In my recent series, my mother plays the role of three women in one fictional Latin American home. These photographs can be read as portraits of my mother as her various selves — like a nested doll — and read as images that reveal the conflict of vanity, race and class that live within one woman, just as in one family.
In these photographs the three women, a pair of twin sisters, one lighter in skin color and a maid, are family and they hold both love and contempt for each other in equal measure, but they are also the love and contempt housed in one woman.
My fascination with identity of the self, and my personal relationship to my mother has moved me to make these photographs, an act that through photography and performance allows the real to bubble to the surface.
— Rachelle Mozman
Taken in many of Europe's most prestigious military academies, these fine portraits speak to the individual country's fiercely held military traditions—and the painstaking process of the Continent's integration.
Set against the grand, wild majesty of the eastern Icelandic landscape, these searching self-portraits are one woman's attempts to connect with herself and forge a basic understanding with her environment.
A wonderfully conceived and executed hand-made photobook which embodies the artist's search for wholeness and unity that he lost after his parents' divorce. One of our favorites of 2014.
A retrospective exhibition in Paris celebrates the multi-talented artist who escaped a Nazi concentration camp and went on to find success in fashion photography and lots more.