The international jury of the 55th annual World Press Photo Contest has selected a picture by Samuel Aranda from Spain as the World Press Photo of the Year 2011. The picture shows a woman holding a wounded relative in her arms, inside a mosque used as a field hospital by demonstrators against the rule of President Ali Abdullah Saleh, during clashes in Sanaa, Yemen on 15 October 2011. Samuel Aranda was working in Yemen on assignment for The New York Times.
Lens Culture is pleased to present the winning photos here.
Comments about the winning photo by members of the jury:
"It is a photo that speaks for the entire region. It stands for Yemen, Egypt, Tunisia, Libya, Syria, for all that happened in the Arab Spring. But it shows a private, intimate side of what went on. And it shows the role that women played, not only as care-givers, but as active people in the movement."
"In the Western media, we seldom see veiled women in this way, at such an intimate moment. It is as if all of the events of the Arab Spring resulted in this single moment -- in moments like this."
"The winning photo shows a poignant, compassionate moment, the human consequence of an enormous event, an event that is still going on. We might never know who this woman is, cradling an injured relative, but together they become a living image of the courage of ordinary people that helped create an important chapter in the history of the Middle East."
"The photo is the result of a very human moment, but it also reminds us of something important, that women played a crucial part in this revolution. It is easy to portray the aggressiveness of situations like these. This image shows the tenderness that can exist within all the aggression. The violence is still there, but it shows another side."Now in its 55th year, the annual World Press Photo Contest is universally recognized as the world’s leading international contest for photojournalists, setting the standard for the profession. The judging is conducted at the World Press Photo office, where all entries are presented anonymously to the jury, who discusses and debates their merits over a period of two weeks. The jury operates independently, and a secretary without voting rights safeguards a fair procedure.The jury gave prizes in nine themed categories to 57 photographers of 24 nationalities from: Afghanistan, Argentina, Australia, Bosnia and Herzegovina, Canada, China, Denmark, France, Germany, India, Iran, Ireland, Italy, Japan, Mexico, the Netherlands, Norway, Poland, Russia, South Africa, Spain, Sweden, the United Kingdom and the USA.
Following the judging of the contest, the 2012 jury decided to give a Special Mention to an image of a Libyan National Transition Council fighter pulling Muammar Gaddafi on to a military vehicle. The still image was taken from a video shot in Sirte, Libya, 20 October 2011. Chair of the jury Aidan Sullivan commented: "The photo captures an historic moment, an image of a dictator and his demise that we otherwise would not have seen, had it not been photographed by a member of the public."Jury member Renata Ferri said: "This was an important document for posterity, for transparency, and to understand the dynamics of how Gaddafi came to his end." The jury considers a visual document for a Special Mention when it has played an essential role in the news reporting of the year worldwide and could not have been made by a professional photographer.
Our selection is quirky, subjective, untraditional, and probably not like many other lists of favorite photobooks out there — but each is a gem, in our opinion. Enjoy!
Lens Culture is pleased to present this year's winning photographs from thecompetition. The photo, Rainbowland, New Mexico, by Canadian photographer Kitra Cahana, won 1st prize for Arts and Entertainment Stories. Most of the other winners focus on areas of conflict. All of the photos are remarkable this year.