7th Annual International
Call for Photography
We want to discover the most interesting photographers on the planet. LensCulture Exposure Awards 2015 aim to discover and showcase the world's best contemporary photographers — including all genres of photography, and from diverse cultures on every continent. In our 7th year for this competition, our focus continues to be on helping photographers of all levels to gain global recognition and move forward in their careers. Our international jury will select six top winners as well as 25 finalists. These are our largest and most prestigious awards of the year and YOU are invited to submit your best photographs to gain worldwide exposure.
Exposure Awards 2015 International Jury
Denise WolffSenior Editormore about Denise
New York, NY, USA
Denise Wolff is a senior editor at Aperture, specializing in photography books. Prior to Aperture, she was the commissioning editor for photography at Phaidon Press in London. Some recent books she has commissioned include, The Open Road: Photography and the American Road Trip; The Photographer’s Playbook: 307 Assignments and Ideas; the Photography Workshop Series books; and This Equals That, a children’s book by Jason Fulford and Tamara Shopsin.
Roger ToothHead of Photographymore about Roger
Roger Tooth trained as a newspaper photographer on the Hackney Gazette in East London, worked as a staff photographer for IPC magazines, and freelanced for the Guardian newspaper, other papers and magazines in the 70s and 80s. In 1988, he joined the Guardian as Assistant Picture Editor, advanced to Deputy Picture Editor, and helped launch the Guardian Unlimited website. In early 2001, he became Head of Photography at the Guardian, the Observer and theguardian.com. In 2009 he was awarded the Fenton Medal by the Royal Photographic Society for his outstanding contribution to the field.
Chris LittlewoodPhotography Directormore about Chris
London, New York, International Fairs
Chris Littlewood is the Photography Director at Flowers Gallery, and works as a curator and writer based in London. Flowers Gallery's photography program is most recognized for its engagement with important socio-cultural and environmental themes.
Through a dedicated photography space established by Chris in 2008, he has extended the program to include exhibitions by invited artists and curators across a range of photographic practices.
Chris is a contributing writer for Hotshoe Magazine and 1000 Words magazine, he has lectured / tutored at UK and international universities and institutions including University of the Arts London, Architectural Association, Fotografiska Museum Stockholm, National Museum Cardiff and Unseen photo fair Amsterdam.
David ChickeyPublisher, Designer, Editorial Directormore about David
Santa Fe, New Mexico, USA
David Chickey is the publisher of Radius Books, where he serves as the acquisitions editor and designer of all projects. His work has received national recognition, including multiple awards from the AIGA (50 books/ 50 covers competition), the American Association of Museums Publishing competition, and the Publishers Association of the West. His books have also been selected by The New Yorker, TIME, and PDN Photo Annual as best of the year, for “Most Outstanding Design” and “Best Photobook” from Independent Publisher, and received an Infinity award for “Best Photographic Book of the Year.”
Chickey is also owner of Skolkin+Chickey, a graphic design firm that provides a full range of design services to artists, museums, and publishers. Clients have included Aperture, Abrams, Harvard University, Magnum Photography, The Lannan Foundation, The Peabody Museum, Steidl, David Zwirner, University of Texas Press and University of California Press, among others.
He is a graduate of Sussex University, England, and UNC, Chapel Hill, where he was a Morehead Scholar.
Christopher RauschenbergBoard Chair, Exhibition Committeemore about Christopher
Blue Sky Gallery
Portland, Oregon, USA
Christopher Rauschenberg is co-curator and board chairman of Blue Sky Gallery in Portland, Oregon. Blue Sky was established in 1975 by Mr. Rauschenberg and 4 other photographers. Since then, Mr. Rauschenberg has co-curated 799 solo exhibitions by 679 different artists. Mr. Rauschenberg has been a photographer since 1973 and has had 113 solo shows of his own work in eight countries.
