All old-school photographers know that black-and-white film typically registers a negative image of the subject of a photograph, which can then be printed as a positive image on paper for final viewing. What looks dark on a negative becomes light on a print. But what happens when an artist decides to play with this paradigm by aiming to make the final image a negative image that looks like a positive image?
Slovakian photographer Tono Stano has been artfully exploring this idea since the 1990s, and the results are wonderful, delightful, surreal, and hard to deconstruct. Lens Culture is pleased to present a dozen of our favorite images from Stano's series titled White Shadow.
This (silent) video offers an inspiring behind-the-scenes look at the artist at work in his studio.
Artful, behind-the-scenes photographs of nude models before, during and after posing for Life Drawing classes at an art school — where the surrounding details intertwine the mundane trappings of day-to-day reality with loftier visions celebrating the varieties and beauty of the human form.
These metaphoric photo series examine various points of view regarding gay marriage — with the pictures of 'otherness' fluctuating between the poignant, the comic, and a potentially disturbing presence in the domestic space.