I have tried in various ways to represent the flow of Time, accepting also the challenge of not using any artifice in post production as artificial assemblages or distortions. All the photographs were created "in front" of the lens and not "after" the shot. The primary inspiration were Dali's soft watches. In his world time is not rigid; it is at one with space, fluid and without limits. Then I tried to go further by creating images where I introduced fragmentations, distortions and more, with the clear intention of stopping it, at least in photos ...