All old-school photographers know that black-and-white film typically registers a negative image of the subject of a photograph, which can then be printed as a positive image on paper for final viewing. What looks dark on a negative becomes light on a print. But what happens when an artist decides to play with this paradigm by aiming to make the final image a negative image that looks like a positive image?
Slovakian photographer Tono Stano has been artfully exploring this idea since the 1990s, and the results are wonderful, delightful, surreal, and hard to deconstruct. Lens Culture is pleased to present a dozen of our favorite images from Stano's series titled White Shadow.
This (silent) video offers an inspiring behind-the-scenes look at the artist at work in his studio.
Priya Kambli's artful combinations of vintage photos, contemporary photos, colors and textures visually express the notion of transience and split cultural identity caused by the act of migration — in this case from India to the US.
Testing the boundaries of "normal" heterosexual relationships, the photographer and her younger boyfriend pose in situations that explore the ideas of power, sex and authority as well as cross-cultural love and hate.
Young boys in their early teens in the remote region of Skane, Sweden, have a ritual of gathering together in a large deserted field at night (some with their girlfriends) to drive souped up old cars at crazy speeds, in circles, kicking up dust and snow and the smell of burning rubber and oil and gasoline. A small masterpiece.