Recent
How We See: Photobooks by Women
In this new photobook anthology and touring exhibition, women take center stage in a tradition that has historically ignored their importance.
Shards
Like fragments of multi-layered complex memories, these monochrome “glitch and collage” images work together by simultaneously coming apart and finding each other, putting the pieces together again.
Familie Werden
In Rie Yamada’s absurd investigation into the family album, the photographer restages family portraits, putting herself in every role.
All I Know Is What’s On The Internet
A new show at The Photographers’ Gallery questions our relationship to the rapidly-evolving digital landscape.
An Elegy for the Death of Hamun
For more than 5,000 years, the Hamun Lake in Iran was the life source of its surroundings, but it has changed radically as it suffers the destructive effects of an 18-year drought.
A Cure for Anthropocene
In this view of climate change, the surface of the earth is like skin, and the degradation of the planet is akin to an autoimmune disease.
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Experimental Relationship
Pixy Liao started using her boyfriend as a “prop” in her photos, but that evolved into an ongoing 12-year project documenting their unconventional relationship, resulting in some eye-opening images.
Announcing the LensCulture Art Photography 2018 Award Winners!
Discover 38 award-winning artists who are making remarkable art photography from cultures around the world right now.
Call Me Heena: Hijra, The Third Gender
“I feel like a mermaid. My body tells me that I am a man but my soul tells me that I am a woman…” A penetrating, multi-year report on a unique group of people—who fall outside of Western notions of gender—trying to carve out a...
Familie Werden
In Rie Yamada’s absurd investigation into the family album, the photographer restages family portraits, putting herself in every role.
An Elegy for the Death of Hamun
For more than 5,000 years, the Hamun Lake in Iran was the life source of its surroundings, but it has changed radically as it suffers the destructive effects of an 18-year drought.
All I Know Is What’s On The Internet
A new show at The Photographers’ Gallery questions our relationship to the rapidly-evolving digital landscape.
