In my recent series, my mother plays the role of three women in one fictional Latin American home. These photographs can be read as portraits of my mother as her various selves — like a nested doll — and read as images that reveal the conflict of vanity, race and class that live within one woman, just as in one family.
In these photographs the three women, a pair of twin sisters, one lighter in skin color and a maid, are family and they hold both love and contempt for each other in equal measure, but they are also the love and contempt housed in one woman.
My fascination with identity of the self, and my personal relationship to my mother has moved me to make these photographs, an act that through photography and performance allows the real to bubble to the surface.
— Rachelle Mozman
An intimate glance at the town of Iquitos, heart of the Amazon Forest, and at its LGBT community, highly visible but at the same time often subject to homophobia and violence.
that are rarely represented in the mainstream media.
Photographerre-traces the steps of his mother's life travels from China to Hong Kong to England. This family history is told through a deft mixture of old family photos, oral history, and new photos of the places that were significant in her past, but shown as they are today.