Blue Sky Gallery is a non-profit artists' space which produces 25 solo exhibitions per year as well as an occasional group show every couple of years. It produces an annual yearbook that features 6 images from each show. The Gallery's focus and passion is on promoting emerging artists. Since 2004, the gallery has included solo shows by 98 photographers from FotoFest, plus 56 more from Photolucida, Arles, Rhubarb Rhubarb, Bratislava, Brasilia, Santa Fe, Mannheim, Montreal, Photo Alliance and Photo Nola. Blue Sky has done solo shows by artists from 42 countries.
Cristina de MiddelPhotographer & Curatormore about Cristina
Cristina de Middel is a photographer whose work investigates photography’s ambiguous relationship to truth. Blending documentary and conceptual photographic practices, she plays with reconstructions and archetypes that blur the border between reality and fiction. After a successful career as a photojournalist, de Middel stepped outside of the photojournalistic gaze.
She then produced the critically acclaimed series The Afronauts in 2012, which explored the history of a failed space program in Zambia in the 1960s through staged reenactments of obscure narratives. De Middel continuously produces new bodies of work, including the latest series and book titled, This is what hatred did.
De Middel’s work shows that fiction can serve as the subject of photography just as well as facts can, highlighting that our expectation that photography must always make reference to reality is flawed.
Cristina De Middel has exhibited extensively internationally and has received numerous awards and nominations, including PhotoFolio Arles 2012, the Deutsche Börse Prize, POPCAP’ 13, and the Infinity Award from the International Center of Photography in New York. Cristina de Middel lives and works in Mexico.
Marion HislenCurator and Directormore about Marion
Marion Hislen is curator and director of the Circulation(s) Festival, the largest annual Parisian photography event for young photographers. Now in its 6th year, the festival takes place at the newly renovated CentQuatre (104) center for the arts in Paris.
Marion is also the founder and president of the non-profit organization Fetart. Fetart organizes the Circulation(s) Festival, which is dedicated to promotingemerging photographers by giving them early opportunities to exhibit their work to a large public audience.
Previously, Marion was Director of Photos and Books at the retail giant Fnac within the department of Cultural Action, where she managed Photo Galleries Fnac — 20 spaces of exhibition throughout France.
She has curated numerous other exhibitions, as well, such as “Paris-Beijing,”the first retrospective in France of Chinese contemporary art at the Espace Pierre Cardin, Paris.
Jim CasperEditor-in-Chiefmore about Jim
Amsterdam, The Netherlands
www.lensculture.comJim Casper is the editor-in-chief and publisher of LensCulture, one of the leading online destinations to discover contemporary photography from around the world. As an active member in the contemporary photography world, Casper organizes annual international photography events, travels around the world to meet with photographers and review their portfolios, curates art exhibitions, writes about photography and culture, lectures, conducts workshops, serves as an international juror and nominator for key awards, and is an advisor to arts and education organizations. He serves on the board of directors at SPE, the Society for Photographic Education, the world’s largest association of photography educators.
Open to All Types of Photography
Here are just a few of last year’s winners, finalists & top-rated. See Exposure Awards 2014 Winners & Finalists »
share their submission on Facebook to help them get more exposure!
Finalist, Visual Storytelling Awards 2014
Career Launching Awards
|— JURY SELECTED —||LENSCULTURE|
|6 winners||25 finalists||Editors' Picks|
|$15,000 in Cash Awards|
|Photo London Exhibition|
|International Festival Projections|
|Exposure Awards 2015 Printed Annual|
|Featured Article on LensCulture.com|
|Live, Online Review with Expert|
|International Press Exposure|
|Visibility with LensCulture Insiders|
|Immediate Exposure in Competition Gallery|
|Invitation-only LensCulture Portfolio Account|
*Editors' Picks: During the competition, LensCulture's editors will curate hundreds of entries for immediate exposure to our global audience through the competition gallery and our Facebook page. Also, the highest-rated entries will gain visibility with LensCulture Insiders and receive an invitation-only LensCulture Portfolio account, which serve as a great platform to reach our huge global audience.
learn more about the awards:
1st Place $5000
2nd Place: $3000
3rd Place: $1500
Single Image Award:
1st Place $3000
2nd Place: $1500
3rd Place: $1000
Exhibition at Photo London
All winners & finalists work will be exhibited at Photo London 2016 — a major international photography event for collectors and the general public that will take place at Somerset House, in London, from May 19-22, 2016. This is world-class exposure at its best!
