Tahrir is not just a square but the heart of a city that every day hosts more than thirty-six million souls. That square is the meeting point of Egyptian protesters who struggle to be recognized now, especially after the recent elections. People who voted for Shafiq, the Mubarak-era minister, said “yes” in the second round of election to the Salafi-Brotherhood constitution. On the other side, the revolutionaries, who voted for Morsi with the second ballot, curse that choice which transformed Tahrir from the hotbed of the Egyptian revolution into a hideout for Feloull, the faithful followers of Mubarak’s regime, also accused of being paid to create disorders. Everything changed and everything is the same.
“Real” weddings in Campania, Italy are choreographed and produced to look as lavish and over-the-top as an Italian soap operas or American reality TV. Stefano De Luigi's photo series captures the wedding fantasy industry in action.
A bold show at London's premier modern art museum examines our visual understanding of war from a novel angle—photographs of conflict arranged according to how long after the event they were created.