This series of ammunition cross-sections was photographed inside a WWII bunker in Switzerland in October of 2012. The entire series consists of 900 specimens. I was originally intrigued by the ambiguous nature of the subject matter. The cross-sections reveal a hidden complexity and beauty of form, which stands in vast contrast to the destructive purpose of the object. It is a representation of the evil and the beautiful, a reflection of the human condition.
— Sabine Pearlman
On the beach, we forget ourselves, exhibiting little of the self-consciousness that usually marks our being in the public space. What if we could carry on so blissfully in the rest of our daily lives...?
The large-format images ofinhabit a liminal space rich with atmosphere, obscuring as much as they reveal.
Can unseeing eyes show joy, happiness, disappointment, pain, suffering, pity, regret? The blind have their own worlds—yet even if we cannot see them, this series endeavors to help us imagine what they might look like.