I discovered photography during my sophomore year of college. Over time, I found my voice in landscape photography. Today, I shoot primarily on film because it feels more authentic to me. Film has a permanence and a physical presence that digital simply can’t replicate. Each frame is a unique, unalterable moment—an honest reflection of what I saw, untouched by the endless possibilities of manipulation. While post-processing is a part of photography, I believe it should never overshadow the integrity of the original scene. My editing is subtle, limited to small adjustments, just enough to honor the landscape’s natural beauty.
For me, photography goes beyond just capturing landscapes -- it’s about translating a feeling, something raw and emotional that often reveals itself only when the image is in front of me. My goal is to create that same emotional resonance for the viewer, to evoke something deeper than just a surface appreciation of the scene. Film, with its imperfections and limitations, enables me to tap into a more visceral connection with the landscape and the fleeting moments within it.
