Wellner","website":"www.juliawellner.com"},{"id":727633,"bio":"I am a 17 year old photographer and graphic designer. I took my first ever photography class in the summer of 2021, going into my junior year of high school. Now, I am a rising senior and I am going on a photography program to Paris over the summer to continue street photography. In addition to street photography I also enjoy conceptual work. ","user_id":727049,"name":"Makenzie Steinberg","website":""},{"id":726659,"bio":"Ph.D in Law\n\nAssistant Professor, CTBC Business School","user_id":726075,"name":"WEI-CHUN TSAI","website":""},{"id":14749,"bio":"Oliver Hartung (b. 1973, Germany) studied at the Academy of Visual Arts Stuttgart, the Glasgow School of Art, and the Slade School of Fine Art in London. He works as an artist and photojournalist (from 2004-2011 for the New York Times); from 2007 to 2013 he was teaching Photography at the Academy of Visual Arts Leipzig. Oliver lives and works in Berlin and Leipzig.","user_id":14749,"name":"Oliver","website":"www.oliverhartung.com"},{"id":173056,"bio":"Md Enamul Kabir is a Dhaka based freelance photographer. He has completed his Advance course in photography from Begat Photography of Institute. For him, photography is all about moment and story which becomes the witness. He loves his photos to be concise and cohesive and he tries to achieve the best result possible with fewer subjects. Apart that Enamul loves to take photos of animals.\nEnamul believe in “Being a good human is much important than being a good photographer.”\nPrize :\n•\tWinner-Portfolio Category-2019 International Photography Award 2019, Aussie Street, Australia  https://www.aussiestreet.com.au/as2019-results\n•\tUrban 2019 Winner Overall - Urban Photo Award, 2019, Trieste, Italy    https://urbanphotoawards.com/bengali-photographer-md-enamul-kabir-wins-urban-2019-photo-awards/\n•\tWinner-Street Category- Urban Photo Award, 2019, Trieste, Italy    https://urbanphotoawards.com/bengali-photographer-md-enamul-kabir-wins-urban-2019-photo-awards/\n•\tHonorable mention-Summer in your City by Focus on the Story, USA http://www.focusonthestory.com/2017/08/11/winners-summer-city-street-photography-contest/\n•\tThird place in Single Category- London Street Photography Festival-2017, UK http://lspf.co.uk/news/single-photograph-winners/\n•\tSony World Photography Award-18 (National Award-Second Place), UK https://www.worldphoto.org/sony-world-photography-awards/winners-galleries/2018/national-awards/winners/2018-national-awards#\u0026amp;gid=1\u0026amp;pid=9\n•\tWinner-Portfolio category-StreetFoto San Francisco,2018,USA          http://streetfoto.org/sf2018-contest-finalists/\n•\tRunner Up-Portfolio category- Brussels Street Photography Festival,2018 Belgium  https://www.bspfestival.org/en/contests/finalists-2018/\n•\tWinner-Portfolio category- Italian Street Photo Festival 2019 http://italianstreetphotofestival.com/finalists-and-winners-2019/\n•\tWinner-Animal Category- Urban Photo Award, 2018, Italy    https://urbanphotoawards.com/italian-photographer-antonio-tartaglia-wins-urban-2018-photo-awards/\n•\tWinner-Portfolio category-Out of BOX 7, 2018. Dhaka\n•\tHonorable mention-Single Category- Out of BOX 7, 2018. Dhaka\n•\t5th (Pet Category)  \u0026amp; 9th (Environmental Portrait) Position-Documentary Photo Award,2018  \n•\tRunner Up (Single) - OOB-7 – Through the Lens, Dhaka \n•\tRunner Up (Series) - DBI-3– AUSTPC, Dhaka \nExhibition and Festival: \n18th Asian Art Biennale, Bangladesh, 2018\nhttp://www.asianartbiennale.org.bd/web_admin/page/selection-of-artworks/Selection-of-Bangladesh-Artworks\nFestival Fotojatka 2018, Czech Republic \nhttp://www.fotojatka.com/en.html\nKolkata International Photography Festival, 2018, India \nhttps://www.kipf.in/artists\n Dali International Photography Exhibition 2019, China \nhttp://www.dipephoto.com\nAussie Street Photography Festival 2019, Australia \nhttps://www.facebook.com/aussiestreet/photos/a.1589172484497503/2405953202819423/?type=3\u0026amp;theater\nIndian Photo Festival 2019, Hyderabad, India \nhttps://www.facebook.com/indianphotofest/photos/a.836538483125980/2556078571171954/?type=3\u0026amp;theater\nMiami Street Photography Festival-2016,2017, USA\nhttp://www.miamistreetphotographyfestival.org/2016-mspf-finalists\nStreetFoto San Francisco-2016, 2017,2018, USA\nhttp://streetfoto.org/sf2016-contest-finalists/\nhttp://streetfoto.org/sf2017-contest-finalists/\nhttp://streetfoto.org/sf2018-contest-finalists/\nBrussels Street Photography Festival-2017, 2018,2019, Belgium \nhttps://www.bspfestival.org/en/contests/finalists-2017/\nhttps://www.bspfestival.org/en/contests/finalists-2018/\nhttps://www.bspfestival.org/en/contests/finalists-2019/\nItalian Street Photo Festival 2018, 2019, Italy \nhttp://italianstreetphotofestival.com/contests-finalists-2018/\nhttp://italianstreetphotofestival.com/finalists-and-winners-2019/\n\nBangkok Street Photography Festival, 2018, Thailand \nhttp://bangkokstreetphotographyfestival.org/contest_2018_results.php\nLondon Street Photography Festival-2017 – Single \u0026amp; Series , UK\nhttp://lspf.co.uk/news/single-photograph-finalists-announced/\nhttp://lspf.co.uk/news/photo-series-finalists/\n212 Photography Festival 2018, Istanbul \nhttps://212photographyfestival.com/en/\nDocumentary Family  Award 2018, USA\nhttps://documentaryfamilyawards.com/awards/\nUrban Photo Award 2018, Italy \nhttps://urbanphotoawards.com/2018-winners/winners-2018-single-pictures/\nDown by the River - Street Photography Competition, Germany \nhttps://www.flickr.com/groups/downbytheriver/pool/\nThe EyeEm Photography Awards-2017, 2019, Germany \nhttps://www.eyeem.com/awards/finalists/\nhttps://www.eyeem.com/awards/the-street-photographer \nPhotography on a Post Card-2017, UK \nhttp://www.artonapostcard.com/photo-postcard/enamul-kabir/\nLens culture Street Photography Award, 2017, Germany \nhttps://www.lensculture.com/2017-lensculture-street-photography-award-winners\nLens culture Exposure Award, 2018, Germany \nhttps://www.lensculture.com/2018-lensculture-exposure-award-winners\nMoments by Travel Photographer Society-2017, Malaysia \nhttp://travelphotographersociety.com/winners/\nBehind the Portrait-Gulf Photo Plus, Dubai \nhttps://gulfphotoplus.com/gallery/behind-the-portrait\nNo Place Like Home-Gulf Photo Plus, Dubai \nhttps://gulfphotoplus.com/exhibitions/47/No-Place-Like-Home\nExhibition World Street Photography 1-4, Germany \nhttps://world-street.photography/en/photo-competitions/photos/exhibition-world-street-photography-1-4/1\nDépaysement Exhibition By Asian Photo Review, USA \nhttps://asiaphotoreview.com/depaysement-exhibition-md-enamul-kabir/\nFocus on the Story International Photo Festival , USA\nhttps://focusonthestory.com/2018/04/28/25302/\nHipa-2014,2018, UAE\nhttp://www.hipa.ae/en/media/gallery/18\nPENDULUM Fears and Strengths A Photography Exhibition, Berlin and Tel Aviv \nShake the World Photo Competition 2014, ASSIST, Philippines\nhttps://www.facebook.com/media/set/?set=a.10153021452235572.1073741881.354675490571\u0026amp;type=1\nFeature \u0026amp; Publications:\nThe Daily Star\nhttps://www.thedailystar.net/multimedia/star-weekend/photo/snapshot-1502923#473893\nhttps://www.thedailystar.net/multimedia/star-weekend/photo/snapshot-1502923#477019\nhttps://www.thedailystar.net/star-weekend/shutterstories/coexistence-1521739\nhttps://www.thedailystar.net/multimedia/shout/photo/life-the-line-1567756#481879\nNational Geography\nhttp://yourshot.nationalgeographic.com/stories/faith/\n siri.thompson:\nhttp://www.sirithompson.com/blog/2017/1/11/at-the-edge-of-the-sidewalk-with-md-enamul-kabir\nWSP15, WSP3,WSP4, OMOE 15 Book:\nhttps://world-street.photography/en/photobooks/results/Street-Photography-4-wsp\nhttps://www.kujaja.com/en/shop\nUnderdog Magazine- Issue-13: \nhttps://issuu.com/isagelb/docs/underdogs-issue-13\nOnEdge Street. Com \nhttp://onedgestreet.com/escape-from-life/\nhttp://onedgestreet.com/life-at-kamalapur-railway-station/\nAsian Photo Review \nhttps://asiaphotoreview.com/editors-showcase-md-enamul-kabir/\n\nInterview\nIn-Public: \nhttp://in-public.com/interview-with-md-enamul-kabir/\n121 Clicks:\nhttp://121clicks.com/showcases/interview-with-md-enamul-kabir-bangladesh-street-photographer\nInspired Eye Blog: \nhttps://www.theinspiredeye.net/when-photography-is-more-powerful-than-art/\nStreet \u0026amp; repeat 107: \nhttps://www.flickr.com/groups/street-repeat-107/discuss/72157679197902243/\n\n\n","user_id":172454,"name":"Md Enamul Kabir","website":"www.flickr.com/photos/enamul_kabir_rony"},{"id":157985,"bio":"","user_id":157383,"name":"Александра Макеева","website":""},{"id":216794,"bio":"From Barcelona exploring photography around the corner, around the world.","user_id":216192,"name":"Cristina Pérez Rueda","website":"www.crisperezrueda.com"},{"id":20842,"bio":"Free time photographer","user_id":20842,"name":"Peter Willemse","website":"www.willemsefotografie.nl"},{"id":216844,"bio":"\nFernanda Bayler, b. 1976. Originally from Brazil, lived in India for 3 years and during this time, in 2015, started to learn photography. Nanda's work is inspired by the continuos chase for spontaneity, searching for shots with the magic of bare authenticity.\n","user_id":216242,"name":"Fernanda Bayler","website":""},{"id":14869,"bio":"Full time chiropractor that shoots most days and has a passion for people pictures. Also studied at the Arts University Bournemouth (AUB) Photography","user_id":14869,"name":"Leslie Budzynski","website":"www.bh13photography.co.uk"},{"id":221277,"bio":"I am an avid light painting photographer primarily focusing on cars and portraits of people. I strongly believe that the beauty of a compelling photograph lies in meticulously sculpted lighting.","user_id":220675,"name":"Rajasekar Alamanda","website":"www.rajalamanda.com"},{"id":48733,"bio":"I am an undergraduate student, graduating with a BA Honours degree in Photographic Art from the University of Wales, Newport. I grew up in a small town called St Helens in the North-West of England near the city of Liverpool where I currently live and teach photography as a lecturer at The City of Liverpool College. ","user_id":48738,"name":"Elizabeth Fraser","website":"lizfraser.wixsite.com/portfolio"},{"id":297812,"bio":"Abhishek Rajaram Khedekar (b. 1991) is a photographer based in New Delhi, India. His work revolves around documenting stories that blur the border between reality and fiction, creating narratives, and curating archival images. He often approaches his photographic practice through the process of analog, which further enhances his ability to physically interact with his material. He aims to explore and evoke new boundaries within contemporary media and multidisciplinary art.\nAbhishek completed his Masters's in Photography Design from the National Institute of Design, India. He is currently working as a freelance photographer and designer while also focusing on his long-term photo-based projects.","user_id":297210,"name":"Abhishek Khedekar","website":"www.abhishekkhedekar.com"},{"id":15062,"bio":"Memymom is a collaboration between two artists, a mother (Marilène Coolens -1953) and her daughter (Lisa De Boeck – 1985). Two self-taught photographers who work and live in Brussels, Belgium. ’The cross-generational project began with what the pair describes as ‘The Umbilical Vein’. They are referring to analogue image archive made from 1990 till 2003 of Marilène encouraging Lisa to express herself and to invent her own improvised theatre sketches.\n\nMarilène began taking the photos that now make up ‘The Umbilical Vein’ when her daughter was just five and continued until she turned 18. Images of a nine-year old Lisa sitting on a bed in a Pucci blouse and high heels, others of her pouting seductively at the camera à la Marilyn Monroe or posing as Catwoman, capture the transformation of a child into a young woman. The photographs will leave few people cold. They taunt viewers, who find themselves wanting to give them a comfortable place within an understandable context. But a nagging question remains: Are they a statement on the sexualisation of girls, or do they simply add to that imagery? Or are they about something else altogether? According to the duo, they found inspiration for the characters Lisa portrays in their experience of the 1990s, the decade during which most of the photos were taken: pop culture, movies, fashion and pedestrians on the streets of Brussels. Lisa usually seems quite serious in the photos, often almost unhappy. But Marilène encourages you to look closer to find a child’s daily reality. And you find this in tiny details, such as a faint trail of spaghetti sauce in the corner of Catwoman’s mouth.\n\nThese semi-staged dreamscape portraits developed into a mature conversation that deals not only with metamorphosis, personal identity, potential and a maternal relationship, but has evolved into a plea for sensual analysis and tragic romanticism. It reveals both the foundations of the close mother-daughter bond and the professional career of this artistic duo, who have worked together under the moniker Memymom since 2004.\n\nThe rough analogue images of a past era also form a source of inspiration for the artists’ current work which produces an emotional aesthetics that stops just short of the erotic; inventing mystery, exercising intimacy and creating a post-modern hyperlinked narrative where anything might unfold. The mother-daughter relationship means they can often work in a highly intuitive manner that allows the results to emerge naturally, even almost automatically.\n\n Memymom has previously exhibited in Germany, Spain and Belgium. During the summer of 2013 they were part of Watou Art Festival, Maison Moderne at Air Antwerp and they also took part in the group exhibition Unnatural Selection during the Unseen Photo Fair Amsterdam. Their retrospective exhibition ‘The Umbilical Vein’ was exhibited for the first time at The Flemish Arts Center ‘de Brakke Grond’ in Amsterdam, The Netherlands late 2013. Their work was also exhibited at The Censored Exhibition of the Copenhagen Photo Festival 2014, of which Catwoman Uncensored 1994 was the festival’s main image.","user_id":15062,"name":"Memymom Lisa \u0026 Marilène","website":"www.memymom.com"},{"id":15124,"bio":"I'm a portrait, commercial, and editorial photographer based in San Francisco, CA.","user_id":15124,"name":"Ian Tuttle","website":"www.ituttle.com"},{"id":119911,"bio":"I am a self-trained photographer, who first discovered the addiction when I was 8 years old and I was given a camera, and shown how a darkroom works.","user_id":119309,"name":"Paul Skillen","website":"www.paulskillen.com"},{"id":392669,"bio":"Nicole Gadiel is a visual artist working within the fields of photography and painting; creating fine art and designing interior decor artwork for private and commercial clients around the globe. Born and raised in Canada, Nicole moved to Denmark as a teenager. This inspired her to view the world from new perspectives and different angles; an ability she successfully implemented during her previous career in business communication and now adeptly applies to the creation of artwork - as she visually translates the obvious to the emotive.\n\nNicole's photography has most recently received awards at TIFA 2019, Px3 2019,  IPA 2019 and MIFA 2019.","user_id":392085,"name":"Nicole Gadiel","website":"www.nicolegadiel.art "},{"id":17519,"bio":"Mark Havens lives and works in Philadelphia. In addition to his studio practice, he teaches at Thomas Jefferson University.","user_id":17519,"name":"Mark Havens","website":"www.markhavens.com"},{"id":178594,"bio":"I am a French photographer and filmmaker, working on very different kinds of projects like following bands on tour, shooting behind the scene footage for French movies, creating video content for live shows and more.","user_id":177992,"name":"Simon Bonneau","website":"www.simonbonneau.com"},{"id":216840,"bio":"I'm a Guatemalan architect characterized by a context rich in cultural heritage and vast natural resources. These conditions have generated endless ideas and possibilities in my life, and have let myself to question and reimagine the status quo. I believe that any fixed setting is subject to change with an open and creative mindset. ","user_id":216238,"name":"JULIAN CASTILLO","website":"www.flickr.com/photos/95295682@N07"},{"id":15246,"bio":"I'm a freelance photographer based in Santa Cruz, California. I like and do a wide variety of photography from documentary to plastic camera. My photos have been published on book and magazine covers. I'm currently working on a long term documentary project called Santa Cruz: People and Place and I nearly always have a Holga handy!","user_id":15246,"name":"Jon Kersey","website":"www.jonkerseyphotography.com"},{"id":15290,"bio":"I am 2nd generation photographer. I find it relaxing to to walk around with my fuji or smart phone and photograph people.","user_id":15290,"name":"David petersen","website":""},{"id":217160,"bio":"I am a Documentary Photographer from South London, who loves to document anything that moves and has a story to tell. I use Photography as tool to communicate with all walks of life. ","user_id":216558,"name":"Raymond Amoah","website":"www.rayamoah.com"},{"id":21374,"bio":"","user_id":21374,"name":"Nicola Angelo Mangia","website":"www.nicolaangelomangia.com"},{"id":218166,"bio":"Allen is photographer and owner of Halifax Darkroom and Studio; a member-based space and community of film photographers. As a fulltime IT Contract Consultant, Allen’s photography and darkroom process allows him the necessary escape from the stress and rigors of a demanding day job. His photography practice is focused on personal and social documentary. He engages in long term self- directed projects that resonate with him on a personal and creative level. As a traditional darkroom printer, he believes that a beautifully crafted print is a means of giving an image a beautiful ‘home’. As image makers, it is our obligation to provide the place where our images can live in a beautifully rendered print. Allen’s work has been exhibited across Canada in solo and group exhibitions. Additionally, his work has been published numerous times. Specific publications include SEITIES, PhotoEd and cover image for Phonse Jessome’s novel Disposable Souls.","user_id":217564,"name":"Allen Crooks","website":""},{"id":15321,"bio":"I was born and bred on a fine wool sheep station in the Southern Highlands of NSW, Australia. I recently graduated from RMIT in Melbourne, where I completed a Bachelor of Fine Arts in Photography. ","user_id":15321,"name":"Murray Watson","website":"www.murraywatson.net"},{"id":15377,"bio":"Oregon photographer Randall Tosh works in analogue process to produce images in dialogue with the work photography’s early practitioners. His current body of work centers on the wet plate process, which he employs using vintage lenses. ","user_id":15377,"name":"Randall Tosh","website":"www.randall-tosh.squarespace.com"},{"id":227404,"bio":"","user_id":226802,"name":"Jean-Pierre Le Borgne","website":"www.jeanpierreleborgne.com"},{"id":731242,"bio":"","user_id":730592,"name":"Qi Su","website":null},{"id":392713,"bio":"Hello my name's Channal Sean, I'm 23 years-old and I live in Cambodia Country, Phnom Penh Citry. And now I studying at Norton University majoring Creative in Multimedia. Major that I love than other subjects is photography. Photography is my life. Everyday I alway to practice with photography when I free time and I research about photography. My favorite in photograph is Landscape, Street, DailyLife, Documentary and  Commercial of Photography.   \nI really happy when I have opportunity to join this contest and many thank you so much that you made Black and White Photography Award 2018. If I write wrong somethings and not good with grammar don't mine me please because I'm poor with English.\nThank you.","user_id":392129,"name":"Sean Channal","website":"www.facebook.com/channal.sean"},{"id":12816,"bio":"Kathy Shorr:  Born in Brooklyn,  New York. Graduate of the School of Visual Arts. Teacher of documentary, portrait and street photography. ","user_id":12816,"name":"Kathy Shorr","website":"www.shotproject.org \u0026 www.kathyshorr.com"},{"id":392804,"bio":"An avid photographer since my youth. Learning from my mother, an amateur photographer, and beginning with film in the dark room. A student of photographer Alison Shaw on Martha’s Vineyard who successfully showed and sold in her gallery. ","user_id":392220,"name":"Jacqueline Abodeely","website":""},{"id":15515,"bio":"Photographer. Photography for me is an important way to relate to the world and show my angle of view to others. It also allows me to get closer to the unknown and to capture something I want to hold on to.\nI began my apprenticeship in Photography with my dad when I was a kid and I think that these first steps into the photography world were the most important. I was fascinated by the possibility to immortalize the evanescent moments of life. My first subjects were family, friends and landscapes. My relationship with photography continues but from a simple hobby, it has now become my main occupation and deepest passion! After long year period working as HR manager in big international company I mooved off and nowadays working as freelance photographer.\n\nI started re-learning photography through a number of courses in Lithuania, studying online and found great satisfaction in studying the art with some well-known and professional photographers in Malta. It was a good step up in learning outside my comfort zone and outside Lithuania, experimenting and practicing under different conditions (low light, studio light, posing, work with models, night shooting, etc.). After a few years’ work, study and private tuition I can only speak highly of them and I am sure that what I received was their best experience and knowledge.\n\nFor several years I approached various Photography Associations outside Lithuania, and have participated in photo contests, received awards, and I have held a number of exhibitions (Lithuania, Spain, Malta).\n\nPortrait photography has always been one of my favourite subject, however I do like a lot of other genres in photography as abstract, documentary, architecture, event photography as well.\nEvery one of these genres needs specific knowledge. A photographer has to be open minded, be creative, needs to pay attention, have patience and of course – passion! And of course - to be in right place on right time. I’m curious about the world around me and photography helps me satisfy it, because every genre for me is an interesting challenge, a further step, a higher level.\n In 2012-2015 I have attended various seminars and Photo Convention (2014) by the MIPP, regularly participate in MIPP competitions.\n Awards:\nAwarded photographer in MYMalta Photo Competition in 2014 by Malta Tourism Authority and The Malta Institute of Professional Photography.\nAwarded photographer of Pixoto in 2014.\nMy work has been featured in Camerapixo magazine.\nMy work has been featured in FocalPoint newsletter.\nIn 2014 i have been awarded numerous Gold and Silver Awards in international competitions in various categories, portraiture, abstract, black\u0026amp;white, architecture, landscapes.\nIn November 2014 I passed the Licentiate level of MIPP (Malta Institute of Professional Photography) Qualification.\n\n\n\n\n\n","user_id":15515,"name":"Renata Apanaviciene","website":"www.rdfoto.lt"},{"id":18046,"bio":"","user_id":18046,"name":"Yiftach Belsky","website":"www.ybelsky.com"},{"id":15518,"bio":"For 15 years I have been working in the London Advertising Industry. After a trip to the Himalaya in 2006 I reestablished a love of photography from my college days. Recently I have taken a keen interest in documentary photography and I'm currently working on several projects. In 2013 I received a Licentiateship from the Royal Photographic Society.","user_id":15518,"name":"Jhy Turley","website":"www.jhyturley.com"},{"id":852982,"bio":"With over 100+ satisfied businesses in Montreal, Impression Photography is your go-to choice when you need professional product photographers at work. No matter which business you own or the kind of product you need to advertise, using the best of our creativity and technical skills, we will showcase all you offer in the best light. Choose us today to create a lasting visual experience for your brand.","user_id":838826,"name":"Impression Photography","website":"www.impressionphotography.ca"},{"id":491888,"bio":"I'm Toni Spagone, an Italian photojournalist registered with journalists in Italy.\nI work with the major publishing houses in Italy, represented by the agency Realy Easy Star and abroad by Alamy. I'm a Nps ( Nikon Professional Photographer )\nI also follow personal artistic projects and in this context I won in 2017 the first photo award organized by the Satura gallery in Genoa for the best photo of the year.","user_id":491304,"name":"Tonino Spagone","website":"www.facebook.com/toni.spagone"},{"id":15801,"bio":"","user_id":15801,"name":"Francesca Morosini","website":""},{"id":218002,"bio":"Have been photographing since I was 13 year. This year I finally decided to make a living out of it.  I am very ambitious and . My dream is to  become autonomous one day so I can pursue my own dreams.\n\nCurrently I make living out of wedding photography and events","user_id":217400,"name":"Huck Sim","website":"www.louterliefde.nl"},{"id":217998,"bio":"","user_id":217396,"name":"Tamara Aptekar","website":""},{"id":218174,"bio":"Based in Los Angeles, Framework Films is a full-service creative media production agency specializing in ultra high definition (UHD) aerial, drone, timelapse, hyperlapse, 360 VR, and motion stabilized cinematography. Founded by Mike Lindle, you will find portfolio projects, 4K+ stock footage, custom quotes, and other videos from around the world here on Framework Films!\n\nWe create custom video content for the commercial, corporate, television, and film industries. Clients who trust and have used our footage include Discovery, Microsoft, Disney+, BBC, Viacom, Olympics, New Zealand Trade \u0026amp; Enterprise, NBC, Conde Nast, The Economist, Forbes, and more!\n\nIf you are interested in scheduling a discovery call, hiring us, or licensing UHD video clips from our extensive library of stock content, please reach out via email and my team will reply shortly. Mike[@]FrameworkFilms.net","user_id":217572,"name":"Mike Lindle","website":"frameworkfilms.net"},{"id":392780,"bio":"Daniel Sackheim is an Emmy Award-winning film and television director and producer best known for his work on acclaimed television series such as HBO’s True Detective, Game of Thrones, Jack Ryan, and The Americans.\n  \nIn addition to his prolific career in film and television, Sackheim is an accomplished street and fine art photographer. His photography explores the enigmatic nature of urban landscapes, capturing the hidden stories and emotions that reside within the shadows of bustling city streets.\n \nDaniel's photography has garnered international recognition, having been featured in numerous photographic and entertainment industry publications and exhibited in several solo and group shows in the UK and the US, including the Iconic Images Gallery in London and the Soho Photo Gallery in New York. It is on exhibit at Leica Gallery Los Angeles through July 15, 2024.\n\nHis project Unseen has received several prestigious photography awards, including 2023's Photo Lucida's Critical Mass Top 50, Lens Culture ‘23 Street Award, and Eyeshot Magazine’s 2023 International Open Call. \n","user_id":392196,"name":"Daniel Sackheim","website":"www.danielsackheim.com"},{"id":270278,"bio":"I'm a french photographer, my main subjects are nude photography and portraits, mainly of women. I love the work of : Jeanloup Sieff, Man ray, Edward Weston, Araki and Lucien Clergue.","user_id":269676,"name":"Eliott Klein","website":"eliottklein.com"},{"id":392859,"bio":"I am an enthusiastic photographer living in South Africa, being fortunate to enjoy the wildlife and country in general that is on offer in our beautiful country.","user_id":392275,"name":"Helga Williams","website":""},{"id":270682,"bio":"","user_id":270080,"name":"Jacques Coeman","website":"www.photoman.fr"},{"id":15726,"bio":"","user_id":15726,"name":"Susanna Gaunt","website":"www.susannagaunt.com"},{"id":689344,"bio":"As an industrial designer and photographic artist, I am dedicated to finding the intersection between the body of life, the soul of love, and the mind of society. Having been focused on fine art photography for the last 30 years, with a deep look into the art of medium format film documenting the earth from above to a massive body of street photography I have found my medium. With Jane Jackson (Jackson Fine Art in Atlanta) as one of my mentor/curators to Anna Walker Skillman who showed my works in a 5 photographers show I have an established yet nascent reputation. ","user_id":688760,"name":"Tom Lamar","website":"www.instagram.com/tomlamar3/p/CWpVzuArQTV/?utm_medium=copy_link"},{"id":15812,"bio":"Michael Cappabianca was born in Worcester, MA. He lives and works in Cambridge, MA. Michael has exhibited nationally with solo shows in Los Angeles, CA; Portland, OR; and Lebanon, NH. Michael was a 2011 Hot Shot , and has exhibited at the Jen Bekman Gallery and Miami Projects. In 2013 he was awarded a Massachusetts Cultural Council Fellowship, and his work has been published in Forget Good, Ruby Mag and American Photography 26.","user_id":15812,"name":"Michael Cappabianca","website":"www.michaelcappabianca.com"},{"id":15861,"bio":"I am a Vancouver based artist and experimental filmmaker. I have a BA in Philoshophy and Film from the University of Toronto, and a certificate in Photography from Langara College.  I am a member of the Iris Film Collective, and my work has been shown in Canada and internationally. ","user_id":15861,"name":"Ariel Kirk-gushowaty","website":"www.arielkg.viewbook.com "},{"id":15840,"bio":"","user_id":15840,"name":"Gary Geboy","website":""},{"id":15867,"bio":"I'm a retired medical scientist and a passionate photographer. I shoot mainly B\u0026amp;W film but recently I have broadened my outlook and shoot some colour with my Fuji x100.\n","user_id":15867,"name":"Peter","website":"www.rightlightphotographt.zenfolio.com"},{"id":195818,"bio":"","user_id":195216,"name":"Colette Cannataro","website":"www.colettecannataro.com"},{"id":329252,"bio":"I am a Los Angeles based photographer interested in surrealism, abstraction, and artistic portraiture using in-camera techniques. I received my BA in Photography at the Hite Art Institute and currently reside in California pursuing freelance architectural and fine art photography.","user_id":328650,"name":"Keegan Kruse","website":"www.keegankruse.com"},{"id":393097,"bio":"Knox’s current work combines his photography with historic imagery creating untold stories of historical fiction. Knox completed his MFA at the San Francisco Art Institute in 2005. In 2018 he won the Louisiana Contemporary Best in Show at the Ogden Museum of Southern Art. In 2019 he was awarded the Fine Art Photographer of the Year by the International Photography Awards and in 2021 was selected as a finalist in the Critical Mass Awards. In 2023 he received a bronze award in the Prix de la Photographie Paris. He teaches photography and is represented in Louisiana by Cole Pratt Gallery.\n","user_id":392513,"name":"David Knox","website":"www.Knoxphoto.com"},{"id":16320,"bio":"I have a third eye but most of the time is not working!","user_id":16320,"name":"Rovel Romo","website":""},{"id":22510,"bio":"Kimberly is a fine art photographer and gelatin silver printer. She prints all of her work by hand and prints for others as well.","user_id":22510,"name":"Kimberly Schneider","website":"www.kimberlyjschneider.com"},{"id":721709,"bio":"Fotógrafa Documental con especialidad en comunidades indígenas de México y del mundo.","user_id":721125,"name":"Mariana Yañez Cavazos","website":"www.marianayanez.com"},{"id":393122,"bio":"My Biography: \nMy name is Nguyen Tan Tuan, born in 1983.\u0026nbsp;I was born and raised in Central Vietnam,\u0026nbsp;where there are many natural disasters every year such as flood or drought.\u0026nbsp;But this place has a lot of beautiful views from the coast stretching to the east as well as the mountains to the west.\u0026nbsp;And the people of my hometown have relied on it to make ends meet with many occupations. When I came to photography in 2015, I was fascinated with capturing the beautiful scenes of my homeland, especially the labor beauty of my people.\u2028The photographs of my homeland have brought me some success in international photo contests such as: SkyPixel Awards 2018 \u0026amp; 2019, 2 photo\u0026nbsp;finalists of the 17th annual\u0026nbsp;Smithsonian\u0026nbsp;magazine photo contest,\u0026nbsp;35Awards (2016-2017-2018-2019), Hero Sport Agora 2020\u0026nbsp;and many other domestic and international awards, ...","user_id":392538,"name":"Tuấn Nguyễn","website":"tuanvietnam.vn"},{"id":686310,"bio":"","user_id":685726,"name":"Jim Xu","website":"Instagram:Jim_saturman"},{"id":16357,"bio":"","user_id":16357,"name":"Monia Perissinotto","website":"www.moniaperissinotto.com"},{"id":218181,"bio":"Jessica Cantlin is a photographer from Seattle who travels the world with her cameras, curiosity, and love for wide open spaces. Blending texture, scale, and natural light with water, weather, and wildlife, Cantlin creates photographs that elegantly capture the intersection of humanity and the environment. Cantlin’s work is best viewed in large-scale displays where the simplicity of a quiet landscape can achieve the drama of a grand vista, and the details of a complex scene can be contemplated.","user_id":217579,"name":"Jessica Cantlin","website":"www.feedmywanderlust.com"},{"id":16276,"bio":"My name is Nico(1987) since 2009 I work in photography enviroment.\nDuring my experience I have been photographers assistant, I developed color films, I try also to (c)print, I organized photo shows.\nI just participated as a co-author at Biennale di Venezia.\n\n\n\n\n","user_id":16276,"name":"Nico K. Tucci","website":"www.ktucci.com"},{"id":431644,"bio":"Fine art photographer from Amsterdam, living on and off in Paris, but mostly on the road looking for interesting landscapes and people. Studied photography at the academy for photography in Amsterdam for two years.  Masters in French litterature and history as well as Envornoment and Resource management. Poetry, romanticism and nature are key elements in my work.","user_id":431060,"name":"Julien Sunye","website":"www.juliensunye.com"},{"id":228372,"bio":"","user_id":227770,"name":"Fabio Rostagno","website":""},{"id":269967,"bio":"After spending 35 years producing and directing documentary films for public television and educational distribution Claude Beller focused his creative talents to photography. His work has been exhibited in galleries throughout the United States and was recently chosen as one of 10 photographers to win the “Feature Shoot” International Street Photography Award. He lives in New York City with his wife Helen and dog Scarlett. ","user_id":269365,"name":"Claude Beller","website":"claudebellerphoto.com"},{"id":16583,"bio":"Born in autumn. Twisted minded. Studying on Institut Tvurci Fotografie in Opava.","user_id":16583,"name":"Hubert Worobiej","website":"hubertworobiej.blogspot.com"},{"id":16597,"bio":"I graduated from the Rietveld Academy in Amsterdam and now I'm a teacher at Kunstacademie Haarlem Leiden. That's the youngest and probably cutest academy of arts of our time. ","user_id":16597,"name":"Pieter Berkhout","website":"www.pieterberkhout.nl"},{"id":122005,"bio":"Eric is a photographer and creative thinker from New Orleans, La.  Born in 1982, he has spent the past 7 years exploring the world through the art of an image.  Eric earned a BS in Business Management from the University of New Orleans; however several years later he discovered  a true passion for art and photography.  He is primarily a self taught photographer who has learned the craft by partnering with established photographers that he respects, through workshops, and also through lots of trial and error.  \n\nEric’s subject matter varies based on the series; while his main format has been digital landscapes he loves the power of a portrait.  Eric hopes that his work can be seen by others as a new perspective for the ordinary, looking at the same things with a new perspective in order to show the beauty of our world and human experience.","user_id":121403,"name":"Eric J Nunez","website":"www.ericjnunez.com"},{"id":393316,"bio":"Ron Moria –I was born at 1970 in Kibutz Evron in Israel. Lived in Israel until 1992, from 1992- 1995 lived in Rio de Janeiro and then again in Israel in Kibutz Cabri until 2001, from 2001 based in Barcelona - Spain. 1997-2001 studies in: Neri Bloomfield School of Design, Engineering Technician (Architecture) and Senior Teacher for Architecture, with B.Sc.  Architecture(Cardiff University). All these year photography always was important part of my activity but since 2017 photography became the main activity. Photographing social and documentary subjects. One of the actual projects, covering the struggle of the Catalonian people for separating from Spain and to have a Catalan Republic, covering demonstrations, exiled politicians and people from both political sides.      \nDocumentary and  artistic photography  ","user_id":392732,"name":"Ron Moria","website":""},{"id":16662,"bio":"German born, visual artist with travel, portraiture and self portraiture as a subject matter currently studying for a MA photography at LCC (UAL) in London","user_id":16662,"name":"Lars","website":"www.larsstephan.com"},{"id":217580,"bio":"My perceived world has been changed little by little and I've been obsessed and fascinated by this internal change since I've started seriously journeying on the photographic world. The photography probably is a medium motivating me to perceive wider and deeper dimensions of the surrounding society and people and relentlessly driving me to keep on developing myself both physically and mentally for being ready to grab any opportunities to be able to witness the greater landscapes or moments through my own lens and capture them. Sometimes photographic works and criticism drained out all of my energy and morale, but thank to those experiences, it has improved me and bring new perspective towards people and the world for me.   \n","user_id":216978,"name":"Krittanun Tantraporn","website":"www.facebook.com/twintalescat"},{"id":217751,"bio":"Mi name is Sara Di Franco, I'm 25 and I live and work in Milan. \nBasically, I'm an observer. My photographs come from the outer world, with all its questions, people, forms, interactions. \nBorn in Sicily, beloved and unforgettable home, based in Milan and raised always watching beyond borders.