In my recent series, my mother plays the role of three women in one fictional Latin American home. These photographs can be read as portraits of my mother as her various selves — like a nested doll — and read as images that reveal the conflict of vanity, race and class that live within one woman, just as in one family.
In these photographs the three women, a pair of twin sisters, one lighter in skin color and a maid, are family and they hold both love and contempt for each other in equal measure, but they are also the love and contempt housed in one woman.
My fascination with identity of the self, and my personal relationship to my mother has moved me to make these photographs, an act that through photography and performance allows the real to bubble to the surface.
— Rachelle Mozman
An intimate, strange and quirky family diary chronicling over several years the everyday lives and relationships of typical middle-class kids and teens as they come of age in the ever-changing but sheltered milieu of contemporary suburban America (in Utah).
The Magenta Foundation's excellent, firstfeatured lots and lots of exciting exhibitions of emerging photographers from Canada, the United Kingdom and the United States. Artists included Melinda Gibson (her photo shown here), Alinka Echeverria, Jason Larkin,Tom Hull, Ayoung Kim, Anja Schaffner, Toby Smith, Karen Asher, Alyssa Bistonath, Kotama Bouabane, Philip Cheung, Jinyoung Kim, Jason Andrew, S. Billie Mandle, Sarah Small, Magda Biernat, Katrina d’Autremont, Jonathan Gitelson, Jonathan Hanson, Gabriela Herman, Jowhara AlSaud, and Kevin Van Aelst.