I use photographs to transform found objects into pieces of art. Fusing transparent figurative and family portraits with children’s toys and blocks, boxes and tins, I create a playful tension between imagery and object. My work breathes new life into these objects, yet they leave hints of the past in their lovingly worn appearances, the flecks of paint missing, soft corners, dents and dings.
I live with a substantial amount of physical pain and have for many years. In my continual search for an answer, as well as my way of dealing with the unexplained, I dissect my Gray’s Anatomy book. The pages find their way into my work, layered under images of those closest to me. The illustrations bind, clothe and wrap the body. Putting the inside on the outside, I wear my heart on my sleeve. Reminiscent of nineteenth century cased images; Specimens are housed in small hinged tins that open and close to reveal or conceal the secrets they hold. These works depart from the formality of a frame as they are arranged on a table top or a shelf, often stacked or placed side by side to reveal narratives of family life or the complexities of the feminine allure while drawing on memories, contemporary issues, and visual formality.