Our world is immersed in light, but its physical essence is chemical. Digital photographic processes can record that illumination, but they cannot touch the wet, chemical essence which makes up life. The images in Reversing Photosynthesis were made photographically without the direct interaction of light or lenses.
Leaves absorb sunlight and convert it to chemical energy which they store in their structures. Removed from plants and trees, these leaves began a slow process of death. They were placed in direct contact with light sensitive photographic paper and left in total darkness for days to months to document this change. As they broke down, their stored light would slowly leak out to expose the paper and form images. This paper was then developed like traditional chemical prints.
Life is not a simple, binary process; something that you simply have and can hold on to. It continually flows through you, in and out – until you reach the number of your days. And then it leaks back into the world from where it came. We absorb life and exude life. Like a photograph, we too are materially constructed from light made tangible and solid.
This series represents a return to my roots and to those of photography; one that reflects both my own aging process and mortality. For me, this is a shift from the virtual to the tangible as perhaps a way to hang onto the fleeting substance of life.