All old-school photographers know that black-and-white film typically registers a negative image of the subject of a photograph, which can then be printed as a positive image on paper for final viewing. What looks dark on a negative becomes light on a print. But what happens when an artist decides to play with this paradigm by aiming to make the final image a negative image that looks like a positive image?
Slovakian photographer Tono Stano has been artfully exploring this idea since the 1990s, and the results are wonderful, delightful, surreal, and hard to deconstruct. Lens Culture is pleased to present a dozen of our favorite images from Stano's series titled White Shadow.
This (silent) video offers an inspiring behind-the-scenes look at the artist at work in his studio.
How much visual information do we really need to see a picture and understand it? How do photographs define our memories, and what would happen if the photos started to lose their details? Odette Englandexplores these ideas and more in her new project.
Like a modern-day Larry Clark or Nan Goldin, this emerging South African photographer allows us to be both voyeurs and participants in his world—the vibrant melting pot youth culture of South Africa's biggest city.