This series of ammunition cross-sections was photographed inside a WWII bunker in Switzerland in October of 2012. The entire series consists of 900 specimens. I was originally intrigued by the ambiguous nature of the subject matter. The cross-sections reveal a hidden complexity and beauty of form, which stands in vast contrast to the destructive purpose of the object. It is a representation of the evil and the beautiful, a reflection of the human condition.
— Sabine Pearlman
Is it necessary to remove something — a plant, a thought, an idea — from its context to be able to see it really clearly? Photographer Lotte Floe Christensen investigates.
Our favorite new photobook discovery — "hybrid" documentary tinged with a David Lynch uneasiness — and it even has a video trailer!