In the 1960s, Elaine Mayes was living in the Haight Ashbury district of San Francisco, where she was making photographs and documenting American culture, street life and the popular music scene. She got a gig taking photographs at the now-historic Montery Pop Festival in 1967, which resulted in a remarkable book of images (Jimi Hendrix, The Who, Janis Joplin, etc.).
Shortly after the Summer of Love, however, she accepted a position at the University of Minnesota to teach photography. She continued to teach — at Bard College, Hampshire College, Pratt Institute, Cooper Union, the International Center of Photography, and NYU — thereby influencing a generation or two of photographers.
In the meantime, of course, she continued to make her own photographs, but did little to promote her own work to the public.
She presented a brief but stunning retrsopective of her personal work in Portland, Oregon earlier this year. Just a few examples of her (relatively unkown) photographs are shown here, culled from three series: "auto-landscapes," natural landscapes, and personal "snaps".
I hope you find her images and words as inspiring as I do.
— Jim Casper
InterviewOn the Road in America: 1960s and ’70sPhotographer and teacher Elaine Mayes has made many, many photographs since the early 1960s, but has rarely shown them in public. She talks about her work, her ideas about photography, and current projects in an audio interview.View Images
Interview
On the Road in America: 1960s and ’70s
Photographer and teacher Elaine Mayes has made many, many photographs since the early 1960s, but has rarely shown them in public. She talks about her work, her ideas about photography, and current projects in an audio interview.
View ImagesOn the Road in America: 1960s and ’70s
Photographer and teacher Elaine Mayes has made many, many photographs since the early 1960s, but has rarely shown them in public. She talks about her work, her ideas about photography, and current projects in an audio interview.
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