LensCulture Photobook Prize 2026

Open for submissions

Do you have a body of work ready to become a book?

The inaugural LensCulture Photobook Prize offers one photographer the opportunity to transform an unpublished project into a beautifully designed, professionally printed, and internationally distributed photobook — fully funded. In partnership with Nazraeli Press, the winning project will be designed, produced, and distributed worldwide. Additional prizes go to 5 Shortlisted and 10 Finalist photographers.

Submit project Deadline: August 12, 2026

Top Awards

  • Full publication with Nazraeli Press
  • Los Angeles Exhibition
  • Cash Prizes
  • Solo Feature on LensCulture
Learn more

What to submit

Submit 20–30 images, a project statement, and a brief biography. No book dummy required.

The Prize

The Winner receives a full publication with Nazraeli Press — designed, printed, and distributed internationally, a solo feature article on LensCulture, and a Los Angeles Exhibition.

Winner

Full publication with Nazraeli Press — designed, printed, and distributed internationally, a solo feature article on LensCulture, and a Los Angeles Exhibition

5 Shortlisted Photographers

receive cash grants, a solo feature article, 1:1 consulting, and a Los Angeles Exhibition

10 Finalists

receive a feature article on LensCulture, and global exposure

Submit project

The Jury

A panel of leading publishers will review the projects and select the Shortlist and Finalists.

The winning project is chosen by Nazraeli Press.

Submit project

Awards & Benefits

Prizes in Detail

Winner

International Publication by Nazraeli Press

  • Full book design and production
  • Worldwide distribution via Nazraeli established channels
  • Print run of 500 copies & 50 complimentary artist copies
  • Promotion via Nazraeli Press website, book fairs, and art events
  • Feature article on LensCulture, in newsletters and social media
  • Print Exhibition at ShowLA 2027

Shortlisted

Career Development Support

  • $500 grant
  • Solo feature article on LensCulture
  • 30-minute video consultation with LensCulture founders
  • Print Exhibition at ShowLA 2027

Finalists

Global promotion

  • Collective feature article on LensCulture

Enter your work today

Early Submission Discount

How to Apply

Submit 20–30 images, a project statement, a short description of your vision for the book (optional), and a brief biography. No book dummy required - or accepted.

$60Submit for $45

Read the and

Deadline & Timeline

Call Open: July 8 – August 12, 2026
Early Submission discount until:
July 29, 2026
Regular Deadline: Aug 12, 2026
Winners Announced: Oct 1, 2026
LA Exhibition at SHOWLA:
Dec 10 – 13, 2026
Final Deadline:
Wednesday August 12, 2026

Chris Pichler

Owner/Publisher, Nazraeli Press

United States

Chris Pichler founded Nazraeli Press in Munich, Germany in 1989. In 1997, the press moved to the United States and in 2002 opened a subsidiary in the United Kingdom. Nazraeli Press has published over 500 books on the fine and applied arts with an emphasis on contemporary photography. The books are distributed throughout the world. Pichler edits and designs most of the books published by Nazraeli. He is known for his unorthodox use of common materials — such as papers, wood, plastic, metals — and for introducing elements of handiwork into otherwise mass-produced objects. The press’s award-winning books have themselves been the subject of exhibitions and books about books.

Gianluca Gamberini

Co-founder and Publisher, L’Artiere

Italy

Gianluca Gamberini is the co-founder and publisher of L’Artiere, an independent publishing house based in Bologna, Italy, specializing in contemporary photography books.

Rachel Barker

Co-Founder and Director, Stanley/Barker

United Kingdom

STANLEY/BARKER is a publishing house founded in London by Rachel and Gregory Barker. From their studio they produce a select list of highly individual publications each year, including Jim Goldberg’s Fingerprint, Trent Parke’s Crimson Line and Christopher Anderson’s SON, PIA and Marion. STANLEY/BARKER is known for the care and attention to detail applied to each publication, several of which have been selected for awards, including Judith Black’s Pleasant Street — Shortlisted for the 2020 Paris Photo Aperture Book awards, Sunil Gupta’s Christopher Street 1976, Shortlisted for the 2019 Paris Photo Aperture Book awards, The Lucie Photo Book Prize and Les Rencontres d’Arles book Award, and Tod Papageorge’s Studio 54, shortlisted for the 2015 Paris Photo Aperture Book awards.

