The photographs of Guillaume Zuili evoke memories of another time, another era, long gone and wistful. These dusty, chalky, charcoal-like smudges of memories could have been snatched from a re-screening of an old movie. Each feels like an iconic, dreamlike moment of random beauty.
Zuili, a Frenchman who splits his time between Paris and Los Angeles, has developed an intriguing hybrid style of photography. By using a crude pinhole camera but modern high speed film, he’s able to make hand-held snapshots of elegant beauty that celebrate the graininess inherent in film plus the soft, smudged focus of pinhole photography. Without the high-speed film, he would never capture this snapshot aesthetic; pinhole photography usually requires a tripod and long exposure time.
But of course it is more than just the technique that makes these images so successful. Skilled composition, ruthless editing, and then alchemical magic in the darkroom all transform these images into objects of beauty.
— Jim Casper
photographs the generations of Palestinians who live in small apartments stacked on top of each other, in camps that were set up originally in 1949.
Surreal urban landscapes created by juxtapositions of huge-scale facade advertising and people on the streets of New York City. Photographs by
Resembling systems from the natural sciences—microscopic, topographic and celestial—these abstract photographs evoke beauty in their material nature and in their sense of mystery.