Right: The LensCulture Exposure Awards Exhibition during PhotoLondon in May 2015.
Projections at International
Work from the winners will be screened at photo festivals and events worldwide throughout the year. We are actively partnering with international photo festivals to showcase our competitions' winners & finalists. Our growing list of festivals includes: FORMAT International Photography Festival, Bangkok Photo Festival, Copenhagen Photo Festival, Belfast Photo Festival, Athens Photo Festival, Circulation(s) Photo Festival, Tokyo International Photography Festival, Voies Off Arles, Photolux Festival in Italy — with many more to come!
Work from hundreds of the other top-rated photographers from this competition will be shared with LensCulture Insiders, our network of influential names in the photography industry. We have significantly expanded our Insiders network to over 500 photo editors, curators, gallerists, and publishers. We believe this kind of exposure is critical for both emerging and established photographers to gain valuable jobs, opportunities, and global exposure in print and online media.
Aaron Schuman, Editor, SeeSaw Magazine, UK
Ada Takahashi, Director at Robert Koch Gallery, USA
Adina LoBiondo, Senior Photo Editor, Sierra Magazine, USA
Afton Almaraz, Senior Picture Editor, Getty Images, USA
Alessandra Capodacqua, Curator, Author, Educator, Italy
Alessandro Zuffi, Photo Editor, Le Monde, France
Alessia Glaviano, Vogue Italia and L'Uomo Vogue Senior Photo Editor, Italy
Alexa Becker, Acquisitions Editor, Kehrer Verlag Publishers, Germany
Aline Smithson, Founder/Editor, Lenscratch, USA
Alison Nordstrom, Consulting Curator for International Programs, Griffin Museum of Photography, USA
Alyssa Coppelman, Photo Editor, Slate, Feature Shoot, USA
Amy Wolff, Photo Editor at PDN and co-founder/curator of CoEdit Collection, USA
Andy Greenacre, Picture Editor, Telegraph Magazine, UK
Ángel Luis González, Director, PhotoIreland, Ireland
Ann Jastrab, Gallery Director at RayKo Photo Center, Photography Consultant, USA
Anna Dickson, Deputy Director of Photography, The Wall Street Journal, USA
Anna Gripp, Editor, Photonews, Germany
Anna Walker Skillman, Owner/Director, Jackson Fine Arts, USA
Anne Bourgeois-Vignon, Creative Content Director, London, UK
Anne Morin, Curator/Director, diChroma photography, Spain
Anne Wilkes-Tucker, Curator at Museum of Fine Arts, Houston, USA
Antony Dickson, Features Photo Editor at South China Morning Post
Arianna Rinaldo, Artistic Director at Cortona On The Move and Director, OjodePez Magazine, Spain
Ariel Shanberg, Executive Director at The Center for Photography at Woodstock, USA
Audrey Turpin, Coordinatrice générale, Festival Circulation(s), France
Barbara Čeferin, Owner, Galerija Fotografija, Slovenia
Barbara Tannenbaum, Curator of Photography, The Cleveland Museum of Art, USA
Bas Vroege, Director, Paradox and YDoc, Netherlands
Bevin Bering Dubrowski, Director, Houston Center for Photography, USA
Bjarke Myrthu, Founder & CEO, Blindspot, USA
Bonnie Rubenstein, Artistic Director, CONTACT Toronto Photography Festival, Canada
Brett Roegiers, Photo editor at CNN.com, USA
Brian Clamp, Owner/Director, ClampArt Gallery, USA
Brian Storm, Founder & Executive Producer, MediaStorm, USA
Carlos Carvalho, Director, International Festival of Photography of Porto Alegre, Brazil
Catherine Edelman, Owner, Catherine Edelman Gallery, USA
Celeste Jovanovich, Associate Director, Fahey/Klein Gallery, USA
