I grew up having three artist parents, I’ve been a photographer since 1957 or 1973 (depending on how you count) and I’ve been a curator since 1975. Consequently, I am happy to find myself in artists’ studios often. I’m primarily there to look at their art but I love to savor the delightful conjunctions of objects and images in those studios – 2 and 3 dimensional collages that both create and result from the powerful artistic charge that is the lifeblood of an artist’s studio.
— Christopher Rauschenberg
See an exhibition of this work at the Elizabeth Leach Gallery in Portland through March 8.
Norwegian photographs an old family home as it is being emptied after several generations have come and gone.
, a neuroscientist and avid art photographer, composes beautiful yet disturbing still life images with biological specimens set in surreal anachronistic scenes.
What gets left behind after a masterpiece is created? In a long-running project, photographs artists' rags after the artist is done with them. The rags come in all shapes and sizes and from all over the world.
This retrospective of photography by is a big, beautiful book that looks at life in Great Britain from the 1950s through the 1990s.