\nI specialize in documentary photography, which is strictly connected to the world's different realities, reported by me both with digital and analog cameras. \nMy works are always somehow connected with my personal experience, indelibly marked by a depressive disorder developed at the age of 17; because of this, my main interest is to communicate with other people through the \"power\" of images, transfigured by the places where I go and the people I meet. ","user_id":217149,"name":"Sara Di Franco","website":"www.alaskaph.com"},{"id":16800,"bio":"","user_id":16800,"name":"John Kosmopoulos","website":"www.silverzenphotography.com"},{"id":16840,"bio":"started photography at the age of 10.\ntook photography classes in high school\nsame in college in fine art\nsame in university BA in fine art\nnow a photographer and a analog photography teacher in an art high school in canada!","user_id":16840,"name":"Marc-André Robert","website":"www.flickr.com/photos/artamarc"},{"id":16991,"bio":"Berlin based photographer","user_id":16991,"name":"Alisa Resnik","website":"www.alisaresnik.com"},{"id":16937,"bio":"","user_id":16937,"name":"Olivier Valsecchi","website":"www.oliviervalsecchi.com"},{"id":16915,"bio":"(b.1974) is a native of Mexico City. His work focuses on the relationship between appearance and the creation of identity. His work has been published in The Fader, Vice, Time Magazine, Newsweek, Harper’s Baazar México, etc. with exhibitions in New York, Paris and México.","user_id":16915,"name":"Carlos Alvarez Montero","website":"www.alvarezmontero.com"},{"id":172434,"bio":"Architecture, design and everything that comes with it .. Traveling all around the world at the moment just for 3 years and still going.","user_id":171832,"name":"Islam Hatem","website":""},{"id":218193,"bio":"I am a member of the Los Angeles Center of Photography Street Collaborative. I'm also working on a personal narrative about my life growing up in an affluent family in Manhattan during the late 60's to 70's during a time of cultural and political revolution. Through my photography, I am exploring the co-existence of beauty and imperfection, strength and fragility, and the realm what is unspoken.","user_id":217591,"name":"Hilary White","website":"hilarywhite.com"},{"id":270702,"bio":"Born in 1983","user_id":270100,"name":"Kristian Clemmensen","website":"www.kristianclemmensen.com"},{"id":16903,"bio":"I find places. I pose. I take pictures.","user_id":16903,"name":"Aaron Hobson","website":"www.aaronhobson.com"},{"id":17016,"bio":"Antonio Zazueta Olmos is a photojournalist who has worked on issues concerning human rights, the environment and conflict throughout his career. He has worked extensively in the Americas, Africa and the Middle East for editorial publications and NGOs from all over the world. Antonio is also a dedicated editorial and portrait photographer whose images have regularly appeared in all the UK broadsheet weekend magazines as well as the Observer and Guardian Newspapers.","user_id":17016,"name":"Antonio Olmos","website":"www.antonioolmos.com"},{"id":9902,"bio":"My artistic practice involves photography, video, music creation, and teaching. I teach music and imaging courses at the School of the Art Institute of Chicago.\n\n","user_id":9902,"name":"William","website":"www.williamharper.net"},{"id":16974,"bio":"Adam Neese (b. 1985, Longmont, Colorado) was raised in Grapevine, TX, halfway between Dallas and Fort Worth. His photographic works explore the relationship between memory and image; challenging the assumed notion of photograph as a factual document. Adam’s work has been exhibited throughout the US and abroad, including at The Rourke Art Museum (MN,) Louisiana Tech University, and De Fotohal (Amsterdam.) Adam holds a Bachelor of Fine Arts from the School of the Art Institute of Chicago, and a Master of Fine Arts from The University of North Texas where he currently teaches photography.","user_id":16974,"name":"Adam Neese","website":"www.adambneese.com"},{"id":721892,"bio":"","user_id":721308,"name":"Ben Arogundade","website":"arogundade.com"},{"id":16984,"bio":"I","user_id":16984,"name":"Alex Bamford","website":"www.alexbamford.com"},{"id":16980,"bio":"","user_id":16980,"name":"Alan Gastelum","website":"www.alanart.com"},{"id":720167,"bio":"Jianing Li is a New England based artist. She graduated from Mount Holyoke College in 2022 and currently lives in Massachusetts. Her subject includes family, hometown, and memory and solitude. She works with digital images, printed images, plants and fabric. She uses camera to transform overlooked daily moments into narrative images, while also exploring possibilities of different combinations of forms and the hidden messages behind banal embodiment. Her works are inspired by Alfred Steiglits, Sherron Rupp, and Feng Li.","user_id":719583,"name":"Jianing Li","website":"commons.mtholyoke.edu/jianingli"},{"id":17040,"bio":"Caroline Scharff, Berlin based freelance photographer ","user_id":17040,"name":"Caroline Scharff","website":"www.carolinescharff.com"},{"id":393525,"bio":"At the age of 15, she drove her first car with a sticker on that says\n \"I HAVE A DREAM\". Today she is living her dream She is an activist, artist, yogi, runner, dancer and, recently, a mom in Denmark , \nwho promised herself to keep the artistic, adventurous, spirit alive\n and will do her finest by keeping her appetite for life enormous.\n For more info about her artistic journey get to know her\nfor more about my bio\nhttps://angeliquesanossian.webnode.com/about-me/","user_id":392941,"name":"Angelique Sanossian","website":"www.singulart.com/en/artist/angelique-sanossian-695"},{"id":247307,"bio":"","user_id":246705,"name":"Okjoo Kang","website":"www.okjookang.com"},{"id":17157,"bio":"","user_id":17157,"name":"Horst Kløver","website":"www.incacollage.com"},{"id":17303,"bio":"Daniel Bauer creates art nude photography of the provocative kind. In his intense, sexy and emotional nudes he shows the female beauty of the authentic, self confident and modern woman - with skin, pores and hair, without photoshop tricks. \"His fine art photos do not make women more beautiful, but point out what is beautiful about them.\"","user_id":17303,"name":"Daniel Bauer","website":"www.daniel-bauer.com"},{"id":17141,"bio":"","user_id":17141,"name":"Gianni Diliberto","website":"www.giannidiliberto.com"},{"id":17203,"bio":"","user_id":17203,"name":"Sarah Carp","website":"www.sarahcarp.com"},{"id":721882,"bio":"Chief editor / Photographer","user_id":721298,"name":"ZHAOHUI ZHU","website":""},{"id":156263,"bio":"Amelia Konow (b. 1986) is an artist based in the San Francisco Bay Area. She has exhibited work at venues including the Bolinas Museum, SFO Museum, Whitney Museum, OCT-Loft, Aggregate Space, SF Camerawork, Stephen Wirtz Gallery, San Francisco Arts Commission Gallery, Phosphor Project Space, and Flatland Gallery. Her work has been published in American Photo, Modern Painters, and LensCulture. She received a BA from Syracuse University and an MFA from the San Francisco Art Institute.","user_id":155661,"name":"Amelia Konow","website":"ameliakonow.com"},{"id":17543,"bio":"Ryan relocated to the United Arab Emirates from Canada in 2008, where he works as a photographer. ","user_id":17543,"name":"Ryan Carter","website":"www.ryan-carter.com"},{"id":115716,"bio":"Sono freelance da Maggio 2017 e mi occupo di Fotografia e di Comunicazione Pubblicitaria. Appena posso viaggio per settimane, principalmente in Asia, per ricaricare le pile e staccarmi dalla vita occidentale piena di comfort. Come fotografa in Italia mi occupo principalmente di Matrimoni e Famiglie, lasciando libera la mia passione per la Street Photography quando viaggio.","user_id":115114,"name":"Cinzia Costanzo","website":"www.cinziacostanzo.com"},{"id":218234,"bio":"Father, musician, and wanderer with a camera.\n\n I spend my free time collecting photography books, shooting local bands, and exploring the DFW streets. I have found a new passion for instant film and love a good Polaroid portrait. \n\nStreet photography, photojournalism, fashion, and urban landscape are what interest me currently in both film and digital mediums.  ","user_id":217632,"name":"Jesse K Anderson","website":"www.jessekanderson.com"},{"id":218225,"bio":"","user_id":217623,"name":"Andy Duncan","website":"www.andydduncan.com"},{"id":394023,"bio":"Yun Ye (Leafy Yeh) is a Los Angeles-based photographer and visual artist from China. She has been engaged with photographic projects exploring an authentic vision of the world through narrative and documentary of life and growth.","user_id":393439,"name":"Leafy Yeh","website":"www.leafyyeh.com"},{"id":17364,"bio":"I am an eighth generation West Virginian, and I create art deeply linked to my home. Most of my work centers around a single question, what does it mean to be Appalachian? Through this question I address many different artistic concepts from idealized memory vs. stereotypes to ideas of folk taxonomy. My creation process is a diversified approach of image-based media to create a glimpse into my own concepts of Appalachia, and the social fabric of a very large and misrepresented people and place. ","user_id":17364,"name":"Aaron Blum","website":"www.aaronblumphoto.com"},{"id":17320,"bio":"","user_id":17320,"name":"Rob Hann","website":"www.robhann.com"},{"id":416889,"bio":"I came to photography while making an audio story about human trafficking in Malaysia. I received a Pulitzer Center for Crisis Reporting grant and it was featured on PBS and NPR. After that, I decided to learn photography. My first images documented my free, education nonprofit for child laborers in Myanmar. Next, I spent extensive time creating intimate, visual stories throughout Cuba. While self-taught in photography, I’ve a poetry MFA. I received the Leica Women’s Photo Project Award for my Super Power of Me project. My work has been shown at The Leica Gallery LA, Fotografiska NY, ICP, The Museum for the City of New York, and Cassilhaus. My Super Power of Me series was featured in The Washington Post, NPR, L'Oeil de la Photographie, and others. ","user_id":416305,"name":"karen zusman","website":"kz-photo.com"},{"id":17404,"bio":"see website","user_id":17404,"name":"Julia Peck","website":"www.juliapeck-photography.com"},{"id":17381,"bio":"My work mainly centers around the natural landscape, and how it changes over time, due to natural or manmade forces. I strive to push the boundaries traditionally set for the medium of photography in order to enhance the emotional power of the subject. I utilize materials that are not generally combined with photographs, such as, shellac, beeswax, salvaged lumber, pipes, barn screws to create a mixed media experience, and provide a presentation where the surface of the photograph is in the forefront, out from under glass or other elements that separate the viewer from the photograph. I also strive for this work to show the hand of the artist, and evidence of the process of making the piece. ","user_id":17381,"name":"Dan Gerber","website":"www.dan-gerber.com"},{"id":17356,"bio":"","user_id":17356,"name":"Ruud Sies","website":"www.ruudsies.com"},{"id":378213,"bio":"Vanessa Li is a self-taught travel and documentary photographer from Hong Kong. She has always been an explorer at heart. Her adventurous nature and fervency to understanding different cultures have led her to live in different countries from months to years.\n\n3 years ago, she started teaching herself photography and it has become her language to tell stories about the world ever since. She further stretched her opportunities to photograph on a global scale by becoming cabin crew in an international airline in 2019.\n\nWhen she is not serving meals and drinks at 30,000 ft, she is showing you the world through her lens.\n\n","user_id":377629,"name":"Hoi Ching Vanessa Li","website":"vanlissa.com"},{"id":17399,"bio":"","user_id":17399,"name":"Jason Reed","website":"jasonreedphoto.com"},{"id":17401,"bio":"Jeff Luker is an American photographer . He has shown his work in galleries both domestically and abroad.  He has also collaborated on advertising projects with brands including Levi's, Nike,  and Urban Outfitters.","user_id":17401,"name":"Jeff Luker","website":"www.jeffluker.com"},{"id":17545,"bio":"Sarah Kobos is a New York based Photo Editor and Photographer currently working at ABCNews.com. ABC took home 5 Edward R. Murrow awards this past year. At ABC, Sarah curates numerous photography features and picks the best images for stories. She has been a juror for Photolucida's Critical Mass competition, a shortlisting juror for Belfast Photo Festival's Open Submission, a guest lecturer at Cecil College, represented Jasper Magazine at the University of South Carolina's Photo Festival portfolio reviews, and has had work featured on PND's Emerging Photographer blog. ","user_id":17545,"name":"Sarah Kobos","website":"abcnews.go.com/photos"},{"id":290808,"bio":"","user_id":290206,"name":"Alistair Beattie","website":"www.instagram.com/otsaku"},{"id":33348,"bio":"","user_id":33353,"name":"Lukas Linder","website":"www.lukaslinder.com"},{"id":218239,"bio":"The Central Valleys of Oaxaca, where I spent my childhood, hover at the clash of the two great sierras of the country of Mexico.  My people, the descendants of the ancient Zapotec regime, find ourselves suspended at 1555 meters above sea level, between earth and heaven, life and death, shadow and light.  This duality forms a central part of the indigenous, Oaxacan worldview.  In my career to date, as a Zapotec-Chinantec photographer, I have danced in the middle of this intersection of life and death, of color and discoloration, of darkness and light, seeking to speak to the unity of the two, in spite of their seeming contrast.  ","user_id":217637,"name":"Daniel Robles","website":""},{"id":17523,"bio":"","user_id":17523,"name":"Matt Dallos","website":"www.mattdallos.com"},{"id":100219,"bio":"Roberto lives in Brooklyn, New York. \n\nAWARDS\n2017 - Awarded Triple Master of WPPI \n2016 - Included in Communication Arts Photography Annual\n2015 - GRAND IMAGING AWARD at PPA\n2015 - 1 place in album competition for informal category at WPPI\n2015 - 1 place Open Avant Garde category for Photographer of the Year competition SWPP\n2013 - GRAND AWARD at WPPI album competition\n2012 - Latin American Photography Contest Selection - American Illustration - American Photography (AI-AP)\n2012 - Loan Collection for Sahara Book at PPA International Print and Album competition\n\nEXHIBITS\n2017 - \"Clay and Ash\" participated in a group photography show at Sohn Art Gallery. \n2013 - Work included in the book \"Life in Color\" published by National Geographic\n2011 - \"New York City: In Focus, Vol 2\" Traveling Exhibit for HHC Art Collection\n2008 - \"Liquid Elegance\" Destination Maternity, New York\n2008 - \"The art of family\" Tea Lounge - Brooklyn, New York\n2007 - \"Matenrity: an underwater experience\" Bump - Brooklyn, New York\n2007 - \"Travel Cuba\" - Spoke the Hub - Brooklyn, New York\n2005 - Alianza Francesa - Quito, Ecuador\n2004 - Chelsea Piers - New York, NY USA\n1996 - Expocolor - Quito, Ecuador\n\nEDITORIAL FEATURES\n2016 - Cover of Professional Photographer - May Issue\n2015 - Video \"The Skeleton Warriors Of Papua New Guinea\" on Seeker Stories by Discovery Network\n2015 - Article \"A Meeting of Cultures Creates a New Vision of a Tribal Tradition\" on National Geographic Proof Blog\n2015 - Article \"Creative Ways Your Photo Business Can Offer Clients the Tangible\" on February issue of Rangefinder.\n2014 - Featured on Shutterbug Magazine\n2013 - Featured on Rangefinder Magazine\n\nAll inquiries please contact me at info@robertofalck.com","user_id":99617,"name":"Roberto Falck","website":"www.travelfineartphotography.com"},{"id":122033,"bio":"MIGUEL ESTEBAN ALONSO (1992), estudiante de Arquitectura en la Universidad de Navarra. En el verano de 2013 participó en el proyecto Arteaga Galería. Residencia Internacional de Artistas de Pekín. Este trabajo sigue su continuación en los dos años posteriores generando un trabajo documental sobre las religiones y culturas Asiaticas desde Pakistán hasta Moscú, pasando por India, Nepal, Tibet, China, Mongolia y Rusia. \n\nDesde octubre de 2012 ha participado en diversas exposiciones de fotografía , y ha sido premiado en varias ocasiones por su trabajo documental sobre Asia y Sur América. Así mismo, esta búsqueda de la relación entre la estructuración social  de estos lugares, y su desarrollo urbano, económico y arquitectónico, le ha llevado a participar en varias ponencias en Logroño, Navarra y Beijing.","user_id":121431,"name":"Miguel Esteban Alonso","website":""},{"id":690546,"bio":"In 2002, after graduating in political science, I switched to studying photography in Berlin. First with the Ostkreuz photographers Werner Mahler and Sibylle Bergemann, then with Prof. Arno Fischer. Since 2005 I do freelance work for various non-profit organizations, associations and agencies with a focus on reportage and portraiture. Since 2005 on the road for the LGBTI magazines Siegessäule and LMAG, since 2008 photo documentation of the art and culture festival 48 Stunden Neukölln and since 2012 photographer and photo editor of the district newspaper Wilma. I work and live in Berlin and Düsseldorf.\nApart from commissioned photography, street photography is my passion.\n\n","user_id":689962,"name":"Tanja Schnitzler","website":"tanjaschnitzler.de"},{"id":290791,"bio":"\nDaniel Leivick is a photographer and digital artist originally from Santa Cruz, California. He received a BA in studio art from Stanford University and an MFA in photography from Arizona State University. His work, which focuses on human interaction with landscape and emergent phenomena, has been exhibited at institutions including the Art and Architecture Library at Stanford University; Etherton Gallery and the University of Arizona Art Museum in Tucson, AZ; John Sommers Gallery in Albuquerque, NM; Tilt Gallery in Scottsdale, AZ. Leivick was named a 2013 Photolucida Critical Mass Finalist and is the recipient of a Brooks Fellowship from Anderson Ranch, a John Schivley Fowler Award for Color Photography, an Irene Peggy Lamb Fellowship. He currently lives and works in Los Angeles.","user_id":290189,"name":"Daniel Leivick","website":"www.danielleivick.com"},{"id":17600,"bio":"Fine art photographer and writer specializing in urban and cultural landscapes. My practice examines how we perceive and construct understandings of nature in the contexts of culture and the built environment. My work is characterized by the paradoxical term Urban Wilderness, which symbolizes the complexity of my oeuvre as well as the tensions inherent in the concept. ","user_id":17600,"name":"Eddee Daniel","website":"www.eddeedaniel.com"},{"id":17596,"bio":"I specialize in street portraits","user_id":17596,"name":"Dick Sanders","website":"www.dicksanders.com"},{"id":17648,"bio":"","user_id":17648,"name":"Lone Eriksen","website":"www.loneeriksen.com"},{"id":17599,"bio":"","user_id":17599,"name":"Doris Mitsch","website":"www.dorism.com"},{"id":17626,"bio":"Visual artist based in Montréal, Quebec, Canada. ","user_id":17626,"name":"Jinyoung Kim","website":"www.jinyoung-kim.com"},{"id":218375,"bio":"I am a photographer, photojournalist and multimedia artist currently living in Pisa, Italy. \n\nMy father worked as a journalist for many years and evoced my interest in travel, writing and photography quite early.                             \nOver time I  took over all of his old analogue cameras, which were mainly Leica and Nikon 35mm film cameras. My serious work as a photographer probably started when I was 16 years old, which was when my father got me my first digital Nikon DSLR as a birthay gift.\nToday I stil use both digital as well as analogue technique. My favorite cameras are a small, yet excellent digital Fuji Xpro 2 as well as a Leica M6, but I basically shoot with anything I can get my hands on.