2015 Visual Storytelling
Awards Call for Entries
Show Us Your Story
This is the 2nd annual international call to discover the best visual storytellers today — from all corners of the world! We are searching for photography in Documentary, Personal Stories, Photojournalism, Fictional Narratives, and any other photography that tells a story. You are invited to participate with your best work!
We believe photographs tell stories that can reach the broadest audiences — across all cultures, languages, political borders and age groups. We are wide open to all themes and approaches. A picture is worth a thousand words—show us your story!
Visual Storytelling 2015 International Jury
Lars BoeringManaging Directormore about Lars
World Press Photo
Amsterdam, The Netherlands
Lars Boering is the Managing Director of World Press Photo, the world's leading international contest in visual journalism. He has been actively involved with photography for many years. He has (co)produced exhibitions with photographers, Festivals, museums and art foundations.
In 2008, he founded Lux Photo gallery: showcasing photography that demonstrated creative integrity and intent, originality, narrative and aesthetic quality and a high level of craftsmanship. At the end of 2014, he stopped working for the gallery.
He also worked as the director of the Federation of Dutch Professional photographers, improving the working position of photographers helping them to safeguard their copyright. In 2014 he merged all member associations into one strong professional organization called Dutch Photographers (DuPho).
In 2010, he co-founded the successful master class 'Advanced Storytelling' at www.noorderlicht.com, where he still teaches.
Daphné AnglèsPicture Editormore about Daphné
The New York Times, Paris Bureau
Daphné Anglès is a Franco-American picture editor for The New York Times in Paris. She was secretary to the World Press Photo’s annual contest jury from 2009 to 2013 and a master at the Joop SwartWPP Masterclass in 2000. She is a voting member of various photography juries (Prix Carmignac, PX3, Yves Rocher Foundation Photo Award, Belarus Press Photo Award, Canon Award for Female Photojournalists, Humanitarian Visa d’Or ICRC, AFD Photo Contest, International Sportsfolio Award.)
She is a portfolio reviewer (Les Rencontres d’Arles, Hamburg Triennale, Visa pour l’Image, LensCulture FotoFest, Braga). She has curated photography exhibitions at Central-Dupon (Paris) and taught an Editing and Visual Storytelling masterclass (PhotoLux Festival, Lucca). In 2015 she will be on the first jury of the Young Curators PhotoLux contest. She is a nominator for Prix Pictet.
Matt ShonfeldExecutive Directormore about Matt
Institute for Artist Management
In 2009, Matt Shonfeld and Frank Evers founded INSTITUTE, an artist management company serving media, editorial, advertising, entertainment, fine art, book publishing, online/mobile media and corporate clients.
Matt has been involved in photography for 15 years, initially as an agency photographer and latterly as an agent/artist manager.
He is an extremely keen cyclist and even holds a level 2 coaching award. He was awarded the Freedom Of The City of London in 1998 and lives in Bath with his wife and two children.
Newsha TavakolianPhotographermore about Newsha
Newsha Tavakolian was born in 1981 in Tehran, Iran. A self-taught photographer, Newsha began working professionally in the Iranian press at the age of 16, at a women's daily newspaper “Zan.” At the age of 18, she was the youngest photographer to cover the 1999 student uprising, which was a turning point for the country's blossoming reformist movement and for Newsha personally as a photojournalist; a year later she joined the New York-based agency Polaris Images.
In 2002, she began working internationally, covering the war in Iraq. She has since covered regional conflicts, natural disasters and made social documentary stories. Her work has been published in international magazines and newspapers such as Time Magazine, Newsweek, Stern, Le Figaro, Colors, The New York Times, Der Spiegel, Le Monde, NRC Handelsblad, The New York Times Magazine and National Geographic.
In 2009, Newsha covered the Presidential elections in Iran, which ended up in chaos and forced her to temporarily halt her photojournalistic work. Instead, she started working on projects that experts describe as a mix of social documentary photography and art.
Her work has been displayed in dozens of international art exhibitions and has been on show in museums such as the Victoria & Albert, LACMA in and the British Museum, and the Boston Museum of Fine Art.
