Czech photographer Dita Pepe uses self-portrait photography to explore ideas of how personal identity can seem to change dramatically in relationship to the other people in our lives, and the surrounding circumstances.
In this series, she stages "what-if" scenarios, where she portrays herself in various guises while posing as a wife or partner of men from many different walks of life. Each photograph is made in each man's typical real-life surroundings, and often with his children (sometimes including her own real-life daughter in the mix).
We've seen this kind of self transformation in the work of Cindy Sherman, of course, but this is less polished, with a snapshot aesthetic that makes each feel casual and funky and somehow more believable.
Not surprisingly, her university thesis was titled, "Photography as a form of therapy".
— Jim Casper
Walking along the roads of East Africa, Indonesia, and Bolivia, men, women and children carry high stacks of plastic utensils, mountains of firewood, tins of water, food, the harvests of the fields atop their heads with impeccable balance.
“This work is my attempt to create a portrait of my brother whom I will never meet — photographing the “unphotographable” by following the traces and echoes of his existence.”
The only time that the camera can reproduce is time that has already been spent—a sad but beautiful fact that makes it the perfect canvas to convey the frozen, immobilized population of crisis-stricken Greece.