treats photography as a vehicle for painting, collage and sculpture. He uses the chemicals in his dark-room as a painter uses color, developing the compositions and allowing for processes outside his direct control.
How much visual information do we really need to see a picture and understand it? How do photographs define our memories, and what would happen if the photos started to lose their details? explores these ideas and more in her new project, and Professor Boris M. Velichkovsky explains how the science of vision works.
Aleksandra Vajd documents former border-control areas throughout the EU — architecturally cold and grim places, designed to exert control over people until the fall of the Schengen borders in 2007.
