Over the last number of years Ireland has seen unprecedented growth and prosperity.
The new nationwide motorway system linking main areas of populations is dramatically changing the topographical landscape of the country forever.
Between 2001-2003 the artist documented the borderlands of the new motorway system and the existing hinterland and how this change is leaving its permanent mark on the landscape.
The photos show snippets of landscape, not as an illustration of reality but rather as images of a potential reality of this landscape. The somewhat disorientating photographs show us places that we do not know about, too transitional to be nature, places whose initial function we have long forgotten about, even if they have retained traces of it.
What interests him and what he photographs is the appropriation of such places, and traces of activities reveal them in their true nature, and restore a new reality to them. These are mutations of the landscape: which through new and often fleeting uses take on a different meaning, a meaning that the observer can deduce through their own experience.
Long before iPhones and Instagram: 60 years of one Dutch girl's "selfies" firing a gun into the camera! Outrageous lifetime photo concept — watch her age in the same pose — a split second after she pulls the trigger of her rifles — from age 16 to 88.
A photographer's journey to another place and another time, where she makes an attempt to piece together an image of a familiar stranger, her long-lost father.
In this mid-career retrospective book, it’s hard to imagine that one man witnessed so much trouble and misery in the world — and was able to capture it so movingly. A great, intelligent interview at the end of the book provides insight into the passion and compassion ofas a concerned photographer.
The small poetic photographs ofseem to come from another era, filled with lost memories and nostalgia. In a great interview, the photographer talks about his work and passions.