Celina Lunsford, Co-Curator, Imagine Reality, Ray 2015 at RAY Fotografieprojekte 2015, Germany
Charlotte van Lingen, Curator, Kunsthal Rotterdam, Netherlands
Christophe de Jaeger, Curator, Center For Fine Arts Brussels, Belgium
Christophe Laloi, Artistic Director, Voies Off Arles, France
Clare Grafik, Head of Exhibitions, The Photographer's Gallery, UK
Corey Keller, Curator at San Francisco Museum of Modern Art, USA
Daphné Anglès, European Photo Assignment Editor, The New York Times, France
Darius Himes, International Head of Photographs at Christie's, USA
Darren Ching, Owner, Klompching Gallery, USA
David Birkitt, Director, DMB Represents, UK
David Drake, Director, Ffotogallery, Wales
Deborah Dragon, Deputy Photo Editor at Rolling Stone Magazine Wenner Media, USA
Deborah Klochko, Director at Museum of Photographic Arts, USA
Debra Klomp Ching, Owner/Director, Klompching Gallery, USA
Denise Wolff, Senior Editor, Book Program, Aperture, USA
Dewi Lewis, Owner, Dewi Lewis Publishing, UK
Dimitri Beck, Editor, Polka Magazine, France
Donna Cohen, Photo Editor at Bloomberg Businessweek, USA
Ed Carey, Director, Gallery 291, USA
Elda Harrington, Director, Escuela Argentina de Fotografia, Argentina
Elena Firsova, Managing Editor, Foto&Video Magazine, Russia
Elie Domit, Director at East Wing Gallery, Dubai
Elisabeth Biondi, Independent Curator, Biondi Foto, USA
Elissa Curtis, Senior Photo Editor, MSNBC, USA
Elizabeth Avedon, Independent Curator; Contributor, L’Oeil de la Photographie
Elizabeth Johnson, Sr. Photo Editor at CNN Digital, USA
Elizabeth Lapp, Curator and Image Guru, Flickr/Yahoo, USA
Emily Adams, Exhibitions Director, PhotoEspaña, Spain
Enrico Bossan, Editorial Director, Colors Magazine, Italy
Erik Vroons, Editor, GUP Magazine, Netherlands
Francis Hodgson, Photography Critic, Financial Times of London, UK
Francoise Callier, Program Coordinator, Angkor Photo Festival, France
Frazier King, Member of Board and Exhibition Committee at Houston Center for Photography
Freddy Denaes, Publisher, Editions de l'Oeil, France
Frits Gierstberg, Curator, Nederlands Fotomuseum Rotterdam, Netherlands
Gad Edery, CEO, Gad Collection, France
Genevieve Fussell, Photo Editor, The New Yorker, USA
Greg Hobson, Curator of Photographs, National Media Museum, UK
Hamidah Glasgow, Curator, USA
Hannah Watson, Director, Trolley Books, UK
Harris Fogel, Director/Curator, Sol Mednick Gallery, Gallery 1401, USA
Hélène Joye-Cagnard, Codirectrice, Journées photgraphiques de Bienne Biel-Bienne, Switzerland
Hideko Kataoka, Director of Photography at Newsweek, Japan
Ihiro Hayami, Director, Tokyo Institute of Photography, Japan
Ishida Tetsuro, Curator, Tokyo Metropolitan Museum of Photography, Japan
James Estrin, Photographer/Lens Blog Editor at The New York Times, USA
James Wellford, Photo Editor, Curator & Educator, USA
Jason Landry, Owner/Director, Panopticon Gallery, USA
Jeff Gates, Managing Editor, American Art's Blog, Smithsonian Institution, USA
Jeff Moorfoot, Festival Director, Ballarat International Foto Biennal, Australia
Jennifer Blessing, Senior Curator of Photography, Guggenheim, USA
Jessie Wender, Photo Editor, The New Yorker, USA
Joanne Junga Yang, Director of International Committee, Seoul Photo Festival, South Korea
Johan Sjöström, Curator of Exhibitions, Gothenburg Museum of Art, Gothenburg, Sweden
John Duncan, Editor, Source Photographic Review, UK
Jon Jones, Director of Photography, Sunday Times, UK
Juli Lowe, Assistant Director at Catherine Edelman Gallery, USA
Julien Jourdes, Co-Founder and COO, Blink, USA