Clint Woodside

Founder & Director, Deadbeat Club

United States

Clint Woodside founded Deadbeat Club in Los Angeles in 2011. The press publishes photography monographs and limited-edition books with an emphasis on materiality, print craft, and close collaboration with photographers. Woodside edits and designs the majority of the press’s publications, with particular attention to paper, binding, and production detail as expressive tools. Deadbeat Club’s titles span documentary, landscape, and fine art photography, and are distributed internationally. Woodside has served as a juror for the Benrido Award, Filter, and FotoFilmic.

Laura Sackett

Co-Founder & Creative Director, LensCulture

United States

Laura Sackett is the creative director and co-founder of LensCulture, one of the leading sites committed to discovering and publishing the best in the contemporary photography. She leads all aspects of design including strategy, brand, website, print, communications, screenings and exhibitions. Besides leading the creative direction for LensCulture, she also designs and co-curates LensCulture exhibitions and the online galleries. Laura is a juror, reviewer & nominator in several international Photo Awards and Festivals. She is a founding Board Member of PhotoAlliance, and earned an MFA in photography from the California College of the Arts. She currently lives in Oakland, CA.

FAQ

Who can apply?

Open to anyone with a photo project thought to be ready for a book.

How do I apply?

First, you’ll be prompted to join LensCulture for a free account to upload your files (or you can just sign in if you have an existing LensCulture account). Submit a minimum of 20 images (maximum of 30 images), a project statement, and a brief biography. Optionally, you may include a short description of your vision for the book in your project statement but you will be ...

Can I submit a book dummy?

No, only images (in jpeg or png format). If you have specific ideas for spreads, you may include those as a single image as part of your submission.

Who designs the book?

The winner will enter into a publishing contract with Chris Pichler at Nazraeli Press, who has extensive knowledge and experience with designing and marketing successful books. The publisher, working as a creative team with the photographer, makes the final decision on the book design.

If I am chosen by Nazraeli Press to have a book made & published, what are the next steps?

The winner will be contacted shortly after the selection is made, to set up a time to speak with Chris Pichler of Nazraeli Press regarding the design and layout steps. Nazraeli Press works collaboratively on these aspects with the artists it publishes.

What is the print run and how many artist copies will I get?

Nazraeli Press will determine the best number after choosing the project, but a minimum of 500 copies with 50 Artist Copies.

Can I submit a book that I have already self-published?

Yes, if it’s a small edition of under 250 copies.

Does the submission have to be a particular genre?

No, open to any genre, subject or style.

How many images can I submit?

Minimum of 20, maximum of 30.

What’s the timeline?

Judging window is Aug 24 – Sep 11, 2026. Winners will be announced Oct. 1, 2026.

What are the photo specifications for uploading?

For best results, upload the highest-quality JPEGs, sized a minimum of 1200 pixels on the longest side but up to 2000 pixels is even better. Maximum size is 10MB. The file name should be under 50 characters. No PDFs are accepted.

Can I submit diptychs?

You can submit diptychs as one image. But keep in mind the maximum pixel length of 2000.

If I am a winner or shortlisted and included in the exhibition, what will you use for reproduction? And who pays for it?

LensCulture will request the necessary reproduction materials at the time of organizing the exhibition. All costs associated with the exhibition will be paid by LensCulture.

I can’t login to my account.

Go to lensculture.com/forgot_password and enter the email address you think you signed up with. We’ll send you a password reset link.

What forms of payment do you accept? Do you accept PayPal?