In 2014, Newsha was chosen as the fifth laureate of the Carmignac Gestion Photojournalism Award. In 2015, Newsha joined Magnum Agency where she will be a nominee for two years. Just recently, she was chosen as the principle laureate of the Prince Claus Award.
Michael MackPublishermore about Michael
London, UKMichael Mack is a publisher, editor and designer of illustrated art and photography books.
Jim CasperEditor-in-Chief & Publishermore about Jim
Amsterdam, The Netherlands
www.lensculture.comJim Casper is the editor-in-chief and publisher of LensCulture, one of the leading online destinations to discover contemporary photography from around the world. As an active member in the contemporary photography world, Casper organizes annual international photography events, travels around the world to meet with photographers and review their portfolios, curates art exhibitions, writes about photography and culture, lectures, conducts workshops, serves as an international juror and nominator for key awards, and is an advisor to arts and education organizations. He serves on the board of directors at SPE, the Society for Photographic Education, the world’s largest association of photography educators.
About the Competition
Editor's Note: Visual Storytelling
With these Awards, we are eager to discover people who are truly great at using the visual language of photography to tell amazing, remarkable, unforgettable stories. If you are “fluent” in the language of photography, please share your stories with us!
Visual storytelling is really at the heart of how humans communicate with each other — now more than ever. From the very birth of photography, people have used pictures to tell stories, to pass Read more...
We invite entries in five categories of storytelling:
Documentary, Photojournalism, Personal Stories, Fictional Narrative and an Open Category.
Entries are welcome as Series, Mini-Series or as Single Images. Winners will be selected for each category in Series and Mini-Series. The Open Category will also have a five Single Image Winners. In addition, 20 Finalists will be selected across all five categories. For inspiration, here are winners & finalists from the 2014 Visual Storytelling Awards:
Documentary photographers are invited to submit in-depth investigations of an event, situation or idea in vivid detail and nuanced understanding. This genre is widely-defined and thus is open to many interpretations — all approaches and themes are welcome here.
Photographers can submit Fictional Narratives, in which they develop visual stories where anything is possible. Truth mixes with fantasy and we are plunged into worlds of fact, fiction, mystery and imagination. These projects capture people, places, things, and ideas that may or may not exist in the real world — but they come alive through a series of photographs.
Personal Stories show us vivid subjective accounts from a unique point of view. These can be narratives about you, your family, a significant personal event or someone else in the world. Many of these projects tell specific stories that also have a universal appeal. They are filled with empathy and are rich in details, style and psychological meaning. But we’re always open to all approaches and new ideas, too!
Through a truthful visual report, photojournalism offers us penetrating insights into the world around us. Action-packed moments are frozen in time, allowing others to later revisit these stories in order to unpack and understand the details of complex, real-life events. These stories reveal to us things we would have otherwise missed during the everyday occurrence of news, from anywhere around the world.
Some photographic stories don’t fit easily into well-defined categories. A series of photos may be linked poetically or lyrically without any linear narrative or rational logic — but they evoke emotions, understandings and feelings in powerful ways. We love discovering new forms of visual storytelling. What is the photographic equivalent of haiku, pop songs, short stories, symphonies or street art? Share your vision with us! Single Image Entries can be submitted under this category.
Career Launching Awards
|— JURY SELECTED —||LENSCULTURE|
|15 Winners||20 Finalists||Editors’ Picks*|
|$17,500 in Cash Awards|
|International Festival Projections|
|‘Visual Storytelling 2015’ Printed Annual|
|Visibility with LensCulture Insiders|
|Massive Online Promotion|
|LensCulture Portfolio Account|
|Immediate Exposure on LensCulture|
*Editors' Picks: LensCulture's editors will select photographers during the competition for immediate exposure to our global audience (before the judging begins). Also, over 100 of the highest-rated entries will gain visibility with LensCulture Insiders and receive an invitation-only LensCulture Portfolio account, which serve as a great platform to reach our huge global audience.
