This series explores distortion, reflection, and the fluidity of the portrait. Using reflective surfaces to bend and fragment the face, the images draw on the legacy of Surrealist photography — particularly the mirrored interventions of Man Ray and the warped reflections of André Kertész.
Here, identity slips between clarity and blur; the figure becomes a shifting apparition rather than a fixed subject. The work focuses on perception itself — how a face is seen, altered, and abstracted through the simplest optical interruptions.
Ebba Ryberg ( Ilford HP5 film, NY Studio, October 2025)