This series of ammunition cross-sections was photographed inside a WWII bunker in Switzerland in October of 2012. The entire series consists of 900 specimens. I was originally intrigued by the ambiguous nature of the subject matter. The cross-sections reveal a hidden complexity and beauty of form, which stands in vast contrast to the destructive purpose of the object. It is a representation of the evil and the beautiful, a reflection of the human condition.
— Sabine Pearlman
Simple, elegant compositions which evoke the depth of feeling that photography can render visible in the everyday objects around us.
Our world's oceans are filling up with discarded consumer items—this project draws awareness to the problem by photographing hundreds of soccer balls that were found on beaches all over the earth.
Pre-Apocalyptic lightscapes of "unexpected" transformations in nature.