Primary practice is analog photography with two different approaches:
1. Taking photographs in real life (IRL), by ‘being there’ / or
2. Appropriating and ‘Re-photographing’ third-party images with a large format camera. Images are sourced from moving imagery on television or computer screens.
Regardless of the contrast in visual syntax, there’s no hierarchy or boundary of subject matter. The picture outputs reflect a compulsive response to a photographic addiction, confronted with an exponential and overwhelming quantity of material to sample.
The objective is to explore how imagery, art itself, the media, press etc, tech and Ai combine to shape our perception and understanding of reality, and [to] question the idea of there being an objective photographic authenticity.