AWARDS & BENEFITS
6 - 10 Photos
Each category winner
2 - 5 Photos
Each category winner
Top 5 Singles:
Projections at International
Work from the winners will be screened at photo festivals and events worldwide throughout the year. We are actively partnering with international photo festivals to showcase our competitions' winners & finalists. Our growing list of festivals includes: FORMAT International Photography Festival, Bangkok Photo Festival, Copenhagen Photo Festival, Belfast Photo Festival, Athens Photo Festival, Circulation(s) Photo Festival, Tokyo International Photography Festival, Voies Off Arles, Photolux Festival in Italy — with many more to come!
Work from hundreds of the other top-rated photographers from this competition will be shared with LensCulture Insiders, our network of influential names in the photography industry. We have significantly expanded our Insiders network to over 500 photo editors, curators, gallerists, and publishers. We believe this kind of exposure is critical for both emerging and established photographers to gain valuable jobs, opportunities, and global exposure in print and online media.
Aaron Schuman, Editor, SeeSaw Magazine, UK
Ada Takahashi, Director at Robert Koch Gallery, USA
Adina LoBiondo, Senior Photo Editor, Sierra Magazine, USA
Afton Almaraz, Senior Picture Editor, Getty Images, USA
Alessandra Capodacqua, Curator, Author, Educator, Italy
Alessandro Zuffi, Photo Editor, Le Monde, France
Alessia Glaviano, Vogue Italia and L'Uomo Vogue Senior Photo Editor, Italy
Alexa Becker, Acquisitions Editor, Kehrer Verlag Publishers, Germany
Aline Smithson, Founder/Editor, Lenscratch, USA
Alison Nordstrom, Consulting Curator for International Programs, Griffin Museum of Photography, USA
Alyssa Coppelman, Photo Editor, Slate, Feature Shoot, USA
Amy Wolff, Photo Editor at PDN and co-founder/curator of CoEdit Collection, USA
Andy Greenacre, Picture Editor, Telegraph Magazine, UK
Ángel Luis González, Director, PhotoIreland, Ireland
Ann Jastrab, Gallery Director at RayKo Photo Center, Photography Consultant, USA
Anna Dickson, Deputy Director of Photography, The Wall Street Journal, USA
Anna Gripp, Editor, Photonews, Germany
Anna Walker Skillman, Owner/Director, Jackson Fine Arts, USA
Anne Bourgeois-Vignon, Creative Content Director, London, UK
Anne Morin, Curator/Director, diChroma photography, Spain
Anne Wilkes-Tucker, Curator at Museum of Fine Arts, Houston, USA
Antony Dickson, Features Photo Editor at South China Morning Post
Arianna Rinaldo, Artistic Director at Cortona On The Move and Director, OjodePez Magazine, Spain
Ariel Shanberg, Executive Director at The Center for Photography at Woodstock, USA
Audrey Turpin, Coordinatrice générale, Festival Circulation(s), France
Barbara Čeferin, Owner, Galerija Fotografija, Slovenia
Barbara Tannenbaum, Curator of Photography, The Cleveland Museum of Art, USA
Bas Vroege, Director, Paradox and YDoc, Netherlands
Bevin Bering Dubrowski, Director, Houston Center for Photography, USA
Bjarke Myrthu, Founder & CEO, Blindspot, USA
Bonnie Rubenstein, Artistic Director, CONTACT Toronto Photography Festival, Canada
Brett Roegiers, Photo editor at CNN.com, USA
Brian Clamp, Owner/Director, ClampArt Gallery, USA
Brian Storm, Founder & Executive Producer, MediaStorm, USA
Carlos Carvalho, Director, International Festival of Photography of Porto Alegre, Brazil
Catherine Edelman, Owner, Catherine Edelman Gallery, USA
Celeste Jovanovich, Associate Director, Fahey/Klein Gallery, USA
Celina Lunsford, Co-Curator, Imagine Reality, Ray 2015 at RAY Fotografieprojekte 2015, Germany
