Wide Eyed departs from a reactionary response to my surroundings, grounded in a sense of wonder and awe.
It is approached with the spirit of the wanderer and emphasizes democracy within the project structure. Wide Eyed persists as the undercurrent of my entire photographic process, bridging the gaps between more pointed investigations.
As a result, this project avoids specificity in content and conceptual motivations. Rather, it functions more analogously to an archive, a database, a repository for meditations, glimpses and passing thoughts about my relationship to anything I may encounter.
Wide Eyed is intended to be a breathing body of images; a space to bounce and veer and double back while maintaining the sensation of being in a place of familiarity without specificity.
— Jon Horvath
Young boys in their early teens in the remote region of Skane, Sweden, have a ritual of gathering together in a large deserted field at night (some with their girlfriends) to drive souped up old cars at crazy speeds, in circles, kicking up dust and snow and the smell of burning rubber and oil and gasoline. A small masterpiece.
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