Karen Downey, Senior Curator, Belfast Exposed, Northern Ireland
Karol Hordziej, President & Art Director, Foundation for Visual Art & Krakow Photomonth, Poland
Kathy Moran, Sr. Editor, Natural History at National Geographic Magazine, USA
Kathy Ryan, Director of Photography, The New York Times Magazine, USA
Krzysztof Candrowicz, Artistic Director, Hamburg Triennial of Photography, Germany
Lars Boering, Director, Managing Director at World Press Photo, Netherlands
Laura Pressley, Executive Director at CENTER, USA
Laura Serani, Deleguée artistique, Mois de la Photo à Paris, France
Linda Benedict-Jones, Curator of Photography, Carnegie Museum of Art, USA
Lisa J. Sutcliffe, Curator of Photography at Milwaukee Art Museum, USA
Louise Clements, Co-Founder/Director, QUAD and Format Festival, UK
Maarten Schilt, Publisher, Schilt Publishing, Netherlands
Magdalena Herrera, Director of Photography, GEO, France
Manila Camarini, Photo Editor, D La Repubblica, Italy
Manuel Rivera-Ortiz, President/Founder, Manuel Rivera-Ortiz Foundation for Documentary Photography & Film, USA
Marc Prüst, Photography Consultant and Curator, Artistic Director Photoreporter Festival Baie de St. Brieuc
Marcel Feil, Deputy Director, artistic affairs - FOAM
Marie-Pierre Subtil, Chief Editor, 6 Mois, France
Marion Hislen, Director, Circulation(s) Festival, France
Marisa Schwartz, Photo Editor, Time Magazine, USA
Mary Virginia Swanson, Author, Educator, and Consultant, MVS & Assoc., USA
MaryAnn Camilleri, Founder, The Magenta Foundation; Director, Flash Forward Festival, Canada
Matt Shonfeld, Executive Director, Institute for Artist Management, UK
Matthew Craig, Co-Founder and CEO, Blink, USA
Melissa Ryan, Dir of Photography, Nature Conservancy Magazine, USA
Mia (Diiorio) Diehl, Photography Director/Fortune Magazine, USA
Michael Famighetti, Editor, Aperture Magazine, USA
Michael Weir, Founder & Artistic Director, Belfast Photo Festival, Northern Ireland
Michelle Dunn Marsh, Executive Director/Founder, Pacific Center Northwest, USA
Miriam Romais, Executive Director, En Foco Inc, USA
Miyako Yoshinaga, Director at Mikayo Yoshinga Gallery, USA
Molly Roberts, Chief Photography Editor, Smithsonian Magazine, USA
Monica Allende, Photography Editor, Curator, Educator, UK
Moritz Neumüller, Festival Curator/Program Director, Istituto Europeo di Design, Spain
Moshe Rosenzveig, Director/Photographer, Head On Photo Festival, Australia
Natalie Matutschovsky, Senior Photo Editor at Time Magazine, USA
Natasha Egan, Associate Director, Museum of Contemporary Photography at Columbia College, USA
Nathalie Gallon, Director, Foundation Carmignac Gestion, France
Nathalie Herschdorfer, Curator, Director, Museum of Fine Arts, Le Locle, Switzerland
Olivier Laurent, Editor of LightBox at Time Magazine, USA
Patricia Lanza, Content Director, Annenberg Space for Photography, USA
Paul di Felice, Director, European Month of Photography, Luxembourg
Paula Tognarelli, Executive Director at Griffin Museum of Photography
Pavel Banka, Editor in Chief, Fotograf Magazine, Czech Republic
Paweł Szypulski, Curator, Krakow Month of Photography, Poland
Peggy Sue Amison, Artistic Director, East Wing Gallery, Dubai
Phillip Prodger, Head of Photographs at National Portrait Gallery, UK
Raffaela Lepanto, Photo Editor/Consultant, PhotoFusion Photography Centre, UK
Regina Maria Anzenberger, Director of AnzenbergerGallery, Austria
Régina Monfort, Photographer/Consulting Editor, FotoEvidence, USA
Richard A. Brooks, Deputy Photo Director, Agence France-Presse, China