Charlotte van Lingen, Curator, Kunsthal Rotterdam, Netherlands
Christophe de Jaeger, Curator, Center For Fine Arts Brussels, Belgium
Christophe Laloi, Artistic Director, Voies Off Arles, France
Clare Grafik, Head of Exhibitions, The Photographer's Gallery, UK
Corey Keller, Curator at San Francisco Museum of Modern Art, USA
Daphné Anglès, European Photo Assignment Editor, The New York Times, France
Darius Himes, International Head of Photographs at Christie's, USA
Darren Ching, Owner, Klompching Gallery, USA
David Birkitt, Director, DMB Represents, UK
David Drake, Director, Ffotogallery, Wales
Deborah Dragon, Deputy Photo Editor at Rolling Stone Magazine Wenner Media, USA
Deborah Klochko, Director at Museum of Photographic Arts, USA
Debra Klomp Ching, Owner/Director, Klompching Gallery, USA
Denise Wolff, Senior Editor, Book Program, Aperture, USA
Dewi Lewis, Owner, Dewi Lewis Publishing, UK
Dimitri Beck, Editor, Polka Magazine, France
Donna Cohen, Photo Editor at Bloomberg Businessweek, USA
Ed Carey, Director, Gallery 291, USA
Elda Harrington, Director, Escuela Argentina de Fotografia, Argentina
Elena Firsova, Managing Editor, Foto&Video Magazine, Russia
Elie Domit, Director at East Wing Gallery, Dubai
Elisabeth Biondi, Independent Curator, Biondi Foto, USA
Elissa Curtis, Senior Photo Editor, MSNBC, USA
Elizabeth Avedon, Photobook Designer/Blogger, USA
Elizabeth Johnson, Sr. Photo Editor at CNN Digital, USA
Elizabeth Lapp, Curator and Image Guru, Flickr/Yahoo, USA
Emily Adams, Exhibitions Director, PhotoEspaña, Spain
Enrico Bossan, Editorial Director, Colors Magazine, Italy
Erik Vroons, Editor, GUP Magazine, Netherlands
Francis Hodgson, Photography Critic, Financial Times of London, UK
Francoise Callier, Program Coordinator, Angkor Photo Festival, France
Frazier King, Member of Board and Exhibition Committee at Houston Center for Photography
Freddy Denaes, Publisher, Editions de l'Oeil, France
Frits Gierstberg, Curator, Nederlands Fotomuseum Rotterdam, Netherlands
Gad Edery, CEO, Gad Collection, France
Genevieve Fussell, Photo Editor, The New Yorker, USA
Greg Hobson, Curator of Photographs, National Media Museum, UK
Hamidah Glasgow, Curator, USA
Hannah Watson, Director, Trolley Books, UK
Hélène Joye-Cagnard, Codirectrice, Journées photgraphiques de Bienne Biel-Bienne, Switzerland
Hideko Kataoka, Director of Photography at Newsweek, Japan
Ihiro Hayami, Director, Tokyo Institute of Photography, Japan
Ishida Tetsuro, Curator, Tokyo Metropolitan Museum of Photography, Japan
James Estrin, Photographer/Lens Blog Editor at The New York Times, USA
James Wellford, Photo Editor, Curator & Educator, USA
Jason Landry, Owner/Director, Panopticon Gallery, USA
Jeff Gates, Managing Editor, American Art's Blog, Smithsonian Institution, USA
Jeff Moorfoot, Festival Director, Ballarat International Foto Biennal, Australia
Jennifer Blessing, Senior Curator of Photography, Guggenheim, USA
Jessie Wender, Photo Editor, The New Yorker, USA
Joanne Junga Yang, Director of International Committee, Seoul Photo Festival, South Korea
Johan Sjöström, Curator of Exhibitions, Gothenburg Museum of Art, Gothenburg, Sweden
John Duncan, Editor, Source Photographic Review, UK
Jon Jones, Director of Photography, Sunday Times, UK
Juli Lowe, Assistant Director at Catherine Edelman Gallery, USA
Julien Jourdes, Co-Founder and COO, Blink, USA
Karen Downey, Senior Curator, Belfast Exposed, Northern Ireland
Karol Hordziej, President & Art Director, Foundation for Visual Art & Krakow Photomonth, Poland
Kathy Moran, Sr. Editor, Natural History at National Geographic Magazine, USA
