When I was a little boy, I used to like hiding in a quiet and isolated area. It could be under a desk, in the corner of a balcony, or inside a closet. Whenever I inhabited certain private spaces, it gave me a feeling of security. I believe that feeling is derived from a homing instinct which causes animals to go back to their primal territory.
I believe human beings have an inherent longing for a place like a womb in that it once provided us with a comfortable, quiet, and safe place as well as nutrition before we were born. For this series titled "Places to Hide," I intended to project this human desire for an enclosed area by placing naked bodies in those tiny spots, suggesting the idea of human animals hiding inside the womb in urban cities.
— Won Kim
By playing a clever body language game, the photographer questions our relationship to the urban space and creates a surreal, absurd reading of the every day objects around us.
When Ireland's "Celtic Tiger" economic boom suddenly crashed in 2008, hundreds of new, speculative luxury office buildings were abandoned before they were ever occupied, or more often, in mid-construction — here is an inside-out view.
Improbable portraits of individuals in awkward moments, looking stunned or stoned, at once suspended outside of the moment and inertly trapped by it.
’s portraits are not mere snapshots, but carefully planned compositions, in which skillful manipulation of his subject’s gestures is used to suggest the complexity of an individual.