Goos van der Veen (Netherlands, 1958) has been working as a photographer since 1983. While his early work was mainly commissioned, most of his recent photographs (a fusion of documentary, landscape and street photography) are presented as autonomous works.
In the past, Van der Veen has worked for the magazine Vrij Nederland and many other printed media, was commissioned twice by the Amsterdam Fund for the Arts, and made several independent documentary series. The latest, The Skiable Landscape, has recently been exhibited in the Museum Belvedere in Heerenveen, as part of the Noorderlicht International Photofestival 2012.
Van der Veen started experimenting with autonomous color photography in the early 1980's, when the work of artists like Eggleston, Shore, Sternfeld and Meyerowitz first came to his attention. Color photographs were shown at various exhibitions, but he was often disappointed by the imperfections and limitations of color film and printing techniques.
It was the appearance of high-quality inkjet printers that lifted many of these limitations and from the late 1990's he began exploring how to digitally re-create the variance, intensity and vibrance of the colors that inspired him to take the photograph in the first place.
In his recent body of work Untitled (ink on paper) he is moving away from the paradigm of the photograph being a representation of some reality, by withholding descriptive titles and other metadata. All there is left are the image itself, and the strange little worlds that they present. The idea is not so much to educate the viewer about the role of context in assessing photographic images, but rather to use his eyes to find whatever truth or meaning the image represents.
His latest series Amsterdam - The City Proper is a portrait of the picturesque old city swarmed with hordes of people, a battle between the chaos of the crowds and the order of the architecture.
Meanwhile, he keeps working on Untitled (ink on paper).