Kathy Ryan, Director of Photography, The New York Times Magazine, USA
Krzysztof Candrowicz, Artistic Director, Hamburg Triennial of Photography, Germany
Lars Boering, Director, Managing Director at World Press Photo, Netherlands
Laura Pressley, Executive Director at CENTER, USA
Laura Serani, Deleguée artistique, Mois de la Photo à Paris, France
Linda Benedict-Jones, Curator of Photography, Carnegie Museum of Art, USA
Lisa J. Sutcliffe, Curator of Photography at Milwaukee Art Museum, USA
Louise Clements, Co-Founder/Director, QUAD and Format Festival, UK
Maarten Schilt, Publisher, Schilt Publishing, Netherlands
Magdalena Herrera, Director of Photography, GEO, France
Manik Katyal, Editor-in-Chief, Emaho Magazine, India
Manila Camarini, Photo Editor, D La Repubblica, Italy
Manuel Rivera-Ortiz, President/Founder, Manuel Rivera-Ortiz Foundation for Documentary Photography & Film, USA
Marc Prüst, Photography Consultant and Curator, Artistic Director Photoreporter Festival Baie de St. Brieuc
Marcel Feil, Deputy Director, artistic affairs - FOAM
Marie-Pierre Subtil, Chief Editor, 6 Mois, France
Marion Hislen, Director, Circulation(s) Festival, France
Marisa Schwartz, Photo Editor, Time Magazine, USA
Mary Virginia Swanson, Author, Educator, and Consultant, MVS & Assoc., USA
MaryAnn Camilleri, Founder, The Magenta Foundation; Director, Flash Forward Festival, Canada
Matt Shonfeld, Executive Director, Institute for Artist Management, UK
Matthew Craig, Co-Founder and CEO, Blink, USA
Melissa Ryan, Dir of Photography, Nature Conservancy Magazine, USA
Mia (Diiorio) Diehl, Photography Director/Fortune Magazine, USA
Michael Famighetti, Editor, Aperture Magazine, USA
Michael Weir, Founder & Artistic Director, Belfast Photo Festival, Northern Ireland
Michelle Dunn Marsh, Executive Director/Founder, Pacific Center Northwest, USA
Miriam Romais, Executive Director, En Foco Inc, USA
Miyako Yoshinaga, Director at Mikayo Yoshinga Gallery, USA
Molly Roberts, Chief Photography Editor, Smithsonian Magazine, USA
Monica Allende, Photography Editor, Curator, Educator, UK
Moritz Neumüller, Festival Curator/Program Director, Istituto Europeo di Design, Spain
Moshe Rosenzveig, Director/Photographer, Head On Photo Festival, Australia
Natalie Matutschovsky, Senior Photo Editor at Time Magazine, USA
Natasha Egan, Associate Director, Museum of Contemporary Photography at Columbia College, USA
Nathalie Gallon, Director, Foundation Carmignac Gestion, France
Nathalie Herschdorfer, Curator, Director, Museum of Fine Arts, Le Locle, Switzerland
Olivier Laurent, Editor of LightBox at Time Magazine, USA
Patricia Lanza, Content Director, Annenberg Space for Photography, USA
Paul di Felice, Director, European Month of Photography, Luxembourg
Paula Tognarelli, Executive Director at Griffin Museum of Photography
Pavel Banka, Editor in Chief, Fotograf Magazine, Czech Republic
Paweł Szypulski, Curator, Krakow Month of Photography, Poland
Peggy Sue Amison, Artistic Director, East Wing Gallery, Dubai
Phillip Prodger, Head of Photographs at National Portrait Gallery, UK
Raffaela Lepanto, Photo Editor/Consultant, PhotoFusion Photography Centre, UK
Regina Maria Anzenberger, Director of AnzenbergerGallery, Austria
Régina Monfort, Photographer/Consulting Editor, FotoEvidence, USA
Richard A. Brooks, Deputy Photo Director, Agence France-Presse, China
Rina Tokura, Editor in Chief, IMA Magazine and Concept Stores, Tokyo
Roman Härer, Creative Director, plainpicture, Germany
Roxanne Behr, Photo Editor, New York Magazine, USA
Rui Prata, Director, Museu da Imagem, Portugal
Rupert Jenkins, Executive Director, Colorado Photographic Arts Center, USA
