This series of ammunition cross-sections was photographed inside a WWII bunker in Switzerland in October of 2012. The entire series consists of 900 specimens. I was originally intrigued by the ambiguous nature of the subject matter. The cross-sections reveal a hidden complexity and beauty of form, which stands in vast contrast to the destructive purpose of the object. It is a representation of the evil and the beautiful, a reflection of the human condition.
— Sabine Pearlman
Macrophotography taken to a deeper, more sensitive place—in this series, living plants are transformed into two-dimensional sculptures, crafted with care yet shot with simplicity.
What gets left behind after a masterpiece is created? In a long-running project,photographs artists' rags after the artist is done with them. The rags come in all shapes and sizes and from all over the world.