Away from the pictorial plane of painting, photography bridging from the onset an inter-disciplinary crossing over. Picture-taking leads, a holding mechanisms of freezing time-capsule particular time or milieu. Photography doesn’t substitute for genre such as painting. The shift away from a moment in time from urban portraiture, photographs hence, ‘on the road.’ A bring back, of vast fetching for the spectator. Thinking of inert stilled in time, mostly infrastructure set stationed, quasi-unaltered for the most part. Unless thinking and referring, it’s a? Thinking of acclaimed architects, as remains of archeological ruins, internalizations enclose embedded markings, findings of imprints, remnant imageries’ and a sense of mankind's subjective advent. Modernity Infrastructure seemingly substitutes for the environment, a local, regional setting-specific, site fixture of what has been referred to as or called ‘no environment.’ Architecture is site-specific with its major references, for its inhabitant to an audience of passersby. We fuse the longing to capture the tangible sense of time which is fleeing, that which is ephemeral. While trying to find a ‘home,’ thinking of those with no place to sit, margined, displaced.