The idea was to redefine many discarded reportage images that I considered useless and wrong. Then digging into the archive, I realized looking at the same images after some time, that perhaps they had a reason, which I at the time had not been able to grasp with my conscience, but that I had actually understood with another part of me that we could call it unconscious. I created with these images that often apparently had nothing in common with different sequences. Here then came the idea of merging all the images of a sequence into a single collage image. I thus obtained images that were not only visually interesting, but also with meanings that went far beyond that of the individual images in the sequence. It was as if some contents disappeared in the new image, but other contents came out in an amplified manner, forcing me to also reflect deeply on my usual way of looking through photography. We are all linked and subjected to a narrative that culture, the political system, education, have in a certain sense imposed on us and outside of which we no longer seem to have an identity. But all this, the narrative itself, we can change in the search for our own identity. (However, I think that all this reflection would need a more important study. Let's say it could be the beginning of something else, of a different narrative.)