You can pay for your entry with PayPal, Visa, MasterCard, American Express. We’re sorry, but we cannot accept bank transfers or payments by check at this time.

Can I replace or re-arrange my photos after I’ve submitted them?

Once uploaded, you may re-arrange, pause, and resume later up until the deadline. However, all submissions are final once payment has been completed.

How can I access my submission?

It’s easy! From the homepage (www.lensculture.com), hover your mouse over your name in the upper right hand corner (make sure you are logged in). From there, press “My Submissions.” Here you can see all the submissions you have made to LensCulture competitions. You can see which have been submitted and which are still pending. Click on whichever submission you would like to edit and follow the instructions from there. Remember, you can edit your submission all the way up until the deadline!

I would like to submit two series of photographs, can I upload both series into one submission or do I need to make two submissions?

Each series should be in a separate submission so that you can write a description for each one and allow the jury to view each entry as a single body of work.

We are two photographers working as a team, can we make one submission?

Yes, but please provide background info on both of you in the bio so we know it’s a team.

If I live outside the United States, am I still eligible for this competition?

Definitely! Our competitions are truly global, drawing submissions from over 150 countries.

Are there restrictions on when a series was completed?

No, there are no time-based restrictions concerning when a series was made.

Do I need to submit a model release with my portraits?

Good question. You need to check with the local laws of where you are shooting regarding portrait/street/candid photography—some places are very strict and explicitly require model releases while others are more lenient. As long as your photos fall within the laws of where you made the work, you can submit them to our competition.

Are there other ethical guidelines which should be followed?

Images that purport to be “news” photographs, reporting, photojournalism, or documentary photography, should comply with the ethical guidelines of the National Press Photographers Association in general, as well as those proposed by UNICEF for ethical reporting on children. No people or objects may be added, rearranged, reversed, distorted or removed from such photographs. If images are staged, this should be made clear in the written statements and captions. It is important, always, to take into account the ethical considerations of photography, and to protect vulnerable people from potential harm that could be inflicted as a result of publishing images that expose or identify individuals or groups who may be or may become vulnerable as a result of the publication of the photographs.

Can I use Artificial Intelligence (AI) in my submission?

We admire and respect the talent of people who are mastering the rich visual language of photography to connect with others in creative ways. Technological advances have impacted photography since its beginnings, and the latest AI technology has already emerged in amazing tools — and can be perceived as both an excellent opportunity for artists, and a very real threat to human expression and creativity.

For the purpose of this Prize, LensCulture will not accept any purely AI-generated work. It is acceptable to modify and edit your own original photography using AI tools, but you must clearly indicate in your project statement how you have applied AI to your submission, and the extent of the modifications. All awards will be given at the discretion of the jury.

Can you explain the usage rights if I submit to this Prize?

I hereby authorize LensCulture to display, print, and distribute in any manner any photographs that I have entered in this Prize to conduct and promote LensCulture competitions. Each photographer retains copyright of his or her images, and proper credit lines will be attributed to each photographer when used in any publicity of LensCulture.

If an entry is featured on Instagram or Facebook, does it have any effect on the final judging?

No. Every day, our editors look at the submissions and select some for inclusion in our social media channels. The jurors do not begin looking at work until after the competition deadline has passed. The jurors’ decisions is independent of LensCulture’s editorial selections.

Can I get a refund?

No, entry fees are non-refundable.

Can I get an invoice for my competition entry fees?

Once your entry is submitted, we automatically email you a confirmation invoice indicating payment details, including the competition you entered, the category, the amount you paid and how you paid it (credit card or Paypal). This is the invoice and is consistent with how other online purchases send order confirmations.

This all sounds too easy. Where’s the fine print?