Sacha Lecca, Deputy Photo Editor at Rolling Stone Magazine, USA
Sam Barzilay, Festival Director, Photoville, USA
Sara Guerrini, Picture Editor, Newsweek Europe, UK
Sarah Leen, Director of Photography, National Geographic Magazine, USA
Scott Mc Kiernan, Vice President, National Press Photographers Association, USA
Sébastian Hau, Director, Le Bal Books, France
Selva Barni, Founder & Editor, Fantom Editions, Italy
Shahidul Alam, Director, Chobi Mela Festival of Photography, Bangladesh
Silvia Mangialardi, Editor, Fotomundo Magazine, Argentina
Stephen Mayes, Executive Director, Tim Hetherington Trust, USA
Stephen Perloff, Editor, The Photo Review, USA
Sujong Song, Independent Photography Professional, South Korea
Susan Zadeh, Photography Director, Eyemazing Editions, Netherlands
Suzanne Opton, Photographer, Educator, International Center for Photography, USA
Taj Forer, Director, Daylight Magazine, USA
Thomas Seelig, Curator, Fotomuseum Winterthur, Switzerland
Todd J. Tubutis, Executive Director, Blue Sky Gallery, USA
Tomoka Aya, Director, The Third EyeGallery Aya, Tokyo, Japan
Ute Noll, Photo Director bei Du Kulturmagazin, Germany
Valerie Fougeirol, Directeur artistique, France
Vangelis Ioakimidis, Director, Thessaloniki Museum of Photography, Greece
Whitney Johnson, Deputy Director of Photography, National Geographic, USA
Wim Melis, Curator at Noorderlicht Photography, Netherlands
Xavier Soule, President/Director, Gallery VU, France
Yuko Yamaji, Curator at Kiyosato Museum of Photographic Arts, Japan
LensCulture Visual Storytelling Printed Annual 2015
A museum-quality competition catalog featuring the winning photographers' work will be distributed to hundreds of LensCulture Insiders and industry representatives including influential editors, curators, festival directors, publishers, gallery directors and more. The Insiders will have the opportunity to see the award-winning photographs in a beautiful printed form.
Immediate Exposure on LensCulture & Social Media
Just by entering your work, you have an opportunity for immediate exposure in our Competition Gallery and across all our online channels. On average, all of our featured entries typically receive a total of 4 to 6 million views on Facebook. Our editors review incoming submissions on a daily basis — so don’t wait until the deadline to submit your work!
Live, Online Review Session With Photo Industry Expert
All Winners and Finalists will have the opportunity to participate in a live, online review of their work with photo industry experts using our new, online learning platform — LensCulture Sessions. Get valuable feedback and expert advice and connect with other winning photographers from around the world.
Massive Online Promotion
Work from the Top 35 photographers will be shared across our huge global audience including our web site, email list, mobile platforms, and multiple social media channels. We have found this to be a very effective strategy for getting photographers exposure that leads to career-boosting opportunities — see our Success Stories.
Ongoing Exposure with a LensCulture Portfolio Account
All Winners, Finalists (plus hundreds of the top-rated photographers) will gain access to a free, invitation-only portfolio account on LensCulture! This is an invaluable platform to showcase your work to our 1.5 million global audience as well as to our network of LensCulture Insiders. LensCulture’s editors will also be able to discover your latest work and potentially feature it in articles, Editors’ Picks and social media.
Free Submission Review with Every Full Series Entry!