\n","user_id":217773,"name":"Max Raulff","website":"www.maxraulffphotography.com"},{"id":17658,"bio":"Martin Brink (b. 1984) is a Swedish photographer and artist. He is equally excited by internet and screen output as by the physical print medium, which has lead him to make several of his projects available as pdf books, create GIFs (initially just sent out in email newsletters) and photo-based animations, and to found the blog “The Digital Photobook”.","user_id":17658,"name":"Martin Brink","website":"www.martinbrink.se"},{"id":17789,"bio":"I was born in New York City in 1982, and grew up in the suburbs of Central New Jersey. I began photographing in my early teens and studied photography at the School of Visual Arts and the International Center of Photography, and taken workshops at The Maine Workshops Center in Rockland, Maine and the Woodstock Center of Photography in New York. The authenticity of my experiences and interactions through the photographic process is what I want the viewer to recognize and feel a relation to.","user_id":17789,"name":"Heather Musto","website":"www.heathermusto.com"},{"id":17660,"bio":"","user_id":17660,"name":"Martin Gremm","website":"martingremmphotography.com"},{"id":17770,"bio":"","user_id":17770,"name":"Dave Reichert","website":"www.davereichertphoto.com"},{"id":218310,"bio":"Taking photographs of every day life has always allowed me to go back in time and see  tiny  details that I could barely have noticed in the moment.  As life unfolds we furnish it with our inner voices, our fears and hopes and myriad emotions. The simplicity of the moment is so often swamped that we cannot see what is right in front of our noses. So looking back at life through photographic images brings me endless insight.  In my work as a commercial photographer I incorporate this love of detail into my style, regardless of whether I am shooting a person or an inanimate object. Details that are seemingly mundane in the moment become the very  things that we see so vividly in retrospect. ","user_id":217708,"name":"Amanda Miller","website":"www.amandamiller.com.au"},{"id":393838,"bio":"Born in Germany, in 2009 I moved to Switzerland; since then I have been living and working in Zurich, where I completed my CAS in Photography.\nForeign cultures fascinate me, emerging myself into new worlds, experiencing people and other mentalities. This curiosity I have carried in me all my live. \nMy trips lead me into various regions of the world. I sense experiences and encounters with my eyes and my heart. And often times it is the simple and brief moments that touch me the most – I would like to hold on to them.\nThey are full of energy and power and focus the view when their essence surfaces.\nThis minimalism has been inspiring me sustainably for a long time. Privately it leads me towards consuming more consciously and also positively influenced my photography.\nIn photography I found a medium, which supports me in giving my view on things a clear visual language.\nWith this I can successfully translate a harmonious image balance into an optical rendering.","user_id":393254,"name":"Grit Meyer","website":"www.gritmeyer.com"},{"id":393835,"bio":"Female photographer, passionate about portrait photography, self-taught and determined! I write poetry to go with each image I create. My poetry and images are available to view on my '500px' site. ","user_id":393251,"name":"Corri Chella","website":"500px.com/corrichella "},{"id":163604,"bio":"I’ve been a Professional Event, Performance, Landscape and Headshot Photographer since 2008.\nEvery summer between July and September, I \"go walkabout\". It started in 2013, when I decided to discover more countries on my home continent of Europe and visited 15 countries in 50 days with a backpack and a camera. I published my book \"Walkabout Europe\" on the strength of this trip. \n2014: I took 3 months to cover the entire continent of Australia and New Zealand.\n2015: Cuba, China, Tibet and Hong Kong\n2016: Pacific Northwest, Bermuda, New York and New England.\n2017: Poland, Austria, Italy, Switzerland and Germany  \n2018: Iceland, Norway Stockholm, Copenhagen and Hamburg.\n2019: My \"bucket-list\" had always included the continent of Antarctica, so I took off the month of December 2019 to sail to Antarctica with over 70 other photographers and naturalists. On our return to Tierra der Fuego, a group of us flew to El Calafate and El Chaiten in Patagonia for 6 days. I ended my 2019 walkabout with a week in beautiful Buenos Aires, Argentina.\nMarch 2020 - ? The pandemic. \nAll events canceled, so I decided to offer people “Coronicals”, a short “drive-by” photo session at a low cost that would best describe how they were spending this horrendous period. I posted the photos on my Facebook page and in a SmugMug gallery and send the people high-res versions of the photos as keepsakes.","user_id":163002,"name":"Cliff Roles","website":"www.cliffroles.smugmug.com"},{"id":131995,"bio":"Jordan’s exploration of forms and interconnectedness with sleek, lollipop rich images, quickly lead to noted gallery exhibits. \"Her out-there brand of wit and lyricism combined with a keen eye for composition” balances between the surreal, provocative and the playful, making Jordan highly collectable.\". Her work ranges from provocative images in the Sir Elton John Collection to the aesthetically serene for public forums, such as lobbies of Ritz Carlton and Four Seasons, as well as museum exhibited nature woks.  Her success has been as wide ranging as her work. \n","user_id":131393,"name":"Lisa Jordan","website":"www.lilyjo.com"},{"id":17743,"bio":"Alison Gibson lives and works in Edinburgh, and for the last few years she has been working commercially as well as on her own projects. ","user_id":17743,"name":"Alison Gibson","website":"www.alisongibsonphotography.co.uk"},{"id":218576,"bio":" Professionista IT nella vita di tutti i giorni, fotografo principiante per me stesso, amo fotografare tutto ciò  che può essere piacevole per occhi, mente e cuore.","user_id":217974,"name":"Gianluca Saiu","website":""},{"id":218765,"bio":"Architect. Until 2017 in charge of graphics, coordinated image and the online photographic archive of the Directorate General for Agriculture of the Lombardy Region, he obtained several awards in national and international photographic competitions. Among the most important, the third prize, as the only Italian, in the photo competition \"International Garden Photographer of the Year 2010\". His images have been exhibited in several solo and group exhibitions including Milan, Como, Rome, Florence, Brescia, Verona, San Marino, Barcelona, ​​Madrid, London, Lausanne, Krakow. In 2005 and 2009 for the exhibitions \"First Vision - photographs of a year from Milan to the world\" news and reportage images, he was selected among the 25 best Lombard photographers by Roberto Mutti, journalist and photographic critic of \"La Repubblica\". In 2011 he made the photographic campaign \"The young face of Lombard agriculture\". The portraits were exhibited at the “Leonardo da Vinci” Museum of Science and Technology in Milan.\n(www.carlosilva.it).","user_id":218163,"name":"Carlo Silva","website":"www.carlosilva.it"},{"id":393934,"bio":"My name is Enzo, 30 years old, I'm a  young doctor in the rush of emergency medicine, resting, breathing and living with my camera. ","user_id":393350,"name":"Enzo Zeylstra","website":"enzozey.pic-time.com/art"},{"id":17759,"bio":"I was born in 1986 and grew up in the NYC suburb New Rochelle. I got my BA at Haverford College in Pennsylvania and recently earned an MFA from Parsons the New School for Design in New York. My images are an exploration into the ordinary with a twist, often blurring the lines between the artificial and the real. The focus is multiple and expansive as I work to capture the intimate details of different cultural cues by way of landscape, still life, portraiture, and various multimedia techniques. Please contact me if you have any questions or comments.","user_id":17759,"name":"Charlie Rubin","website":"charlierubinstudio.com"},{"id":19946,"bio":"","user_id":19946,"name":"Rob Pickard","website":"www.robpickard.com"},{"id":393868,"bio":"Digital Content Producer but first: photographer, creating photo and video content for higher scale productions; curating, editing, logging material and writing daily journals and summaries of shooting days.\n\nExperienced photographer \u0026amp; videographer, studied in Berlin, currently based in Budapest.\nOriginally an English major, language enthusiast, also speaking German and Italian.","user_id":393284,"name":"Anna Vera Lengyel","website":"www.annaveraphoto.com"},{"id":2836,"bio":"For some years much of my personal work has sought to convey a sense of history, usually directed at specific places in time, but recently I have been attempting something different. My gaze is now directed at something even more elusive: something felt as much as seen. So the images are approximations, interpretations, reflections of self and an inner process of questioning. ","user_id":2836,"name":"John Heseltine","website":"www.johnwheseltine.com"},{"id":394255,"bio":"","user_id":393671,"name":"Florentina Bolle","website":"www.instagram.com/flo_bolle"},{"id":17784,"bio":" French-born, Barcelona-raised, New York-educated.\nAbstract  / documentary photographer with a background of infinite influences","user_id":17784,"name":"Gaston Bertin","website":"www.gastonbertin.com"},{"id":18136,"bio":"","user_id":18136,"name":"Richard Chivers","website":"www.rchivers.co.uk"},{"id":17850,"bio":"Fine art ,landscape photographer","user_id":17850,"name":"Robert Ashton","website":"www.robertashton.com.au"},{"id":705289,"bio":"Based in rural West of Ireland Gerald’s photography has shifted over the years from a conventional style using both film and digital into abstraction and surrealism using the initial photograph as a starting point for a piece of digital art.\nHis abstract work splits between nature originated subjects directed by mood and forms rather than the original subject and geometric ideas shot as B\u0026amp;W in the studio and crafted into often intricate and colourful expressions.\nMost recently a surreal take on portraiture is exploring the space between subject and photographer using physical and digital layers. And occasionally spray paint.","user_id":704705,"name":"Gerald Dunne","website":"www.pixelbrush.ie"},{"id":17863,"bio":"","user_id":17863,"name":"Shaun O Boyle","website":"new.oboylephoto.com"},{"id":17808,"bio":"","user_id":17808,"name":"June Yong Lee","website":"www.juneyonglee.com"},{"id":17869,"bio":"I am a Philadelphia based photographer and artist.  ","user_id":17869,"name":"Stefan Abrams","website":"www.stefanabrams.com"},{"id":330804,"bio":"Graduated from the School of Art, Iran.\nGraduated in Graphic Design, Sure University, Iran.\nGraphic Designer in an Iranian newspaper until 2006.\nDirector of an art collective of the Sharood Cultural Office.\nGraduated in theater and film makeup in Tehran, Iran.\nGraduated in Media Art at the Academy of Fine Arts in Italy.\nFounding member of the collective Sarab in 2018.\nFounding member of the publishing project LA PECORA EDIZIONE in 2021.\nwww.sarabcollective.com","user_id":330202,"name":"NAHID REZASHATERI","website":"www.sarabcollective.com"},{"id":17853,"bio":"","user_id":17853,"name":"Robert Larson","website":"www.robertlarson.photography"},{"id":17892,"bio":"Warren Harold graduated with a BS in Photography from Sam Houston State University in Huntsville, Texas in December 1993. Warren worked for seven years assisting and ultimately managing the digital production of Craig Stewart Studio in Houston. He currently works as Quality Control Lead in the NASA – Johnson Space Center Photo Operations Group. His toy camera and pinhole images have been included in several group shows and publications leading to his first solo exhibit at the SRO Photo Gallery in Lubbock, TX in 2012.","user_id":17892,"name":"Warren Harold","website":"www.thatwasmyfoot.com"},{"id":17888,"bio":"Trevor Powers (b. 1985, Burlington, Vermont) is an artist currently based in Western Massachusetts. ","user_id":17888,"name":"Trevor Powers","website":"www.trevorpowers.net "},{"id":17882,"bio":"Tammy Mercure was recently named one of the \"100 under 100: The New Superstars of Southern Art\" by Oxford American magazine. She has been featured on CNN Photos, VICE, Daily Mail, NPR Big Picture Show, and more. She was published in the Guardian UK (Big Picture), Darwin magazine, and in the book “Place, Art, and Self” by Yi-Fu Tuan. She has a BA from Columbia College Chicago and an MFA from East Tennessee State University. She is currently living in Nashville, Tennessee.","user_id":17882,"name":"Tammy Mercure","website":"tammymercure.com"},{"id":17941,"bio":"","user_id":17941,"name":"Dimitris Yeros","website":""},{"id":108775,"bio":"Hi. I am an Iranian artist. I have my bachelor in photography at Azad University of Tehran center-Iran.\nI also have my master in Communication Studies at University of Pune-India. \nI had several photography and painting exhibitions at Iran's art galleries. ","user_id":108173,"name":"Laleh Hamzehpour","website":"instagram.com/artshot666?igshid=1of9t42tb061v"},{"id":218610,"bio":"Copywriter and creative director in advertising agencies in Milano, Italy. Self taught non-pro photographer since 2016.\nWorkshops:  Joe Oppedisano - Project / Graziano Perotti - Reportage / Leonello Bertolucci - Dance photography  and Photo Editing / Tullio Fragiacomo - Photo Lecture","user_id":218008,"name":"Elisabetta Gatti Biggì","website":"www.elisabettagattibiggi.com"},{"id":218614,"bio":"I am a German photographer - based in Frankfurt - and part of the NoirTeam\nFor booking request contact me via my webpage: www.pem-photography.de or my instagram https://www.instagram.com/peterulimax/ or Facebook: https://www.facebook.com/peter.muller.37625","user_id":218012,"name":"Peter Mueller","website":"500px.com/petermuller"},{"id":17930,"bio":"","user_id":17930,"name":"David Simonton","website":"www.davidsimonton.com"},{"id":17931,"bio":"Dean Hollowood is based in London, UK. He studied graphic design at St Martins and went on to pursue an editorial career, this informed his more recent self initiated long-term projects. Dean uses photography as a means of sharing moments and spaces that have an emotion resonance, not necessarily dramatic or life changing moments rather ones that are ignored. He is interested in capturing the ambiguity and fragility in our surroundings, employing the camera as a psychological device to slow down the world around us, almost to amplify the invisible. Dean embraces serendipity throughout his work and the resulting images often reveal traces of the photographic process. ","user_id":17931,"name":"Dean Hollowood","website":"www.deanhollowood.com"},{"id":17953,"bio":"","user_id":17953,"name":"Gabriel Benaim","website":"www.gabrielbenaim.com"},{"id":17924,"bio":"","user_id":17924,"name":"Cyrille Weiner","website":null},{"id":17921,"bio":"Christin Boggs Peyper is an American artist, photographer, educator and sustainable food advocate. She has photographed urban farming practices in the U.S., Ireland, Finland, and South Africa. She resides in Great Falls, Virginia, USA.","user_id":17921,"name":"Christin Boggs Peyper","website":"www.christinphotography.com"},{"id":17979,"bio":"","user_id":17979,"name":"Kramer O'Neill","website":"krameroneill.com"},{"id":17989,"bio":"","user_id":17989,"name":"Matt Austin","website":"www.mattislearning.com"},{"id":18014,"bio":"","user_id":18014,"name":"Patrick O'Hare","website":"patrickohare.com"},{"id":17998,"bio":"Michael Werner is a fine-art photographer, currently based in Frankfurt, Germany \nIn 2009 he was selected for inclusion in “The Collector’s Guide to Emerging Art Photography, published by Humble Arts Foundation, New York.\nHis work has been exhibited internationally and is included in several private and public collections, such as the Museum Hanau, Germany or Michael Steinberg Fine Art, New York and published in many catalogues to the exhibitions.\nMichael is also the founder and editor in chief of Two Way Lens - Interviews with contemporary photographers.","user_id":17998,"name":"Michael Werner","website":"www.michael-werner.com"},{"id":18400,"bio":"Los Angeles based artist Michael Salvatore Tierney","user_id":18400,"name":"Michael Salvatore Tierney","website":"www.tierneyprojects.com"},{"id":171738,"bio":"Sabine van Wechem is a Dutch photographer and graduated with honors from the Photo Academy in 2019. She has a background as a creative producer in advertising and lives and works in Amsterdam. \n\nThrough photography and film she investigates how people live in a physically or socially enclosed environment while simultaneously creating a form of freedom. \n\nVan Wechem works on long-term documentary stories and often focus on central themes as intimacy and society. She wonder how people move in certain circumstances and how they find their path despite expectations, social context or the place where they were born.\n\nShe works on a global scale, currently she continues her work on a long term multimedia series covering life in the favelas in Rio de Janeiro. Sabine van Wechem works currently at the Dutch newspaper De Volkskrant, for creative companies, continues her education through masterclasses and she works on new stories. ","user_id":171136,"name":"Sabine van Wechem","website":"sabinevanwechem.com"},{"id":175843,"bio":"I recently completed a journalism degree as a mature student at Goldsmiths, University of London. It was here that I learned to take photos and unearthed a hidden passion, which has been happily consuming my life ever since. ","user_id":175241,"name":"Emily Goddard","website":"emilysgoddard.tumblr.com"},{"id":18070,"bio":"","user_id":18070,"name":"Collin LaFleche","website":"www.collinlafleche.com"},{"id":218757,"bio":"Reporter, ritrattista, fotografo di moda e art director, inizio a fotografare giovanissimo, documentando le tensioni sociali dell'Italia degli anni settanta. Negli anni ottanta, la mia collaborazione ai migliori periodici dell’epoca è stata fondamentale per definire un nuovo standard visivo, mentre gli anni novanta segnano la mia maturità come autore a livello internazionale con collaborazioni a Brutus, Details, Mademoiselle, Wallpaper e la realizzazione di prestigiose campagne pubblicitarie. Il mio lavoro è stato oggetto di numerose mostre personali e collettive in Italia e all’estero.","user_id":218155,"name":"toni thorimbert","website":"www.tonithorimbert.com"},{"id":18068,"bio":"Clare Gallagher is a Northern Irish artist whose work focuses on the ordinary, everyday experiences of home. A photography lecturer since 2003, she teaches on the BA, MFA and PhD programmes at the Belfast School of Art, Ulster University. Clare’s book The Second Shift was named as one of The Guardian’s top 15 photobooks of 2019 and her work has been exhibited internationally, including in Finland, Lithuania, Italy and Ireland in 2020. ","user_id":18068,"name":"Clare Gallagher","website":"www.claregallagher.co.uk"},{"id":611085,"bio":"I live and work as a doctor in Thessaloniki, Greece. Photography has been my medium of choice for investigating and appreciating life and the world I live in. My photographic studies include private photography schools in my city, seminars and workshops with important photograhers, both greek and international. Sharing my view in a large scale opens the possibility of awareness and change. People, places, ecology are my main interests in photography.","user_id":610501,"name":"Kyriakos Oikonomidis","website":"www.planetikon.gr"},{"id":18401,"bio":"","user_id":18401,"name":"Daniel Gebhart de Koekkoek","website":"www.gebhart.dk"},{"id":30022,"bio":"Born in Naples in 1965, Italy, studied graphic design in \"Istituto Statale d'Arte Filippo Palizzi\".