Metal recycling centers, construction and demolition sites, and random street corners became my studios. Containers of refuse posed as my subjects. Encounters with heavy machinery created gestures. Rust served as paint. Time cultivated texture. Dumpsters had been transformed into canvases of painterly abstractions.
Despite the intricacies found in each picture, the photographic technique I used was rather simple. Each photo was taken with the camera perpendicular to the side of the dumpster. The objective of this technique was to present the worn metal as a flat canvas, diminishing as much of the photographic element as possible. Then, to heighten the ambiguity of the photograph, the image was printed on textured German etching paper, completing the transformation of the dumpster into a newly recycled object.
— Charlie Ferguson