It really is that easy! You can find the competition rules link next to this FAQ link. Here are some, but not all, of the basic rules that you agree to:

  • By submitting these photographs to LensCulture, I authorize that these are original works of art that I personally created.
  • I am releasing LensCulture and its agents, principals, employees or contractors from any liability regarding the display of work that I have submitted to them, including any liability for redisplay by individuals making copies of the display made by LensCulture.
  • By agreeing to this release, I authorize that I am 18 years of age or older.
  • I hereby authorize LensCulture to display, print, and distribute in any manner any photographs that I have entered in this competition to conduct and promote LensCulture’s competitions. Each photographer retains copyright of his or her images, and proper credit lines will be attributed to each photographer when used in any publicity of LensCulture.
If I have more questions, how do I contact you?

You can email us at support@lensculture.com. We will do our best to get back to you as soon as possible. Please recognize that a support request sent right before the deadline might not get immediate attention. Do your best to submit your work before the last minute to avoid any anxiety. Good luck!

Rules

1.1 To qualify to enter the competition, you must be over 18 years of age.

1.2 By entering the Competition you hereby accept these competition rules.

1.3 Entries must be submitted no later than the deadline of listed on the Competition URL, lensculture.com/awards

1.4 The competition is open to everyone that is 18 years and older, professional and amateur photographers alike.

1.5 By entering the Competition, you agree and acknowledge that LensCulture is permitted to receive and review your registration data. Participants agree that personal data including, but not limited to, name, mailing address, phone number, and email address may be collected, processed, stored and otherwise used for the purposes of conducting and administering this photo competition. At any time, participants have the right to access, review, rectify or cancel any personal data held by LensCulture by sending an email to the following address: support@lensculture.com

2.1 To enter the competition, you must submit your entries to the Competition URL, lensculture.com/awards. Participants must also pay the entry fee(s) and complete the submission form in order to be considered for the competition.

3.1 All entries will be reviewed and pre-screened by our editors and an international group of industry professionals. The screened entries are then reviewed by our international jury. The jury will choose the winners. The decisions of the jury are final.

3.2 Submissions that have been awarded a cash prize in a previous LensCulture competition are not eligible to win cash prizes in subsequent competitions. Please consider entering new work. Submissions that have been selected as Finalists in previous competition ARE eligible to win a cash prize in subsequent competitions. A photographer may win multiple cash awards but the same photograph/series cannot win multiple cash awards. If a series/photograph was submitted to a previous competition but received no prize, then that series/photograph is still eligible.

3.3 Winning photographs may be included in the future in traveling group gallery exhibitions and/or screenings and projections at arts institutions and festivals worldwide. Each photographer retains copyright of his or her images, and proper credit lines will be attributed to each photographer when exhibited or screened anywhere by LensCulture.

3.4 The full name of each entrant whose work is selected as a winner, juror’s pick, or finalist will be published online.

3.5 Cash prizes will be paid by wire transfer or other electronic methods. Any fees incurred for foreign currency transfers will be deducted from the winning amount.

3.6 No cash alternatives will be offered for any prizes.

4.1 LensCulture reserves the right, in its sole discretion, to disqualify and remove any photograph that does not comply with the following requirements, even after the photograph appears on the website. You warrant, in respect of the photographs submitted by you, as follows:

4.1.1 You are the sole copyright owner and creator of the photographs.

4.1.2 You have the right to enter your photographs in this competition.

4.1.3 To the best of your knowledge, the photographs do not contain any infringing, threatening, false, misleading, abusive, harassing, libelous, defamatory, vulgar, obscene, scandalous, inflammatory, pornographic or profane content.

4.1.4 To the best of your knowledge, the photographs do not contain any material that could constitute or encourage conduct which would be considered a criminal offense, give rise to civil liability, or otherwise violate any law.

4.1.5 The photograph does not infringe upon the copyrights, trademarks, contract rights, or any other intellectual property rights of any third person or entity, or violate any person’s rights of privacy or publicity, and your photograph does not include:

4.1.5.1 trademarks owned by third parties.

4.1.5.2 copyrighted materials owned by third parties.

4.1.5.3 names, likenesses or other characteristics identifying celebrities or other public figures, living or dead.

4.1.5.4 entries in which you have purchased or secured the rights to use stock images.