Enter a full series in Visual Storytelling Awards 2015 and get a free submission review! We believe that every photographer who enters deserves thoughtful feedback on their work. That's why we've recruited over a dozen top photo editors, portfolio reviewers, curators, and other industry professionals to give you constructive feedback on your photography plus recommendations for improving your practice.
This new offering has become one of the most meaningful services at LensCulture. We are delighted with the continued feedback from photographers:
“WOW!!! Your feedback and guidance are extremely helpful and I truly appreciate the time you took out of your day to examine my work, write down your thoughts and provide such critical feedback. For me, your personal review was the most valuable part of entering the competition; more than any monetary prize. I can not thank you enough.”
“I just wanted to send a huge thank you to the reviewer who took the time to look over my submission. THANK YOU! The review was not only kind, thorough, and encouraging, but really confirmed some perspectives and possibilities that I had already been considering.”
“That was so incredibly helpful and insightful. I couldn't be more thankful for the thoughful advice and really appreciate the time that was taken to review my work. It literally just fueled my fire to keep shooting the series. A HUGE THANK YOU!!”
“This is the most thoughtful and useful feedback I have received on the series so far. It's short, but to the point. A great example of "less is more." It gives me clear direction on how to think where I want to lead the project to, guidelines to edit and display, and inspirational suggestions. Again, thank you so much. Worth every dollar and second invested in submitting for the competition. I really appreciate it. I look forward to more interaction like this.”
“Many thanks for the thorough and well-informed review. The personal focus and advice surpassed all my expectations with this process. The links to other competitions, photographers of interest, books and future reviews have been extremely helpful, and again - I was impressed with the level of input, and the objective consideration of future opportunities.”
“I really appreciate the review - it was much more in-depth than I expected. I am particularly grateful for the links you provided. I will work on my series more according to your guidelines. Thank you once again”
“What a wonderful service. I would like to thank the reviewer for his/her insightful and thoughtful review. Although I feel strongly about this project , as many of us do at one time or another, I was also feeling discouraged about it. The reviewers thoughtful words have inspired me to continue. Thank you so much.”
“Thank you SO much to the reviewer … I really appreciate the time and attention to detail that you obviously took when reviewing my images! The comments about technical execution on specific images was very helpful, and the suggestions for improvement taken very much to heart.”
“The depth of the information was amazing, and has given me a clearer direction to continue with my project. I have never received such concise feedback before on a submission. The reviewer suggested names of artists that have similar styles, and subjects for me to study, and names of books to read. I am inspired to go deeper with my subject and look at my approach in a different way. I am so thankful for this information and think this is a brilliant and unique offering from LensCulture. Thank you so much for my new found inspiration!”
“Getting the feedback was highly useful and super enjoyable for me. I’m new to the art world and I need advice. The review was highly useful, pinpointing my mistakes and giving my courage. I have reworked my series, and will continue reworking them over a few months.”
“I was greatly encouraged by this review and it pushed my back to keep going with this series. It might not always a big success, but it's a bit like sports/training. I should keep training my "creative muscle".”
“Thank you very much for taking the time to review my work and provide such excellent insight and information to help me further it from here.”
“Lensculture is a wonderful platform for photographers and getting the review of my submission was worth the price of entry in itself!”
“Many thanks for your thoughtful and informative review with excellent suggestions and references. You have a keen eye.”
“I just would like to thank you for the wonderful review and all the interesting suggestions you gave me to inspire my work. I strongly think these type of reviews, even if they need to be brief and concise, can effectively help and encourage especially a not-too-confident photographer to keep on working and improving. To me this review meant a big 'DO NOT GIVE UP AND WORK' and I believe that's very valuable!”
“I'm really pleased with my review, it brought to my attention details I hadn't noticed about my work, and it was really constructive. I also liked how I was recommended a couple of books to read, it makes the review even more constructive. Also the reviewer's attitude is really nice, it made me feel really good about the review and my work.”
“Thank you very much for the Review and your very kind and motivating words.”
“Everything has been really helpful: your positive comments, your advice, the part that you think needs an improvement,… and all the additional recommendations, that I’ll take into consideration.”
