This series of ammunition cross-sections was photographed inside a WWII bunker in Switzerland in October of 2012. The entire series consists of 900 specimens. I was originally intrigued by the ambiguous nature of the subject matter. The cross-sections reveal a hidden complexity and beauty of form, which stands in vast contrast to the destructive purpose of the object. It is a representation of the evil and the beautiful, a reflection of the human condition.
— Sabine Pearlman
These highly inventive, highly conceptual landscapes explore the photographer's personal history but at the same time our shared mythology of "islands"—places of isolation, seclusion, exoticism and paradise.
Remarkable, organic, and complexly chaotic still life photographs of formations in ice, by.