This series of ammunition cross-sections was photographed inside a WWII bunker in Switzerland in October of 2012. The entire series consists of 900 specimens. I was originally intrigued by the ambiguous nature of the subject matter. The cross-sections reveal a hidden complexity and beauty of form, which stands in vast contrast to the destructive purpose of the object. It is a representation of the evil and the beautiful, a reflection of the human condition.
— Sabine Pearlman
Singapore, Hong Kong, Bangkok are nothing more but immense containers of lives in transit—reflective glass facades filled with restless beings, displaced desires, endless searching.
LensCulture Exposure Award Winner,, talks about his series, Hikari, on show at the London exhibition of all 31 winners and finalists. 3 minute video.
An inspiring interview with the creator of this series, which appropriates anonymous found negatives in a unique manner to create thought-provoking new art works.
that are rarely represented in the mainstream media.