Partir d’Istanbul et revenir à Istanbul.
Encercler lentement la Mer Noire pour voir évoluer les eaux et
les rivages.
Errer le long des cotes Bulgares, roumaines, moldaves, ukrainiennes, géorgiennes
et enfin turques.
Après l’agitation estivale les plages s’endorment dans
un écrin de tristesse sous un ciel gris et trouble.
Mornes plaines, paysages désertés par des hommes évoluant
en filigrane dans une saison presque imaginaire.
— Nicolas Joriot
Réalisée pendant 6 semaines hivernales
du début de l’année 2006.
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To leave Istanbul and to return to Istanbul.
To encircle the Black Sea slowly to see its changing waters and shores.
To wander along its coastlines — Bulgarian, Rumanian, Moldavian,
Ukrainian, Georgian and finally Turkish.
After the excitement of summer, the beaches fall asleep in a jewel case
of sadness under a gray and troubled sky.
Dull plains, landscapes deserted by men on the move, leaving only delicate
traces of an almost imaginary season.
— Nicolas Joriot
Realized during six weeks of winter at the beginning of the year 2006.
Feature
Dead Season on the Edges of the Black Sea
French photographer Anna Puig Rosado decided to follow the coast line of the Black Sea through all of the countries that border it. She had no guide, no timeline, no plans for lodgings — just a backpack, a camera and lots of color film. Here is her poetic visual report.
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Feature
Dead Season on the Edges of the Black Sea
French photographer Anna Puig Rosado decided to follow the coast line of the Black Sea through all of the countries that border it. She had no guide, no timeline, no plans for lodgings — just a backpack, a camera and lots of color film. Here is her poetic visual report.
Dead Season on the Edges of the Black Sea
French photographer Anna Puig Rosado decided to follow the coast line of the Black Sea through all of the countries that border it. She had no guide, no timeline, no plans for lodgings — just a backpack, a camera and lots of color film. Here is her poetic visual report.
