Champagner im Keller (engl. Champagne in the basement)
When Nina Röder‘s grandparents died three years ago, the family had to clear out and finally sell their house within a week. Most of the grandparents‘ belongings were packed up at random - only a few mementos were deliberately chosen and stored in a basement room in the house of Röder‘s mother. The door of this room was opened again for the first time at the beginning of 2020. With an ambivalence of amazement and melancholy all objects, furnishings, curtains and especially the grandmother‘s clothes were examined. It was in this basement room that Nina Röder and her mother staged portraits, self-portraits and still lifes for the camera during the Corona lockdown in March, thus creating a stage for an Absurd Theatre. The series CHAMPAGNER IM KELLER (engl. Champagne in the basement) follows Röder‘s work about her family, in which she encounters loss and grief in a performative and humorous way. As in her previous series, Röder deals with individual abilities to act and explores questions about the influence our family and our origins, as well as losses and inherited traumas, can have on our thoughts and actions. With the potential of photographic staging, the process of letting go of family members in Röder‘s works is thus experienced as a changeable construction of contemporary reality. The title of the series is based on a quotation from Röder‘s grandfather. On the occasion of his 90th birthday he was given several bottles of champagne as a gift. As a modest man he brought those into his basement and said: „When the beer is empty, we‘ll drink the champagne in the basement.“ This series was supported by Leica Camera Germany.