Algorithms is the aesthetic drift of intimate persuasions fragmented about the world around me. Interpolations of images in the flow of my consciousness that have the task of guiding me towards a representation of the place where I move. I go so far as to describe algorithms as programs that regulate socio-cultural processes, such as the birth and development of religions, governments, large systems of mass cooperation. By contextualizing algorithms in the definition of a system, understood as a set of functionally cohesive processes, I try to arrive at a parallelism between the various arguments in which the term algorithm becomes wide. The first in computer science, observing the development of AI. The second through semiotics, the science of sign interpretation that aims at the analysis and execution of problems. The visual approach suggests the attempt to represent the social system as a dense network of systemic connections, an integrated circuit made of relations between images that open to infinite representations, such as personal Rorschach spots in the binary system.