All old-school photographers know that black-and-white film typically registers a negative image of the subject of a photograph, which can then be printed as a positive image on paper for final viewing. What looks dark on a negative becomes light on a print. But what happens when an artist decides to play with this paradigm by aiming to make the final image a negative image that looks like a positive image?
Slovakian photographer Tono Stano has been artfully exploring this idea since the 1990s, and the results are wonderful, delightful, surreal, and hard to deconstruct. Lens Culture is pleased to present a dozen of our favorite images from Stano's series titled White Shadow.
This (silent) video offers an inspiring behind-the-scenes look at the artist at work in his studio.
Collaborative artists John Armstrong (in Toronto) and Paul Collins (in Paris) paint over parts of each other's photographs using kitschy styles of old-fashioned advertising illustration (and other motifs) to create pleasantly jarring juxtapositions.
Some animals are "manufactured" as food, while others are pampered as pets — it's an uncomfortable contradiction that most people prefer to ignore, but the conflicting realities are examined directly with this photo project commissioned in the Netherlands.