This series of ammunition cross-sections was photographed inside a WWII bunker in Switzerland in October of 2012. The entire series consists of 900 specimens. I was originally intrigued by the ambiguous nature of the subject matter. The cross-sections reveal a hidden complexity and beauty of form, which stands in vast contrast to the destructive purpose of the object. It is a representation of the evil and the beautiful, a reflection of the human condition.
— Sabine Pearlman
By removing the background real-life context, these photos of living, decorated cows emphasize Pop Art sensibilities during Hindu traditional festivals celebrating the harvest and bovine sacredness.
Contemporary Congo Pygmy traditions and rituals for new mothers — photographed as scenes from an opera!