This series of ammunition cross-sections was photographed inside a WWII bunker in Switzerland in October of 2012. The entire series consists of 900 specimens. I was originally intrigued by the ambiguous nature of the subject matter. The cross-sections reveal a hidden complexity and beauty of form, which stands in vast contrast to the destructive purpose of the object. It is a representation of the evil and the beautiful, a reflection of the human condition.
— Sabine Pearlman
Bizarrely artful still-life compositions made with animal entrails fresh from an African slaughterhouse.
Photographic collages "found" in the creative studio spaces of visual artists.