\nWorking in different advertising agencie in Naples and London. In 1990 started my passion for photography, working as a photojournalist and collaborating with several Italian magazines.\nIn 1995 I have lived in Saarbrúcken, Germany working in a photographic studio. \nSince 1996 lives and works in Barcelona Spain","user_id":30027,"name":"Michele Franzese","website":"michelefranzese.wixsite.com/michelefoto"},{"id":18216,"bio":"Nicole Jean Hill was born and raised in Toledo, Ohio. Her photographs have been exhibited throughout the U.S., Europe, Canada and Australia, including Gallery 44 in Toronto, the Australia Centre for Photography in Sydney, and the Blue Sky Gallery in Portland, Oregon. Her work has been featured in the Magenta Foundation publication Flash Forward: Emerging Photography from the U.S., U.K., and Canada, the Humble Art Foundation’s The Collector’s Guide to Emerging Photography, and National Public Radio. Hill has been an artist-in-residence at the Center for Land Use Interpretation in Wendover, Utah, the Ucross Foundation in Wyoming, and the Newspace Center for Photography in Portland, Oregon. She currently is an Associate Professor of Art at Humboldt State University.","user_id":18216,"name":"Nicole Jean Hill","website":"www.nicolejeanhill.com"},{"id":18392,"bio":"","user_id":18392,"name":"Dennis Neuschaefer-Rube","website":"www.stilledfilms.com"},{"id":18315,"bio":"","user_id":18315,"name":"Jory Vander Galien","website":"www.joryvandergalien.com"},{"id":18252,"bio":"","user_id":18252,"name":"Clayton Cotterell","website":""},{"id":18266,"bio":"","user_id":18266,"name":"Joseph Sorrentino","website":"www.sorrentinophotography.com"},{"id":18271,"bio":"","user_id":18271,"name":"Martina Lindqvist","website":"www.martinalindqvist.com"},{"id":18294,"bio":"Ashley Kauschinger is a narrative photographer that explores identity and family. She received her BFA from Savannah College of Art and Design and a MFA from Texas Woman's University. Her photographs have been exhibited nationally in venues such as the Griffin Museum of Photography and the RayKo Gallery. She has been published in the PDN Photo Annual, the South Atlantic Review, Lenscratch, Fototazo, F-Stop Magazine, and Flak Photo. She was a Critical Mass Finalist in 2012 and 2014. \n\nAshley is also the founding editor of Light Leaked (www.lightleaked.com), an online photography magazine that creates dialogue and community. ","user_id":18294,"name":"Ashley Kauschinger","website":"www.ashleykauschinger.com "},{"id":18320,"bio":"","user_id":18320,"name":"Natalia Engelhardt","website":"www.nataliaengelhardt.com"},{"id":120973,"bio":"1989 born, Florence based Italian photographer.\n\nSpecialized in portraits and documentary photography. My work is mainly focused in the relationship between empathy and social dynamics, trying to understand the emotional interaction and mind shapes we all have facing the differences ages of life and circumstances.\n\nTeaching (LiberaAccademiadiBelleArti Florence, 2014 - ongoing)\n2016 - ongoing, FOTOGRAFIA 2. Developing a Photographic Project.\n2014 - 2016, LAB. FOTOGRAFIA 2. Advanced Course in Photography.\n\nEducation \u0026amp; Workshop\n2020 - ongoing, Fondazione Studio Marangoni Florence, Advanced Course in Documentary Photography with Pietro Paolini and Michele Borzoni, members of Terraproject Collective.\n2019 - Publishing Workshop by Tommaso Parrillo / Witty Books.\n2018 - CortonaOnTheMove, A geometry of disorder, Portraiture Workshop by Paolo Verzone.\n2010 - 2014, LiberaAccademiadiBelleArti Florence, Bachelor's degree in Photography.","user_id":120371,"name":"Riccardo Svelto","website":"www.riccardosvelto.com"},{"id":18492,"bio":"I have degrees in Philosophy and Art.  Photography has provided an important thinking process for me.  And I've slowly spun my brand of photographic thinking into the world of contemporary land survey.  I always loved the New Topographics photographers from the 70's, and have been inspired by their work.","user_id":18492,"name":"Christopher Motta","website":"www.christophermotta.com"},{"id":122080,"bio":"He was born in 1989 in Cáceres, Spain. After his graduation, with a degree in Art History at Extremadura University, he decided to move to Madrid, where he is living at the moment, in order to study a Masters of Contemporary Photography and Personal Projects at EFTI. His final project was selected for the publishing of EXC! and for its later exhibition on PHE 15 framework.\n\nHis project, linked to the fiction and fantasy, attempts to question the different habits of this modern society, making a point at his particular view point about the unknown, the weird and the invisible events for most of us; it gets deep into the roots, going back to the origins in order to understand the world today, to finally create a bridge between the present and the past.\n","user_id":121478,"name":"Javier Agúndez","website":"www.instagram.com/j_agundez_photography"},{"id":18677,"bio":"Fred Cray lives and works in Brooklyn, New York and is a recipient of a Guggenheim Fellowship, Pollock-Krasner Award, and a Peter S. Reed Grant. Recent published books are Unique Photographs, Changing the Guard, and Conversations","user_id":18677,"name":"Fred Cray","website":"www.fredcray.com"},{"id":18542,"bio":"","user_id":18542,"name":"Libbie Masterson","website":"www.libbiemasterson.com"},{"id":18544,"bio":" I was raised in a small, back-woods Southeast Texas town.  I did not grow up with an exposure to art.  I did not have an uncle with a darkroom.  I did not hold a camera until I was a grown woman.  I am a self-taught artist committed to film and traditional wet darkroom printing.  I work intuitively in every creative element of my medium with an acute awareness of what and who has come before me.  My life experiences have brought me to this place where I find myself overwhelmed with the drive to make photographs about who I am...what moves me, what I feel inside, what I believe to be sacred and enduring.  I make pictures to challenge, calm, excite and satisfy my mind and heart.  I share my work in hopes of leaving some permanent, telling mark on the world...that I Was Here.","user_id":18544,"name":"Lori Vrba","website":"www.lorivrba.com"},{"id":18547,"bio":"Niniane Kelley is a fine art photographer living and working in San Francisco and Lake County, California. A native of the Bay Area, she is a San Jose State University graduate, earning a BFA in Photography in 2008.\n\nDrawn to photography for both the immediacy of the image making process and the intrinsic alchemy of the darkroom ritual, she crafts her imagery using traditional 19th century processes which give each piece its own unique character.\n","user_id":18547,"name":"Niniane Kelley","website":"www.ninianekelley.com"},{"id":148100,"bio":"Scott Mc Kiernan - BIO\n\nAgent/Artist/Designer/Editor/Educator/Photojournalist/Publisher/Technologist\n\nScott Mc Kiernan is a media industry leader. Mc Kiernan’s dynamic leadership of the ZUMA Press family of companies, as well as decades of wide-ranging experience in photojournalism have proven to be instrumental in establishing, the largest independent editorial photo agency in the world and the first digital age picture agency: ZUMA Wire.\n\nMc Kiernan as a Web pioneer in ‘92, launched the net's first database for editorial pictures. Today his agency is the agent to some of the world's most respected photojournalists, magazine, newspapers, agencies  and wire services and always evolving. Running a global staff which, as an end product, creating and managing daily the world's largest editorial archive online.\n\nBetween Mc Kiernan’s design work, photography as well as picture editing and his rooster of stellar photojournalists photography, they have won numerous major awards for picture editing and photography, including Pictures of The Year (POYi), Best of Photojournalism (NPPA’s BOP), Communications Arts, World Press Awards as well as a few Pulitzers. Most recent big award is 2016 EDITOR of THE YEAR also know as Jim Gordon Award.\n\n Judged BOP, POYi and Atlanta Photojournalism among other contests worldwide and taught at the Mountain Workshops, Fotofusion and UCLA.\n\nMc Kiernan's ultimate pride and joy is his and his wife's latest creation and baby with a million dollar smile: Liam Edison. Who with his lovely wife Kelly, siblings Jeremy and Sean, enjoy surfing the waves of Southern California. Mc Kiernan remains an active shooter today, living for finding and making that one image that can make a true difference.\n\nFor more on Scott and ZUMA go to ZUMAPRESS.com, zReportage.com, ThePicturesofTheDay.com or DOUBLEtruck Magazine. Or check out his most recent ventures: ReprotageFoundation.com. \n\nAlso lookout for his just launched, ultimate big picture project: the Reportage Foundation, dedicated to getting the stories that need to be told in the hands of those, who can make change happen and at same time the masses who want and need to know.  The world needs now, more than ever, the highest possible quality independent journalism. The global issues need a voice and the fine photojournalists risking there lives daily, to tell the stories, need an outlet! Reportage Foundation will be that vehicle and create that end product. Join and be apart of the solution.","user_id":147498,"name":"Scott Mc Kiernan","website":"www.DOUBLEtruckMagazine.com"},{"id":394504,"bio":"Eric K. Hatch, Ph.D, has lived in the Cincinnati area since 1974. He has had five careers in addition to photography. As a fine art and travel photographer, Eric has won numerous awards and competitions. He has served on the board of the SW Ohio chapter of Professional Photographers of America.  His one person show, “Hard Times for These Times,” 16 prints on metal using architecture to represent human emotions, has concluded its run at the Middletown Arts Center in 2017.  \"Faces of Addiction,\" 50 portraits and life stories of addicted people, has had 5 showings since 2019.  Ten of his portraits for \"Faces of Addiction\" are in the permanent collection of the Hood Museum of Art in Hanover, NH. His latest project, 17 photos of retreating glaciers, \"G;laciers in Retreat\" was completed in 2023. It has had one showing with two more scheduled.\n\nThe root of Eric's photography is a desire to create images which aim at major social issues by arousing appropriate feelings as well as conveying information.  Eric's style is \"romantic realism,\" with limited image alterations. The idea is to enable the viewer to see and feel what Eric saw and felt when he created the image.","user_id":393920,"name":"Eric Hatch","website":"glaciersinretreat.com "},{"id":91230,"bio":"I am a Slovak photographer and have completed a degree in photography and film at Edinburgh Napier University. My work has been exhibited in Glasgow, London and Edinburgh.","user_id":90768,"name":"Agatha Albert","website":"www.albertandagatha.com"},{"id":18610,"bio":"","user_id":18610,"name":"Michael Schlegel","website":"www.michaelschlegel.com"},{"id":601807,"bio":"","user_id":601223,"name":"Zongwei Liu","website":""},{"id":18754,"bio":"Beth A. Gilbert is a fine art photographer living and studying in Rochester, New York. Her work has been exhibited at the Photographic Resource Center at Boston University, the Danforth Museum of Art, the Boston Online Biennial, the Black Box Gallery in Oregon, and the Hadassah Gallery in Jerusalem. Beth's work has also been featured on Lenscratch, Hey Hot Shot, 3200K, and New Landscape Photography. In addition, she has played a key role in the production of numerous photographic exhibitions for both nationally and internationally recognized artists.\n\nBeth earned a BA in art with a concentration in photography from Simmons College, Boston. She worked for a professional, full-service photo lab, Color Services in Needham, MA as Assistant Digital Technician for 5 years. Beth now runs her own business providing digital photographic post-production services and is pursuing a Master of Fine Arts degree in photography at the Rochester Institute of Technology.","user_id":18754,"name":"Beth A. Gilbert","website":"www.bethgilbert.net"},{"id":18865,"bio":"Jason Landry is a writer, photography collector and owner of Panopticon Gallery in Boston. Landry earned his B.F.A. in Photography at the Massachusetts College of Art and Design, and an M.F.A. in Visual Arts from the Art Institute of Boston at Lesley University. In 2013 he accepted the position of Director of the MFA in Photography program at the New Hampshire Institute of Art and started blogging for the Huffington Post. Follow Jason Landry on Twitter: @lanrod or @PanoptGallery","user_id":18865,"name":"Jason Landry","website":"www.jasonlandry.com"},{"id":18777,"bio":"I have been hiding behind a viewfinder since I was very, very young.  While in college I studied Arbus, Cunningham, and Michaels to name just a few. The darkroom was a solitary, meditative place filled with magic.  Soaking up all things photographic, I became a human sponge visiting museums and galleries, started a camera collection and began accumulating photography books. I have been teaching photography at the college level for the past thirteen years with high hopes that the passion to create becomes instilled within my students. I try to never leave home without a camera, in fact when that rare event occurs, panic sets in.","user_id":18777,"name":"Carol S. Dass","website":"www.carolsdass.com"},{"id":18848,"bio":"Heidi Leverty is an artist and photographer living and working in Toronto Canada. Her work is exhibited Internationally and can be found in private, government and corporate collections. ","user_id":18848,"name":"Heidi Leverty","website":""},{"id":18805,"bio":"","user_id":18805,"name":"David Bennett","website":"www.stray-light.co.uk"},{"id":159467,"bio":"","user_id":158865,"name":"LAURA RUIZ RUIZ","website":"www.lauraruizstudio.com     www.lauraruiz.com"},{"id":120174,"bio":"Profile\n\nKayo yoshida\n\n2010 Tokyo photo school professional photographer class graduation\n2009 - 2012\nPhotographer Komatsu Kenichi presided, photo Study Group \"wind\" participation\n2012 cooperatives Japan Photographers Union member\n\n(Solo Exhibition)\n2015 \"reincarnation\" SILVER SHELL Tokyo\n\nhttp://silver-shell.sakura.ne.jp/exhibition/2015/yoshida.html\n\n(Group Exhibition)\n2016     Ukraine · Kiev History Museum\n2014  Japan Photographers Union Original Print Exhibition Gallery Tokyo\n2013  Japan Photographers Union Original Print Exhibition Gallery Tokyo\n 2012 Japan Photographers Union Original Print Exhibition Gallery Tokyo\n\nhttp://www.gallery-nii.com/exhibition/2012.html#42\n\n2012 Gallery Cosmos Tokyo\n2011 Gallery Cosmos Tokyo\n2011 Gallery 21, \"KUU\" Tokyo\nhttp://www.gallery21-tokyo.com/jp/exhibitions/2011/kuu/index.html\n\n(Photo book review participants)\n\n2014 In) (Btween gallery Shashin book award paris\n\n(Awards)\n\n2008 Japan Photographers Union Competition Award prize\n2008 2009\nphoto Girl excellent work prize\n2007 to 2009\nKurashiki Fotomyuraru prize\n2016   Kayo photo studio open ","user_id":119572,"name":"Kayo Yoshida","website":""},{"id":18835,"bio":"","user_id":18835,"name":"George Steinmetz","website":""},{"id":18844,"bio":"H. Lee is a photographer based in New York. Due to the nature of the Grassland project – and gaining the confidence of her subjects - she has chosen to publish it under a pseudonym.","user_id":18844,"name":"H Lee","website":"www.hleephoto.com"},{"id":727726,"bio":"Studium der Bildhauerei, Malerei und Fotografie an der Akademie der Bildenden Künst Nürnberg","user_id":727142,"name":"Ben Klein","website":""},{"id":19340,"bio":"Lives and works in Maine \u0026amp; New Jersey\nBorn in Perth Amboy, NJ, 1982\n\nEDUCATION\n2008     MFA Photography, Yale University School of Art, New Haven, CT\n2005     BFA Art History / Photography, The Art institute of Boston at Lesley University, Boston, MA\n\nSOLO EXHIBITIONS\n\n2014     Prismatic Tracks, Yancey Richardson Gallery, New York, NY\n2014     Moving Across the Interior, Institute of Contemporary Art at Maine College of Art, Portland, ME\n2013     Broken Lattice, Yancey Richardson Gallery, New York, NY\n2011     Field Recordings, Yancey Richardson Gallery, New York, NY\n             Wildlife Analysis, Galerie Jonas Kleerup, Stockholm, Sweden\n2010     The Sun Room, The Gallery at Tyler School of Art, Philadelphia, PA\n             Wildlife Analysis, Yancey Richardson Gallery, Project Gallery, New York, NY\n             The Sun Room, Vox Populi Gallery, Philadelphia, PA\n2009     Wildlife Analysis, Wild Project, New York, NY\n\nTWO PERSON EXHIBITIONS\n\n2011     Cole Caswell and Bryan Graf, Zero Station, Portland, ME\n             Glen Baldridge and Bryan Graf, Halsey Mckay Gallery, East Hampton, NY\n\nGROUP EXHIBITIONS\n2014     2013 Portland Museum of Art Biennial: Piece Work, Portland, ME\n2013     The Polaroid Years: Instant Photography and Experimentation, The Frances Lehman Loeb Art Center, Poughkeepsie, NY\n2012     Second Nature: Abstract Photography Then and Now, deCordova Sculpture Park and Museum, Lincoln, MA\n             Swamp Thing, Bodega, Philadelphia, PA\n             Light Matter, Pelham Arts Center, Pelham, NY\n2011     The Kitchen Benefit Art Auction, The Kitchen, New York, NY\n             From Dark Towards the Light, Galerie Jonas Kleerup, Stockholm, Sweden\n2010     Young Curators, New Ideas III, PPOW Gallery, New York, NY\n             .matrix, Philadelphia Photo Arts center, Philadelphia, PA\n2009     The Troposphere, the Hampshire House, New York, NY\n2008     Blind Spot Lab, New York Horticultural Society, New York, NY\n             Yale MFA Photography, Gallery 339, Philadelphia, PA\n             Yale MFA Photography, Danziger Projects, New York, NY\n             MFA Thesis Show, The Green Gallery, Yale University, New Haven, CT\n2005     Sweet Work: BFA Graduate Exhibition, A.I.B. Main Gallery, Boston, MA\n             Landscape Within Reason, The Marren Gallery, Boston, MA\n\nPUBLISHED WORK\n\n2014     Prismatic Tracks, Conveyor Arts\n2014     Moving Across the Interior, Institute of Contemporary Art at Maine College of Art\n2013     Wildlife Analysis, Conveyor Arts\n2013     The Polaroid Years: Instant Photography and Experimentation by Mary-Kay Lombino\n2011     The Sun Room, Interchanges, B-Sides \u0026amp; Remixes, Sun System Press\n2010     Bryan Graf \u0026amp; The Holster (3 zines), Fogelson \u0026amp; Lubliner\n             The New York Times, Op-Art, “The Plastic Forest”, Apr. 21, 2010\n2009     The New York Times, Op-Ed, “Chronicle of a Death We Can’t Accept”, by Thomas G. Long, Oct. 31, 2009\n2008     Blind Spot, Issue 38, Fall 08\n             Yale MFA Photography 2008, Yale University Press\n2007     Palimpsest, Volume 5, The McDougal Center\n\nAWARDS\n\n2008     John Ferguson Weir Award, Yale University School of Art\n2005     Regis DeSilva Photography Award, The Art Institute of Boston\n\nREVIEWS\n\nBryan Graf, Vince Aletti, The New Yorker, November 24, 2014\nBryan Graf, Vince Aletti, The New Yorker, November 24, 2014\nBryan Graf / Melanie Willhide, Vince Aletti, The New Yorker, July 11 \u0026amp; 18, 2011\nYoung Curators, New Ideas III, Holland Cotter, The New York Times, Aug. 20, 2010\nBryan Graf: Wildlife Analysis, Amani Olu, Whitewall Magazine, Oct. 7, 2009\n","user_id":19340,"name":"Bryan Graf","website":"bryangrafstudio.com"},{"id":290849,"bio":"","user_id":290247,"name":"Andreas Schimanski","website":"www.schimanski.net"},{"id":400397,"bio":"","user_id":399813,"name":"lee w bass","website":"leewbass.com"},{"id":338854,"bio":"My name is Kate and I`m going to be a film director, I lived in China for 1 year because of studying of Chinese, Now I`m fully for photography and my lovely cinema.","user_id":338252,"name":"Екатерина Аликина","website":"www.facebook.com/alikatrin"},{"id":18983,"bio":"Rebecca Sittler is photographer, writer and Associate Professor of Art at California State University, Long Beach. She has exhibited her work in over 60 exhibitions in the last 10 years at venues such as: Sam Lee Gallery, Daniel Cooney Gallery, Shoshana Wayne Gallery, the Photographic Center Northwest, Torrance Musuem of Art, the Griffin Museum, Atlantic Center for the Arts, RayKo Gallery, Photographic Resource Center, as well as the University of Florida, Texas Woman’s University, Boston University, and Washington State University. Internationally Sittler’s photographs have been shown in Russia, South Korea, China and England. She received her MFA from Massachusetts College of Art in 2003 where she studied under the guidance of Abelardo Morell, Laura McPhee and Frank Gohlke.","user_id":18983,"name":"Rebecca Sittler","website":"www.rebeccasittler.com"},{"id":120132,"bio":"Juliana Piacesi Spinola is my full name. I was born in 1980 in Rio de Janeiro, Brazil. Graduated at the Sao Paulo University of Fine Arts and began my career as a Graphic Designer working in a multinational company.