This series of ammunition cross-sections was photographed inside a WWII bunker in Switzerland in October of 2012. The entire series consists of 900 specimens. I was originally intrigued by the ambiguous nature of the subject matter. The cross-sections reveal a hidden complexity and beauty of form, which stands in vast contrast to the destructive purpose of the object. It is a representation of the evil and the beautiful, a reflection of the human condition.
— Sabine Pearlman
What gets left behind after a masterpiece is created? In a long-running project,photographs artists' rags after the artist is done with them. The rags come in all shapes and sizes and from all over the world.
Photographic collages "found" in the creative studio spaces of visual artists.