Burke’s eloquent and beautiful photographs of the Second Anglo-Afghan War (1878-1880) provide an extraordinary record. Using unwieldy wet-plate collodion negatives and huge wooden cameras he shot landscapes, battle-fields, archaeological sites, street scenes, portraits of British officers and ethnological group portraits of Afghans in what amounts to a record of an Imperial encounter. The range is tremendously broad, yet suffused with a delicate humanism.
These are also amongst the first ever pictures made in Afghanistan. With this book, one hundred and thirty years too late, John Burke’s time has come at last.Norfolk’s new work looks at what happens when you add half a trillion US war dollars to an impoverished and broken country such as Afghanistan. Very loosely re-photographic in nature, the work is presented as an artistic collaboration between Burke and Norfolk. It features photographs by Burke never before published as well as Norfolk’s new pictures from Kabul and Helmand.
— Dewi Lewis Publishing
Editor's note: At the time of this article, this work was on exhibit at the Tate Modern in London, and it won a World Press Photo Award, too. It is highly unusual for a single body of work to be lauded by both the fine art world and praised by the toughest critics in documentary photojournalism.
Here is an engaging short video about this project:
Burke + Norfolk
by Simon Norfolk
Texts by David Campbell,
Paul Lowe & Simon Norfolk
Hardback, 365cm x 290cm
Dewi Lewis Publishing
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