\u0026nbsp;In mid-2007 I left the corporate life and\u0026nbsp;started to make the transition to photography, assisting several great studio photographers. Years have passed and now I work as a freelance photographer mostly with architecture, documental, photojournalism and corporate photos and videos. Part of my work is represented by some international news agencies and have been published in great vehicles such as The Guardian, New York Post, Das Magazin, The Oslo Times, Lonely Planet, Vice, The Telegraph, O Globo, Folha de Sao Paulo, among others.\u0026nbsp;I also work at IIF (Instituto Internacional de Fotografia) teaching composition in the course of professional training. Besides portuguese I speak english and spanish. My objective is to drive my work into the documental sphere, by human, social and political subjects.","user_id":119530,"name":"Juliana Spinola","website":"www.julianaspinola.com"},{"id":290871,"bio":"For a long time I was a businessman and photography was for long time only pleasure. But the last 15 years it is my passion and spend a lot of time to try my skills to a higher level.","user_id":290269,"name":"johan van dreven","website":"www.facebook.com/jovadre (site www.jovadre.nl is rebuilding)"},{"id":18998,"bio":"I am an up and coming commercial photographer, looking for something to guide me into the next step of photography.","user_id":18998,"name":"Shaun Robinson","website":"www.shaunrobinson.ca"},{"id":210184,"bio":"Amature street photographer, born and live in St Petersburg.","user_id":209582,"name":"Anton Smulsky","website":"www.facebook.com/smulsky"},{"id":19013,"bio":"Born in 1971, Sylvain pursues the exploration of his fetishes after a first life as an actor and a circus artist. He is regularly exhibited in Europe (Spain, Norway, Serbia, France, Portugal, Belgium, Switzerland, Géorgia, Romania, England) and participates in many festivals (Guernesey Photo fest, Rencontres d’Arles, Fotofever, Photo Off, Festival Circulations, Le Voyage à Nantes, Encuentro de Imagen, Madrid Photo, Belgrad Photo fest, Tbilisi Photot Festival…). \nHe works and lives in Paris.\n\n\n","user_id":19013,"name":"Sylvain Granjon","website":"www.sylvaingranjon.com"},{"id":19056,"bio":"After majoring in Fine Arts and writing a thesis on Paul Klee’s The Thinking Eye, some friends who were students of Harry Callahan steered me into photography.  The good fortune of becoming a stringer for The Christian Science Monitor encouraged me to make a life of it.\n\nIn 1983–4, I travelled widely in China as doors closed in 1949 began to re-open.  1985 took me to the isolated world of southwest Louisiana, photographing for Ann Savoy’s book Cajun Music: A Reflection of a People.  In 1986 I managed to get to Lhasa, Tibet during the remarkable moment when the Chinese briefly paused their repression of Tibetan spiritual life.  Documenting rural village life from 1986 to 1992, I made fourteen visits to the remote mountain village of Ajoya in Sinaloa, Mexico, as drug related violence began to drive the people into slums of distant cities.  Invited into a country closed to all but about 200 foreigners in 1991, I photographed post-Khmer-Rouge Cambodia before another wave of displacement and destruction arrived with global capitalism.  In 1992 I slipped into the richness of Cuban culture during the “special period” of material scarcity that accompanied the post-Soviet collapse of their foreign aid.  I’ve also been blessed with long-term projects, fifteen years inside the starlit Telluride Film Festival, twenty-five years shadowing remarkable composers and artists for The OtherMinds Foundation - a few episodes in a longer story.\n\nAs storytellers we want to draw the viewer in closer but the line between simple attraction and deeper illumination is slippery.  I happily point my sailboat higher into the wind when Robert Frank says, if he could re-edit The Americans he “would choose pictures that are more questions… less perfect but have mystery.”\n\n","user_id":19056,"name":"John Fago","website":"www.johnfago.com"},{"id":19033,"bio":"","user_id":19033,"name":"Violet Forest","website":"www.violetforest.com"},{"id":180392,"bio":"Journaliste, cadreur et réalisateur, l'image est mon moyen d'expression.","user_id":179790,"name":"Lucas Hobé","website":"lucashobe.com"},{"id":842404,"bio":"577bet-promocao.br.com offers exquisite gourmet recipes and culinary experiences, elevating your dining with exceptional flavors and expert cuisine insights.\nBrand: 577bet\nWebsite: https://577bet-promocao.br.com\nAddress: R. Oscar Freire, 500 - Pinheiros, São Paulo - SP, 05409-011, Brazil\nPhone: +55 (62) 9436-2870\nEmail: 577bet-promocao@gmail.com\nHashtag: #577bet-promocao #577bet-promocaofood #577bet-promocaorecipes #577bet-promocaoculinary #577bet-promocaodining","user_id":828247,"name":"gg athb","website":"577bet-promocao.br.com"},{"id":341321,"bio":"I'm French,  established in Hungary.\nMy primary fields are product photography, architecture and urban.\n\nhttps://www.flickr.com/photos/50153626@N04/","user_id":340719,"name":"Stefan Gonzalevski","website":"www.stefan-gonzalevski.com"},{"id":19116,"bio":"Joyce Campbell (b. 1971 New Zealand) is an interdisciplinary artist working in sculpture, photography, film and video installation who's recent work utilizes anachronistic photographic techniques including ambrotype, daguerreotype, large format film based photography and 16mm film to examine the collision of natural and cultural systems. She is a senior lecturer at the University of Auckland Elam School of the Arts and has lectured in studio art at Claremont Graduate University, Scripps College, University of California, Irvine and California State University, Northridge while occasionally working as a freelance curator and art writer. She has participated in numerous solo exhibitions including Joyce Campbell: Te Taniwha/Crown Coach at Pitzer College Art Galleries in Claremont, CA (2012); Te Taniwha at Two Rooms in Auckland, New Zealand (2010), Hastings City Art Gallery (2012) and at McNamara Gallery in Wanganui, New Zealand (2010); LA Botanical and Last Light at Christchurch Art Gallery in Te Puna o Waiwhetu, New Zealand (2010); Crown Coach Botanical at Two Rooms in Auckland, New Zealand (2008); LA Botanical at G727 in Los Angeles, CA and at Starkwhite in Auckland, New Zealand (2007); and Growth and Change at California State University, San Marcos, CA (2006). She has also participated in numerous group exhibitions including Che Mondo at the Los Angeles Municipal Art Gallery in Los Angeles, CA (2013) BROODWORK: It’s About Time at Ben Maltz Gallery, Otis College of Art and Design in Los Angeles, CA (2011); Antarctica at Pitzer Art Galleries, Pitzer College in Claremont, CA (2007); Nature (Interrupted) at 18th Street Art Center in Santa Monica, CA (2007); Contemporary Landscape Photography at Millard Sheets Art Center in Pomona, CA (2007); Tools of Survival at McNamara Gallery in Wanganui, New Zealand (2007); Artists Who Teach at Sam Francis Gallery in Santa Monica, CA (2006); Faculty Exhibition at Ruth Chandler Williamson Gallery, Scripps College in Claremont, CA (2005); Brittle City at Gallery 727 in Los Angeles, CA (2005); and The Garden Lab Experiment in Pasadena, CA (2004). Campbell was a recipient of University of California Inter-campus Arts research Grant in 1998. In 2006, she was selected as one of the Antarctica New Zealand/Creative New Zealand Artists to Antarctica Programme awardees. In 2007, she was awarded an ARC Grant from The Durfee Foundation. Campbell is represented by McNamara Gallery in Wanganui, New Zealand, Two Rooms in Auckland, New Zealand and Nadene Milne Gallery in Arrowtown, New Zealand. She is also a member of Artists Pension Trust Los Angeles. Campbell lives and works in New Zealand and, periodically, in the United States.","user_id":19116,"name":"Joyce Campbell","website":"www.joycecampbell.com"},{"id":19440,"bio":"After graduating from university in 1948, János Szász (1925-2005) intended to become a lawyer, but found himself ‘disqualified’ to practice law under the Communist regime due to his father’s army rank. Szász, instead, turned to photography and defiantly kept his title of “Doctor of Law” while supporting his family as a sign painter. Within ten years, Szász’s photographs were being widely exhibited and acclaimed among the Socialist countries. During the 1960s and 70s, Szász worked for the Pécs architectural office, documenting buildings in the region, and his 1975 publication on folk architecture won several awards including the Leipzig Book Fair prize in 1977. Szász’s picture-taking career was ended in the early 1980s from cataracts in both eyes, but he continued to teach and write about photography for decades. \nLittle known outside of his native Hungary, the body of work Szász created from the late 1950s through the 1970s, epitomizes the artistic vision and innovation of photographers active in Hungary during the years of communism. Featuring boldly graphic abstractions primarily drawn from Hungarian life and landscape, Szász’s images communicate through a universal vernacular. Working in the tradition of Hungarian greats such as André Kertész and László Moholy-Nagy, János Szász’s images are notable for their experimentation with radical perspectives, formalist compositions, and stark, black and white contrast printing.\n\nSzász’s photographs transform ordinary scenes from his hometown of Pécs — snow-covered vineyards, stacked firewood, and rows of seating in a darkened movie theater—into bold and graphic compositions. By manipulating darkroom exposure and processing techniques, Szász often reduced his subjects to pattern. He utilized a darkroom process for high-contrast printing, which involved chemical over-processing, then painstakingly bleaching over toned areas with a paintbrush or sponge, to arrive at his dynamically graphic images.","user_id":19440,"name":"Janos Szasz","website":"www.szaszphoto.hu"},{"id":19215,"bio":"Cutting edge conceptual art team working in photography and video art, living and working in Havana, Cuba","user_id":19215,"name":"Liudmila \u0026 Nelson","website":"www.liudmilanelson.com"},{"id":19887,"bio":"I was born and raised in the US to a Danish mother and American father. I spent a significant time of my youth in Copenhagen, returning to the US a decade ago. I am self taught and work mostly within portraiture. ","user_id":19887,"name":"Erika Huffman","website":"www.erikahuffman.com"},{"id":19247,"bio":"","user_id":19247,"name":"Matej Sitar","website":"www.matejsitar.com"},{"id":727862,"bio":"","user_id":727278,"name":"Ed Matheson","website":""},{"id":19272,"bio":"Portrait Photographer since 2007","user_id":19272,"name":"Joachim Zimmermann","website":"www.joachimzimmermann.com"},{"id":597398,"bio":"Ik ben professioneel fotograaf en beeldend kunstenaar, werk in opdracht en aan eigen projecten. Mijn werk wordt gepubliceerd en geëxposeerd. Tevens heb ik een eigen Fotografie Kunst Uitleen.\nTeo Krijgsman","user_id":596814,"name":"Teo Krijgsman","website":"www.teokrijgsmanphotoworks.com"},{"id":19361,"bio":"Daisuke Yokota was born in Saitama, Japan, 1983. Graduated from the “Nippon photography institute” in 2003. Selected the honorable mention of “the 31st Canon New Cosmos of Photography” in 2008, and the grand prix of “1_Wall Award”. Yokota had his solo exhibition 'Site/Cloud' at G/P gallery in 2013. He has also been exhibited his works in many shows including “New Cosmos of Photography Tokyo Exhibition 2008″ (2008, Tokyo Metropolitan Museum of Photography, Tokyo), “1_Wall Exhibition″ (2010, Guardian Garden, Tokyo), “MP1: Expanded Retina” (2012, G/P gallery Tokyo), “On the flow” (2012, G/P gallery, Tokyo). Recently he is working as a member of an international artists collective “AM projects.”","user_id":19361,"name":"Daisuke Yokota","website":"daisukeyokota.net"},{"id":100576,"bio":"Charley Fazio was born in Palermo but he lived his childhood  in the province of Messina. In Palermo he graduated and he is enabled to the profession of geologist. The love for his own homeland and for the art accompany him since adolescence: painting, graphics and photography are art forms that he feels more familiar.\n His works in some way try to express not only a moment in time, but a feeling \" the essence\" in the places, in people and in things that not all sometimes fail to understand.\nHe currently works as a freelancer in any field of photography that he feels he can embrace with his soul as well as nature and landscape, theater, weddings, conceptual art, reportage, still life, glamour photography etc. He is involved too in educational activities (photography courses, photographic excursions and workshops) and exhibitions throughout Italy and and all over the world.\nHe found an no-profit charity organization, “Joy for Children” (www.joyforchildren.it) tho support children in need due to conflicts, marginalization, racial discrimination, poverty, etc., the upcoming project is a Cultural Centre for children in Kilis, Turkey to the Syrian border. ","user_id":99974,"name":"Charley Fazio","website":"www.charleyfazio.it"},{"id":394907,"bio":"Tiziano Fratus (Bergamo, 1975) grew up in Lombardy and Piedmont landscapes. When his natural family has been dissolved he began to travel, crossing and touching conifer forests in California and around the Alps where he coined and perfected the concept of Rootman (Homo Radix), an everyday practice of meditation in nature, the discipline of Dendrosophy (Dendrosophia). Along twenty years of writing he has published several books in prose and in verses, some by Italian leader publishing houses as Mondadori, Feltrinelli, Bompiani, Laterza, Einaudi. His poems have been translated into ten languages and published in sixteen countries. His photography was shown in several solo exhibitions. He’s collaborating with newspapers and radio. He lives in a little house in the countryside near Turin, where the plains’ steadiness runs out and the roots of mountains wind.","user_id":394323,"name":"Tiziano Fratus","website":"Studiohomoradix.com"},{"id":156860,"bio":"","user_id":156258,"name":"Aggelina Pagoni","website":""},{"id":202808,"bio":"Amateur. ","user_id":202206,"name":"patrick boyer","website":""},{"id":19581,"bio":"Randy West is represented by the Bruce Silverstein Gallery. His work is published in Gottfried Jager’s “Concrete Photography,” Aperture’s “The Edge of Vision,” the Center for Creative Photography’s “Seachange” and “The Education of a Photographer” from Allworth Press.” The New York Times profiled his “New York Sky” picture in September 2008. He has two monographs, “Bird Rabbit Snake” and “I Never Promised You Anything.”\n\nHis photographs have been collected by the Museum of Fine Arts, Houston, the Center for Creative Photography, Tucson, the Federal Reserve Fine Arts Collection, Aaron Siskind Foundation, and Pasadena Arts Commission.\n\nRandy’s most recent projects are two architectural collaborations with the Venice Collaborative. The projects are permanent exterior designs on private buildings. Images from these projects were featured in the exhibition “Enlightened Development” at the Art + Design Museum in Los Angeles. He is a faculty member at the School of Visual Arts, New York.\n","user_id":19581,"name":"Randy West","website":"www.randywest.net"},{"id":19583,"bio":"Graduated from ICP in 2008 and have been working as a commercial photographer ever since, specializing in portraits and fashion. ","user_id":19583,"name":"Paul Nathan","website":"www.paulnathanstudio.com"},{"id":19627,"bio":"","user_id":19627,"name":"Takashi Arai","website":""},{"id":19681,"bio":"I was born into a military family and grew up all over the world. Snapshots were one of the few ways Ihad to remember the details that made up my life in the last town or base — so I took pictures incessantly and spent many afternoons cataloguing them.  I headed to New York City for college where she received a BA in Journalism and Politics at New York University. After a career in television news shooting 30 frames a second, I decided to concentrate on one frame at a time and spent a year studying photography at Stanford University. \nIn my work, I let the subject matter determine what the series will look like.  But my work is about just one thing.  My pictures visualize psychological states; the internal weather that storms though each of us. RUNNING depicted the flight or flight response.  PANIC BEACH upends the viewer as panic attacks do.  FANTASY LIFE is about what it looks like to try to touch greatness. And this project, SURFACE TENSION,  foregrounds the anxiety we navigate in the struggle to adapt to technological domination. ","user_id":19681,"name":"Tabitha Soren","website":"www.tabithasoren.com"},{"id":19782,"bio":"","user_id":19782,"name":"Claire Beckett","website":"www.clairebeckett.com"},{"id":100781,"bio":"After 10 years co-owning a french retail company\nin Paris, dealing with its image and being in charge\nof its publicity, Stephane Dessaint decided to\nchange his life to become a photographer.\n!\nAn autodidact, he learned photography techniques\nin NYC by watching the work of others, hanging\nout with the biggest fashion and art photographers\nin the city. And by creating his own image\nconsultant agency.\n!\nAs an Agent, assistant, artistic director, he learned\nall the angles of his profession becoming a renowned\nphotographer.\n!\nEvery single one of his photographs is designed to\nmake it look unique.\nStephane Dessaint’s work is currently shown in art\ngalleries in Paris, New York and St Barths. His\nwork is also featured in catalogues in a few\ninternational art galleries.\n!\n!