PASSOS X PERDRE'T

In contrast to the open spaces that surround the urban fabric of the towns in the area, especially those in the high mountains, as is the case in these images, they show a configuration where, at the mercy of a sense of protection, the urban space meets more accessibility requirements than other social representation requirements to which we are more accustomed in our cosmopolitan cities. The harshness of the life that develops there and the steep tectonics of the place imply a way of making a city where the visualization of spaces is left in the background and where the public or negative of the private externalizes conceptual sinuosities in which, by piercing the buildings, it is possible to pass. Contrary to the functionality of communication, this cluster of narrow and zigzagging streets allows us to observe how the daylight makes its way in a kind of light beams that, paraphrasing the photograph, make the foreigner enter the solitary place.. The monochrome of these images is in tune with the roughness of the place and the diversity of the format externalizes the morphology of an unregulated space