Over the last number of years Ireland has seen unprecedented growth and prosperity.
The new nationwide motorway system linking main areas of populations is dramatically changing the topographical landscape of the country forever.
Between 2001-2003 the artist documented the borderlands of the new motorway system and the existing hinterland and how this change is leaving its permanent mark on the landscape.
The photos show snippets of landscape, not as an illustration of reality but rather as images of a potential reality of this landscape. The somewhat disorientating photographs show us places that we do not know about, too transitional to be nature, places whose initial function we have long forgotten about, even if they have retained traces of it.
What interests him and what he photographs is the appropriation of such places, and traces of activities reveal them in their true nature, and restore a new reality to them. These are mutations of the landscape: which through new and often fleeting uses take on a different meaning, a meaning that the observer can deduce through their own experience.
Hand-painted dreams of lush, green natural landscapes can be found on nearly every bustling urban street in downtown Taiwan — unique paintings are made on street-level electric power boxes — the juxtapositions are hard to resist.
Water covers over 70% of our planet—but in the coming century, it will become one of our most precious (and contentious) resources. To celebrate the centrality of water in our lives, we have assembled this group of diverse, inspiring photographic projects which examine the endless uses and forms that water takes in the surrounding world.
Michael Schmidt's way of looking at things is characterized by extreme lucidity and rigor — his view of bread baskets, cages in fish farms or apple-washing plants has a serial analytical quality.