\n!","user_id":100179,"name":"Stephane Dessaint","website":"www.stephanedessaint.com"},{"id":19728,"bio":"","user_id":19728,"name":"Hannah Frieser","website":"www.hannahfrieser.com"},{"id":19732,"bio":"","user_id":19732,"name":"John Goodall","website":"www.johngoodall.com"},{"id":19756,"bio":"Owner, Susan Spiritus Gallery, 1976 to present","user_id":19756,"name":"Susan Spiritus","website":"susanspiritusgallery.com"},{"id":19763,"bio":"","user_id":19763,"name":"Fred Lyon","website":"www.fredlyon.com"},{"id":19749,"bio":"Photographer with 4 published photobooks.","user_id":19749,"name":"Shelby Adams","website":"shelby-lee-adams.blogspot.com"},{"id":100686,"bio":"Andrea è un architetto fiorentino.\nInteressato da tempo alla fotografia, è stato solo con l'acquisto nel 2006 della prima reflex digitale e successivamente con una fotocamera full-frame, che ha realmente iniziato a dedicarsi a pieno alla tecnica fotografica. \nProveniendo per motivi professionali dal mondo della grafica 3d e dell'illustrazione digitale, il passaggio al mondo della fotografia e della post-produzione digitale è avvenuto in maniera natuale.\nGuidato dalla passione per i viaggi, i suoi interessi fotografici convergono nel reportage, nella fotografica street e in quella di paesaggio. \n-----------------------------------------------------------------------------------------------------\nAndrea is an architect based in Florence, Italy.\nBeing interested in photography for a long time, it was only after he bought his first Dsrl camera in 2006 and after with a full-frame camera, that he really started thinking about the techniques and concepts in photographys.\nOriginally trained in 3d graphic and digital illustration, before naturally progressing into the world of photography and retouching.\nDriven by a passion for travel, his interest lies in reportage, streets and landscape photography.\n","user_id":100084,"name":"Andrea Celli","website":"www.andreacelliphotography.com"},{"id":171671,"bio":"","user_id":171069,"name":"Lyosha Ivanov","website":""},{"id":303429,"bio":"Trying to capture beauty on everything that surrounds me. ","user_id":302827,"name":"Alba Haut","website":"www.albahautphotography.com"},{"id":19841,"bio":"Pelle Cass is an award-winning photographer from Boston whose work has been widely exhibited, collected, and published. He’s had solo shows places such as Gallery Kayafas, Boston, the Photographic Resource Center, Boston, and the Houston Center for Photography, and his work appears in collections such as the Fogg Art Museum, the Peabody Essex Museum, and the Museum of Fine Arts, Houston. He was twice a Critical Mass Top 50 photographer and received two fellowships from Yaddo and one from the Berkshire Taconic Foundation. His work has been published in the Washington Post, the Boston Globe, Wired, the Daily Mail, and elsewhere.","user_id":19841,"name":"Pelle Cass","website":"www.pellecass.com"},{"id":19837,"bio":"Nadine Boughton is a photographer working primarily with collage. She is a recipient of the “Top 50\" Critical Mass 2014, 2013 and 2011 international competition, sponsored by Photolucida.  She was an IRIS lecturer 2012, at The Annenberg Space for Photography, Los Angeles, CA.  Her work has been exhibited widely, including Davis Orton Gallery, Hudson, NY; JoAnne Artman Gallery, Laguna Beach, CA;  Candela Books + Gallery, Richmond, VA; Griffin Museum of Photography, Boston, MA; and numerous on-line journals.  Her work is represented by the Trident Gallery, Gloucester, MA.   Nadine grew up in Rochester, NY and studied photography at Visual Studies Workshop, Rochester, NY and with Garry Winogrand.  She currently lives in Gloucester, MA. ","user_id":19837,"name":"Nadine Boughton","website":"www.nadineboughton.com"},{"id":19844,"bio":"","user_id":19844,"name":"Rizwan Mirza","website":"www.rizwanmirza.com"},{"id":19915,"bio":"Although I was born in New York, I grew up in the English countryside on a pig farm.  My earliest commissions were for the NME.  My ethos is simple; my portraits are a record of the relationship I had with the subject on the day.  I love what I do \u0026amp; hope to never have to get a proper job. ","user_id":19915,"name":"Harry Borden","website":"www.harryborden.co.uk"},{"id":727815,"bio":"A horsewoman and artist by blood was born blind, given vision through science, and shoots using the camera as a literal lens. ","user_id":727231,"name":"Rosa Rachel Diego","website":"rosadiegophoto.com"},{"id":218869,"bio":"I live in Seoul, capital of Rep. of Korea(South).\n\nEditor of History book :\nTextbook of middle school, and high school\n\nPhotographer :\nA staff of online society, \"Photo Laboratory\"\nA visiting member of photo studio \"서울숲(Seoulsup)\", \nmeans \"the forest of seoul\", that regional name in seoul.\n\nNice to meet you. Thanks.","user_id":218267,"name":"Hyeon-min Cho","website":"www.rasiel37.com"},{"id":218941,"bio":"I shoot portraits since summer 2014 and I really hope I can make a profession out of it pretty soon, I'm working hard every day to reach this goal.","user_id":218339,"name":"Luca Foscili","website":"www.lucafoscili.com"},{"id":19907,"bio":"Elisa Figoli (b.1979). Portrait and documentary photographer based in Tuscany.\nAfter studying Sociology in Italy, she moved to London, where she graduated in Photographic Arts at the University of Westminster.\nShe runs photography workshops for marginalized  kids and teenagers  and in post-war contexts. As a tutor or teacher assistant, she has taken part in workshops in Bosnia-Herzegovina, Palestinian Occupied Territories, Italy and UK.\nHer pictures have been published on L'Espresso, Il Corriere Della Sera, Frontierenews, Private Photojournalism, Professional Photographer, Portrait Salon, Carta Settimanale.","user_id":19907,"name":"Elisa Figoli","website":"www.elisafigoli.it"},{"id":52537,"bio":"Emine Gozde Sevim (b.1985, Istanbul Turkey) is a New York based artist acclaimed for her work to date about lives amidst historic shifts. ","user_id":52542,"name":"Emine Gozde Sevim","website":"www.eminegozdesevim.com"},{"id":218891,"bio":"bang is a photographer currently residing in upstate new york.\n\nbang's street photography is wry and satirical.\nhis studio photography is focused on glass art, specifically high end pipes.","user_id":218289,"name":"Bang Le","website":"www.banginaround.com"},{"id":218999,"bio":"Will Hartl is a portrait and lifestyle photographer living and working on Gadigal Land. \n\nKnown for blending the realms of photojournalism and advertising, Will brings an authentic approach and unique sensibility to his work. His work reflects a deep commitment to exploring the cultural tapestry of the places he visits and the enduring hope of the people he photographs.","user_id":218397,"name":"Will Hartl","website":"www.willhartl.com"},{"id":19974,"bio":"Dan miller is an award winning Pet Photographer specialising in outdoor, on location natural light photography.","user_id":19974,"name":"Dan Miller","website":"www.danmillerphotography.co.uk"},{"id":131114,"bio":"BS in Photography, Rochester Institute of Technology\nMFA in Art + Photography, California Institute of the Arts\nPhotographer\nPicture Editor, mostly architecture","user_id":130512,"name":"Susan Bockelmann","website":""},{"id":20046,"bio":"Mohammadreza Mirzaei was born in 1986 in Tehran, Iran. Being acclaimed by photographers like Michael Kenna and Mitra Tabrizian, Mirzaei had his first solo show at age 21 at Seyhoun Gallery in Tehran. His images have been exhibited in multiple solo and group exhibitions in Iran, United States, Australia, Italy, France, UK, UAE, Turkey, Colombia, Switzerland and Russia.  He was the founder and the editor of Dide Magazine, an online magazine dedicated to contemporary Iranian photography. \n\nMohammadreza Mirzaei is an MFA candidate at the University of Pennsylvania.","user_id":20046,"name":"Mohammadreza Mirzaei","website":"mrmirzaei.com"},{"id":394999,"bio":"Born in Portugal in 1980, Patricia began her career as a dancer, working with dance theatre companies around Europe and the UK, where she lived until 2015. \nPatricia’s photography journey began in 2018 with various photography courses at Instituto de Produção Cultural e Imagem (IPCI) where she earned her Masters in Artistic Photography in October 2020. She is currently an educator at the IPCI.\nHer photographic language relies strongly on her experience as a performer. Patricia always works alone and stages detailed pictures in which she plays the protagonist role. Her work is based on staged photography and using this language she creates fictional stories where she is both author and character. Her images evoke issues of femininity, intimacy, beauty, desire and melancholy.\nPatricia has been the recipient of numerous photography awards, including, The Julie Margaret Cameron Award, Fine Art Photography Awards, Tokyo International Foto Awards, Budapest International Foto Awards, to mention a few. Her work as also been featured, published and critiqued in various publications worldwide and exhibited  in Portugal, Spain, Paris and London.","user_id":394415,"name":"Patricia Pettitt","website":"patriciapettitt.com"},{"id":210193,"bio":"Photojournalist, former Reuters staff, former DPA staff and freelance for AP, EFE. Editor-in-Chief of the department of photography in the newspaper El Universal, Caracas. Photo web editor in Grupo UN. His work has been published in major newspapers and has participated in important events and natural disasters.","user_id":209591,"name":"Carlos Hernandez","website":"hernandezfoto.zenfolio.com"},{"id":159992,"bio":"Facebook: Alejandro Calvo Madrazo\nInstagram: @vlxxcm1","user_id":159390,"name":"Alejandro Calvo Madrazo","website":"www.instagram.com/asmmlc"},{"id":164208,"bio":"People and streets, in one word \"life,\" is what I am learning about much more through the lens of my camera.","user_id":163606,"name":"Hamed Shahir","website":"www.lensculture.com/hamed-shahir"},{"id":20076,"bio":"","user_id":20076,"name":"Picard Fabrice","website":"www.fabrice-picard.com"},{"id":218984,"bio":"Loes Geuens is a documentary photographer and writer, focusing on human fragility and our amazing ability to bounce back.\n","user_id":218382,"name":"Loes Geuens","website":"www.loesgeuens.com"},{"id":219060,"bio":"Jinhyun Cha is an artist working in documentary photography that explores Korea’s modern and contemporary history and the identity of the division of Korea between South and North Korea. His first project, the Portraits of 108, was on a group of women forced into sexual slavery by the Imperial Japanese Army. After this work, he is working on reinterpreting the significance of the division that came after the Korean War in the current context. With the Portraits of 108, he won the grand prize in the first Sangsang-madang Korean Photographer’s Fellowship sponsored by 'KT and G' in 2008, and won the Asian Pioneer Photographer Award in the 6th Dali International Photo Festival in China 2015. In 2016, he was chosen as a finalist in Daegu Photography Biennale in Korea. His work, the Portraits of 108, is selected to be part of the FotoFest 2018 Biennial Discoveries of the Meeting Place exhibition in Houston. ","user_id":218458,"name":"Jinhyun Cha","website":"chajinhyun.com"},{"id":601816,"bio":"","user_id":601232,"name":"Keith Milne","website":""},{"id":189010,"bio":"Born in 5th of july 1986 in Wysokie Mazowieckie, Poland. Lives in Warsaw and works as a freelance photographer and retoucher. Privately realizes cycles in the field of documentary and creative photography. Graduate of the Academy of Photography and Entrepreneurship in Białystok, Poland. Now a student of The Institute of Creative Photography, Silesian University in Opava, Czech Republic. Coordinator and co-organizer of international photofestival Białuystok INTERPHOTO. Member of the association Forum of Photography and Multimedia Białystok.","user_id":188408,"name":"Aleksandra Śmigielska","website":""},{"id":20115,"bio":"","user_id":20115,"name":"James Megargee","website":""},{"id":148227,"bio":"Tracey N. Freeman is a fine art photographer based in Houston, Texas. She is inspired to photograph the subtle aspects of quiet awe and mystery of the sublime and unconventional beauty found in the natural landscape and constructed environment. She enjoys discovering the extra-ordinary in the ordinary and odd.  Making pictures engages her curiosity about the material world and the images reveal the hidden qualities.\n\nTracey has a B.A. and Masters in architecture and has worked in the architecture field for many years. She has also studied and engaged in art, mainly drawing and painting, since childhood. Her current photography work is a natural extension of her art and architecture work. Tracey completed the Professional Certificate Program at Maine Media Workshops+College in 2012, where she studied digital and historical alternative processes while exploring the coast of Maine and continues to develop personal photography projects.","user_id":147625,"name":"Tracey N Freeman","website":"www.traceynfreeman.com"},{"id":20133,"bio":"I am a Travel \u0026amp; Documentary photographer.","user_id":20133,"name":"Maynard Switzer","website":"www.maynardswitzer.com"},{"id":219028,"bio":"Physicist when I was younger, professional photographer since 2010 and cinematographer since 2015, I work between Rome and Milan as an event and fashion photographer and as a cinematographer, never forgetting my personal projects. All my photographic work is about what does attract me most: mankind.","user_id":218426,"name":"Alessandro Marchetti","website":"www.alessandromarchetti.photography"},{"id":20188,"bio":"Paul Elledge is a photographer and filmmaker whose clients include major advertising agencies, record companies and corporations. He has been honored with numerous national and international awards for work that is both individual and uncompromising.\n\nPaul has photographed such celebrities as AC/DC, Billy Corgan, Jennifer Hudson, Ministry, Willie Nelson, Trent Reznor, Luciano Pavarotti and Oprah Winfrey, to name a few.\n\nHis work has appeared worldwide in galleries and museums, and has been published in such publications as Audubon, Fast Company, Life, Men's Health, People, Rolling Stone, Time, and Wired, among others.\n\nPaul's interests outside of image making include vintage motorcycles, all things Italian, music and expressions of creativity.","user_id":20188,"name":"Paul Elledge","website":"paulelledge.com"},{"id":20254,"bio":"","user_id":20254,"name":"Isabel Foley","website":"www.isabelfoley.com"},{"id":304004,"bio":"I have a multidisciplinary approach centered around notions of identity, heritage and race. ¶ My work often revisits history and questions official narratives. ¶ My practice is deeply connected to myth building and storytelling, with contemporary Athens significantly influencing my work and personal life. ¶\n\nThere, I have photographed Naomi Campbell as “Black Athena”, in reference to the writing of Martin Bernal: “Black Athena: The Afroasiatic Roots of Classical Civilisation”. ¶ Continuing the idea of ‘Whitewashing’ of classical Greco-Roman antiquity, the film project WHITE MARBLES was formed, which investigates the relationship of White ideology, slavery and Black identity. ¶ There were several extensions of this project: first, SOCIETÉ DES EMPOISONNEURS received the COCO-I writing grant from the French CNC (National Centre of Cinematography) and is now in development as a TV-Series with HBO max. Second, BLACK ACHILLES received a writing grant from the Greek Film Center. ¶\n\nMy trajectory, from illustration to photography then film and writing, has brought me naturally to explore performance art, most notably in collaboration with Marina Abramovic (AN ARTIST MANIFESTO), Miles Greenberg (WE ARE THE EYE which received the BRITISH JOURNAL OF PHOTOGRAPHY EDITION 365 award) and Lynsey Peisinger, with whom I created I TOOK A NAP IN YOUR EYES (presented at C24 Gallery NYC) and the experimental short film I WANT. ¶\n\nThe latest field into which I have ventured is sculpture, which I integrated into my first solo exhibition: NEW DIGS (2024), was presented at artist Space52 in Athens, Greece. ¶ It is an amalgamation of my cross-disciplinary practice creating a dialogue across cultural divides, taking the concept of the boundary marker as a starting point of conversation. ¶","user_id":303402,"name":"Rene Habermacher","website":"www.renehabermacher.com"},{"id":57724,"bio":"Barely 10 years old I became interested in photography. I developed my first film in my mother's closet. For my 13th birthday my father gave me an East German SLR camera and this was the start to a lifelong love affair. Soon after I started photographing for the local newspaper on weekends. After graduation from High School I took a position at an advertising agency all the while continuing to photograph for various newspapers. In 1980 I opened my own studio specializing in advertising and fashion. Several years ago I quit doing commercial photography. How liberating!\n","user_id":57729,"name":"Max Kellenberger","website":"www.maxkellenberger.com"},{"id":20312,"bio":"A 20 year commercial photographer I have been fortunate to travel great places and meet some amazing people. I have had a studio based in Seattle for the last 20 years that I call home to my office.","user_id":20312,"name":"Richard Brown","website":"www.richardbrownphotography.com"},{"id":374376,"bio":"“I´m interested in surprising the audience, showing beauty and emotion from my particular point of view. I love contrasts. I Usually work in black and white or full colour. I live and work experimenting with new things. I try to give the spectator the chance to reflect, think and feel while watching. I think of art as a modifier of people. I believe that photography can invite you to feel and perceive the world in a different way.”\n\n","user_id":373792,"name":"Tamara Mesri","website":"@tamaramesri"},{"id":643680,"bio":"","user_id":643096,"name":"Ilenia Cerquetelli","website":"Perugia"},{"id":695865,"bio":"Jenny Bergman would call herself a failed musician if she had actually bothered to be one. All things considered, she’s probably better off working for musicians instead. In 2015, Jenny decided to create her dream job: a boutique agency for independent music, The Secret Bureau of Art \u0026amp; Design. A multidisciplinary creative, Jenny's specialty is deep collaborations with emerging and established indie artists to help bring their creative visions to larger audiences. Her work has been featured in The Boston Globe, The Boston Herald, Vanyaland, Dig Boston, The Martha's Vineyard Times, and  The Advocate.\n\nJenny lives in the Dorchester section of Boston, MA with her partner, their three delightfully weird kids, and two even weirder cats. She is also the lead singer for a Gossip cover band, Jealous Girls.\n","user_id":695281,"name":"Jenny Bergman","website":"jennybergman.myportfolio.com"},{"id":643658,"bio":"","user_id":643074,"name":"Dominique Mc Isaac","website":""},{"id":20409,"bio":"","user_id":20409,"name":"Jean-marc Giboux","website":"www.giboux.com"},{"id":727896,"bio":"","user_id":727312,"name":"Arina KRAYNOVA","website":""},{"id":268360,"bio":"C.V. Pierre De Lattre\n\u0026nbsp;\nStudies\nMaster Journalism \u0026amp; Communication - Université Catholique de Louvain (UCL)\nBachelor\u0026nbsp;: Camera – Institut des Arts et Diffusion (IAD)\nBachelor in Visuel \u0026amp; Plastic Arts – Major in colour photography -  «\u0026nbsp;75\u0026nbsp;»\n\nContact\nMobile\u0026nbsp;: +32 474 986757 \nMail\u0026nbsp;: pierrefarja @hotmail.com\n\nCinematographic experiences\nSee cinematographic website address\u0026nbsp;: www.vimeo.com/channels/laurabproductions\n\n","user_id":267758,"name":"Pierre De Lattre","website":"www.pierredelattre.be"},{"id":629495,"bio":"\tBrian is a photographer based in the Greater Toronto and Hamilton area incorporating a variety of photographic technology and techniques. For several decades Brian has and continues to use traditional film formats (35mm, medium and large) and has included over the last decade digital formats as well. \n\tCurrently and for the last many years Brian is using digital technology for scanning and post-production. This involves compositing techniques assisting with enhancing the ambience within the image and a desirable sculpting of detail. The final output of the product utilizes pigment printing on a variety of fine art archival papers with complimenting textures.