“Thank you very much for your lovely and constructive review!! I could tell that the person who reviewed my submission really took the time to look at my work before giving his opinion. It wasn't some pre-written review that could fit for any project which would have been really desappointing... I really appreciate it. Plus, a big thanks for the artists suggestions at the end. I will have a look at their work with pleasure!”
“Just writing to say thanks very much for the portfolio review, it's really encouraging.”
“I am a self-taught photographer and over the last decade of making pictures this is truly the most helpful feedback and direction for my photography I have ever received. Most helpful of all were the suggestions for further study/research which have already sent me off in new directions (3d mapping software) that I might not have come across if the review hadn't turned me on to it.”
“I was so pleased that the review of my submission was thoughtful and personalized. Thanks so much for the time you took with the review. I appreciated the suggestions.”
“Thank you very much for my submission review. I found it to be very interesting and helpful. I will most definitely take it into account is progressing the project and in future submissions.”
Submit Your Story
We are open to all photography that tells a story about our world. Stories from all points of view, from all over the world, from anyone with a tale to tell. If you are a photographer using visual narratives in any of your photos, show us your story! Most of all, we want to be surprised and delighted: learn things we didn't know; understand situations from different points of view; see stories that sear themselves into our imaginations and become unforgettable. We want to be moved emotionally and intellectually. Inspire us!
Entry Fee: $60 USD
6 - 10 photos
IMPORTANT DETAILS: Submission reviews will be sent by February 15, 2016, NOT before the Visual Storytelling Awards 2015 entry deadline.
Entry Fee: $40 USD
2 - 5 photos
Entry Fee: $20 USD
for 1 single photo
For Series or Mini-Series entries, photographers will select a category during the submission process. You do not need to select a category for Single Image entries.
Visual Storytelling Community Showcase
Join us in supporting these important projects that highlight some of the best in Visual Storytelling today.
Facing Change: Documenting America
JUST PUBLISHED! This inspiring collection of images by 10 award-winning photographers tells the story of today’s America—and provides an enduring legacy that will inform the way we address our future. This nonprofit collective includes some of the country's most celebrated photojournalists. Order your copy of “Facing Change: Documenting America” and support this important organization.
Sian Davey: Looking For Alice
LensCulture award-winning photographer Sian Davey shares the personal narrative of raising her daughter Alice. Deeply felt without being sentimental, the work is at once tender and beautifully seen. This moving project is now in the process of becoming a book—you can help it become a reality by backing Davey’s Kickstarter campaign.
Social Documentary Network’s new magazine featuring leading documentary photographers from across the world exploring global themes. ZEKE combines powerful and large photographs with in-depth essays. Includes interviews with by Matt Black and Ed Kashi. Available in print and digital.
Career Changing Exposure
We believe that competitions are one of the best ways to boost your career in photography.
Hear how the lives of these photographers were impacted by winning a LensCulture competition.
Kurt Simonson spent over 10 years working on his "Northwoods Journals," a photographic journey into his ancestral narrative. Learn more about this magical series and also how Kurt was able to share his story with the world.
4 1/2 years ago, Raina Stinson decided to follow her dream and become a photographer. At the top of her to-do list was to be recognized by LensCulture. Today, her work has been shown all over the globe—come hear how it all happened so fast.
Visual Storytelling 2014 winner Kirsty Mitchell shares "Wonderland," the stunning fictional narrative she just completed. See what happened after her LensCulture win was announced: it's a beautiful story on every level.
Heidi WoodmanUnited Kingdom
Debi CornwallUnited States
Michal SolarskiUnited Kingdom
Candace KarchUnited States
Michael JosephUnited States
Phillip EnglehornHong Kong
Tina SchulaUnited States
Jorge de la TorrienteUnited States
Ali MobasserUnited Kingdom
Kerry MansfieldUnited States
Sarah ChoiHong Kong
Daesung LeeSouth Korea
Printing of the LensCulture Visual Storytelling 2015 Annual generously provided by Edition One Books.