Rina Tokura, Editor in Chief, IMA Magazine and Concept Stores, Tokyo
Roman Härer, Creative Director, plainpicture, Germany
Roxanne Behr, Photo Editor, New York Magazine, USA
Rui Prata, Director, Museu da Imagem, Portugal
Rupert Jenkins, Executive Director, Colorado Photographic Arts Center, USA
Ruth Eichhorn, Photo Editor-at-Large, GEO, Germany
Sacha Lecca, Deputy Photo Editor at Rolling Stone Magazine, USA
Sam Barzilay, Festival Director, Photoville, USA
Sara Guerrini, Picture Editor, Newsweek Europe, UK
Sarah Leen, Director of Photography, National Geographic Magazine, USA
Scott Mc Kiernan, Vice President, National Press Photographers Association, USA
Sébastian Hau, Director, Le Bal Books, France
Selva Barni, Founder & Editor, Fantom Editions, Italy
Shahidul Alam, Director, Chobi Mela Festival of Photography, Bangladesh
Silvia Mangialardi, Editor, Fotomundo Magazine, Argentina
Stephen Mayes, Executive Director, Tim Hetherington Trust, USA
Stephen Perloff, Editor, The Photo Review, USA
Sujong Song, Independent Photography Professional, South Korea
Susan Zadeh, Photography Director, Eyemazing Editions, Netherlands
Suzanne Opton, Photographer, Educator, International Center for Photography, USA
Taj Forer, Director, Daylight Magazine, USA
Thomas Seelig, Curator, Fotomuseum Winterthur, Switzerland
Todd J. Tubutis, Executive Director, Blue Sky Gallery, USA
Tomoka Aya, Director, The Third EyeGallery Aya, Tokyo, Japan
Ute Noll, Photo Director bei Du Kulturmagazin, Germany
Valerie Fougeirol, Directeur artistique, France
Vangelis Ioakimidis, Director, Thessaloniki Museum of Photography, Greece
Whitney Johnson, Deputy Director of Photography, National Geographic, USA
Wim Melis, Curator at Noorderlicht Photography, Netherlands
Xavier Soule, President/Director, Gallery VU, France
Yuko Yamaji, Curator at Kiyosato Museum of Photographic Arts, Japan
LensCulture Exposure Awards 2015 Printed Annual
A museum-quality competition catalog featuring the winning photographers' work will be distributed to hundreds of LensCulture Insiders and industry representatives including influential editors, curators, festival directors, publishers, gallery directors and more. The Insiders will have the opportunity to see the award-winning photographs in a beautiful printed form.
Immediate Exposure on LensCulture & Social Media
Just by entering, your work will be reviewed by our editors for immediate exposure in our Competition Gallery and across all our online channels. While our editors review all entries on a daily basis, they can only share a limited number of them as featured entries. On average, our featured entries receive a total of 4 to 6 million views on Facebook, bringing those selected entries a massive boost of visibility to their work.
Live, Online Review Session With Photo Industry Experts
All Winners and Finalists will have the opportunity to participate in a live, online review of their work with photo industry experts using our new, online learning platform — LensCulture Sessions. Get valuable feedback and expert advice and connect with other winning photographers from around the world.
Massive Online Promotion
Work from the top winners and finalists will be shared across our huge, global audience including our web site, mailing list, mobile platforms, and multiple social media channels. We have found this to be a very effective strategy for getting photographers the exposure that leads to career-boosting opportunities — see our Success Stories.