4.2 You agree to fully indemnify LensCulture in respect of all royalties, fees and any other monies owing to any person by reason of your breaching any of the foregoing.

4.3 You confirm that each person depicted in the photograph has granted permission to be portrayed as shown—and has the right to grant that permission. Any costumes, props or other materials used must be rented or borrowed with the permission of the owner, and all other relevant permissions must have been obtained.

4.4 Images that purport to be “news” photographs, reporting, photojournalism, or documentary photography, should comply with the ethical guidelines of the National Press Photographers Association in general, as well as those proposed by UNICEF for ethical reporting on children. No people or objects may be added, rearranged, reversed, distorted or removed from a photograph. If images are staged, this should be made clear in the written statements and captions. It is important, always, to take into account the ethical considerations of photography, and to protect vulnerable people from potential harm that could be inflicted as a result of publishing images that expose or identify individuals or groups who may be or may become vulnerable as a result of the publication of the photographs.

5.1 LensCulture recognizes you retain full ownership of the copyright in each photograph that you have submitted.

5.2 Not every photograph submitted to the competition will be publicly visible on LensCulture. There are too many submissions for each one to be shown on the site. The pictures on the website are pre-selected by LensCulture’s editors. Whether or not your entry is selected by the editors for display has no effect on your standing in the competition—the jury’s judgments begin after the competition deadline has passed.

6.1 All entrants agree that all photograph(s) submitted to the competition may be reproduced (with photographer copyright credit) and used to conduct and promote LensCulture competitions. You hereby grant LensCulture with a right to use submitted photographs in the framework of such promotional activities.

7.1 Any photograph used by LensCulture shall carry a credit line. Any failure to provide such credit line shall not be deemed to be a breach, as long as LensCulture uses its reasonable endeavors to rectify such failure within a reasonable period from the date of notice of such failure.

7.2 You acknowledge that LensCulture and its event partners assume no responsibility and are not liable for any image misuse.

8.1 LensCulture assumes no responsibility for any incorrect, inaccurate or incomplete information, whether caused by website users or by any of the equipment or programming associated with or utilized in the Competition, and LensCulture assumes no responsibility for technical, hardware or software failure of any kind, for lost network connections, garbled computer transmissions, other problems or technical malfunctions with regard to the Competition. LensCulture assumes no responsibility for any error, omission, corruption, interruption, deletion, defect, delay in operation or transmission, communications line failure, theft or destruction or unauthorized access to or alteration of entries. LensCulture is not responsible for any problems or technical malfunction of any telephone network or lines, computer online systems, servers, computer equipment, software, failure of any e-mail addressed to LensCulture on account of technical problems, human error or traffic congestion on the internet or any website, or any combination thereof, including any injury or damage to your or any other person’s computer related to or resulting from participation or downloading any materials in the Competition. If for any reason a contestant’s photograph cannot be viewed or is not capable of running as planned, including infection by computer viruses, bugs, tampering, unauthorized intervention, fraud or technical failures, LensCulture assumes no responsibility.

9.1 In no event will LensCulture, its members, event partners or its officers, directors, employees, be responsible or liable for any damages or losses of any kind, including direct, indirect, incidental, consequential, special or punitive damages arising out of any contestant’s access to and use of the website and participation in the competition. Without limiting the generality of the foregoing, everything on the Website is provided “as is”, without warranty of any kind, either express or implied, including but not limited to, the implied warranties of merchantability, fitness for purpose or use or non-infringement.

10.1 You agree to participate in related publicity and to the use of your name and winning images for the purposes of advertising, promotion and publicity for LensCulture and the Competition without additional compensation. Such requests will not be unreasonably withheld.

11.1 For the purpose of this award, LensCulture will not accept any purely AI-generated work. It is acceptable to modify and edit your own original photography using AI tools, but you must clearly indicate in your project statement how you have applied AI to your submission, and the extent of the modifications. All awards will be given at the discretion of the jury.