Henriksson's quiet, formal compositions are near-perfect meditations on shape, light, shadow and texture.
Some of his images bring to mind early masters like Paul Strand and Aaron Siskind.
A contemporary master, Anders Petersen, wrote this about Henriksson's work:
"This spring I had the opportunity to see Örjan Henriksson´s photographs for the first time. In these days, when critics and media excel in postmodernist comments of the correct opinion, Henriksson´s pictures seem surprisingly naked and liberating.
"At first sight one might be tempted to call them registering or documentary, but what they describe is rather a photographic room placed in the borderland of the sacred.
"In their disciplined form and handling of the light they charge me with an astonishing energy and invite the observer to a journey, different and meditative, not unlike music, but an empathetic one."
Henriksson seems to have the eye and the patience to wait for just the right moment for the light to rake over a scene, accentuating texture, warping lines and celebrating the senses. The way he frames his compositions is impeccable.
It was a joy for me to meet him during portfolio reviews at FotoFest Houston and at LensCulture FotoFest Paris. He is a humble, talented man, and definitely someone to watch.
— Jim Casper
A beautiful new photobook of rich, intimate black-and-white photographs by two of Scandinavia's leading photographers.
Artful, behind-the-scenes photographs of nude models before, during and after posing for Life Drawing classes at an art school — where the surrounding details intertwine the mundane trappings of day-to-day reality with loftier visions celebrating the varieties and beauty of the human form.
Stylized self-portraits pay homage to the expressive force of the photographer's artistic heroes Lempicka, Picasso, Degas, Malevich and Klimt (to name but a few).
won the European Publishers Award for Photography 2009, for his book Transsibériades.