Human Debris is a commentary on what humans leave in the natural landscape. The project spotlights the environmental condition of Houston’s waterways through the building of site-specific sculptures assembled out of harvested debris collected from the beach. Each found material lends itself to a new creation, encompassing the former life of the debris into each sculpture. These objects are simply artifacts to support the work, photographed in interaction with the landscape, then left to be discovered.
This work challenges viewers to reflect upon our consumer culture, the relationship we have with our environment, and the pervasion of pollution.
— Jeremy Underwood
Images—like swimming pools—are layered with ambiguity and anxiety, constantly in flux, echoing our shifting states of mind.
Mount Trebevic used to be a powerful symbol of Sarajevo, but its symbolism as a sacred place has evolved since the '84 Olympics, the war in '92, the delineation of a new national border in '95, and the remains of hidden landmines — this is Sarajevo today.
The photographs of 12 Ans Après juxtapose two very different times in an artist's life, offering us a touching testimony to the continuum of change.
re-visits land-locked Lake Balaton, which served as a resort destination for people who were rewarded for their socialist behavior during his childhood in the days of the Iron Curtain.