INTERNATIONAL PRESS EXPOSURE
Each year the Exposure Awards receive extensive press coverage from around the world. Winners, finalists and entrants have been featured in major publications including the BBC, Huffington Post, Spiegel Online, the UK Telegraph, and many other national and international media outlets. This kind of press exposure can lead to viral, global recognition and appreciation of your work!
Ongoing Exposure with a LensCulture Portfolio Account
All Winners, Finalists (plus 150 top-rated photographers) will gain access to a free, invitation-only portfolio account on LensCulture! This is an invaluable platform to showcase your work to our 1.5 million global audience as well as to our network of LensCulture Insiders. LensCulture’s editors will also be able to discover your latest work and potentially feature it in articles, Editors’ Picks and social media.
Free Submission Review with Every Series Entry!
Enter a series in LensCulture Exposure Awards 2015 and get a free submission review! We believe that every photographer who enters deserves thoughtful feedback on their work. That's why we've recruited over a dozen top photo editors, portfolio reviewers, curators, and other industry professionals to give you constructive feedback on your photography plus recommendations for improving your practice.
This new offering has become one of the most meaningful services at LensCulture. We are delighted with the continued feedback from photographers:
“I really have to say thank you (BIG TIME!) to the LensCulture team: first of all, for the submission review I received after the LensCulture Award—it really helped me to re-edit the 8 pictures for the World Press Photo Award submission, where I then won 2nd prize! Second, for the publication of this story on the front page of LensCulture. Your article went online just a few days before the judging process, so it's very well possible that that was also helpful for convincing the jury. Keep up the great work at LensCulture, you do an amazing job for photographers and the photography world!”
“LensCulture is a wonderful platform for photographers and getting the review of my submission was worth the price of entry in itself!”
“What a wonderful service. I would like to thank the reviewer for his/her insightful and thoughtful review. Although I feel strongly about this project, as many of us do at one time or another, I was also feeling discouraged about it. The reviewer's thoughtful words have inspired me to continue. Thank you so much.”
“This is the most thoughtful and useful feedback I have received on the series so far. It's short, but to the point. A great example of "less is more." It gives me clear direction on how to think where I want to lead the project to, guidelines to edit and display, and inspirational suggestions. Again, thank you so much. Worth every dollar and second invested in submitting for the competition. I really appreciate it. I look forward to more interaction like this.”
“The depth of the information was amazing, and has given me a clearer direction to continue with my project. I have never received such concise feedback before on a submission. The reviewer suggested names of artists that have similar styles, and subjects for me to study, and names of books to read. I am inspired to go deeper with my subject and look at my approach in a different way. I am so thankful for this information and think this is a brilliant and unique offering from LensCulture. Thank you so much for my new found inspiration!”
“WOW!!! Your feedback and guidance are extremely helpful and I truly appreciate the time you took out of your day to examine my work, write down your thoughts and provide such critical feedback. For me, your personal review was the most valuable part of entering the competition; more than any monetary prize. I cannot thank you enough.”
“I just wanted to send a huge thank you to the reviewer who took the time to look over my submission. THANK YOU! The review was not only kind, thorough, and encouraging, but really confirmed some perspectives and possibilities that I had already been considering.”
“That was so incredibly helpful and insightful. I couldn't be more thankful for the thoughtful advice and really appreciate the time that was taken to review my work. It literally just fueled my fire to keep shooting the series. A HUGE THANK YOU!!”
“Many thanks for the thorough and well-informed review. The personal focus and advice surpassed all my expectations with this process. The links to other competitions, photographers of interest, books and future reviews have been extremely helpful, and again - I was impressed with the level of input, and the objective consideration of future opportunities.”
“I really appreciate the review - it was much more in-depth than I expected. I am particularly grateful for the links you provided. I will work on my series more according to your guidelines. Thank you once again”
“Thank you SO much to the reviewer … I really appreciate the time and attention to detail that you obviously took when reviewing my images! The comments about technical execution on specific images was very helpful, and the suggestions for improvement taken very much to heart.”
