(adj): to be open (to the outside world)
to be open (to the public)
(vb): to lift a ban or restriction
to come into bloom
Although the broad sweep of 20th century Chinese history is known in the West — persecution, revolution, the Great Leap Forward, the Cultural Revolution, famine, modernization, post-Mao economic reforms and Westernization — individual people are too often missing from the plot. We know only that millions died and that millions more survived.
Those who have lived through war and civil war are a reticent generation, amongst whom the idea of collective guilt is deeply rooted, and freedom of speech can be a dangerous and unfamiliar concept. The stories of the survivors are mostly untold and, as this generation grows older, the concern is that their memories will be lost forever.
Kate Shortt travelled through China in 2006 with Xinran, the Chinese author, who was researching her book China Witness: Voices from a Silent Generation. For political or personal reasons, people had previously been reluctant to speak of their experience or to voice opinions. Now, after three decades of gaige kai fang (the policy of Reform and Opening Up), people were ready to tell their stories. Kate was there when Xinran met everyday heroes, now in their eighties and nineties; she documented on camera the storytellers and their surroundings, painting a striking portrait of this country and its people.
– text excerpted from the catalogue of Kate Shortt's exhibition at Asia House, London in November 2009.
Featurekai fàngKate Shortt travelled through China in 2006 to photograph everyday heroes, now in their eighties and nineties, who are silent survivors of decades of politcal repression.View Images
Kate Shortt travelled through China in 2006 to photograph everyday heroes, now in their eighties and nineties, who are silent survivors of decades of politcal repression.View Images
Kate Shortt travelled through China in 2006 to photograph everyday heroes, now in their eighties and nineties, who are silent survivors of decades of politcal repression.
Tea house reading, Suixi, Anhui Province © Kate Shortt
Courtyard: Chen Lei, aged 78 with Xinran, Suixi, Anhui Province © Kate Shortt
Admiral: on the beach Admiral Fang, aged 96, Qingdao, Shandong Province © Kate Shortt
Remembering: Admiral Fang, aged 96, Qingdao, Shandong Province © Kate Shortt
The chair, Chunheyuan Noodle House, Xushensi Road, South district, Qingdao, Shandong Province © Kate Shortt
At home: Lin Xiangbei, aged 89, Xiangheli, Chengdu, Sichuan Province © Kate Shortt
Mr Lantern, aged 72, Kazimen, Nanjing, Jiangsu Province © Kate Shortt
Lantern-maker, Kazimen, Nanjing, Jiangsu Province © Kate Shortt
Public gym, near the Forbidden City, Beijing © Kate Shortt
Morning exercise, Peoples Park, Chengdu, Sichuan Province © Kate Shortt
Cooking: Mr Long Distance, aged 72, Qinhuai district, Nanjing, Jiangsu Province © Kate Shortt
Calligrapher: Mr Long distance, aged 72, Qinhuai district, Nanjing, Jiangsu Province © Kate Shortt
Trending this Week
Fire of Hatred
In Iran, some vengeful lovers, spurned suitors or aggrieved family members turn to the awful, violent act of acid-throwing to exact revenge. This portrait series gives a platform for the victims to speak out.
In My Backyard: Iceland
Set against the grand, wild majesty of the eastern Icelandic landscape, these searching self-portraits are one woman’s attempts to connect with herself and forge a basic understanding with her environment.
A new, larger-than-life book of less-than-glamorous street portraits proves to be challenging. How would you describe these portraits by Gilden? Are these mean-spirited, or simply just real?
Embedded on board a migrant rescue vessel, a photographer takes us to the front lines of the refugee crisis, where people are desperately risking their lives in search of something better.
2017 World Press Photo Award Winners
Heroic act of photojournalism or sensationalizing an act of terror? Discover this year’s controversial winner alongside dozens of the most important news stories from the past 12 months.
Fairy Tale from Russia
Cinematic, dream-like shots of Russia—none of them staged—speak to the cardinal importance of composition and the subtle art of “becoming part of the interior.”