\n\tThe experiences result in imagery that combines both fluidity and passage of time. This is illustrated within a number of city and urban landscapes, rural vistas and panoramas.","user_id":628911,"name":"Brian Groberman","website":"www.BGPhotoAndImaging.ca"},{"id":189014,"bio":"","user_id":188412,"name":"Catalin Ceausoglu","website":""},{"id":24577,"bio":"Elsbeth Pilz is a freelance portrait and documentary photographer.","user_id":24577,"name":"Elsbeth Pilz","website":"www.elsbethpilz.nl"},{"id":685065,"bio":"I was born and raised in Brooklyn, New York and have been photographing people since the 1970's.  \nMy work in the last two years has centered around the people and geometry of NYC streets.","user_id":684481,"name":"Susan Kozodoy Silkowitz","website":"www.kozysilk.com"},{"id":20500,"bio":"","user_id":20500,"name":"Saman Deilamani","website":"www.samandeilamani.com"},{"id":20456,"bio":"Waking up at three in the morning to shoot 2,000 frames depicting the workers’ faces and postures of a Indian Tea Estate isn’t a haphazard production, but an exercise that requires  steadfast planning and meticulous timing. The sun rises precisely at 4:07, burns off the mist shrouding the Darjeeling dawn, and reveals the verdant green tea plantations adorned by hundreds of sari-clad woman filling baskets with tips of the finest tea.\n\nCalla Fleischer understands the unique, requisite marriage between intensive preparation and the creative joy and abandonment of shooting from the hip. An intensely motivated, practical and highly structured individual, she is deliberate and organized in her photographic endeavors. Yet, the essence of her photographic craft is dictated by her tenacious but charming streak to be able to get the shot, no matter what it takes, no matter how long, no matter how difficult the subject or how reluctant the crowd. \n\nDriven by innate curiosity, her domain straddles the faces of the ordinary men and women who inhabit our world and her close family. Her ebullient stamina and smile often swing an unwilling subject into acquiescence, as they somehow recognize that her desire is not just to capture that nanosecond of time, but also to celebrate their exquisite naturalness. Photography is not just an art for her, but a practical materialization of her vision and desire to document the people and events that might otherwise go unnoticed. \n\nHer hunger for adventure propels Calla across the globe. Her work is her never-ending mission to document Indian tiger sanctuaries, African wilderness, Ecuadorian volcanoes, rare Ethiopian tribal ceremonies, teeming Cairo bazaars, European cities and ancient Asian monuments. Calla Fleischer is on a journey to keep shooting, to find the rich in the poor, and to portray the beauty in the ordinary. Photography is Calla’s lifeblood, and nothing brings her more satisfaction than sharing her creations.","user_id":20456,"name":"Calla Fleischer","website":"www.callafleischer.com"},{"id":340646,"bio":"Fotografo amatoriale, autodidatta ","user_id":340044,"name":"Massimo Ariano","website":"www.Facebook. com/Massimo Ariano"},{"id":395122,"bio":"September 8, 1981, Rome, here Ludovica was born.\n\nA degree in Communications, a professional photography course, a few courses in digital image processing, and then years of work in Ferrari marketing, events, and film. A big part of her was convinced that to be an artist you either have to be born Dali or Bresson or it is even pointless to try, and so for many years she pursued her boundless passion for images by making work that only she saw or that at most she gave to close friends. \nOne day, however, something clicked. After reading a book given to her by a friend about changing one's way of seeing and thinking about oneself in the world, she began to get the distinct feeling that she had to change course, that she had to start embracing her artistic vein instead of relegating it to a basement. Maybe it wasn't Bresson but she liked what she was doing, others liked it, and she began to see no reason not to devote herself to it body and soul.  The road was thus becoming more and more clear, she was beginning to perceive herself as that entity she wanted to be and become: an artist. \nMeet Ludovica Lugli one of our Artists.\n\nDigital takes her to worlds where with photography she could not get there she tells us, she inserts gorgeous and elegant animals with almost human looks in abandoned places or in store windows or city bars. She creates collages with different artistic currents that come together in one timeless space. \n\n","user_id":394538,"name":"Ludovica Lugli","website":"www.galleriainquadro.com/ludovica-lugli"},{"id":20645,"bio":"","user_id":20645,"name":"Noelle Swan Gilbert","website":"www.noelleswangilbert.com"},{"id":302419,"bio":"\nPolish born Eva is a Melbourne based photographer and writer.\nShe has exhibited widely and had recently had her verse memoir published in Melbourne. Some of her work is found in the National Portrait Gallery of Australia, the State Library of Victoria among other places.","user_id":301817,"name":"Eva Collins","website":"evacollinsphotography.com"},{"id":145269,"bio":"Emilio Cresciani is an artist working on Gadigal land (Sydney, Australia). He graduated from Sydney College of the Arts in 2012 in photo media.\n\nHis artwork explores the intersection between our modern consumer lifestyle and redundancy, change, waste and altered landscapes. His interest is in objects, structures, and landscape in transition, and in particular the increasing number of ‘non-places’ that fill our environment. Waste centres, derelict service stations, road works, car parks and abandoned factories. Beauty is found in these places of repulsion, neglect or obsolescence. \n","user_id":144667,"name":"EMILIO CRESCIANI","website":"www.emiliocresciani.com"},{"id":727828,"bio":"","user_id":727244,"name":"Siyuan Hu","website":"www.husiyuan.com"},{"id":727885,"bio":"Je suis un artiste amateur ! :-)","user_id":727301,"name":"Thomas BESANÇON","website":""},{"id":301966,"bio":"","user_id":301364,"name":"Giulio Lughi","website":"www.giuliolughi.it"},{"id":219434,"bio":"Darcy Dangremond is a nature photographer and artist currently based in Michigan.  Her passion for art and love of nature began early in life, and she has been fortunate to experience diverse careers ranging from floral design, corporate sales, and World Cup mountain biking.  Such diversity has helped her develop a personal perspective that she is eager to share with others.  \n\nDarcy is focused on photography, compiling images from a vast number of locations and experiences.  She has been fortunate to travel and live in many different locations, and thus able to experience and capture the diversity found in the world we live. \n\nHer work has been included in juried exhibitions at Site: Brooklyn, Brooklyn, NY; Cape Cod Museum of Art, Dennis, MA; Center for Fine Art Photography, Ft. Collins, CO;  Naples Art Association, Naples, FL; Yeiser Art Center, Paducah, KY; CT Academy of Fine Arts, Mystic, CT; Barrett Art Center, Poughkeepsie, NY; among others.\n\n","user_id":218832,"name":"Darcy Dangremond","website":"www.birchbarkstudios.com"},{"id":727864,"bio":"I mainly shoot the streets of Tokyo.","user_id":727280,"name":"Yuki Takahara","website":"instagram.com/y_1985_t"},{"id":224967,"bio":"","user_id":224365,"name":"James Schulz","website":"jamesschulzphoto.com"},{"id":727971,"bio":"I am Aslin Castañeda. I love art direction, color and composition, I have developed projects both on the photographic side and on the art director side.\n\nI love how images can inspire and project personality through color, texture, light and movement.\n\nIn addition to this type of work, I have discovered a passion for analog photography in my personal project “Random Gallery”, a little more documentary, of places, people or things. It is a different view of how I live my day to day and I keep it as a visual diary of my experiences.","user_id":727387,"name":"Aslin Castañeda","website":"www.aslincastaneda.com"},{"id":727840,"bio":"I'm Brazilian and I live in Australia since 2009.\nI've studied photography for many years and have been more interested in candid/street photography since 2013.\nI use photography most to express myself and as a tool to better understand myself.\n\n","user_id":727256,"name":"Pedro Xavier","website":""},{"id":20890,"bio":"Deedra Baker (b. 1989) lives and works in Denton, TX. Selections from her body of work have been featured in prestigious exhibitions including Truman State University’s Voyeur: Repositioning the Gaze, Chowan University National Juried Exhibition, and PhotoSpiva National Photographic Competition and Exhibition. Baker received her BFA from Washburn University in Topeka, KS, where she was the recipient of numerous honors, such as the Charles and Margaret Pollak Award and Sibberson Award. She is currently working towards an MFA in photography at Texas Woman's University in Denton, TX. Her current work explores themes of gender, self-identity, and sexuality through the genre of self-portraiture.","user_id":20890,"name":"Deedra Baker","website":"www.deedrabaker.com"},{"id":241071,"bio":"Dear Madam/Sir\nHello\nFirst of all many thanks for this great opportunity to all photographer from all over the world that they can show and share their works and opinions to other people.  \n My name is Younes Namvar. I'm Iranian and I'm a master student in Comparative literature department at Osmangazi University in Eskisehir/ Turkey.  I'm stick with photography since  2011 and everyday I try to improve myself in this case.\nFinally I'd like to tell you photography is indispensable part of my life, I can't tell my feelings and opinions by words, But I can tell every thing about myself and all my feelings with my shots.\n\nYours faithfully,\nYounes Namvar\n","user_id":240469,"name":"Younes Namvar","website":""},{"id":395208,"bio":"Olli Kienzler - Born: 1971\nbased: fabulous Black forest\n\nI really don't remember when I started taking photos. However, many people can confirm that I was the one who always had a camera with me. Over the years, the demands and the focus on situations and on special moments increased. A hobby turned into a passion. What drives me: The patience to wait a moment for the perfect picture.\n\nAlthough my equipment has become more and more professional, I love the motto \"The best camera is the one you have with you.\" (Eliott Erwitt)\n\nMy motives\nCities: My absolute favorite: New York City - The Big Appple - The City that never sleeps. \nBut it was also very nice here: San Francisco, Los Angeles, Las Vegas, Boston, Toronto, Montreal, Basel, Vienna, Florence, Milan, Modena, Bologna, Oslo, Reykjavic, Bergen, Salzburg, Graz, Bozen, Siena, Barcelona, Hamburg, Berlin, Bremen, Munich, Lisbon, Porto, Goteborg, Stockholm, etc. always \"get what you see\"\n\nlandscape\nWhat fascinates is the small in the big and the uniqueness.\n\nColours \u0026amp; Contrasts\nI like emphasizing colours, allowing contrasts to work and preferably both together. I am fascinated by colors, shapes and effects that only nature can give (fire, sky, water and air). Everything is ephemeral and only there for a brief moment. Capturing that moment is the challenge.","user_id":394624,"name":"Oliver Kienzler","website":"www.OCK-Fotographic.de"},{"id":20909,"bio":"","user_id":20909,"name":"Hootan Salamat","website":"www.hootansalamat.com"},{"id":395231,"bio":"Foteini Zaglara is a 1995 born (self)-portrait\u0026nbsp;artist from Athens ,Greece. She has studied at the University of Ioannina, in the department of Early Childhood Education.Her work delves into fantasy and surrealism, using photography as a medium to weave intricate stories and deeply explore the realm of emotions.She investigates themes of identity, global and social issues through her self-portraiture.She has distinguished herself in many international photography competitions and her work has been exhibited in Europe and USA.\n","user_id":394647,"name":"Foteini Zaglara","website":"foteinizaglara.com"},{"id":728135,"bio":"","user_id":727551,"name":"Renee Krumweide","website":"reneekrumweide.com"},{"id":395251,"bio":"Susan grew up in the center of a small conservative community, in Utah,  which instilled in her, as a queer kid, a deep desire to find a place where she truly belonged. She traveled from her rural home to Los Angeles, San Francisco, and eventually Europe, where the vibrancy of urban life became a focal point. Along her journey of self-discovery and acceptance, she developed a passion for photography, realizing that behind the lens, she could shape her own narrative. Her work, spanning from weathered trucks to portraiture exploring women’s relationship with self, reveals beauty in the everyday while celebrating life authentically. Susan has now found a place to belong, in Los Angeles, where she lives with her wife.","user_id":394667,"name":"Susan Harding","website":"www.susanharding.photography.com"},{"id":21055,"bio":"The International Center of Photography (ICP) is the world’s leading institution dedicated to the practice and understanding of photography and the reproduced image in all its forms. Through our exhibitions, educational programs, and community outreach, we offer an open forum for dialogue about the role images play in our culture. Since our founding, we have presented more than 500 exhibitions and offered thousands of classes, providing instruction at every level. ICP is a center where photographers and artists, students and scholars can create and interpret the world of the image within our comprehensive educational facilities and archive.","user_id":21055,"name":"International Center For Photography","website":"www.icp.org"},{"id":128213,"bio":"I'm an Amsterdam based photographer, I take unposed pictures. I search for small insignificant moments  in time.","user_id":127611,"name":"Tiziana Nespoli","website":"www.nespoli.nl"},{"id":219079,"bio":"born '88 and raised in Munich, Germany - roots from persian parents.\nLove to shoot photo documentary and essays!\nBut work as People / Sports / Lifestyle Photographer.\nStudying Photodesign in Munich at the moment and finishing my BA in 2019.\n","user_id":218477,"name":"Said Kallup","website":"www.saidphoto.com"},{"id":21116,"bio":"Tanya Habjouqa was born in Jordan and educated in Texas, receiving her masters in Global Media and Middle East Politics from the University of London SOAS. She is represented by Panos Pictures. \n\nHabjouqa’s photographs focus on gender, social, and human rights issues in the Middle East. She approaches her subjects with sensitivity but also with an eye for the absurd. In 2014 she won a World Press Award for her series Occupied Pleasures in which she documents many of the ludicrous moments of everyday life that the 47-year occupation of the West Bank, Gaza, and East Jerusalem has created.  'Occupied Pleasures' was selected by TIME magazine as one of the BEST BOOKS OF 2015: http://time.com/4097317/best-photobooks-2015/   \n\nThe book is available at Amazon:  http://www.amazon.com/Occupied-Pleasures-Tanya-Habjouqa/dp/0989486680 \nand: http://www.fotoevidence.com/occupied-pleasures-0\n\nHabjouqa was a finalist for the 2014 FotoEvidence Book Award, and recipient of the Magnum Foundation 2013 Emergency Fund.\n\n Tanya is a founding member of Rawiya photo collective, the first all female photo collective of the Middle East. Her work has been widely exhibited, and her series \"Women of Gaza\" was acquired by the Boston Museum of Fine Art in 2013 and in private collections. \n\nBased in East Jerusalem, she is working on personal projects that explore identity politics, occupation, and subcultures of the Levant.  \n\nShe is published in Foreign Policy, Le Monde, British Journal of Photography, Repubblica, Io Donna, Guardian, Neue Zürcher Zeitung, Wall Street Journal, New Republic, New York Times Lens Blog, Monocle, COURRiER Japon, Al Jazeera, National, Washington Post, New York Times, Time Lightbox, Boston Globe, and CNN. Clients include Riwaq, the National, Bloomberg,  UNDP, UNRWA, UNESCO, USAID, and the Said Foundation.\n\nTanya received the 2011 SND Silver Award for her Gaza story A Life Less Ordinary, the 2007 Clarion Award for coverage of the Israel-Hezbollah War for Bloomberg and the 2006 Global Health Council award for humanitarian photography with her Darfur coverage.\n\nShe is represented by East Wing, an  international platform for photography, founded in Doha, Qatar.","user_id":21116,"name":"Tanya Habjouqa","website":"www.tanyahabjouqa.com"},{"id":33098,"bio":"Roger Bucher is a Swiss photographer based in Bern, Switzerland. He graduated from the General Studies Program at the International Center of Photography, New York, in 2016 and has been working as a freelance photographer since. ","user_id":33103,"name":"Roger Bucher","website":"www.rogerbucher.com"},{"id":113393,"bio":"I am a passionate amateur photographer who has been shooting for about 7 years. I am currently trying to shoot as much as possible and learn as much as I can while balancing work and family. I am quite addicted to it ","user_id":112791,"name":"Marc Ayres","website":"marc-ayres.com"},{"id":629658,"bio":"Design and light demand Bobbie's attention and begin a conversation with an image.  Black and white photography is always her preferred media. To take the time in the darkroom to lead the eye into each composition was her traditional process, she uses her digital camera to work with a subject and then manipulates the images into black and white. Black and white images are powerful and timeless for Bobbie. Her images are stories she wants to share with viewers and hopefully, the viewers appreciate her compositions with the stories.","user_id":629074,"name":"Bobbie Brubaker","website":""},{"id":276364,"bio":"An aspiring cinematographer with a masters in filmmaking and a strange wandering mind","user_id":275762,"name":"Rute Moreira","website":""},{"id":26984,"bio":"I am a professional photographer since 1993 and\nwork between Forlì' and Bologna \"Photography is\nmy passion. I consider myself happy when I can\nbe talked about photography. I spend most of my\ntime to make shots, always with the intent to 'seize\nthe day' event. I love spontaneity and I commend\nintuition, so the picture becomes pure expression.","user_id":26989,"name":"Romeo Lombardi","website":"www.romeoart.it"},{"id":727935,"bio":"Travel and hobbyist photographer observing life close to home and abroad.","user_id":727351,"name":"Miller Allen","website":"www.amallenphoto.com"},{"id":160485,"bio":"","user_id":159883,"name":"Willa Davis","website":"www.willaadavis.com"},{"id":728191,"bio":"I am a 57 year old Street and Portrait Photographer from Cologne/Germany.","user_id":727607,"name":"Markus Kirchhofer","website":"www.strassenknipser.com"},{"id":21278,"bio":"Henry Amistadi is a documentary photographer based out of Western Massachusetts. He graduated from the University of Massachusetts, Dartmouth, in 2013, and now photographs freelance in the Amherst area.","user_id":21278,"name":"Henry Amistadi","website":"www.henryamistadi.com"}]}