“Getting the feedback was highly useful and super enjoyable for me. I’m new to the art world and I need advice. The review was very effective, pinpointing my mistakes and giving me courage. I have reworked my series and will continue reworking them over a few months.”
“I was greatly encouraged by this review and it pushed me to keep going with this series. My work might not always be a big success, but it's a bit like sports — I should keep training my "creative muscle."”
“Thank you very much for taking the time to review my work and provide such excellent insight and information to help me further it from here.”
“Many thanks for your thoughtful and informative review with excellent suggestions and references. You have a keen eye.”
“I just would like to thank you for the wonderful review and all the interesting suggestions you gave me to inspire my work. I strongly think these type of reviews, even if they need to be brief and concise, can effectively help and encourage especially a not-too-confident photographer to keep on working and improving. To me this review meant a big 'DO NOT GIVE UP AND WORK' and I believe that's very valuable!”
“I'm really pleased with my review; it brought to my attention details I hadn't noticed about my work, and it was really constructive. I also liked how I was recommended a couple of books to read which makes the review even more constructive. Also the reviewer's attitude is really nice, it made me feel really good about the review and my work.”
“Thank you very much for the Review and your very kind and motivating words.”
“Everything has been really helpful: your positive comments, your advice, the part that you think needs an improvement,… and all the additional recommendations, that I’ll take into consideration.”
“Thank you very much for your lovely and constructive review!! I could tell that the person who reviewed my submission really took the time to look at my work before giving his opinion. It wasn't some pre-written review that could fit for any project which would have been really disappointing... I really appreciate it. Plus, a big thanks for the artists suggestions at the end. I will have a look at their work with pleasure!”
“Just writing to say thanks very much for the portfolio review, it's really encouraging.”
“I am a self-taught photographer and over the last decade of making pictures this is truly the most helpful feedback and direction for my photography I have ever received. Most helpful of all were the suggestions for further study/research which have already sent me off in new directions (3d mapping software) that I might not have come across if the review hadn't turned me on to it.”
“I was so pleased that the review of my submission was thoughtful and personalized. Thanks so much for the time you took with the review. I appreciated the suggestions.”
“Thank you very much for my submission review. I found it to be very interesting and helpful. I will most definitely take it into account in progressing the project and in future submissions.”
Finalist, Visual Storytelling Awards 2014
Broadcast Your Work
Our Most Talked About Awards
The Exposure Awards is our largest annual competition, attracting impressive press coverage, industry attention and the support of photography-lovers around the world. We welcome submissions by photographers from every culture in the world, as we hope to discover and share this year’s very best. Don’t miss this opportunity to be recognized as one of the top photographers working today.
To truly capture 2015’s best photography, there are no limitations on age, level, genre, or location. For further information, please see our FAQ.
Career Changing Exposure
We believe that competitions are one of the best ways to gain valuable international exposure and to move forward professionally and creatively. Hear how the lives of these photographers were impacted by winning a LensCulture competition.
Originally a painter and printmaker, Richard Tuschman combines his passions in realizing these perfectly constructed dioramas, inspired by the work of Edward Hopper. Hear more about the work and the career-changing impact the Exposure Awards had on his career.
Kurt Simonson spent over 10 years working on his "Northwoods Journals," a photographic journey into his ancestral narrative. Learn more about this magical series and also how Kurt was able to share his story with the world.
4 1/2 years ago, Raina Stinson decided to follow her dream and become a photographer. At the top of her to-do list was to be recognized by LensCulture. Today, her work has been shown all over the globe—come hear how it all happened so fast.
Candace GaudianiUnited States
Carlotta CardanaUnited Kingdom
Lydia GoldblattUnited Kingdom
Heidi WoodmanUnited Kingdom
Laura HospesThe Netherlands
Candace KarchUnited States
Michal SolarskiUnited Kingdom
Debi CornwallUnited States
Phillip EnglehornHong Kong